Mi sento sospeso..tra il dire e non dire...il pensare e non pensare...tu i sogni li conosci e attraverso il loro apparire,appare il sogno della vita....
è la prima volta,per me,che ascolto questa musica....se dovessi cadere dalla Luna sulla Terra sentirei questa MELODIA......che dire.....ARTE PURISSIMA!
Yes, after all these years, she is still a marvel to behold at the keyboard!! It think that she just continues getting better. Does anyone know the significance of the thin leather bracelet that she wears on her right hand? I've seen is in almost everyone of her recent video performances.
@trschaefer Coincidentally I saw an interview yesterday that talked about it. She said she got it from a Buddhist monk in Japan, or at least that's what I understood of it. Beyond that, I'm not sure.
As much as i love the more aggressive and percussive side of Bartok this movement moves me like very few pieces in his repertoire can. Maybe in the end of his life he really was trying to be more accessible and tuneful, but so much the better. This concerto has all the the characteristics of Bartok's masterworks presented in a gentle almost autumnal shell. What a phenomenal and heartfelt last testament.
If you want something which anihilates previous musical forms, Ligeti is the best choice I have in mind, the most violent. He is the Schoenberg of the 'second' 20th century, Youll also recognize a bartok like use of percussions. Its quite a ride, maybe a bit to hostile for me.
Does anyone know if there are any classical composers out there who REALLY pushed the envelope, and I don't mean in just some lame 12-tone serialism way or Stravinsky imitation.
Much of Bartok's stuff is aggressive and great.
To me, this is far too generic and fluffy.
I'm seeking out radically-innovative symphonies and the like.
I create innovative symphonies of the mind that manifest themselves in brilliant music that is eons ahead of its time . . . divesting myself of your puerile collaborations was the best thing I have ever done, besides putting the lie to your "facts"
ref.: " I'm the most insightful and creative and smartest songwriter ever"
The V.I has the goods and doesnt have to go around making sophomoric assertions to a bunch of mindless sheep that wouldnt know any better.
There is a Polish pianist/composer "Zygmunt Krauze". He is still alive and composing, saw him perform in honor of Chopin's 200th birthday. Although I don't want you to hear his "spacial" compositions and think he sucks. Those compositions do suck.
His other stuff, really wildly innovative. Good luck finding any of his music, it is retardedly hard. My Favorite is "Stone Music"
You may also try "Kaikhosru Shapurji Sorabji" You'll be able to find his shit.
I can't stop listening to this video ... it's such an amazing work and inspiring playing, both from Martha Argerich and the youth orchestra. I hope I can one day perform this :-)
Martha Argerich- elle est une sorte de fil d'Ariane dans ma vie. Mon fardeau musical. J'aimerais bien la voir une fois dans ma vie . Elle sera à Brunswick en janvier 2010.
I thoroughly enjoyed this dont get me wrong.. But the important part of this piece is that it truly needs to played on a Bosendorfer Imperial 290 with 97 key 8 full octave range, Bartok wrote this and the third concerto for that piano
This is the 3rd. Do you mean the 2nd? For this one of the two, the use of the very lowest, extended range is so slight that I doubt Bartok himself would notice if it were not played on a Boesendorfer. Martha does quite well in her lower registers and while a Boesendorfer would be a wonderful treat, true, the piece more than succeeds with its 88 keys. I think it would make more of a difference with the 2nd concerto and with the Piano Sonata. Does Argerich even play Boesendorfers in concert?
composed in 1945 and premiered in 1946 by that extraordinary legend Eugene Ormandy in Philadelphia, this Bartok's piano concert, with this easy and nice 2nd movement, was finished by his best student Tybor Sarly
didn't like it. except she really can play those double notes. She plays the A too slow. It doesn't match the orchestral tempo. Martha was never my pianist.. even when I heard her live, i was disappointed.
I dissent. IMHO, this is for the most part bad. This is not Prokofiev, but the music of a man just a few steps away from his end. Yet there is little sense of wonder, abandon or acceptance in the face of an impending conclusion. Instead, for the most part, we have Martha's typical, emasculating performance. Find Geza Anda's, Annie Fischer's or Andras Schiff's recordings instead. And Lipatti's recording of this movement (sadly not the others) is peerless.
