50MICS "TOURNAMENT COMPETITION"

50MICS PRESENTS: "TOPMICS" TOUR COMPETITION
SPONSORED by THE SOURCE MAGAZINE S.I.H.H.N SECTION & DIGIWAXX

The TOPMICS 50 city TOUR COMPETITION is where independent artists perfect their performance skills and gain valuable industry exposure and networking opportunities while competing for packages & prizes that will further establish their careers.

Finalists Receive:
Digiwax Package ($2000 value)
Source / XXL artist placement (over 300,000 worldwide circulation)
Chance to compete in TOPMICS NY finals
Winners are selected to be on the TOPMICS compilation album (multiple event winners only)

Now, members of the TOPMICS community have the unique chance to take advantage of the special opportunities thats available to promote their upcoming release or roster state to state through the 50mics/Topmics Network.

Imagine gathering 50 unsigned artists, from 5 different musical categories (Hip Hop, Rock, Reggae, Latin, and R&B), from all around the country, and have them competing tournament style for a chance to be featured on a major label debut. The Compilation album will be accompanied by a tour. Through out the competition the progress of our competitors will be chronicled on more than 100 online platforms in the industry. This is the premise behind the TOPMICS TOUR COMPETITION

The TOPMICS TOUR COMPETITION supplies much needed exposure to todays emerging underground artists. By pitting talented artists and showcasing their abilities in front of the elite executives that the music industry has to offer, 10 will be chosen to create a mash-up album of epic proportions. Do not confuse this for a mere showcase, for this is much, much bigger. Utilizing our experience and industry connections we have created a 1 of a kind experience, which includes: major touring, merchandising. To make this even more exciting, the competition will be filmed and broadcast.

The TOPMICS TOUR COMPETITION will energize and galvanize the music industry. 50Mics is doing something that has never been done before.

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