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Guitar Hero Field Show (A Sneak Peek) ebbixx - 61 views - 4 days ago
Performance at William Tennant High School's 2008 Band Festival, by Temple University's Diamond Marching Band and the Diamond Jazz dancers.

This is a partial version, cut down due to length and other reasons. The field show was in part inspired by the phenomenon of Guitar Hero 2, the video game, and rearranges for marching band selections that were featured in the game.

A more complete version of the field show is shown at http://www.vimeo.com/5519995 (that version can't be shown on YouTube due to length restrictions).
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Sundance Seattle, redux ebbixx - 53 views - 1 week ago
An astronomical demonstration of seasonal shifts in the earth's attitude relative to the sun. This is a "time lapse" sequence showing the apparent position of the sun -- aka, the "analemma," -- as it would appear, one frame for every day, "shot" at exactly 4:00 pm local standard time, from the latitude of Seattle, Washington.

Also shown is the daily sky position of the ecliptic -- the apparent path of the sun, and the plane along which most planetary orbits are aligned.

Position is shown for about 3½ years, on each day beginning at 1 Jan 2007, and continuing through early June 2010.

The raw clip was generated in Starry Night, an astronomical simulation program.

If you believe there are factual inaccuracies in this description please note them in the comments section.
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Shumayela, Revisited ebbixx - 135 views - 2 weeks ago
A fresh edit of the longer cut of the Shumayela video, including the full explanation of the symbolism of the dance. From Camp Albemarle, Summer 2006. Paul Caldwell music director, conducting and explaining the dance. Unfortunately this was shot in SD, at least that's my memory and the only elements I have onhand are SD elements. I've apologized before for the rough camera work here... a byproduct of my own inexperience, magnified by the fidelity of the Canon XL H1 used to shoot this video.
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What do you need? wordwan - 13,407 views - 1 year ago
written by Hx, from Urbis
http://www.urbis.com/Hx

View story here:
http://www.urbis.com/media/vie w/57219/what-do-you-need



It started with a lie.

It was a white lie, a necessary lie. That's what Jamison called it, and as its author he should know.

He had the best of intentions, no one could deny that. He certainly couldn't have foreseen what was to happen. But as I lay here, looking for someone to blame -- other than the mob, other than myself -- I can't help thinking about Jamison, and his lie, and his goddamned good intentions.


It was a TV commercial, written and paid for by Jamison. The voice-over was his. The scrolling, synchronized text echoed his words. They asked, "What do you need?"

The commercial aired repeatedly on the only local station in Jamison's long-ago hometown, Lorain Ohio. Later, it appeared in abbreviated form in the newspaper, on billboards, on the sides of buses. What do you need? Jamison wanted to know; and if there was anyone who could give it to you, it was him.

He'd pulled himself out of Lorain's gutters decades ago. No mean feat, that; not because Lorain has any shortage of gutters -- it doesn't. What it lacks are ways out. Jamison found one, I don't know how. I'm convinced it wasn't nefarious. Jamison won't hesitate to tell white lies, necessary lies, but other than that he's honest to a fault. Jamison's wealth is honest, honorable wealth.

He left Lorain but never forgot it. Once he had the means, he was determined to help Lorain. He did that by asking Lorain, What do you need?

I was his helper, his sidekick, personal assistant, gopher, all-around-go-to-guy. Rich men have always had people like me. Jamison had six of us.

We all worked on his Lorain project in the beginning. Later he hired more, and a call-center in India to handle the flood. His factories and offices continued their work uninterrupted. They were wind-up machines anyway, carrying on under their own momentum. They didn't need Jamison, really, and they certainly didn't need me.

So the Lorain project became Jamison's full-time obsession, even as it became my full-time job. Mine, and many others'.


What do you need? What would make your life more livable? What would it take to help you feed your family, to get to work, to get ahead? Here's an address, Jamison said. Send us a letter and let us know. Here's a toll-free number, call us and tell us about it. Here's an email address. Jamison knew there wasn't much internet access in Lorain; poverty trumps technology. But here's an email address anyway.

