For Justy (and Michel) with Thanks:)

How to Make a Shed
George Strait - That's My Kind of Woman
She can drive a truck and rope and ride
She feels right at home right by my side
That's my kind of woman
That's my cup of tea
That's my kind of woman
The one i want for me


She's got a pair of boots that she just loves
And like me, likes Gus from Lonesome Dove
That's my kind of woman
That's me to a "T"
That's my kind of woman
The one i want for me


Chorus:
After all I've seen and all I've done
I know somewhere there is someone
Who'll look my way and say
I want that one
That's my kind of woman
That's me to a "T"


No matter what she wears she turns my head
On rainy days, I can't pry her out of bed
Lord, I know the order's pretty tall
But find me and that'll be all


That's my kind of woman
That's me to a "T"
That's my kind of woman
The girl I want for me


Repeat Chorus


That's my kind of woman
The girl I want for me


She can drive a truck and rope and ride

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The Moon's a Harsh Mistress - Joan Baez

See her how she flies
Golden sails across the sky
Close enough to touch
But careful if you try
Though she looks as warm as gold
The moon's a harsh mistress
The moon can be so cold

Once the sun did shine
Lord, it felt so fine
The moon a phantom rose
Through the mountains and the pines
And then the darkness fell
And the moon's a harsh mistress
It's so hard to love her well

I fell out of his eyes
I fell out of his heart
I fell down on my face
Yes, I did, and I -- I tripped and I missed my star
God, I fell and I fell alone, I fell alone
And the moon's a harsh mistress
And the sky is made of stone

The moon's a harsh mistress
She's hard to call your own.

Joan Baez (born January 9, 1941 in Staten Island, New York) is a folk singer and songwriter known for her highly individual vocal style. Many of her songs are topical and deal with social issues.

She is perhaps best known for her hit "Diamonds & Rust" and her covers of Phil Ochs' "There But For Fortune" and The Band's "The Night They Drove Old Dixie Down" (a top-five single on the U.S. charts in 1971), and to a lesser extent,"We Shall Overcome," "Love Is Just A Four-Letter Word" and "Farewell Angelina," "Sweet Sir Galahad" and "Joe Hill" (songs she performed at the 1969 Woodstock festival). She remains known for her long relationship with Bob Dylan and her lifelong passion for activism, notably in the areas of nonviolence, civil, human rights and, more recently, the environment.

Baez has performed publicly for over 50 years, released over 30 albums and recorded songs in at least eight languages. She is considered a folk singer although her music has strayed from folk considerably after the 1960s, encompassing everything from rock and pop to country and gospel. Although a songwriter herself, especially in the mid-1970s, Baez is most often regarded as an interpreter of other people's work, covering songs by Woody Guthrie, Pete Seeger, Bob Dylan, The Beatles, Jackson Browne, Paul Simon, The Rolling Stones, Stevie Wonder and myriad other artists. In more recent years, she has found success interpreting songs of diverse songwriters such as Steve Earle, Natalie Merchant and Ryan Adams. She has a three-octave vocal range and a distinctively rapid vibrato.

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Talk to someone!

