I loooooooooooove how the doctor is used in this production! best production ever. people need to watch this! its fantastic. Can they bring it to the US please?!
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
Netrebkos voice is evenly produced, effortless, sharp and clearand is matched with a technique that loves every note precisely and fully in its proper length and dynamic range. Her pianissimos are thrilling, and her rapid passage work almost flawless.
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
did his father know that violeta was sick? because she mentions it, and he doesn't really seem to care. did he think it was metaphorical? because he seems remorseful at the end.
I don't think Netrebko is as bad as ppl say... But I don't think she's that good either. I prefer other Vilettas (Callas-duh, Scotto and Moffo... even Sills and Zeani and maybe Sayao, Ponselle and Freni... I'm not so sure of Cortubas, Stratas or Fleming... but i do like them).
Keep getting better, Anna. I am a MUSIC fan and not a Diva hater.
Das schlimme an dieser Inszenierung ist, dass wenn man sie einmal gesehen und gehört hat, jeder Opernbesuch der LaTraviata mich nur noch enttäuscht. Es ist erstaunlich mit welcher scheinbaren Leichtigkeit diese Netrebko ihre Stimme auf hohem Niveau hält. Bravo!
ma violetta préfèrée, j'aime bien cette production, c'est vrai que la tenue est un peu exagérée mais elle est en accord avec la mise en scène qui se veut contemporaine et j'aime bien cet esprit...
Thomas Hampson es un maravilloso barìtono, pero a mi muy personal y respetuosa sobre todo, opiniòn, si hubiera estado en vez de èl Renato Brusòn, serìa un sueño hecho realidad, la perfecciòn en tan hermosa Òpera.
Llevo poco tiempo en esto de la ópera y he intentado ver otras versiones de La Traviata pero ninguna me gusta como esta.Será que no tengo idea ya que veo que los entendidos odian a la Netrebko,en fin....
I have had the displeasure of working with this sort of director. They think the audience is to stupid to watch an opera, so they feel they must have women half dressed or have an odd set or people won't watch it. One of the many reasons I quit theater.
She's wonderful. Glorious voice. But what's with the giant clock? I despise "avant garde" staging of traditional operas. It just looks silly. And it detracts from the story. I laughed all the way through the clip at the ridiculous staging. And the sets. If you can call them that. And that action with those drop cloths! Very distracting.
I loooooooooooove how the doctor is used in this production! best production ever. people need to watch this! its fantastic. Can they bring it to the US please?!
romeoandme7 6 months ago
Le espressioni facciali di Hampson possono nopn piacere ma almeno é un cantante lirico vero...
numetutelare 1 year ago
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LA SCENA E' BELLA PECCATO LA ROVINI CON QUEI COPRIDIVANO BASSETTI ...
teatroinscatola 1 year ago
LA SCENA E' BELLA PECCATO LA ROVINA CON QUEI COPRIDIVANO BASSETTI ...
teatroinscatola 1 year ago
^^{****]]]
karenn57221754 1 year ago
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Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
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Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
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Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
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Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
IrinaMataeva51580 2 years ago
Netrebkos voice is evenly produced, effortless, sharp and clearand is matched with a technique that loves every note precisely and fully in its proper length and dynamic range. Her pianissimos are thrilling, and her rapid passage work almost flawless.
The Washington Post Philip Kennicott
09avenger 2 years ago
Traviata - Ms. Netrebko displayed ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to bel canto opera.
09avenger 2 years ago
did his father know that violeta was sick? because she mentions it, and he doesn't really seem to care. did he think it was metaphorical? because he seems remorseful at the end.
vivlingdarling 2 years ago
If you like music.....
.......keep your pearls of wisdom to yourself!!!
I bet, you never seen an opera live..noob!!!
21982189 2 years ago
not having seen an opera live doesn't make someone a noob, in my case it makes me poor :(
i'd love to go to an opera, then again i'd love to be able to afford textbooks for school for that matter
brookieviv 2 years ago 2
I don't think Netrebko is as bad as ppl say... But I don't think she's that good either. I prefer other Vilettas (Callas-duh, Scotto and Moffo... even Sills and Zeani and maybe Sayao, Ponselle and Freni... I'm not so sure of Cortubas, Stratas or Fleming... but i do like them).