To an extend I agree, she doesn't exactly capture the idea here. Nevertheless, Martha is a legend and has blessed audiences around the world with flauless performances for a long time now. I played this concerto once with Radu Lupu and enjoyed it very much
This movement is so heartbreakingly beautiful... Ethereal and transcendental... I think that when he wrote this, Bartok knew his life was ending, and this movement is a "Hynm" of sorts. Thank you for posting this.
Beautiful! But in this case it's more the song than the singer.
hotplate85 1 year ago
wow
littlerainworm550 1 year ago
Mi sento sospeso..tra il dire e non dire...il pensare e non pensare...tu i sogni li conosci e attraverso il loro apparire,appare il sogno della vita....
è la prima volta,per me,che ascolto questa musica....se dovessi cadere dalla Luna sulla Terra sentirei questa MELODIA......che dire.....ARTE PURISSIMA!
marzio54 1 year ago
Ha! Finally seeing Yuri conduct an orchestra. I saw him perform this summer and he is still amazing. So is our favorite Martha, of course ;)
ruslandimov 1 year ago
Yes, after all these years, she is still a marvel to behold at the keyboard!! It think that she just continues getting better. Does anyone know the significance of the thin leather bracelet that she wears on her right hand? I've seen is in almost everyone of her recent video performances.
This movement is so incredible beautiful.
trschaefer 1 year ago
@trschaefer Coincidentally I saw an interview yesterday that talked about it. She said she got it from a Buddhist monk in Japan, or at least that's what I understood of it. Beyond that, I'm not sure.
moodood1 1 year ago
i am relatively new to classical music and this concerto by this pianist is one of the best things i ve heard in my life. thank you for posting.
eggsandwine 1 year ago 5
this is just breath taking.
SKfabs 1 year ago 2
Martha Argerich....the queen of pianists. Nobody better!
raoultak 2 years ago 3
5:38
DecimasCaminantes 2 years ago
martha es la mejor!!! :)
tecladistaofmetal 2 years ago
i laughed so hard at the oboist. 06:37. looks like her cheeks are about to pop
LazyBastard69 2 years ago 3
As much as i love the more aggressive and percussive side of Bartok this movement moves me like very few pieces in his repertoire can. Maybe in the end of his life he really was trying to be more accessible and tuneful, but so much the better. This concerto has all the the characteristics of Bartok's masterworks presented in a gentle almost autumnal shell. What a phenomenal and heartfelt last testament.
MisterTahti 2 years ago 11
Excelente sonido. Y sus canas me conmueven.
Wandalandowskaya47 2 years ago 2
If you want something which anihilates previous musical forms, Ligeti is the best choice I have in mind, the most violent. He is the Schoenberg of the 'second' 20th century, Youll also recognize a bartok like use of percussions. Its quite a ride, maybe a bit to hostile for me.
frogbuster20 2 years ago
Does anyone know if there are any classical composers out there who REALLY pushed the envelope, and I don't mean in just some lame 12-tone serialism way or Stravinsky imitation.
Much of Bartok's stuff is aggressive and great.
To me, this is far too generic and fluffy.
I'm seeking out radically-innovative symphonies and the like.
Thanks.
TouchingYou 2 years ago
I create innovative symphonies of the mind that manifest themselves in brilliant music that is eons ahead of its time . . . divesting myself of your puerile collaborations was the best thing I have ever done, besides putting the lie to your "facts"
ref.: " I'm the most insightful and creative and smartest songwriter ever"
The V.I has the goods and doesnt have to go around making sophomoric assertions to a bunch of mindless sheep that wouldnt know any better.
justpaulwithnohandle 2 years ago
Is this that CHILD MOLESTER HARRY STUCKEY / VOX who has been stalking me b/c he has no friends b/c no one likes him?
TouchingYou 2 years ago
@TouchingYou
There is a Polish pianist/composer "Zygmunt Krauze". He is still alive and composing, saw him perform in honor of Chopin's 200th birthday. Although I don't want you to hear his "spacial" compositions and think he sucks. Those compositions do suck.
His other stuff, really wildly innovative. Good luck finding any of his music, it is retardedly hard. My Favorite is "Stone Music"
You may also try "Kaikhosru Shapurji Sorabji" You'll be able to find his shit.
