Mozart Piano Concerto 25 k. 503 1st movement (1/4)
elias12186 -
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- 4 days ago
Viviana Sofronitzki
The Piano Concerto No. 25 in C major, K. 503, was completed by Wolfgang Amadeus
Mozart on December 4, 1786, alongside the Prague Symphony, K.504. Although two more concertos would later follow, this work is the last of the twelve great piano concertos written in Vienna between 17841786.
Though the orchestra lacks clarinets, it does include trumpets and timpani. The concerto is one of Mozarts longest, with a duration of about 33 minutes.
It has the following three movements: 1. Allegro maestoso
2. Andante in F major
3. Allegretto
While the concerto is frequently compared to the Jupiter Symphony, Girdlestone considers its closest parallel to be the String Quintet in C, K515.[1] The expansive first movement is one of Mozart's most symphonic concerto movements. This movement subtly slips in and out of the minor several times. The secondary theme of the concerto's first movement is a march that often reminds people of the then unwritten Marseillaise.[2] Beethoven references this concerto in his own Fourth Piano Concerto. In addition, the famous motif in the first movement of Beethovens Fifth Symphony resembles one found in this concerto. Also both Mozart's 25th and Beethoven's 5th concerti have a strong march-like theme in the first movement that is first played in minor and then soon appears gloriously in major. The tranquil second movement is in sonata form, but lacks a development. It extensively uses the winds. The third movement is a sonata-rondo that opens with a gavotte theme from Mozart's opera Idomeneo. Girdlestone considers this movement to be very serious-minded. Like the first movement, it touches upon the minor; however, it ends confidently and triumphantly.
K.503 has long been neglected in favor of Mozarts more brilliant concertos, such as K. 467. Though Mozart performed it on several occasions, it was not performed again in Vienna until after Mozarts death, and it only gained acceptance in the standard repertoire in the later part of the twentieth century.[1] However, it is now regarded as one of Mozarts greatest works.
The Piano Concerto No. 25 in C major, K. 503, was completed by Wolfgang Amadeus
Mozart on December 4, 1786, alongside the Prague Symphony, K.504. Although two more concertos would later follow, this work is the last of the twelve great piano concertos written in Vienna between 17841786.
Though the orchestra lacks clarinets, it does include trumpets and timpani. The concerto is one of Mozarts longest, with a duration of about 33 minutes.
It has the following three movements: 1. Allegro maestoso
2. Andante in F major
3. Allegretto
While the concerto is frequently compared to the Jupiter Symphony, Girdlestone considers its closest parallel to be the String Quintet in C, K515.[1] The expansive first movement is one of Mozart's most symphonic concerto movements. This movement subtly slips in and out of the minor several times. The secondary theme of the concerto's first movement is a march that often reminds people of the then unwritten Marseillaise.[2] Beethoven references this concerto in his own Fourth Piano Concerto. In addition, the famous motif in the first movement of Beethovens Fifth Symphony resembles one found in this concerto. Also both Mozart's 25th and Beethoven's 5th concerti have a strong march-like theme in the first movement that is first played in minor and then soon appears gloriously in major. The tranquil second movement is in sonata form, but lacks a development. It extensively uses the winds. The third movement is a sonata-rondo that opens with a gavotte theme from Mozart's opera Idomeneo. Girdlestone considers this movement to be very serious-minded. Like the first movement, it touches upon the minor; however, it ends confidently and triumphantly.
K.503 has long been neglected in favor of Mozarts more brilliant concertos, such as K. 467. Though Mozart performed it on several occasions, it was not performed again in Vienna until after Mozarts death, and it only gained acceptance in the standard repertoire in the later part of the twentieth century.[1] However, it is now regarded as one of Mozarts greatest works.
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Especially for Don Giovanni, because I was trying hard to find a complete Don Giovanni but most of them were modern rubbish!
Regards from Greece
Will be back again soon!
Asta