-Working without funds but stimulating self-financing and finding distribution channels.

-Using the script as a blueprint/starting point, but not as a goal.

-Shooting movies without script through improvisation & intutition.

-Activating and supporting a revolution in the filmmaking process through the promotion of neorealist and remodernist filmmaking with the use of super 8.

-Production and distribution of films by recruited filmmakers.


ON THE SCRIPT
The main thing is to have a blueprint created for your movie within everyone involved can work and that has to start somewhere. Finishing a script is the start of the process of filmmaking and not about writing a story. Improvisation and intuition are key-factors. The film 'Shadows' by John Cassavetes is one of the strongest examples of what is being meant here regarding the script opposed to cinema.

Diane Dorr-Dorynek describes John Cassavetes approach to filmmaking in jazz terms;
"The script formed the skeleton around which the actors might change or ad lib lines according to their response to the situation at the moment, so that each performance was slightly different. A jazz musician works in this way, using a given musical skeleton and creating out of it, building a musical whole related to a particular moment by listening to and interacting with his fellow musicians. Jazz musicians working with actors could conceivably provide audiences with some of the most moving and alive theater they have ever experienced."

source: Wikipedia