Karl-Heinz Bomberg see http://www.kh-bomberg.de
(Apologize for artefacts because of damage to original tape)

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Karl-Heinz Bomberg
http://www.kh-bomberg.de
(though sound is better in this capture please apologize for tape damage artefacts)

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Title song of Karl-Heinz Bomberg's CD "Hoffnung" - nach Bandsalat des Originalbandes bitten wir, die "Artefakte" zu entschuldigen.

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Otmar Desch is ComposerDoc and is presented at http://www.DoctorsTalents.com - he was working as conductor at the theatre of Stendal/Germany until 2007, where he conducted the premiere of his own musical "Aufruf des Dalai Lama" with the ensemble. Now he is living in Berlin and participating in a new project http://www.PDO.name with the new Philharmonic Doctors Orchestra producing the "Magic Flute" of Mozart with MusicDocs from all over the world.
See also http://www.desch-musicproducti on.de

The parts of the Dalai Lama musical can be viewed in direct sequence clicking on these links:
Call of Dalai Lama 01: http://www.youtube.com/v/OfX7j KyKWms

Call of Dalai Lama 02: http://www.youtube.com/watch?v =VkXfk39lw9I

Call of Dalai Lama 03: http://www.youtube.com/watch?v =CdEv5GzQ0zY

Call of Dalai Lama 04: http://www.youtube.com/watch?v =m17E0v7ZSFA

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Otmar Desch is ComposerDoc and is presented at http://www.DoctorsTalents.com - he was working as conductor at the theatre of Stendal/Germany until 2007, where he conducted the premiere of his own musical "Aufruf des Dalai Lama" with the ensemble. Now he is living in Berlin and participating in a new project http://www.PDO.name with the new Philharmonic Doctors Orchestra producing the "Magic Flute" of Mozart with MusicDocs from all over the world.
See also http://www.desch-musicproducti on.de

The parts of the Dalai Lama musical can be viewed in direct sequence clicking on these links:
Call of Dalai Lama 01: http://www.youtube.com/v/OfX7j KyKWms

Call of Dalai Lama 02: http://www.youtube.com/watch?v =VkXfk39lw9I

Call of Dalai Lama 03: http://www.youtube.com/watch?v =CdEv5GzQ0zY

Call of Dalai Lama 04: http://www.youtube.com/watch?v =m17E0v7ZSFA

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Arthur Friedheim was a pupil of Liszt from the late 1870s, and acted as Liszt's secretary during the 1880s until Liszt's death in 1886, with daily contact and experience of all that Liszt did in that period: he is our best witness to Liszt's performance and thoughts from that time. Liszt greatly admired Friedheim's playing, declaring that his interpretation of his now famous B minor piano sonata was just as he wanted it to have been (there was a piano roll made by Friedheim of the sonata, for the Triphonola company: If anyone knows of the whereabouts of this roll I'd like to hear about it - the roll is thought lost, but if it still exists it would be one of the most important musical documents in the history of piano performance and it needs to be preserved in digital media and performance).

Friedheim's own playing was exceptionally aristocratic and elevated. There is a sense of what we now call "classicism" to his interpretations. Control, balance and concentration. The few recordings he made are fascinating.

I am also putting a few piano roll recordings of Friedheim online to give a better idea of this pianist, as the acoustic recordings stretch to so few minutes.

This recording was made in 1912 and is of the "Feux Follets" ("Will-o'-the-wisp") Transcendental Etude. This performance is quite exceptional, and is one of THE best handful of Liszt performances ever recorded.

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