The lie, the little white necessary one, came at the end when Jamison claimed this was part of a research project. Lorain believed that. There were always research projects, they swarmed around the poor like flies. But, Jamison promised, four respondents would be chosen at random each month, and the researchers would give those lucky few what they needed.

It wasn't like that at all, of course. Jamison wanted to help each one. He just wanted to do so anonymously, with little fanfare. With no more pomp than one would associate with, well, a research project.

So after the commercial aired and the signs went up, we started opening letters, and answering phone calls, and viewing a trickle, just a trickle, of emails.

We prioritized them, reviewed them around a committee-room table (Jamison sitting as chairman, of course), and we employed private-I's and cybersleuths to learn more. Those data-miners had done plenty of work like this -- rich men always hired them to troll records, to spy on whatever electronic traces modern existence leaves behind. They'd never done it in the cause of altruism though, and they loved it. We all loved it. We were helping people. We walked around with these grins that were unerasable.

Requests for cash were usually rejected outright. Jamison said he wanted to give a hand up, not a handout. He had a weakness for people asking for grocery money, though, and people behind on their rent and nearing eviction. The cybersleuths would confirm that, and he'd send off a check. A cashier's check, that is. Anonymous as always.

Medical requests received promptest attention. People who were out of medicine, got their medicine. People who needed to see a doctor had those arrangements made on their behalf.

School supplies for children; Jamison loved those. And many, many requests for shoes. Pleas for orthopedic shoes were answered first, and after that children's shoes. But sooner or later, everyone who asked for them got their shoes.

They arrived in neat cream-colored packages, no return address. The size of the packages varied of course, right down to a thin square envelope carrying nothing but a dentist's appointment card. But they all looked the same: neat and cream colored, with no return address.

He gave away few cars, although that was a frequent request. Jamison was a firm believer in public transportation. So he had the cybersleuths check: were they physically unable to ride a bus? Did they live more than a mile off the busline? If the answers were no then the request went unanswered. But on those rare occasions that a car was truly needed, then a car was given. It arrived at night, towed by the dealership and left stealthily in a driveway or housing-project parking lot. The keys arrived by mail though. In neat cream-colored envelopes, with no return address.

In the end we were answering nearly sixty percent of those requests. Sixty percent of Lorain was getting what it needed.


Here's what we didn't know: we were building a mythology. These were people who'd never known Santa Claus, who'd been forsaken by the Easter Bunny. There'd never been any gifts, not in their neighborhoods. So those cream-colored packages? Those were manna from heaven.

Word spread. How could it not? This was no research project, anyone could see that. What it was, they had no idea. But what they could see clearly that if you wrote a letter or made a phone call, or sent the kid down to the library to type on that funny email-box...if you told them simply and honestly what you needed (don't get greedy now, just tell 'em what you need), then you usually got it.

Elves, or rich white men. It made no difference. It was still manna from heaven.


My downfall was a letter about a dog. It was carefully scrawled, with those frequent misspelled words that we'd almost, but not quite, gotten used to.

Bessie was 79 years old, still lived in the home her husband had bought and cared for and died in. Bessie had no one in this world but a little schnauzer mutt named Tuffy. That was all right, Bessie said, because Tuffy was all she needed.

Tuffy got them seizures, though, and them seizures was getting worse. There's medicine, but it's costly.

These letters is supposed to be about what people needed, Bessie understood that. And she'd understand if the answer was no. But Bessie needed Tuffy, and Tuffy needed medicine. So maybe, if it wasn't asking too much....

Well of course the answer was yes. Of course Bessie and Tuffy would get what they needed. But that letter, out of all those thousands, got me in the gut. Bessie made me think of my grandma, and Tuffy made me think of my own little mutt, Chops. Grandma had loved Chops almost as much as she loved me, and when I came to visit Chops came along. And we'd romp in the rolling grass of grandma's back yard, and every now and then I'd look up to the house and see grandma watching through the window, smiling and delighted.

I read Bessie's letter and slipped into reverie, and relived for a few minutes at least, joyful childhood days with Chops nipping at my heels.

I resolved then to involve myself for once -- more directly, that is. A hands-on elf, that's what I'd be. Just this time.

Jamison had fled Lorain, but he hadn't fled far. Our offices were a mere 30 miles from Bessie's front door. I volunteered to deliver the package myself.

