Added: 3 years ago
From: cminor7b5
Views: 36,201
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  • I l ike most of your lessons. However, your statement of not using the vibrato when you first get to a sustained note (as per your example) is limiting the so-called grab bag of potential outcomes for the note. In other words, when ad-libbing to a composition, you have a choice.........hold off on the vibrato..........or.........at some other time and the way that you feel at the time......use the vibrato upon initiation of the note. Just a thought.

  • nice vid,is it true tath tim kliphuis is from belgium?

  • @nicoordie no, he's Dutch.

  • i'm very happy I've found these videos - thank you for them.

    But, on the other hand, in this, so in the first one he says - talking about the vibrato begun on the top of the note - that if you start it then, than "it turns into a classical or even a Hungarian classical gipsy way". First of all, Hungarian classical way of playing doesn't mean gipsy music, though earlier a plenty of gipsy musicians played the violin for a living in Hungary. In additon, gipsy music isn't classical as I know.

  • OMG subs plzz

  • Yes, I liked that a lot. Thanks ! you are a teacher with something to say - and the ability to play it. If you like the idea of 5% p.a. from a windy roof-top - (looks great too) - get in touch.

  • thak you so much....love it.

  • Great lesson! Thanks, Tim!

  • I like Keith Coleman have you heard of Him? He played for Bob Wills,I play country but,I like the swing feels. You are a great help. Could you show us more jazz in the Majors Thanks deeray Garcia

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