I l ike most of your lessons. However, your statement of not using the vibrato when you first get to a sustained note (as per your example) is limiting the so-called grab bag of potential outcomes for the note. In other words, when ad-libbing to a composition, you have a choice.........hold off on the vibrato..........or.........at some other time and the way that you feel at the time......use the vibrato upon initiation of the note. Just a thought.
i'm very happy I've found these videos - thank you for them.
But, on the other hand, in this, so in the first one he says - talking about the vibrato begun on the top of the note - that if you start it then, than "it turns into a classical or even a Hungarian classical gipsy way". First of all, Hungarian classical way of playing doesn't mean gipsy music, though earlier a plenty of gipsy musicians played the violin for a living in Hungary. In additon, gipsy music isn't classical as I know.
Yes, I liked that a lot. Thanks ! you are a teacher with something to say - and the ability to play it. If you like the idea of 5% p.a. from a windy roof-top - (looks great too) - get in touch.
I like Keith Coleman have you heard of Him? He played for Bob Wills,I play country but,I like the swing feels. You are a great help. Could you show us more jazz in the Majors Thanks deeray Garcia
I l ike most of your lessons. However, your statement of not using the vibrato when you first get to a sustained note (as per your example) is limiting the so-called grab bag of potential outcomes for the note. In other words, when ad-libbing to a composition, you have a choice.........hold off on the vibrato..........or.........at some other time and the way that you feel at the time......use the vibrato upon initiation of the note. Just a thought.
kmtjj10 7 months ago
nice vid,is it true tath tim kliphuis is from belgium?
nicoordie 1 year ago
@nicoordie no, he's Dutch.
surrealIdeal 6 months ago
i'm very happy I've found these videos - thank you for them.
But, on the other hand, in this, so in the first one he says - talking about the vibrato begun on the top of the note - that if you start it then, than "it turns into a classical or even a Hungarian classical gipsy way". First of all, Hungarian classical way of playing doesn't mean gipsy music, though earlier a plenty of gipsy musicians played the violin for a living in Hungary. In additon, gipsy music isn't classical as I know.
adzsorden 1 year ago
OMG subs plzz
Nicolasduca 2 years ago
Yes, I liked that a lot. Thanks ! you are a teacher with something to say - and the ability to play it. If you like the idea of 5% p.a. from a windy roof-top - (looks great too) - get in touch.
bertwindon 2 years ago
thak you so much....love it.
bluescat04 2 years ago
Great lesson! Thanks, Tim!
bluesfiddle 3 years ago
I like Keith Coleman have you heard of Him? He played for Bob Wills,I play country but,I like the swing feels. You are a great help. Could you show us more jazz in the Majors Thanks deeray Garcia
deeraygarcia 3 years ago