1-800-SUICIDE
1-800-273-TALK
1-866-4-U-TREVOR
HOPELineUK- 08000 68 41 41

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1944 - 1949 Greek Civil War
1945 - 1949 Chinese Civil War
1946 - 1954 First Indochina War
1947 - 1949 First Kashmir War between India and Pakistan
1948 - 1949 First Arab-Israeli War
1948 - 1960 Malayan Emergency
1950 - 1953 Korean War (UN-led coalition vs. North Korea)
1952 - 1960 Mau Mau Uprising in Kenya
1954 - 1962 Algerian War of Independence
1954 - 1964 Vietnamese Civil War
1955 - 1972 First Sudanese Civil War
1956 - Suez Crisis (Second Arab-Israeli War)
1956 - 1959 Cuban Revolution
1960 - 1996 Guatemalan Civil War
1961 Bay of Pigs Invasion (CIA-sponsored invasion attempt by Cuban Nationals)
1961 - 1975 Angolan War of Independence
1962 - 1963 Sino-Indian War
1964 - 1973 Vietnam War between the U.S.-led coalition (including the government of South Vietnam) and the National Liberation Front (NLF), backed by North Vietnam
1964 - 1975 Mozambique's War of Independence
1965 Second Kashmir War (Second Indo-Pakistani War)
1965 - 1996 Chad Civil War
1966 - 1988 Namibian War of Independence
1967 Six-Day War (Third Arab-Israeli War)
1967 - 1970 Biafra War in Nigeria
1967 - 1975 Cambodian Civil War
1969 Football War between Honduras and El Salvador.
1971 The Pakistani Civil War that becomes the Third Indo-Pakistani War
1973 Yom Kippur War (Fourth Arab-Israeli War)
1974 - 1991 Ethiopian Civil War
1975 - 1989 Angolan Civil War
1975 - 1991 Lebanese Civil War
1975 - 1998 War of Indepence in East Timor
1979 Sino-Vietnamese War
1979 - 1992 El Salvador Civil War
1980 - 1988 Iran-Iraq War
1981 Border war between Ecuador and Peru
1982 Falklands War between United Kingdom and Argentina
1982 Lebanon War
1982 - 1984 Mozambique's Ciwil War
1983 Operation Urgent Fury, U.S.-sponsored invasion of Grenada
1983 - 2000 Civil War in Sri Lanka
1988 - 1994 Nagorno-Karabakh war between Armenia and Azerbaijan
1989 - 1990 Operation Just Cause, United States invades Panama
1990 - 1991 Persian Gulf War between Iraq and UN-led coalition
1990 - 1992 Rwanda Civil War
1991 - 2001 Yugoslav Wars
1991 Slovenian War
1991 - 1995 Croatian War
1992 - 1995 Bosnian War
1998 - 1999 Kosovo War
2001 Macedonian War
1991 - 1993 Georgian civil wars
1991 - 1992 South Ossetian war
1992 - 1994 Abkhazian War
1993 Georgian civil war, western Georgia
1991 - 1997 Sierra Leone Civil War
1993 - 1999 Burundi Civil War
1994 Yemen Civil War
1994 - 1996 First Chechen War
1995 Cenepa War between Peru and Ecuador
1996 - 1997 Liberian Civil War
1998 - 2000 Border war between Ethiopia and Eritrea
1999 Kargil Conflict
1999 - 2003 Second Liberian Civil War
2006 - Lebanon War between Israel and the Hezbollah

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Utada Fly Me to the Moon
Poets often use many words
To say a simple thing
It takes thought and time and rhyme
To make a poem singing

With music and words I've been flying
For you I have written a song
To be sure that you'll know what I'm saying
I'll translate as i go along

Fly me to the moon,
And let me play among the stars
Won't you let me see what spring is like on Jupiter and Mars
In other words: Hold my hand!
In other words: Darling, kiss me!

Fill my heart with song,
And let me sing forever more
You are all I long for all I worship and adore
In other words: Please be true!
In other words: I love you!

In other words: Please be true!
In other words: I love you!

