It took me awhile to figure out how it worked.

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It was windy and rainy.

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The people mover goes over Pacific Ave.

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PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://www.geocities.com/john1 948ten/INDEX.html -

While they only had two big hits, the Beau Brummels were one of the most important and underrated American groups of the 1960s. They were the first U.S. unit of any sort to successfully respond to the British Invasion. They were arguably the first folk-rock group, even predating the Byrds, and also anticipated some key elements of the San Francisco psychedelic sound with their soaring harmonies and exuberant melodies. Before they finally reached the end of the string, they were also among the first bands to record country-rock in the late '60s.

The key axis of the band was formed by guitarist/songwriter Ron Elliott, who penned most of the Brummels' moody and melodious material, and singer Sal Valentino, owner of one of the finest voices in mid-'60s rock. Spotted by local DJ Tom Donahue in a club in San Mateo (just south of San Francisco), the group was signed to Donahue's small San Francisco-based label, Autumn Records, in 1964. With Sly Stewart (later Sly Stone) in the producer's chair, they made the Top 20 right off the bat with "Laugh, Laugh." The melancholy, minor-key original sounded so much like the British bands inundating the airwaves that many listeners initially mistook the Brummels for an English act. The follow-up single, "Just a Little," was another excellent, melancholy number that became their biggest hit, making the Top Ten.

The Beau Brummels made a couple of fine albums in 1965, dominated by strong original material and featuring the band's ringing guitars and multi-part, mournful harmonies. The best of their early work is nearly as fine as the Byrds' first recordings, yet the band was losing ground commercially, partially because Autumn, being such a small label, lacked promotional muscle. "You Tell Me Why" was their only other Top 40 hit, though "Sad Little Girl" and the Byrds knock-off "Don't Talk to Strangers" were excellent singles. The band also shuffled personnel a few times, and Ron Elliott was unable to stay on the road because of diabetes. Autumn was sold in 1966 to Warners, who made the lunkheaded move of forcing the band to record an entire album of Top 40 covers -- ignoring the fact that original material was one of the Brummels' primary fortes.

Regrouping as a trio, the group recorded a critically acclaimed, more experimental album in 1967, Triangle. Their last Warners LP, Bradley's Barn, found the group branching into country-rock, a year or so before it became trendy. The Beau Brummels did re-form for an unimpressive reunion album in 1975, and although Ron Elliott and Sal Valentino continued to make music and work on various low-profile projects of their own, they've never made records on par with the Brummels' vintage work. ~ Richie Unterberger, All Music Guide

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Nov 1965

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Living with Michael Jackson is a documentary, in which British journalist Martin Bashir interviewed Michael Jackson over a span of 8 months, from May 2002 to January 2003. It was shown first in the UK on 3 February 2003 and in the US three days later on ABC, introduced by Barbara Walters.
Martin Bashir put the proposal to Jackson as a way to show the world the truth about him and make nothing off limits. Jacksons decision to make the documentary was made on the suggestion by his close friend Uri Geller. It later emerged that Geller had turned down another bid for the interview by journalist Louis Theroux. The interview was very unusual, as it had been extremely rare for Jackson to allow such access to his personal life, or to talk so freely about his traumatic childhood. Nevertheless, he did show some reserve when asked to discuss other personal issues, such as the plastic surgery he has had.

Jackson felt betrayed by Bashir and complained that the film gives a distorted picture of his behaviour and conduct as a father. He claims that Bashir, in the final version of his interview, used only that material which supported Bashirs opinion of Jackson, which was not a favorable one.
Jackson filed complaints with the UKs Independent Television Commission and the Broadcasting Standards Commission.
Jacksons lawyers claimed in a British High Court case against Martin Bashir and Granada TV that the documentary was a breach of contract and breach of confidence. The proceedings were put on hold when Jackson was charged with 10 felony counts in late 2003, but the proceedings could continue after since Jacksons acquittal. However this is unlikely following his death.
Ann Kite, a public relations consultant hired by Jacksons advisers to counter negative publicity, called the documentary a PR-disaster.

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