Keep getting better, Anna. I am a MUSIC fan and not a Diva hater.
AOG93 2 years ago
my favorite Violetta!!! i cry ever!!! i love this production... superb voices!!!
johanna33560 2 years ago 3
Das schlimme an dieser Inszenierung ist, dass wenn man sie einmal gesehen und gehört hat, jeder Opernbesuch der LaTraviata mich nur noch enttäuscht. Es ist erstaunlich mit welcher scheinbaren Leichtigkeit diese Netrebko ihre Stimme auf hohem Niveau hält. Bravo!
lalijew 2 years ago
Das ist sehr gut! Bravo!
carevnalyagushka 2 years ago 7
Netrebko is in a universer all by hefself
NeilKing1933 2 years ago 6
Netrebko is in a universe all by herselt...
NeilKing1933 2 years ago 2
I LOVE IT, LOVE it, LOVE it!!!
SearchingTheTruth85 2 years ago 9
Omg i love Thomas Hampson! :D And Anna is my favorite Soprano ever :D
classicalgal14 3 years ago 15
@classicalgal14 my only problem with him is that he often gets his facial expressions terribly wrong, however, his singing talent is awesome!
brookieviv 1 year ago
ma violetta préfèrée, j'aime bien cette production, c'est vrai que la tenue est un peu exagérée mais elle est en accord avec la mise en scène qui se veut contemporaine et j'aime bien cet esprit...
johanna33560 3 years ago 2
This comment has received too many negative votes show
Les voix sont excellentes. Mais je trouve que les acteurs ne sont pas assez expressifs. Violetta n'a pas l'air déchirée dans cette version.
DSDV57 3 years ago
This comment has received too many negative votes show
Excellent voices. Terrible scenario.
Netrebko is wonderful, but the production destroyed the Traviata.
antoniobasto 3 years ago
Les voix sont superbes mais la mise en scène est pauvre et pourquoi une telle tenue pour Netrebko?
Merci
Jackylen57
jackylen57 3 years ago
Thomas Hampson es un maravilloso barìtono, pero a mi muy personal y respetuosa sobre todo, opiniòn, si hubiera estado en vez de èl Renato Brusòn, serìa un sueño hecho realidad, la perfecciòn en tan hermosa Òpera.
mardelle0023 3 years ago
Comment removed
mardelle0023 3 years ago
Llevo poco tiempo en esto de la ópera y he intentado ver otras versiones de La Traviata pero ninguna me gusta como esta.Será que no tengo idea ya que veo que los entendidos odian a la Netrebko,en fin....
foxtiefirst 3 years ago
Agreed. Netrebko is wonderful.
The staging is awful, the clock is "supposed" to symbolize she hasn't much "time" left?
Ridiculous.
And why is she in her underwear?
This staging is distracting and an example of the director upstaging the performer.
The famous Salzburg Festspielhaus...hmm.
emmatoth 3 years ago
@emmatoth
I have had the displeasure of working with this sort of director. They think the audience is to stupid to watch an opera, so they feel they must have women half dressed or have an odd set or people won't watch it. One of the many reasons I quit theater.
nestersg 2 years ago
She's wonderful. Glorious voice. But what's with the giant clock? I despise "avant garde" staging of traditional operas. It just looks silly. And it detracts from the story. I laughed all the way through the clip at the ridiculous staging. And the sets. If you can call them that. And that action with those drop cloths! Very distracting.
jimthewriter 3 years ago
This comment has received too many negative votes show
연출 개판 !!! 무슨 이유로 저런 행동을 하는지 이해가 안간다.
baegoo 3 years ago
Hä???
zafireh 3 years ago
sono d'accordo una delle piu belle Violette
pasielu 4 years ago 2
concordo
pozzil 4 years ago
La più bella Traviata in assoluto.
AleGnolo 4 years ago 7