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The roots of Lamb of God were planted in 1990 when Morton, Chris Adler and Campbell, were floor mates at Virginia Commonwealth University. The trio began playing at Adler's house in Richmond weathering chilly conditions. "There was no heat at the house," recalls Campbell. "We would freeze our asses off, get really drunk and hang around the kerosene heaters trying to write metal songs. Kerosene fumes and Black Label beer were definitely what fueled our early days."

After graduation, Morton moved to Chicago to pursue a master's degree, but the band continued. A new guitarist (temporarily) replaced Morton as the band retired its instrumental sound and added Blythe on vocals.

The quartet, known then as Burn the Priest, became a fixture in the tightly-knit Richmond music scene. To compete with the high-level of musicianship displayed by their contemporaries, the band adopted a rigid practice schedule. "To this day, we practice five days a week out of necessity," says Campbell. "The bands in Richmond can flat outplay you and if you don't practice, they will blow you off the stage. Bands like Breadwinner and Slanglouse - two local math-metal bands - could play insanely complicated music note perfect. They inspired us to raise the bar musically and taught us the work ethic we needed to be a success."

The band was playing around Virginia when Morton moved back from Chicago and re-joined the group. Soon after, Burn the Priest released a self titled full length album on Legion Records. Morton's original replacement left soon after, which opened a spot for guitarist, and brother to Chris - Willie Adler. A year after the second Adler joined, Burn the Priest changed its name to Lamb of God and signed a record deal with Prosthetic Records. The band's independent-debut, NEW AMERICAN GOSPEL, was released in 2000. "This album was all about creating a rhythmic and pummeling musical landscape with riff after riff," explains Morton.

Two years of extensive touring to support the album raised Lamb of God's profile before the band released the critically acclaimed, AS THE PALACES BURN (2003). ATPB won record of the year honors in such notable Magazines as Revolver and Metal Hammer while garnering mainstream press in Rolling Stone and Entertainment Weekly. "This album was the ying to the fist records yang. Blazing and technical speed metal the way it should be done," says Chris Adler. "Each album is a snapshot in time of who we are and what we are able to do, individually and as a band - we continue to grow and Ashes of the Wake is no different - except for the fact that we have never been better than we are right now at making seriously kick ass music."

The band hit the road again and began headlining tours before signing with Epic Records. In the fall of 2003 Lamb of God was a co-headliner on the first ever MTV's Headbanger's Ball tour which elevated Lamb of God's profile beyond the underground. As it entered the studio to record ASHES OF THE WAKE, the band released "TERROR AND HUBRIS," a DVD featuring live performances, videos for "Ruin" and "Black Label" and behind-the-scenes footage highlighting the work ethic, humility and sense of humor of one of the most respected and influential bands around today. The DVD proved to be a commercial success as it entered the Billboard Music DVD Charts at #32.