BIENVENID@ a mi canal. Encontrarás un poco de todo. UNA VISION, a veces quizá, demasiado PERSONAL de temas. Pero todos hechos con ilusión, y SOBRE TODO con SENTIDO DE HUMOR. ¡ Que disfrutes !
FRASES CELEBRES: Mi corazón es como un gran pueblo, donde cabe mucha gente. Unos pasan por el y siguen...su camino. Otros se quedan en el para...siempre
UN HOMBRE SOLO TIENE DERECHO A MIRAR A OTRO HOMBRE HACIA ABAJO, CUANDO TIENE QUE AYUDARLE A LEVANTARSE.
Dicen que: MALOS TESTIGOS SON LOS OIDOS Y LOS OJOS, PARA QUIEN NO SABE NI VER, NI OIR.
QUIERO QUE LAS CULTURAS DE TODOS LOS PAISES DEL MUNDO, SOPLEN PLENAMENTE POR MI CASA. PERO ME NIEGO A SER ARRASTRADO POR ALGUNA DE ELLAS.
Lo que más admiro,..........LA INTELIGENCIA. Lo que más me molesta,...LA FALTA DE ELLA. "Graffiti callejero".
DICHO GRIEGO: Uno es GUAPO, cuando lleva una vida Feliz
Name:Julio Rodríguez
Ecléctico(hedonista-asertivo): Eclecticismo (del griego eklegein, «escoger»), es en Filosofía la escuela de pensamiento que se caracteriza por escoger (sin principios,ni prejuicios determinados) concepciones filosóficas, puntos de vista, ideas y valoraciones entre las otras demás escuelas que se asume pueden llegar a ser compatibles de forma coherente, combinándolas y mezclándolas aunque el resultado pueda ser a menudo contrapuesto,sin llegar a formar un todo orgánico: VIVIR, Y DEJAR VIVIR
City:Madrid Hometown:Valladolid-Pucela Country:Spain Interests and Hobbies:Todo lo relacionado con La Belleza, y el enriquecimiento cultural. Libros, arte, vídeo, fotografía, música, viajes...etc. RENACENTISTA en el siglo XXI. Music:TODA la que me hace SOÑAR, y VOLAR. Y la que compongo en mi PC. Books:EN LA (mi) VIDA HAY ALGO MAS QUE LIBROS,... PERO NO MUCHO MAS
ΚΕΦΑΛΑΙΟ1 Με λόγια αιθέρια θα αρχίσω Πως συζητούσα με ...
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ΑΠΟΔΟΣΗ ΣΤΑ ΕΛΛΗΝΙΚΑ
ΚΕΦΑΛΑΙΟ1 Με λόγια αιθέρια θα αρχίσω Πως συζητούσα με την Αφροδίτη ονειρεύτηκα Εμπρός λύρα θεική, με τη φωνή σου μίλησέ (μου) ΚΕΦΑΛΑΙΟ2 Να γίνω πλούσιος, δεν το επιθυμώ κι ούτε το εύχομαι, Μα να μπορούσα να ζώ με λίγα χωρίς στις συμφορές του βίου να μετέχω ΚΕΦΑΛΑΙΟ3 Μα μόλις για λίγο σε κοιτάξω, και να μιλήσω ύστερα, μου είναι αδύνατον. Ειλικρινά, να είχα πεθάνει θα ήθελα κι εκείνη, γεμάτη δάκρυα με άφησε. Στον άνθρωπο, να γίνει απόλυτα ευτυχής-το ξέρουμε καλά- είναι αδύνατο. Μα να εύχεται έστω κι ένα μερίδιο (στην ευτυχία) .ακόμα κι απροσδόκητα. ΚΕΦΑΛΑΙΟ4 Για εκείνους που ευτυχούν, όλη η ζωή είναι σύντομη. Μα για όσους δυστυχούν, και μια νύχτα είναι χρόνος απέραντος.