Jamison had no objection, as long as I kept up the stealth. That part was like a game to him now. So go ahead and deliver Tuffy's medicine, but creep up to the door, deposit it and leave. Don't let Bessie see you. God's angels are never detected, they deliver the manna by night.

I knew enough not to go at night, no matter what Jamison said. Bessie lived in a slum where I'd stick out like a chancre. I had no intention of letting the sun set on me there.

Her street was a mess, it was a horrible place. The houses were all clapboard and dirt, falling in on themselves. Yards were littered brown expanses.

Display of address-numbers wasn't a priority; this makes sense to me now but I wasn't expecting it then. I cruised slowly along, peering for numbers (already getting noticed and tagged as an outsider)...seeing an address, if I was lucky, every four or five houses.

And then I misread one. That's all. I saw one that I thought was Bessie's, so I parked my car by the curb and got out.

My mistake was obvious when I got a few steps closer, but quick mental calculation told me Bessie's house was close, just a bit further up the block.

I decided to walk.

I don't know when I realized I was being followed, but I know that after I did, almost immediately, I sensed my followers were multiplying, becoming a crowd.

I had enough time to be struck by the unreality of it all. This was no movie, I told myself. This was modern America, in broad daylight. Murmuring crowds don't appear out of dust, to follow after strangers just because they don't belong.

But I'd forgotten about the package tucked under my arm. The neat cream-colored one, with no return address. That's what the crowd had noticed as soon as I'd stepped into the open. And they'd recognized it as sure as Moses' starving desert wanderers had known manna when they saw it.

"Why didn't you drop it?" Jamison has asked me that more than once. And although I've never really answered him, I think the answer is obvious. It wouldn't have mattered if I dropped it. It was already too late.

They wanted the package, that was true. But they wanted me as well. Here was the myth finally made flesh. Here was an elf in person, within reach.

And everyone knows that if you see an elf, if you catch one, you should stick a knife in it to see if it's blood, or gold, that comes pouring out.

I tried to run. The nightmare I was in became instantly recognizable. This was the one where I tried to run, where I tried to escape the galloping things behind me, but my legs turned to rubber and the headwinds confounded me.

The elf ran away but he did so in slow motion and they caught him with ease. Like all the best stories this one ended with the treasure in hand.

I went down, a tangle of hands on my back bringing me to ground. I'd dropped the package at last and I caught glimpses of the crowd bifurcating, some of them grabbing for it, others grabbing for me.

I felt fists and kicks and those weren't so bad, not like the burning blade that slipped between my ribs. I rolled with the blows then closed my eyes and willed it all away.

It wasn't too terrible. I survived, obviously, and I'm told I'll recover fully. The media heard about me while I was still unconscious. They snooped and prodded and learned all they could about Jamison's Lorain project and they spoiled the secret. They shattered the myth.

Jamison pulled the plug on it, reluctantly. Doing so killed him a little inside, I think.

He's a junkie for giving now, and he's turned his eyes to me. He's a good boss and a kind man and he visits each day, sitting for hours beside my bed.

And he has the best of intentions, ever and always, and I shouldn't feel this way. But he's driving me mad, I can't hide that much longer. He's driving me mad with that same pleading offer, the one he makes every day.

"Just tell me what you need."
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11/2008 Wells, NV Chariot Race (Mini-mules) samanshii - 282 views - 7 months ago
The mini-mule race.
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An anthropological introduction to YouTube mwesch - 1,104,402 views - 11 months ago
presented at the Library of Congress, June 23rd 2008. This was tons of fun to present. I decided to forgo the PowerPoint and instead worked with students to prepare over 40 minutes of video for the 55 minute presentation. This is the result.
more info: http://mediatedcultures.net

