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In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967,...
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In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a single entitled Arnold Layne. The single was later released in March of that year and reached #20 in the British charts. Also in January the band had recorded a 16-minute version of Interstellar Overdrive and an improvised jam called Nick's Boogie, for Peter Whitehead's documentary film Tonite Let's All Make Love in London. (The latter track wasn't released until 1991 on the CD reissue of the film's soundtrack). The band's live show consisted mainly of instrumental numbers and blues covers, however they had started to introduce songs which were written primarily by lead guitarist and lead vocalist Syd Barrett. Many of these songs written by Barrett appeared at the Games For May concert several months before the release of the album.
Recording of the album began on the 21 February 1967 in studio three of Abbey Road Studios at the same time The Beatles were recording Sgt. Pepper's Lonely Hearts Club Band and The Pretty Things were recording S.F. Sorrow. The album was produced by Norman Smith, an EMI staff member who had previously engineered all of The Beatles recordings up to 1965's Rubber Soul. Smith would go on to produce Pink Floyd's follow up album, A Saucerful of Secrets. "Interstellar Overdrive" and "Matilda Mother" were two of the first tracks recorded, as the latter was viewed as a potential single. "Interstellar Overdrive"s kinetic and spacey production, came from the insistence of the normally conservative Norman Smith, whose work on the record is often criticised because it is seen that he tried to make the album more pop orientated[citation needed]. An early, unoverdubbed, shortened mix of the album's "Interstellar Overdrive" was used for a French EP released that July. In April, the band recorded both "Percy the Rat Catcher" (this would later be called "Lucifer Sam"), and a currently unreleased track called "She Was a Millionaire". At some point during the album's creation, Nick Mason recalled that they were "ushered" into studio 2 where The Beatles were recording "Lovely Rita". Several conflicting views surround how efficiently the recording of the album actually went. In his book Inside Out: A Personal History of Pink Floyd, Nick Mason recalled that the sessions went smoothly and that the whole process was extremely efficient. Norman Smith however, condemned both the album's recording and the band members' musical abilities. Smith later stated that the sessions were "sheer hell". However, both "The Gnome" and "The Scarecrow" were recorded in one take. Indeed a large proportion of the album is credited solely to Barrett, with tracks such as "Bike" having been written in late 1966 before the album was even started. "Bike" was originally entitled "The Bike Song", and it was recorded on 21 May 1967. The last recording session took place on 5 July 1967, with the track "Pow R. Toc H." being one of last songs added to the album.
Vic Singh photographed and designed the album cover, unlike subsequent Pink Floyd albums. The album remains one of the few to actually feature the band members on the front cover. The album's title comes from the title of Chapter Seven, "THE PIPER AT THE GATES OF DAWN," of Kenneth Grahame's The Wind in the Willows, where Rat and Mole, while searching for Portly, the lost son of Otter, are drawn to a place where the 'Piper' is playing on his reed flute.
"`This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. `Here, in this holy place, here if anywhere, surely we shall find Him!'"
(The 'Piper' referred to is the Greek god Pan.)
Portly was found near Pan.
Lyrics: A movement is accomplished in six stages And the seventh brings return. The seven is the number of the young light It forms when darkness is increased by one. Change returns success Going and coming without error. Action brings good fortune. Sunset.
The time is with the month of winter solstice When the change is due to come. Thunder in the other course of heaven. Things cannot be destroyed once and for all. Change returns success Going and coming without error. Action brings good fortune. Sunset, sunrise.
A movement is accomplished in six stages And the seventh brings return. The seven is the number of the young light It forms when darkness is increased by one. Change returns success Going and coming without error. Action brings good fortune. Sunset, sunrise.
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landbridge favorited a video
(5 days ago)

David Bowie - Bring me the disco king which is available on the album Reality by David Bowie, credit to Alex Kuznetsov for the original upload on ...
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David Bowie - Bring me the disco king which is available on the album Reality by David Bowie, credit to Alex Kuznetsov for the original upload on another site.
Lyrics courtesy of azlyrics.com - You promised me the ending would be clear You'd let me know when the time was now Don't let me know when you're opening the door Stab me in the dark, let me disappear
Memories that flutter like bats out of hell Stab you from the city spires Life wasn't worth the balance Or the crumpled paper it was written on
Don't let me know we're invisible Don't let me know we're invisible
Hot cash days that you trailed around Cold cold nights under chrome and glass Led me down river of perfumed limbs Sent me to the streets with the good time girls
Don't let me know we're invisible Don't let me know we're invisible We could dance, dance, dance thru' the fire Dance, dance, dance thru' the fire
Feed me no lies I don't know about you, I don't know about you Breathe through the years I don't know about you, I don't know about you Bring me the disco king I don't know about you, I don't know about you Dead or alive, bring me the disco king Bring me the disco king, bring me the disco king Bring me the disco king
Spin-offs with those who slept like corpses Damp morning rays in the stiff bad clubs Killing time in the '70s Smelling of love through the moist winds Don't let me know when you're opening the door Close me in the dark, let me disappear Soon there'll be nothing left of me Nothing left to release
Dance, dance, dance thru' the fire Dance, dance, dance thru' the fire Feed me no lies I don't know about you, I don't know about you Breathe through the years I don't know about you, I don't know about you Bring me the disco king I don't know about you, I don't know about you Dead or alive, bring me the disco king Bring me the disco king Bring me the disco king, bring me the disco king Bring me the disco king, bring me the disco king Bring me the disco king, bring me the disco king.
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