An introduction to the hand-drawn sounds of Norman McLaren. Prepared by Don Peters and Lorne Batchelor. 1951.

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photography by eliza, busy, melissa, and will. animation by blackH

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SpiritMatters (1984, 6 min.) is a silent monologue on the simultaneous perception of space and time. The film was constructed without a camera by writing directly on clear celluloid, and then "translated" by refilming the resulting strips on a light table so that they appear as "subtitles" beneath the original inscription. The film functions as both process and object-an interactive experiment in reading, writing, and seeing.

"Rose's work continues to push at the boundaries of perception. Unlike "The man who could not see far enough," which rhapsodizes the fusion of vision with space, "SpiritMatters" celebrates and interrogates a seeing beyond time, offering an almost comic structural metaphor for our inability to imagine death." Thelma Hayek, "The Abyss of Becoming"

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morton subotnicks silver apples of the moon is the sound track for a JAHL vs. GMHL death match w/scott bartlett as the judge.

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Coil - Heartworms

Coil Heartworms Jhonn Balance Peter Christopherson Derek Jarman
There's too much blood in my alcohol

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People playing records.

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Purchase: http://www.der.org/films/scree ning-room-hillary-harris.html In March 1973, Hilary Harris visited Screening Room to screen and discuss films such as Longhorns, Highway, and Seawards the Great Ships, as well as footage from a work-in-progress about New York City.

Over the years, the work of Oscar-winning filmmaker Hilary Harris moved steadily from abstraction to social commentary. In answer to his question, "Why make films at all?" he responds, "To give a richer vision of surrounding reality. My aim is to lift people out of their preconceptions." His pioneering films include Longhorns, Highway, Seawards the Great Ships, Organism, The Nuer, and Nine Variations on a Dance Theme. In addition to his work as a filmmaker, he lectured extensively, taught film editing, designed filmmaking and sound mixing equipment, and practiced sculpture.

"...Hilary Harris was one of the great cameramen of cinema..." — Jonas Mekas

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Do you want me to tell you about Andy?

Oh, go ahead.

Anything Andy does is fantastic because he's a saint.

A saint?

Yea.

St. Andy the First.

He really loves people, so anything he does is beautiful because he sees the best in everybody.

Mmm hmm.

He sees God wherever he looks, and in whoever he looks at. So that's why they call it art, because he's just very good, you know, he's very pure so they call it art, that's what they call art, and some things...just done, um, with a touch of divinity.

Fudge.

What?

Fudge.

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"basic art" extra from the dvd Erkki Kurenniemi -- The Dawn of Dimi DVD (2002)

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Film by A.D. Venezia
Music by David Shapiro
from California Images: Hi Fi For The Eyes
sorry about the crummy sound

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World of Echo

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Video de Jorgen leth "The perfect Human" (Det Perfekte menneske)de 1967 en Inglés.

Para subirlo a youtube, corte 2:30 min perdón...

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