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-- endless fotografibilities --
İzmir Karşıyaka Bostanlı Mavişehir Plajı

İzmir'deki en favori deşarj lokasyonum.
Üstelik bisikletle evime yarım saatlik bir deniz boyu yolculuğuyla ulaşılabilecek mesafede..

Mavişehir Plajı ve buradaki bir voleybol sahasındaki hakem sandalyesi..

Kendimi belki şehrin değil ama "kendimin efendisi" hissetiğim ve yine belki de en özgür! hissettiğim yer..

Deniz seviyesinden 6 basamak yükseklikte,
önüm
arkam
sağım
solum
İZMİR

http://maps.google.com/map​s?q=http://bbs.keyhole.com​/ubb/download.php?Number=1​019194&t=k&om=1

Kemal'e sonsuz teşekkürler..

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Original at: http://www.StareClips.com/rain bow_with_waterfall.asp

This optical illusion relies on a principle called "Chromatic Adaptation".

An object may be viewed under various conditions. For example, it may be illuminated by the sunlight, the light of a fire, or a harsh electric light. In all of these situations, the visual system indicates that the object has the same color: an apple always appears red, whether viewed at night or during the day. This feature of the visual system is called chromatic adaptation.

Have you ever entered a movie theater on a sunny afternoon? The room probably appeared completely dark but as your visual system adjusted to the reduced level of light you were able to see better after a few moments.

This "adaptation mechanism" allows our eyes to recover from an oversensitivity to a particular stimuli. "Chromatic adaptation" occurs when our eyes adjust to certain color stimuli. Chromatic adaptation is one of the more easily fooled aspects of vision, and is prone to some of the most spectacular optical illusions.

Original at: http://www.StareClips.com/rain bow_with_waterfall.asp

More at:
http://www.StareClips.com

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http://www.iwasinturkey.com/co mponent/search/ebru/%252F?sear chphrase=exact
The art originated in China over 2000 years ago. It became popular in Japan in the 12th century under the name of ... all » suminagashi ("ink-floating"), first as a divination tool of Shinto priests, later as a decorative art. In the 15th century a similar art, called ebru (Turkish for "two-toned marbling") and now known as "Turkish marbling", developed in Turkey and Persia, but using a rather different technique. In Europe, marbled paper became popular in the 17th century, especially for book endpapers. At first a secret art exploited by few professional makers, it became a popular handicraft in the 19th century after the English maker Charles Woolnough published his The Art of Marbling.

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