EuphoricDan 2 years ago
Man, it's a masterpiece. Generic? No. Shakingly deep.
eposz2 2 years ago
I can't stop listening to this video ... it's such an amazing work and inspiring playing, both from Martha Argerich and the youth orchestra. I hope I can one day perform this :-)
da86e1 2 years ago
Such transcendental music and playing.
bourdour 2 years ago
Martha Argerich- elle est une sorte de fil d'Ariane dans ma vie. Mon fardeau musical. J'aimerais bien la voir une fois dans ma vie . Elle sera à Brunswick en janvier 2010.
Memale2009 2 years ago
Wonderful Martha !
justap19 2 years ago
I thoroughly enjoyed this dont get me wrong.. But the important part of this piece is that it truly needs to played on a Bosendorfer Imperial 290 with 97 key 8 full octave range, Bartok wrote this and the third concerto for that piano
cubspiano 2 years ago
This is the 3rd. Do you mean the 2nd? For this one of the two, the use of the very lowest, extended range is so slight that I doubt Bartok himself would notice if it were not played on a Boesendorfer. Martha does quite well in her lower registers and while a Boesendorfer would be a wonderful treat, true, the piece more than succeeds with its 88 keys. I think it would make more of a difference with the 2nd concerto and with the Piano Sonata. Does Argerich even play Boesendorfers in concert?
3cplantin 2 years ago
Do many pianists play on Bosendofer, opposed to steinway?
mehandas 2 years ago
I really wish she'd been playing a Bosendorfer too! Not that steinways are bad or anything but i feel that bosendorfers are ...warmer.
fionasapple 2 years ago
Thanks for posting!
I hate when people cough...
javiertw89 2 years ago
Wonderful,
I am absolutely thrilled of this fantastical and sensitive piece of composition.
Thank you for give us here this genial music!!!
BeteaMaia 2 years ago
1:40 onwards is heavenly music.
eoghdes18 2 years ago
Nothing to say . It sounds like . . . music of love, comes from heaven. wonderful interpretation !
fcarmona215 2 years ago
composed in 1945 and premiered in 1946 by that extraordinary legend Eugene Ormandy in Philadelphia, this Bartok's piano concert, with this easy and nice 2nd movement, was finished by his best student Tybor Sarly
beethomozart 2 years ago
didn't like it. except she really can play those double notes. She plays the A too slow. It doesn't match the orchestral tempo. Martha was never my pianist.. even when I heard her live, i was disappointed.
hongpianist 3 years ago
I've never heard this work before but I find it beautiful and I find Martha's performance beautiful
yourforte 3 years ago
its like a rainforst!
KearneyPiano 3 years ago
I dissent. IMHO, this is for the most part bad. This is not Prokofiev, but the music of a man just a few steps away from his end. Yet there is little sense of wonder, abandon or acceptance in the face of an impending conclusion. Instead, for the most part, we have Martha's typical, emasculating performance. Find Geza Anda's, Annie Fischer's or Andras Schiff's recordings instead. And Lipatti's recording of this movement (sadly not the others) is peerless.
nycanonymous 3 years ago
To an extend I agree, she doesn't exactly capture the idea here. Nevertheless, Martha is a legend and has blessed audiences around the world with flauless performances for a long time now. I played this concerto once with Radu Lupu and enjoyed it very much
pichat1 3 years ago
Martha really has a thing for third piano concertos. (Prokofiev, Bartok, Rachmaninoff)
coasterman16 3 years ago 12
agree, that's an interesting fact
pleasantblue 2 years ago
Great point! If only Chopin had lived long enough to write a 3rd piano concerto!
3cplantin 2 years ago
@coasterman16 and Beethoven 3:)
Yellottwe 1 year ago
Isn't 8:00 a little, minor quote from Rach 3 1st movement?
jzer21 3 years ago
I don't think so, even though it reminds me of Rach 3.
Tompelicious 2 years ago
8:00 -Am I right? :)
vansinniger 2 years ago
that would have to be very picky ..
mcnardo 2 years ago
Beautiful.
Philosophaster 3 years ago 4
This movement is so heartbreakingly beautiful... Ethereal and transcendental... I think that when he wrote this, Bartok knew his life was ending, and this movement is a "Hynm" of sorts. Thank you for posting this.
trschaefer 3 years ago 2