This film was made in 48 hours, for the Atlanta 48 hour film project.

There is no audio.

The categories need to be included are:

Character: Transit Employee, Alan or Anne Knight
Prop: Art Supplies
Line of Dialogue: I think I can do it.
Genre: Buddy Film

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These are some of my favorite interpretive dances.

10. [The Cure - Close to Me]
A straight guy realizing
that "The Rainbow" isn't the dance
club he thought it was.

9. [9 Brad Ackley - LOSER]
The girl that tries to convince
her guy friend that dancing is fun.

8. [Brad Ackley - LOSER]
The guy that was convinced to dance...

7. [Family Force 5 - Supersonic]
When you see a bear:
proceed to look bigger than it.

6. [Fatlip - What You Say?]
A pilot landing for the first time.

5. [Anah Aevia - The Tale of Two Revolutions]
"The Crab"

4. [Brad Ackely - Super Pimp]
Only the neck is aware of the beat.

3. [Missy Elliot - On & On]
Trying to put on a shirt that is too small.

2. [Anah Aevia - October 12, 1998]
"The Paper Boy"

1. Bella Fleck and the Flecktones - Stomping Grounds]
That guy that doesn't feel the beat
but only hears the noises.

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Camera, Editing, Directing by Isaac Deitz

Music by Elias Gwinn

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Download the entire Album "Arson is for Lovers" for free at http://www.gomeritgo.com/ .
View in HD: http://www.youtube.com/watch?v =v7r-wuX2tW0&fmt=22 .

"Hold Everything"
Merit
Arson is For Lovers
Director: Isaac Deitz

Special Thanks:

Assistant Director:
Ricky Turner http://www.youtube.com/tripthe lightfilm

and

Production Assistant:
Ulf Oesterle http://www.auxrecords.com/

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Sync-A-Longs by Isaac Deitz.

Originally made for TheOneLove.org for their first birthday!

enjoy

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Don't expect much.

This series is very similar to my cell phone videos: youtube.com/isaacdeitz

It is an attempt to break out of my mold so I can start trying new stuff.

The first of hopefully many very boring videos by Isaac Deitz.

There are a lot of hidden things to keep your eyes out for.

Camera, Editing, Acting, Directing: Isaac Deitz
Music: Elias Gwinn

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Sign up for the newsletter for tour information: www.searchforjoy.org

Supporting the advertisers will help support expenses for the film.

This is a teaser for the comedy/documentary on Poverty. Showing that poor people can have joy and don't need money to have laugh.


my two main goals and points in this film is:

1. Money truly doesn't buy happiness. But too often we use it to separate each other. We look at the poor as projects and not people. If we look at them as people, we will fight for ways to feed them, if we look at them as projects we will send checks like they are bills we are obligated to pay each month. I truly believe people see a project when they see the pictures of kids starving on TV, but people see a person and a life when they see them laughing, living and loving.

2. There is joy in serving. Going over seas isn't all suffering and malaria, there is a joy. Sure you can get malaria and you may suffer, but there is joy in serving others, doing what we are created to do.

Unfortunately I only had over two weeks there, I didn't have a camera man and I didn't get to get everything I wanted, but I think of this as a pilot, maybe it will open more doors for my next trip where I can get into more detail.


Coming this fall.

Directed by Isaac Deitz

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Shot at several Warped Tour 2008 shows.

Camera and Editing by Isaac Deitz.

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"Night Vision"

The bands camera was sent for repair and they had to use a night vision camera while waiting. Which ended up capturing a different side of Family Force 5.

Camera and Editing by: Isaac "Tub-O" Deitz

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Everybody asked where NaDaddy was in Really Real Show 22, this is your answer.

Camera and Editing by: Isaac "Tub-O" Deitz

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See what Family Force 5 has been doing in the past six months since the last Really Real Show.

Camera and Editing by Isaac "Tub-O" Deitz

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This is the first of tobyMac playBack. The Diverse City band (Dave "D-Dub" Wyatt, Brian "Da Bomb" Haley, Toddiefunk, Tim Rosenau, DJ Maj, GabeReal, Shonlock, Nirva "Nirvassence" Dorsaint-Ready) tells their favorite stories of touring.

Camera and Editing by Isaac Deitz

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