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angelillo182 favorited a video
(1 week ago)
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angelillo182 favorited a video
(2 weeks ago)
Workshop that I taught for the "Boogiezone University" event.
T...
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Workshop that I taught for the "Boogiezone University" event.
Thank you to Elm and Boogiezone for having me and a big thanks to everyone who came out :) http://twitter.co...
For any inquiries, Contact:
mikeosong@yahoo.com
www.myspace.com/mrsong
Song: Nintendo Wii Mii Channel Theme
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angelillo182 favorited a video
(2 months ago)
Bach's most famous organ piece, with a bar-graph score.
FAQ
Q: Where can I...
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Bach's most famous organ piece, with a bar-graph score.
FAQ
Q: Where can I get free sheet music for this piece?
A: Sheet music for this can be found here:
http://tinyurl.co...
Q: Who wrote Bach's Toccata and Fugue in D Minor?
Q: Isn't that like asking who's buried in Grant's Tomb?
A: Heh-heh. A theory has recently (1981) been put forth that J. S. Bach did not write this piece. A brief summary of the supporting evidence for this theory can be read here:
http://en.wikiped...
Q: What's wrong with synchronization?
A: I don't know, but it appears that if you use this URL, it works better:
http://www.youtub...
Q: Where can I get the mp3 of this?
A: You can download it here:
http://www.musani...
Q: Hey, what happened to my question/comment?
A: Questions answered in the FAQ, and comments with nothing to do with the video ("spam"), are removed. If you posted a comment and don't know why it's gone, email me (stephen at musanim dot com) with "YouTube comment" in the subject line.
Q: How did you make this video?
A: You can read about it here:
http://www.musani...
Q: What is the BWV number for this?
A: BWV 565
Q: Where does the toccata end and the fugue begin?
A: The fugue starts at 2:51 and the toccata returns at 7:12, but between these two points, parts which are strictly fugal alternate with episodes that are more toccata-like, so it's not 100% clear-cut (like in some other toccata/fugue pairs he wrote).
Q: What do the colors mean?
A: Each "stop" on the organ was played on a separate MIDI channel, and each MIDI channel was assigned a color.
Q: What is a fugue?
A: Here is a good introduction:
http://en.wikiped...
Q: Can I get a DVD with this video (or others like it)?
A: Yes:
http://www.musani...
Q: Where can I see everything you've put online?
A: This is a good place to start:
http://www.musani...
Q: How can I make this kind of movie?
A: Check out this:
www.musanim.com/player/
Q: The audio/video isn't very good; can I get the original?
A: Yes, you can get it here (you have to sign up, but then you can download it):
http://www.vimeo....
Q: Where can I read more about this piece?
A: Here are a couple of places:
http://www.musani...
http://en.wikiped...
Q: Why does this piece of music remind me of horror movies?
A: Because it was used in the 1962 version of The Phantom of the Opera. Before that, it did not have that connotation. When Walt Disney and Leopold Stokowski used it in the 1940 film Fantasia, they considered it to be a purely abstract piece --- "absolute music" --- which brought to mind expressionistic forms and lines.
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angelillo182 favorited a video
(2 months ago)
Carousel has won Cannes-Lions 2009 Film GRAND PRIX
The Official "Mak...
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Carousel has won Cannes-Lions 2009 Film GRAND PRIX
The Official "Making of" is here:
http://www.youtub...
For more information check:
http://www.cinema...
http://www.stinkd...
CAROUSEL, A short film
Created entirely by Stink Digital, this new interactive campaign promotes Philips latest entrant into the television market, the CINEMA 21:9. Since the televisions 21:9 frame lends itself so readily to film, our friends at Tribal DDB, Amsterdam commissioned us to create a piece of filmed content that could hold its own with Hollywoods best. Director Adam Berg responded with an idea for an epic frozen moment cops and robbers shootout sequence that included clowns, explosions, a decimated hospital, and plenty of broken glass and bullet casings.
This epic film is the centrepiece of the project. On its own, it clocks in at a (totally coincidental) two minutes and 19 seconds, but Berg conceived it to work as an endless loop. Visitors to the microsite therefore have the option to spin through the films single take shot repeatedly, to stop on a specific frame, or to watch it at the preordained speed. The film also contains embedded hotspots, which, when triggered, transport the viewer seamlessly from the heavily posted film to a behind-the-scenes version of the same shot. This constant moving between two layers of reality proved one of the projects biggest and most ambitious production challenges. Other details of the online execution play off the cinematic theme; the microsites loader doubles as a credit sequence, while rich media takeover banners drive traffic to the site by teasing viewers with an original Carousel trailer. All aspects of the production, from the film shoot to web design and development, were conducted by Stink Digital.
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angelillo182 favorited a video
(2 months ago)
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