0:00 Introduction, YouTube's Big Numbers
2:00 Numa Numa and the Celebration of Webcams
5:53 The Machine is Us/ing Us and the New Mediascape
12:16 Introducing our Research Team
12:56 Who is on YouTube?
13:25 What's on Youtube? Charlie Bit My Finger, Soulja Boy, etc.
17:04 5% of vids are personal vlogs addressed to the YouTube community, Why?
17:30 YouTube in context. The loss of community and "networked individualism" (Wellman)
18:41 Cultural Inversion: individualism and community
19:15 Understanding new forms of community through Participant Observation
21:18 YouTube as a medium for community
23:00 Our first vlogs
25:00 The webcam: Everybody is watching where nobody is ("context collapse")
26:05 Re-cognition and new forms of self-awareness (McLuhan)
27:58 The Anonymity of Watching YouTube: Haters and Lovers
29:53 Aesthetic Arrest
30:25 Connection without Constraint
32:35 Free Hugs: A hero for our mediated culture
34:02 YouTube Drama: Striving for popularity
34:55 An early star: emokid21ohio
36:55 YouTube's Anthenticity Crisis: the story of LonelyGirl15
39:50 Reflections on Authenticity
41:54 Gaming the system / Exposing the System
43:37 Seriously Playful Participatory Media Culture (featuring Us by blimvisible: http://www.youtube.com/watch?v =_yxHKgQyGx0
47:32 Networked Production: The Collab. MadV's "The Message" and the message of YouTube
49:29 Poem: The Little Glass Dot, The Eyes of the World
51:15 Conclusion by bnessel1973
52:50 Dedication and Credits (Our Numa Numa dance)

The Numa Numa quote is from *Douglas* Wolk (not Gary Wolk as I mistakenly said in the talk).
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What a Wonderful World - Camp Albemarle Chorus ebbixx - 732 views - 7 months ago
"What a Wonderful World" by Bob Thiele and George David Weiss as conducted by Paul Caldwell at a Summer 2007 performance of Camp Albemarle Chorus.

The song is most often associated with Louis Armstrong's recording.

HDV render, with principal imagery from Canon XL H1, rendered here at a 2-4Mbps variable rate.
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Intercepted: Alien Distress ebbixx - 344 views - 4 months ago
//PRESS RELEASE - CUFON HQ, Wells, Nevada//

The following statement, printed on a scrap of wastepaper found in the vicinity of Union Station, Washington, D.C. may be related to this video clip, which was stored on a thumb drive and found inside an empty can of Diet Coke on a bench near the Folger Shakespeare Library (near the Supreme Court Building).

"Ultra Secret transmission intercepted. Alien visitor, Zaarphon, calls home to report a serious environmental catastrophe and request immediate extraction and rescue. Alien subject identifies a saucer-shaped, possible space vehicle which appears to have been lost or crash landed in the Kumtag Desert of Xinjiang, China.

Alien Zaarphon may be getting aid from denizens of YouTube. In particular, the video at http://www.youtube.com/watch?v =dK998FtE3XI and several others like it suggest that there may have been some help given to the suspected alien by certain enterprising netizens and Yootubers who we have been monitoring for some time that may have led to the subject's premature discovery of the missing spacecraft. The Office of Interstellar Affairs recommends drastic measures -- perhaps the use of an EMP generator to impede subject's progress toward the deserts east of Lop Nur's dry lake bed. Collaboration with the Chinese government might also become necessary, to ensure that the decoy craft continue to provides some degree of confusion?

Approach subject with caution. Voice stress analysis suggests subject may be highly volatile and panicky. If you encounter this alien, do not attempt apprehension unless you are a trained operative."

Text intercepted from unsecured Blackberry communications between the Bureau of Interstellar Immigrant Affairs, MIB, FBI, CIA, GPS, Interpol and possibly many other governmental and international agencies responsible for maintaining high levels of suspicion, panic, fear and irrational consumer behavior in both the US and much of the "developed" and developing world."
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Godzilla of the Four Corners (Director's Cut) ebbixx - 915 views - 6 months ago
You know you were waiting for it. The thrills, the chills, the blurry 8mm film, blown up in more ways than one, just in time (oops) for the holidays.
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Montgomery Marching Band Competition 1 montgomer... - 948 views - 1 year ago
This is the Montgomery Marching Band's 1st competition performance of the 07-08 season. This is also the first time in Marching Band history to recieve a superior. Filmed by Owen Likely
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Montgomery Marching Band 2007 Competition olikely - 1,383 views - 1 year ago
The Montgomery High School Marching band at competition at William Tennant. They received their first Superior rating in the history of the Band!
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Council Rock North at William Tennent Festival (HD) ebbixx - 512 views - 6 months ago
Festival performance of field show at the 2008 William Tennent High School Cavalcade of Bands.