Hikaru Utada, better known by her stage name Utada in America and Europe, and also known by her fans as Hikki, is a Japanese-American singer-songwriter, arranger and record producer. Known best for her songs "Automatic" and "First Love", she was called by Time Magazine in 2001 "Diva On Campus". Utada's debut album First Love became Japan's biggest selling album of all time with over 7.65 million copies sold in Japan alone to date. The release of her later works helped her remain one of Japan's top artists, with 3 of her Japanese studio albums being ranked in Top 10 best-selling albums ever in Japan (#1, #4, #8).
She has had 12 #1 hits to date on the Oricon Singles chart, with two notable record achievements for a female solo or group artist: 5 of them being million-sellers and 4 placing in the Top 100 All-Time Best-selling Singles. In addition, Utada has won the Nihon Golden Disk "Song of the Year" award for 14 of her singles since 2000 and has won the Golden Disc "Pop/Rock Album of the Year" award for all 5 of her Japanese studio albums. In 2003, Utada was ranked the #24 Japanese pop artist in its survey of "Top 100 Japanese Pop Artists of All Time" by HMV, and #10 in HMV's "Top 30 Best Japanese Singers of All Time" in 2006.[8] She is also known for her two theme song contributions to Square Enix's Kingdom Hearts video game series: "Simple and Clean"[9] and "Sanctuary". In 2007, her single "Flavor of Life" reached #2 in worldwide digital download yearly single chart with over 7.2 million downloads, and contributes to 12 million digital sales for her over the same year.

1 Opening
2 Devil Inside
3 Exodus ' 04
4 The Workout
5 Easy Breezy
6 Tippy Toe
7 Hotel Lobby
8 Animato
9 Crossover Interlude
10 Kremlin Dusk
11 You Make Me Want To Be A Man
12 Wonder 'Bout
13 Let Me Give You My Love
14 About Me

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Moon is a Harsh Mistress - Glen Campbell
Glen Campbell's finest album brings together again the singing/writing team of Campbell and Jimmy Webb that produced four Top 40 hits in 1967-69—"By the Time I Get to Phoenix," "Wichita Lineman," "Galveston" and "Where's the Playground Susie." In this inspired reunion, Campbell sings eight recent Webb songs, plus Lowell George's "Roll Me Easy" and Susan Webb's lovely "About the Ocean." Against Webb's excellent arrangements of his own material—beautiful string charts billow behind intricate pianism—Campbell delivers the strongest vocals of his career. While his version of Webb's great "The Moon Is a Harsh Mistress" can't match Joe Cocker's for raw expressiveness, he addresses the song with a compassion that is almost as persuasive. The album also offers what I think is the first recorded version of "Adoration," one of the most musically sophisticated and psychologically complex songs in the Webb canon. Campbell masters the difficult musical phrasing and gives an affecting realization of the lyric, which portrays a lover's vanity. In the liner notes, Campbell writes of Webb: "He marries a lyric with a melody and a melody with a chord progression better than any writer today." Campbell is not far off the mark.

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Jimmy Webb - The Moon's a Harsh Mistress
See her how she flies
Golden sails across the sky
Close enough to touch
But careful if you try
Though she looks as warm as gold
The moon's a harsh mistress
The moon can be so cold

Once the sun did shine
Lord, it felt so fine
The moon a phantom rose
Through the mountains and the pines
And then the darkness fell
And the moon's a harsh mistress
It's so hard to love her well

I fell out of her eyes
I fell out of her heart
I fell down on my face
Yes, I did, and I -- I tripped and I missed my star
God, I fell and I fell alone, I fell alone
And the moon's a harsh mistress
And the sky is made of stone

The moon's a harsh mistress
She's hard to call your own.

Raised in Oklahoma and west Texas, Jimmy Webb launched a celebrated songwriting career while still in his teens, his "Up, Up And Away" topping the charts for The Fifth Dimension in 1967. During the Flower Power era, his lush, romantic pop songs -- "MacArthur Park" for Richard Harris and "By The Time I Get To Phoenix" for Glen Campbell, to name a couple -- represented everything creatively vital about a Tin Pan Alley that was fast being overshadowed by songwriting performers like Dylan and The Beatles.




Success or no, Webb quickly saw the writing on the wall. "One thing I always knew was that once they know who you are, you're dead," he explains in Ben Edmonds' liner notes to this release. "I saw that I was rapidly pigeonholed, strapped into an electric chair called 'middle of the road songwriter.' I couldn't let that happen."




