noisenomics
Style: Art
Joined: May 25, 2006
Last Sign In: 4 days ago
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Will future futurists relay on yesteryear's futurism, and continue the tradition of techno-fetishism, or will the superfuturists of tomorrowland surpass the superceded futurists of the past with a clean and decisive break from history? If so, what motif will this new superfuturism take on? If our new future will no longer be measured by technological development, what will it be measured by?
Name: GX
Age: 49
CINEMA NOISE is a (All Region / NTSC) DVD that features ten of my video works (1983-2006) that filter a lexicon of recurring themes through a spectrum of movie motifs and narrative strategies. You'll see skiers stop to build an empty hole in the snow, nomadic bikers debating the polywave, a spy being led from one mysterious note to another, vampires working on their garlic farm, and a visitation that gives a professor the inspiration to invent a gadget that transforms lives. What you'll hear is pure noise, most of which is derived from amplified erosion. Paypal me $15 for your copy: gx at jupitter-larsen dot com
City: Hollywood CA
Hometown: Denver CO
Country: United States
Movies and Shows: The Man From London (by Bela Tarr), Man of Flowers, Eraserhead, If..., Steppenwolf, Alphaville, Bad Guy (by Ki-Duk Kim), Batman Begins, Blow-Up, Breathless (1960), Catch-22, Dementia, Don't Let Me Die on a Sunday, Dreams That Money Can Buy, The Exterminating Angel, Hour of The Wolf, Howls in Favor of Sade, Jules and Jim, L'Age D'Or, Lost Highway, Mulholland Dr, Persona, Phantom of Liberty, Repulsion,
Rollerball (1975), Space Is The Place, Slaughterhouse Five, A Snake of June, The Straight Story, Suicide Club, The Tenant, The Tin Drum, Tomato's Another Day (1933), The Trial, Un Chien Andalou, V For Vendetta, Week End, We Go Round and Round in the Night, WR Mysteries of the Organism
Website: http://www.jupitter-larsen.com
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