Added: 4 years ago
From: nsgfunk
Views: 3,847
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  • Hey man, are you in Iran, or anywhere else in the middle east?  Or are you in the US?

  • very nice , I do agree with nahoft in some portion of his comment(slow playing) , the tombak player should warm up the skin so he could get a better sound , but over all good job guys

  • çok güzel olmuş,tebrikler.

  • Hey catch me in naked on my personal webpage (meetyourfling) c o m

    5252955519

  • 2.30-2.50  is so good.

  • Hey, are you attending conference this year?

  • Hey , can you tell me what type of oud this is?

    the pitch and the size aren't like the barbat.

    Is it Syrian, Iraqi, Egyptian?

  • Sounds divine!

  • Sounds divine!

  • oops, i meant to say "delete" my comment after you read it. but delete got deleted, preventing the deletable to be deleted.

  • I'd rather keep it.

  • please this comment after reading it. I like this clip, you both are good but make more than one or two mistakes. maybe you should relax, try to play slower and not show off. The greatest challenge is not playing fast but playing slow. Also cut back on the dam dam dam on the base string between each melody. not very artistic. turn the space into a dynamic sub-melody or leave it as blank with the some vibrato left from the last not of the main melody. this is quite dancable.

  • Isn't this the song "rooz" by Behrouzinia...I think I've hear this tasnif somewhere...anyway, good job!

  • He plays this chaharmezrab on his CD "From Stone to Diamond", but it originates in the radif of mirza abdu'llah. I play it pretty much like him but I added a gushe called naghme-ye maghlub between the two parts, and finished it differently. I'll be posting a vid of his performance in Morocco of his recent album work soon.

  • Fantastic! Fantastic!

  • that was awesome

  • satanically, insanely, rediculously, Deadly.

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