FlogCheney's channel

As this date was in Tokyo, BB was likely playing on a rented upright provided for the tour, which makes this all the more remarkable.

Those fellas are on notice now. They might as well complete the daily double by calling up Paula Deen's boys and telling them to quit using so much butter.

Jesus is not the only Hall O' Famer at this partay. Toby Keith done went clean cheeks.

Sounds great. Is the bass strung with a low E and high C string?

Nestled among the quotes and references is also a brief passing snippet of Wayne Shorter's Witch Hunt.

Is that Gary Husband? Good on him.

The Warwick might be a better sound choice for this, but still delightfully insane to see and hear Jack flinging the rarified wooly Gibson mud.

Only guys with their experience and gravitas could take this tune at a slower tempo and make it cook like they do.

Sharay has a pitch drop lever on his B string tuner. Uh oh. He can go low A. Hope the drummer's got safety glass.

I was at this concert. Glad they got a decent recording of it. Sitting in the house, the live sound was less than ideal - rather boomy (no pun) and echo-laden. Due to the power and presence of the performers pushing the acoustics of the building.

Max sounded great all night, though.

This is w...

Richie has been playing that head since the mid 1970's at least. Everyone knows it's the Cherokee changes. No big deal. Tune named in honor of Harold's Rogue and Jar in DC - a basement joint just off DuPont Circle back in the day. Richie was a regular weekend headliner there. Great room. Close qu...

There's a guy who never stopped feeling bad about what happened to the Tirpitz.

The truth comes out: NPR's Andrei Codrescu is the secret love child of Jethro Tull and the Gypsy Kings. Look forward to seeing them live.

Please post more of this record if possible. Especially tunes written by Horacee Arnold. I think he wrote the title track, maybe others as well. Haven't seen the disc in many years - just going from memory.

Please note - especially haters - it looks in the opening trio segment like the bass is miked only - no pickup. Big sound, great sound.

Jim...Artie...you left the plates sitting by the tent flap...

Don't understand why these guys are not world famous. Wonder if they've thought of doing one or two Pete Seeger covers.

This is a wonderfully bouncy, buoyant tune.

Also love Carlock and Lefevre myself, but this is great too. Goines/Zach has moments where it might be my fave of all. Krantz always has great company on stage. Harder to capture the live sound on this one with the upright, no doubt. Almond may be a bit busy here, but he's still a great player. P...

I've never seen her play and did not realize what a good pianist she is. I have heard some of her compositions going back a few years ago, and it is truly wonderful writing that grabs your ear immediately and turns your head. I'll have to go see if there are any clips here with a larger ensemble.

Ladies and Gentlemen, please welcome the Art Ensemble of Hooterville

Every bass sounds good in EF's hands - haven't heard him crank up a bad one yet. But this one to my ears sounded especially good. The Barts are a nice taste.

Point of admiration: Bryn's bass looks like the top has cracked and the seam has opened up next to the neck joint.

She's on the road - no opportunity for repairs - the show must go on - so it's gaffer's tape holding things together until she can get the bass to her luthier.

That's a dedicated...