FRANCAIS
CHAPITRE1 Par quelques paroles aeriennes je vais commencer Jai reve que je conversais avec Aphrodite Allez lyre divine, avec ta voix parle moi. CHAPITRE2 Je ne desire pas devenir riche et je le souhaite pas ; mais je pouvais Seulement vivre avec le strict necessaire sans avoir a meler aux infirtunes de la vie. CHAPITRE3 Des que je te regarde quelques instants. Me voila dans limpossibilite de parler Sincerement jaurais voulu mourir et elle, tout en larmes ma laissee Nous savons bien quil est impossible a lhomme detre tout a fait heureux. Mais quil souhaite Un peu de bonheur..meme imprevu CHAPITRE4 Pour ceux qui sont heureux la vie est courte ; Mais pour ceux qui sont malheureux, meme une seule nuit est infinie.
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ΚΕΦΑΛΑΙΟ1 Με λόγια αιθέρια θα αρχίσω Πως συζητούσα με ...
more
ΑΠΟΔΟΣΗ ΣΤΑ ΕΛΛΗΝΙΚΑ
ΚΕΦΑΛΑΙΟ1 Με λόγια αιθέρια θα αρχίσω Πως συζητούσα με την Αφροδίτη ονειρεύτηκα Εμπρός λύρα θεική, με τη φωνή σου μίλησέ (μου) ΚΕΦΑΛΑΙΟ2 Να γίνω πλούσιος, δεν το επιθυμώ κι ούτε το εύχομαι, Μα να μπορούσα να ζώ με λίγα χωρίς στις συμφορές του βίου να μετέχω ΚΕΦΑΛΑΙΟ3 Μα μόλις για λίγο σε κοιτάξω, και να μιλήσω ύστερα, μου είναι αδύνατον. Ειλικρινά, να είχα πεθάνει θα ήθελα κι εκείνη, γεμάτη δάκρυα με άφησε. Στον άνθρωπο, να γίνει απόλυτα ευτυχής-το ξέρουμε καλά- είναι αδύνατο. Μα να εύχεται έστω κι ένα μερίδιο (στην ευτυχία) .ακόμα κι απροσδόκητα. ΚΕΦΑΛΑΙΟ4 Για εκείνους που ευτυχούν, όλη η ζωή είναι σύντομη. Μα για όσους δυστυχούν, και μια νύχτα είναι χρόνος απέραντος.
FRANCAIS
CHAPITRE1 Par quelques paroles aeriennes je vais commencer Jai reve que je conversais avec Aphrodite Allez lyre divine, avec ta voix parle moi. CHAPITRE2 Je ne desire pas devenir riche et je le souhaite pas ; mais je pouvais Seulement vivre avec le strict necessaire sans avoir a meler aux infirtunes de la vie. CHAPITRE3 Des que je te regarde quelques instants. Me voila dans limpossibilite de parler Sincerement jaurais voulu mourir et elle, tout en larmes ma laissee Nous savons bien quil est impossible a lhomme detre tout a fait heureux. Mais quil souhaite Un peu de bonheur..meme imprevu CHAPITRE4 Pour ceux qui sont heureux la vie est courte ; Mais pour ceux qui sont malheureux, meme une seule nuit est infinie.