So in 1969 Webb embarked on a performance career noted for its studio innovation, large-scale ambition, and delicate song craft. While his 1970 debut, Words And Music, was tailored to the rock audience, Webb subsequently re-consolidated his orchestral gains, culminating in the back-to-back extravagance of Land's End (1974) and El Mirage (1977), the latter produced by George Martin.




Webb consistently impressed critics but sold few records. His peers have always recognized his genius, bestowing prestigious songwriting awards as well as Grammys for music, lyrics, and orchestration (Webb remains the only artist to be awarded in all three categories). And then there are the legions of loyalists. "It has been a somewhat strange career -- sometimes triumphant, sometimes bittersweet -- having this almost maniacal following of people who will travel anywhere to hear me perform, yet not ever having grasped the brass ring of major acceptance as a performer," he says in these liners.




This five-disc limited-edition boxed set contains the albums Words And Music (1970), And So: On (1971), Letters (1972), Land's End (1974), and El Mirage (1977), as well as previously unreleased 1972 live performances and a disc's worth of previously unreleased outtakes.
SLEEPIN' IN THE DAYTIME
P.F. SLOAN
LOVE SONG
CARELESS WEED
PSALM ONE-FIVE-O
I. SONGSELLER
II. DOROTHY CHANDLER BLUES
III. JERUSALEM
THREE SONGS: (LET IT BE ME, NEVER MY LOVE, I WANNA BE FREE)
ONCE BEFORE I DIE
MET HER ON A PLANE
ALL NIGHT SHOW
ALL MY LOVE'S LAUGHTER
HIGHPOCKETS
MARIONETTE
LASPITCH
ONE LADY
IF SHIPS WERE MADE TO SAIL
POCKETFUL OF KEYS
SEE YOU THEN
GALVESTON
CAMPO DE ENCINO
LOVE HURTS
SIMILE
HURT ME WELL
ONCE IN THE MORNING
CATHARSIS
SONG SELLER
WHEN CAN BROWN BEGIN
PIANO
LOVE HURTS (single version)
OCEAN IN HIS EYES
FEET IN THE SUNSHINE
CLOUDMAN
LADY FITS HER BLUE JEANS
JUST THIS ONE TIME
CRYING IN MY SLEEP
IT'S A SIN
ALYCE BLUE GOWN
LAND'S END
ASLEEP ON THE WIND
THE HIGHWAYMAN
IF YOU SEE ME GETTING SMALLER I'M LEAVING
MIXED-UP GUY
CHRISTIAAN, NO
MOMENT IN A SHADOW
SUGARBIRD
WHERE THE UNIVERSES ARE
P.F. SLOAN
DANCE TO THE RADIO
THE MOON IS A HARSH MISTRESS
SKYLARK (A MEDITATION)
NO GOOD INDIAN
JET LAG RAG
YOU MIGHT AS WELL SMILE
WHISTLETOWN
IT WILL STAND
HOT ROD QUEEN
SEE THAT GIRL
IT AIN'T RAINING
VAGABOND QUEEN
IF THIS WAS THE LAST SONG
SATURDAY SUIT
CLOUDMAN
FINGERPAINT ME
CATHARSIS
SIMILE
PIANO
Jimmy Webb & Harry Nilsson
OVERTURE
SLEEPIN' IN THE DAYTIME
BY THE TIME I GET TO PHOENIX
MACARTHUR PARK
WICHITA LINEMAN DIDN'T WE
POCKETFUL OF KEYS
WHEN CAN BROWN BEGIN
ONCE IN THE MORNING
SONG FOR MY BROTHER
WHERES THE PLAYGROUND,SUSIE?
JERUSALEM
GALVESTON
WHISTLETOWN
PIANO
WICHITA LINEMAN

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For Justine:)