This video is being submitted for testing purposes. Two things have been done to try to reproduce the audio sync issues that are affecting significant numbers of HD uploads. The original 1080i HDV footage was shot at 29.97fps (or 60i in Canon's terms). It is rendered here at 24fps. Also, the audio sampling rate has been changed from 48KHz to 44.1KHz, since many affected videos, including the one I can definitely identify as mine, have been rendered at 44.1. Further details on the render uploaded are provided below.

CouncilRkNo test01.mp4

General
Complete name : U:\Vex\CouncilRkNo_test01.mp4
Format : MPEG-4
Format profile : Base Media / Version 2
Codec ID : mp42
File size : 212 MiB
Duration : 7mn 10s
Overall bit rate : 4 131 Kbps
Encoded date : UTC 2008-12-22 04:49:55
Tagged date : UTC 2008-12-22 04:49:55

Video
Format : AVC
Format/Info : Advanced Video Codec
Format profile : Main@L3.1
Format settings, CABAC : No
Format settings, ReFrames : 2 frames
Codec ID : avc1
Codec ID/Info : Advanced Video Coding
Duration : 7mn 10s
Bit rate mode : Variable
Bit rate : 3 999 Kbps
Width : 1 280 pixels
Height : 720 pixels
Display aspect ratio : 16/9
Frame rate mode : Constant
Frame rate : 24.000 fps
Resolution : 24 bits
Colorimetry : 4:2:0
Scan type : Progressive
Bits/(Pixel*Frame) : 0.181
Stream size : 205 MiB (97%)
Language : English
Encoded date : UTC 2008-12-22 04:49:55
Tagged date : UTC 2008-12-22 04:49:55

Audio
Format : AAC
Format/Info : Advanced Audio Codec
Format version : Version 4
Format profile : LC
Format settings, SBR : No
Codec ID : 40
Duration : 7mn 10s
Bit rate mode : Constant
Bit rate : 128 Kbps
Channel(s) : 2 channels
Channel positions : L R
Sampling rate : 44.1 KHz
Resolution : 16 bits
Stream size : 6.57 MiB (3%)
Language : English
Encoded date : UTC 2008-12-22 04:49:55
Tagged date : UTC 2008-12-22 04:49:55

THE SOURCE MPEG-TS SPECS ARE:

General
ID : FF
Complete name : R:\WmTnnt1018_60i_01.m2t
Format : MPEG-TS
File size : 1.35 GiB
Duration : 7mn 10s
Overall bit rate : 27.0 Mbps
Maximum Overall bit rate : 33.0 Mbps

Video
ID : 2064 (0x810)
Menu ID : 100 (0x64)
Format : MPEG Video
Format version : Version 2
Format profile : Main@High-1440
Format settings, Matrix : Default
Duration : 7mn 10s
Bit rate mode : Constant
Bit rate : 25.5 Mbps
Nominal bit rate : 25.0 Mbps
Width : 1 440 pixels
Height : 1 080 pixels
Display aspect ratio : 16/9
Frame rate : 29.970 fps
Standard : Component
Colorimetry : 4:2:0
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 0.548

Audio
ID : 2068 (0x814)
Menu ID : 100 (0x64)
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 2
Duration : 7mn 10s
Bit rate mode : Constant
Bit rate : 384 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Resolution : 16 bits
Video delay : -184ms
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Let's Play - ECRS 2000 ebbixx - 456 views - 1 year ago
ECRS promotional video, released in 2000. Filmed by Steve Sherman. Other credits at the end.

Please check out www.ecrs.org for details, event information and other background on Eastern Cooperative Recreation School.
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Le Carillon - ECRS, Winter Workshop 2006 ebbixx - 288 views - 1 year ago
The Barb & Mickey Show. Song leadership showdown in the chapel at Watson Homestead, recorded at Winter Workshop, December 31, 2006.

