I aspire to provoke critical insights on the part of the spectator relative to the ways in which particular processes, environments, and sites articulate the spatial, temporal and political-historical conditions of subjectivity. Much of my current work deals with indexical mark-making procedures and the relation between body, camera, and landscape. The temporally extended repetition of apparently simple gestures, acts, and tasks opens onto the metaphorically and psychologically charged dynamic between the performing body and the spectator witnessing its movement. My practice as an artist is just as rooted in the structural-materialist tradition of filmmakers like Frampton, Snow, Gidal, and Godard as it is in the legacies of post-minimalist sculptors such as Serra, Smithson, Oppenheim, Nauman, and Holt.