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magicprepy favorited a video
(3 days ago)
Dalla sua pace - DON GIOVANNI - Mozart/Da Ponte.
Kenneth Tarver, Mozart tenor "par excellence" sings LIVE in concert from 2001. He also ...
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Dalla sua pace - DON GIOVANNI - Mozart/Da Ponte.
Kenneth Tarver, Mozart tenor "par excellence" sings LIVE in concert from 2001. He also recently recorded the role of Don Ottavio on the highly acclaimed Harmonia Mundi recording conducted by Rene Jacobs.
"CHAPEAU!" to Lorenzo Da Ponte, whose poetry inspired Mozart to write one of his best loved arias:
Six lines encapsulating what it is to love...
Dalla sua pace la mia dipende
Quel che a lei piace vita mi rende,
Quel che le incresce morte mi dà.
S'ella sospira, sospiro anch'io;
È mia quell'ira, quel pianto è mio;
E non ho bene, s'ella non l'ha.
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magicprepy favorited a video
(4 days ago)
Divertente parodia degli Oblivion sul romanzo di Manzoni compresso per l'occasione in 10 minuti (sigla esclusa) di corsa contro il tempo.
OBLIVION S...
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Divertente parodia degli Oblivion sul romanzo di Manzoni compresso per l'occasione in 10 minuti (sigla esclusa) di corsa contro il tempo.
OBLIVION SHOW TOUR 2009/2010.
DA OTTOBRE IN TUTTI I TEATRI ITALIANI.
PER INFO www.oblivion.it
VIDEO CLIP DISPONIBILE ORA IN DVD NELLA COMPILATION "DI PALO IN SESTO" IN VENDITA SU WWW.OBLIVION.IT!!!
Con
Graziana Borciani - Perpetua, Agnese, Monaca di Monza
Davide Calabrese - Don Abbondio, Innominato, Fra Cristoforo
Francesca Folloni - Lucia
Lorenzo Scuda - Bravo, Renzo
Fabio Vagnarelli - Bravo, Don Rodrigo, Borromeo
e con
Tromba: Matteo Costanzi
Trombone: Giordano Bruno Tedeschi
Sax Alto: Stefano Melloni
Sax Tenore, Flauto: Alessio Alberghini
Violini: Tania Righi e Anna Lodi Rizzini
Fisarmonica: Antonio Rimedio
Banjo: Gianluca Naldi
Pianoforte: Simone Manfredini
Chitarra: Lorenzo Scuda
Contrabbasso: Camilla Missio
Batteria: Sebastian Mannuzza
Riprese video: Bruno Folloni e Pietro Annicchiarico
Montaggio: Pietro Annicchiarico
Ripresa Audio: MuCe
TItolo originale "Oblivionteca Numero tre: I Promessi Sposi" di Lorenzo Scuda e Davide Calabrese
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magicprepy favorited a video
(6 days ago)
The fourth singer who gets the say is the spectacular bass Fillippo Galli.
Galli stands a bit apart from all the others in the Quintet. First of al...
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The fourth singer who gets the say is the spectacular bass Fillippo Galli.
Galli stands a bit apart from all the others in the Quintet. First of all, unlike all the other singers, he is mostly associated with Rossini's opera buffa: his creations include Mustafa and Selim along with several other roles. Only Maometto, Assur and, to a certain extent, Fernando in "La gazza ladra" are tragic figures. A very broad range of roles which talks volumes about Galli's dramatical capabilities. David and Colbran have also appeared in comic operas, but only Galli has such a surprisingly wide role range. Secondly, unlike all the other singers, Galli was one of Rossini's lead singers from start to finish: he created the role of Batone in one of the five one act operas and was the first Assur. Basically, we have a very broad musical period, from Rossini's earliest successes to his last Italian opera. Quite a long companionship! And Rossini, just like in Nozzari's and Colbran's cases, was inspired by Galli's personality and has created some of his best bass music specifically for Galli.
Just like Nozzari and Pesaroni, Galli wasn't originally the voice with which he made his name. He made his debut as a tenor at 1804, after which he rose rapidly to the front rank. In 1810 his voice was changed to a bass by a severe illness, and on competent advice he studied to cultivate his changed voice, which brought him success equal to, if not greater, than that prior to his illness. He went on to become one of the most acclaimed basses of the era, with a voice known for its wide range, extreme agility, and expressivity, and a remarkable gift for acting. Many even called him "the most beautiful voice in Italy".
Concerning arias for Galli. His case is actually quite similar to Colbran's. He usually doesn't get the most solo opportunities: in most operas Galli's presence is most felt in ensembles, while solo pieces are limited to one cavatina or aria (though in "Maometto" he gets an additional "grand scene" which somehow isn't a real set piece of an aria). Mostly, in spite of the vocal demands, his cavatinas are rather simple successions of cantabile - cabaletta, but, unlike similarly crafted David arias, they never are truly dominated by the coloratura. Only in "Semiramide" his aria is different, a bass equivalent of a Mad Scene.
The cavatina of Maometto is a superbly written scene, though it is a rather simple one, with no obvious irregularities. The power of the aria lies in the fact that it helps quickly establish the character of the conqueror: manly, sure of success, powerful. Even the rather difficult coloratura patterns are well integrated as to help set up the title hero's position in the drama.
Samuel Ramey and Michele Pertusi are both well-known interpretators of Galli roles and both have sung the part of Maometto in full performances. In this case, I went for the Ramey who is successful in creating the character through his rich voice alone (though Pertusi is better overall in the role). Enjoy :)!
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Anni fa quando c'era ancora il vecchio sacrista (purtroppo è deceduto qualche mese fa) che ha fatto imparare anche il sottoscritto venivano per la festa del paese e Pasqua alcuni rinforzi credo da Gandino o Bergamo per fare il concerto solenne chiamato dal nostro ex sacrista "Suono in piedi"... Certo è che l'altra mattina ho capito che non poteva essere solo il nostro a suonare,(almeno lui suona in altro modo ma non così) tirare su il campanone in piedi è un impresa non da poco, era pesante e dovevamo essere almeno in due!!
A Ponte Nossa fino a qualche annetto fa le suonavo anche io, credo sia ancora oggi uno dei pochi paesi della Valle Seriana ad avere le campane delle due chiese (Parrocchia e San Bernardino) ancora a corda!!!
Peccato che di concerti come questi al mio paese li fanno solo il 02 Giugno (Festa della Madonna e patrono del paese, San Bernardino e al Corpus Domini).