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Each year since its founding in 1919, the Los Angeles Philharmonic has been hailed as southern Californias leading performing arts institution. Today, under the dynamic leadership of Esa-Pekka Salonen, who became the orchestras tenth music director in 1992, the Philharmonic is recognized as one of the worlds outstanding orchestras. Both at home and abroad it has, as the Berliner Zeitung stated, proved that it belongs among the best in the United States. On Sony Classical, the orchestra records with Esa-Pekka Salonen. With violinist Joshua Bell, Salonen and the orchestra have also recorded the violin concertos by Sibelius and Goldmark (SK 65949). For the Bach bicentennial in 2000, Salonen and the orchestra recorded a critically acclaimed disc of orchestral transcriptions of works by J.S. Bach (SK 89012). Their next recording, already available in some countries, presents violin concertos by Sibelius and Goldmark (SK 65949) performed with Joshua Bell. Earlier in 2000, Plácido Domingo and Bo Skovhus joined them in a recording of Mahlers Das Lied von der Erde, in the version for tenor and baritone (SK 60646). Although the orchestra has recorded late Romantic repertoire for Sony Classical -- Bruckners Fourth Symhony and Mahlers Third Symphony (S2K 60250) -- most of its Sony Classical recordings feature twentieth-century works. Most recently, they include piano concertos by Shostakovich, with Yefim Bronfman (SK 60677), and music by Mexican composer Silvestre Revueltas (SK 60676), all with Salonen. The orchestras recording of the Bartók piano concertos, with Salonen and pianist Yefim Bronfman, won a 1996 Grammy Award, and their disc of Bernard Herrmanns film music for Alfred Hitchcock, led by Salonen, was a Grammy nominee the following year. In the last decade, Salonens tenure at the Los Angeles Philharmonic has been highlighted by a strong commitment to new music. His activities with the orchestra have included world premieres of new works by composers John Adams, Bernard Rands, Rodion Shchedrin, Steven Stucky and Salonen himself, critically acclaimed festivals of music by Ligeti and Stravinsky, and appearances at the Ojai Festival. During the 2001-2002 concert season, Salonen will conduct 12 weeks of subscription concerts with the Philharmonic, followed by a two-week tour of Japan in May 2002. In August and September 2002 they return to Europe for a three-week tour of summer festivals. In January 2001, Salonen returned to his Philharmonic post following a one-year composing sabbatical. The Los Angeles Philharmonic was established in 1919 by a wealthy amateur musician named William Andrews Clark Jr. The 94 musicians of the new ensemble met their first rehearsal on October 13 of that year, under the direction of Walter Henry Rothwell, whom Clark had recruited from the St. Paul (Minnesota) Symphony Orchestra. Eleven days later, Rothwell conducted the orchestras premiere performance before a capacity crowd of 2,400 in Trinity Auditorium in downtown Los Angeles. He continued as music director until his death in 1927. Since then, nine renowned conductors have served in that capacity Georg Schéevoigt (1927-29); Artur Rodzinski (1929-33); Otto Klemperer (1933-39); Alfred Wallenstein (1943-56); Eduard van Beinum (1956-59); Zubin Mehta (1961-1978); Carlo Maria Giulini (1978-84); André Previn (1985-89) and, since the beginning of the 1992-93 season, Esa-Pekka Salonen. Since its first season, the Los Angeles Philharmonic has made downtown Los Angeles its winter home. It was in December 1964 that it began its residency at the Dorothy Chandler Pavilion of the Music Center of Los Angeles County. Today, the orchestra looks forward to another move, to what will the fourth performing venue in the Music Center complex the Frank Gehry-designed Walt Disney Concert Hall. Since 1922, the Los Angeles Philharmonic Orchestras summer home has been the world-famous Hollywood Bowl.
Ευχαριστώ τον καλό μου φίλο Στάθη Βλασσόπουλο (τον πατριάρχη του hi-end) για την προσφορά του στα βιντεό μου (μουσικές γνώσεις και προτάσεις).
