From May to July 2012, the National Gallery will celebrate the second National Indigenous Art Triennial, unDisclosed. Over autumn and winter, Gallery visitors will have the opportunity to experience the dynamic visual expression of contemporary Aboriginal and Torres Strait Islander art. 20 artists have been selected for their commitment to excellence and their daring to explore new fields of practice and artistic vision, these artists both inform and redefine contemporary Indigenous art as we presently know it.
The twenty artists featured in UnDisclosed: 2nd National Indigenous Art Triennial are: Tony Albert, Vernon Ah Kee, Bob Burruwal, Michael Cook, Lorraine Connelly-Northey, Nici Cumpston, Fiona Foley, Mirdidingkingathi Juwarnda Sally Gabori, Gunybi Ganambarr, Julie Gough, Lindsay Harris, Jonathan Jones, Danie Mellor, Naata Nungurrayi, Maria Josette Orsto, Daniel Walbidi, Christian Thompson, Alick Tipoti, Lena Yarinkura and Nyapanyapa Yunupingu.
The exhibition's theme, 'unDisclosed', alludes to the spoken and the unspoken, the known and the unknown, what can be revealed and what cannot. It captures the duality of the disclosed and undisclosed embedded within the works and the exhibition as a whole. Viewers are invited to unearth the layers of hidden and subtle meanings and to place them alongside those that are conspicuous.
The National Gallery of Australia's collection of Australian art reflects its unique national responsibility to present the story of visual art in Australia.
The collection includes works of consistently high quality and outstanding aesthetic merit -- works by artists from all Australian states and territories and by Australian artists working overseas, as well as works by artists living for a time in Australia. The wide-ranging collection of the work of Indigenous artists from all regions and urban areas of Australia is covered under Aboriginal and Torres Strait Islander art. The Gallery's permanent displays of Australian art are presented in an integrated and broadly chronological arrangement of works from the earliest colonial period to the present day: paintings and sculptures, works on paper, photographs and other photomedia, decorative arts and design. Because of New Zealand's geographical and historical proximity to Australia, works by New Zealand artists are collected selectively and often displayed alongside Australian works.
The National Gallery of Australia's collection of Australian art reflects its unique national responsibility to present the story of visual art in Australia.
The collection includes works of consistently high quality and outstanding aesthetic merit -- works by artists from all Australian states and territories and by Australian artists working overseas, as well as works by artists living for a time in Australia. The wide-ranging collection of the work of Indigenous artists from all regions and urban areas of Australia is covered under Aboriginal and Torres Strait Islander art. The Gallery's permanent displays of Australian art are presented in an integrated and broadly chronological arrangement of works from the earliest colonial period to the present day: paintings and sculptures, works on paper, photographs and other photomedia, decorative arts and design. Because of New Zealand's geographical and historical proximity to Australia, works by New Zealand artists are collected selectively and often displayed alongside Australian works.
The art of contemporary Indigenous Australians takes many forms. Despite significant change and diversity, the art retains an underlying unity of inspiration—the land and the peoples' relationships with it. It is simultaneously connected to the past and engaged with the present, engaging with the world through actions which are lively, positive, political, social and creative.
The Aboriginal and Torres Strait Islander art collection at the National Gallery of Australia comprises over 7500 works and is the largest in the world. These new gallery spaces allow much more of the collection to be seen with each one specifically designed for a different geographic region or aspect of Indigenous art and, where possible, paintings and sculptures are illuminated overhead by natural daylight, akin to the light in which the works were created