(This is a corrected version, at somewhat higher quality, of the "Le Carillon" video mentioned in email. Video for review.)
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In My Breakfast Bowl - ECRS ebbixx - 125 views - 1 year ago
Mark presenting "... in My Breakfast Bowl" at evening program, Winter Workshop 2006-2007.
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ebbixx  
Profile
 
Name:
B Unis
Channel Views:
3,645
Style:
Art
Joined:
January 26, 2007
Videos Watched:
42,085
Subscribers:
44
Presently featuring music videos from past sessions of Camp Albemarle (Princeton, NJ). Includes many videos of long-time Artistic Director, Paul Caldwell and others affiliated with the camp. Presented in good faith after repeated requests from camp parents and veteran campers.

Next RAW Machine, produced at the band's request. This one's in New Jersey, not Portugal.

Lately (Fall 2008) I had the pleasure of shooting the local high school marching band. Only a fraction of that work will be shown here, to avoid undercutting fundraising efforts with the band's Season Highlights DVD.

Rounded out with personal projects, tests and silliness.

All material on this channel was shot and edited by the channel owner. Exceptions were uploaded with full permission at the request of the creators. Full quality work samples provided to serious inquirers -- in other words, if you have a job I'll be happy to show you my reel.
About Me: Interests in experimental video, avant garde cinema, art, dada, the Situationists, and other strange and wonderful stuff, so postmodern some of it might be premodern.
Hometown:
Wells, Nevada
Country:
United States
Occupation:
Conceptual Day-Labourer
Companies:
founder: Shadowgate Imageworks
Hobbies:
All and none.
Movies:
Too many to name. Main influences (those I'm aware of) Walter Murch (film editor), Hitchcock, Eisenstein, John Ford, Francis Ford Coppola (see Walter Murch), Robert Rodriguez for his 10-minute film schools.
Music:
Nearly everything.
Books:
The one I'm reading now.
Recent Activity  
ebbixx commented on SnowStory Pro's Boss Rush (14 hours ago)
"Here's a comment... to test."
 
 
ebbixx commented on Guitar Hero Field Show (A Sneak Peek) (4 days ago)
"Thanks! If you have time, be sure to check out the full show (link in the description). Not being a partner it was just a tad too long to upload h..."   more
 
 
ebbixx uploaded a new video (4 days ago)
Performance at William Tennant High School's 2008 Band Festival, by Temple University's Diamond Marching Band and the Diamond Jazz dancers.

This is ...   more
 
 
ebbixx commented on Sundance Seattle, redux (6 days ago)
"Just about everyone does... but at least YouTube recently acknowledged it (and disabled AudioSwap .. hopefully until this is fixed)."
 
 
ebbixx commented on Is YouTube Big Brother? (1 week ago)
""Community Standards" strikes are open to rampant abuse, since it's not really YouTube that is generating the ratings or the flaggings. A..."   more
 
Channel Comments (28)
JaredInABottle (5 days ago)
Thanks for subscribing!

Jared
YtVigilantes (1 week ago)
You really have been doing a great thing in the forums, especially with the technical matters with your tutorials. I'm very impressed.
JohnMarineTube (2 weeks ago)
Hello there! You, uh... subscribed to my channel or something... I just want to thank you for subscribing to my channel. Hopefully, my channel and its videos are to your liking. Please have a great weekend.
FearsEdge (2 months ago)
Thank you for subscribing!
Steadycamline (3 months ago)
Thank you for subscribing to my channel.
Greetings
lonelyfencer (3 months ago)
thank you for subscribe
leokimvideo (3 months ago)
Found you via the youtube stutter issue..and this problem is huge.
ebbixx (3 months ago)
Pººhßear

Apologies that 2 of your comments might STILL not be showing... There doesn't seem to be any way for me to approve them? Or of course, I would.
PoohBear02003 (3 months ago)
Wishing you a wonderful day!

Pººhßear
Oilwellian (4 months ago)
Hello ebbixx, thank you for subscribing. It's most appreciated. I loved your marching band vs Jim Cramer/Jon Stewart interview. Innocence vs evil. Very daring and brilliant. Will be happy to subscribe to your work as well. Happy editing. Kathryn
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