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Each year since its founding in 1919, the Los Angeles Philharmonic has been hailed as southern Californias leading performing arts institution. Today, under the dynamic leadership of Esa-Pekka Salonen, who became the orchestras tenth music director in 1992, the Philharmonic is recognized as one of the worlds outstanding orchestras. Both at home and abroad it has, as the Berliner Zeitung stated, proved that it belongs among the best in the United States. On Sony Classical, the orchestra records with Esa-Pekka Salonen. With violinist Joshua Bell, Salonen and the orchestra have also recorded the violin concertos by Sibelius and Goldmark (SK 65949). For the Bach bicentennial in 2000, Salonen and the orchestra recorded a critically acclaimed disc of orchestral transcriptions of works by J.S. Bach (SK 89012). Their next recording, already available in some countries, presents violin concertos by Sibelius and Goldmark (SK 65949) performed with Joshua Bell. Earlier in 2000, Plácido Domingo and Bo Skovhus joined them in a recording of Mahlers Das Lied von der Erde, in the version for tenor and baritone (SK 60646). Although the orchestra has recorded late Romantic repertoire for Sony Classical -- Bruckners Fourth Symhony and Mahlers Third Symphony (S2K 60250) -- most of its Sony Classical recordings feature twentieth-century works. Most recently, they include piano concertos by Shostakovich, with Yefim Bronfman (SK 60677), and music by Mexican composer Silvestre Revueltas (SK 60676), all with Salonen. The orchestras recording of the Bartók piano concertos, with Salonen and pianist Yefim Bronfman, won a 1996 Grammy Award, and their disc of Bernard Herrmanns film music for Alfred Hitchcock, led by Salonen, was a Grammy nominee the following year. In the last decade, Salonens tenure at the Los Angeles Philharmonic has been highlighted by a strong commitment to new music. His activities with the orchestra have included world premieres of new works by composers John Adams, Bernard Rands, Rodion Shchedrin, Steven Stucky and Salonen himself, critically acclaimed festivals of music by Ligeti and Stravinsky, and appearances at the Ojai Festival. During the 2001-2002 concert season, Salonen will conduct 12 weeks of subscription concerts with the Philharmonic, followed by a two-week tour of Japan in May 2002. In August and September 2002 they return to Europe for a three-week tour of summer festivals. In January 2001, Salonen returned to his Philharmonic post following a one-year composing sabbatical. The Los Angeles Philharmonic was established in 1919 by a wealthy amateur musician named William Andrews Clark Jr. The 94 musicians of the new ensemble met their first rehearsal on October 13 of that year, under the direction of Walter Henry Rothwell, whom Clark had recruited from the St. Paul (Minnesota) Symphony Orchestra. Eleven days later, Rothwell conducted the orchestras premiere performance before a capacity crowd of 2,400 in Trinity Auditorium in downtown Los Angeles. He continued as music director until his death in 1927. Since then, nine renowned conductors have served in that capacity Georg Schéevoigt (1927-29); Artur Rodzinski (1929-33); Otto Klemperer (1933-39); Alfred Wallenstein (1943-56); Eduard van Beinum (1956-59); Zubin Mehta (1961-1978); Carlo Maria Giulini (1978-84); André Previn (1985-89) and, since the beginning of the 1992-93 season, Esa-Pekka Salonen. Since its first season, the Los Angeles Philharmonic has made downtown Los Angeles its winter home. It was in December 1964 that it began its residency at the Dorothy Chandler Pavilion of the Music Center of Los Angeles County. Today, the orchestra looks forward to another move, to what will the fourth performing venue in the Music Center complex the Frank Gehry-designed Walt Disney Concert Hall. Since 1922, the Los Angeles Philharmonic Orchestras summer home has been the world-famous Hollywood Bowl.
Ευχαριστώ τον καλό μου φίλο Στάθη Βλασσόπουλο (τον πατριάρχη του hi-end) για την προσφορά του στα βιντεό μου (μουσικές γνώσεις και προτάσεις).
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marianojulio became friends with MisterDarni(2 days ago)
7 de julio San Fermín.
...Según cuentan, san Fermín, por su negación, y cabezonería a dejar de predicar en favor de Jesucristo, perdió la cabeza,(fue decapitado).
También es el patrono de los panaderos y los vinateros.
Que mejor lugar para beber y perder la cabeza, que ...
Me ha facinado tu canal, es un exponente del arte andaluz y por demas flamenco saludos y felicidades por esta compilacion de buenos videos es una galeria virtual.... q arte....
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