Charlie Haden and Pat Metheny have been good friends since the 1970s, so it comes as a bit of a surprise that Beyond the Missouri Sky should be their first duet album together. Both musicians are from small towns in Missouri, which leads Metheny to speculate in the liner notes if this similarity of childhood ambience might have something to do with the two players' obvious love and affinity for each other. Whatever the answer, the result of this logical pairing is a rather somber and moody one. Metheny has a dark tone on his electric guitar, and on Beyond the Missouri Sky, where he plays acoustic, his sound is similarly deep and rounded. Metheny has called Haden one of the greatest improvisers of all time, and although this may be hyperbolic exaggeration from a longtime friend, Haden has at least earned the right to defend the claim. On Beyond the Missouri Sky, his playing is as sensitive and beautiful as always. Although one can understand the vibe that Haden and Metheny were going for, the preponderance of slow and mid-tempo material can wear on the listener. When they eschew the dirge-like tempos, as on the fantastic "The Precious Jewel," the results are just as atmospheric and are, in fact, even more evocative of the Midwestern landscapes that are featured so prominently in the album art. With Metheny setting up a strummy rhythm, Haden plays the stately melody with impeccable tone. This track, one of many, also showcases Metheny overdubbing different guitars to thicken out the sound of the performance. The results are similar, at least in spirit, to Bill Frisell's recordings in the latter half of the 1990s. Although many Metheny and Haden compositions that are featured on this record, it is their readings of older material that are most effective. The Jimmy Webb classic "The Moon Is a Harsh Mistress" is wonderfully nostalgic, as Metheny uses subtle guitar and synth washes to pad a beautiful duet performance, and the traditional "He's Gone Away" is the greatest lullaby that never was. Overall, Beyond the Missouri Sky is a fine record when the material is happening, but a bit of a chore when it is not. If Haden and Metheny had gone with the more Americana theme throughout, instead of interspersing that rootsy feel with post-bop, it would have been a much stronger record. ~ Daniel Gioffre

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The Moon is a Harsh Mistress - Vigdis Wisur

Jeg skal ikke kjede leseren med detaljer om skoleavslutninger og avhandlinger om bi-roller i lokale teateroppsetninger. Men,- musikk og sang har formet meg til den jeg er, fra den den dagen jeg som 13-åring satt og spilte taffelmusikk for middagsgjester på restauranter til opptredener i Beat for Beat.

Personlige høydepunkter;
samtlige konserter med Robert Wells, "A tribute to Eva Cassidy", Beat for Beat, turnè i trespann med Yngvar Numme og Tor Erik Gunstrøm i forestillingen "Swingende Gla'skap", Julekonsertene "Vigdis med venner" og det å holde debut-cd'en min i hånda.

Both Sides Tracks

Both sides now
Bewitched, bothered and bewildered
I can't make you love me (feat. Robert Wells on piano)
Feeling good
Fields of gold
Cheek to cheek
End of the line
The Moons a harsh mistress
Long, long day
Gabriellas song (feat. Robert Wells on piano) Swedish

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The Moon is a Harsh Mistress
The Moon's a Harsh Mistress - Tone Damli Aaberge
See her how she flies
Golden sails across the skies
Close enough to touch
But careful if you try
Those she looks as warm as gold
The moon is a harsh mistress
The moon can be so cold

Once the sun did shine
And Lord it felt so fine
The moon of phantom rose
Through the mountains and the pie
And then the darkness fell
The moon is a harsh mistress
It's hard to love her well

I fell out of her eyes
I fell out of her heart
I fell down on my face
And I drift and met my star
I fell, I fell alone

The moon is a harsh mistress
The skies is made of stone
The moon is a harsh mistress
She's hard to call your own

Tone Damli Aaberge (born 12 April 1988 in Sogndal, Norway) is a Norwegian singer. She became famous for her participating in the Idol series.

She was the runner up in the Norwegian version of Idol in 2005, following Jorun Stiansen in the final. She has released two albums, Bliss and Sweet Fever. Both albums got good response, the sales were also quite good. She was one of the contestants in the Norwegian semifinals for the Eurovision Song Contest 2009.

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