last word,so well said,,,:) i guest not so many people got what you just said here ,,,, CAN I GO NOW?and this beautiful song so sweet,thanks grinchouse
Don't know whether anyone else commented on this here, but the growl/plunger/mute trumpet is none other than Bubber Miley, ex of Duke Ellington's Orchestra.
i like this arrangement. is it a trumpet? like the sudden violins playing after the singer sings. the song gets in the minor key. is it next a saxophone? great post ROGHAM
Porter's first great ballad, equal in stature to "Night and Day" and "I've Got You Under My Skin." Reisman is no Whiteman, but, in all fairness, he never pretended to be.
CORRECTION: This recording is a 1929 Victor. The first picture is that of Eddie Duchin and his Orchestra and the second is Joe Reichman and his Orchestra, both piano playing band leaders. Leo Reisman was violinist and bandleader. No connection of either to Leo except that Eddie played with Leo first before his own group and played on this recording. This recording represents the style of Reisman's orchestra. Listen to his other recordings 1928 thru 1935. Porter pics are good.
wow, what a surprise, a great arrangement, really enjoyed it, like the uptempo and trumpet, frank still has the greatest rendition of it, but again this one is a classic
Listen to the rhythmic pattern at the intro w/tympani, again at 2:53 this was a fox-trot variation rhythm known as the "Collinstone Fox-Trot" which had a short popularity on the East Coast. Reisman promoted it heavliy for a number fo years, it can also be heard in his recording from 1931 "Steppin into Love' Vocal by Composer Harold Arlen. The Resiman recording on Victor is backed by the first recording made by Paul Whiteman when returned to Victor
Fell in love with this song because of Woody. Have heard many versions since but still return to this one, I love it so much. I can thank Woody for opening up a whole new door of old music for me.
I normally can't stand Leo Reisman, but plunger-mute specialist Bubber Miley redeems this. I think it's hilarious how he and the vocalist are working in such contrasting styles (hot vs. sweet). Check out 1:30, Bubber throws in a lick from East St. Louis Toodle-O. It also helps that the Porter song is so beautiful in and of itself.
This is excellent. I also like the Libby Holman version which has some surprises such as slide guitar and the particularly haunting pedal tone obligato.
I'm sure your aware, but this song opens and closes his movie "Husbands and Wives" (1992). Far and away the best rendition of the Cole Porter classic.
My favorite arrangement of this song. I agree with all that's been said - it's a haunting piece, right to the final gong. The trumpet improv throughout the vocal is just icing on the cake. Perhaps others could have done it better, but I quite like Lew Conrad's poignant phrasing of "I saw you there, one wonderful day, you took my heart, and threw it away." He has a wistfulness that is missing in other versions. I works for me. Thanks so much!
EXCELLENT! What a great way to end the evening. :) I always loved Cole Porter's music but I never knew he was such a handsome man. Thanks for the song.
Can I go now, is this over? I'm filled with gratitude for the beautiful movies he makes.
zoritoo 3 months ago
@zoritoo Vlez v skype:} Molq
namelsess93 3 months ago
Wonderful song ! ! !
Mbeki74 4 months ago
@gastongian
Thank you for sharing dear Gianni.
Absolutely wonderful video edition!
I wish you a lovely night!
kisses*
Marciab84 9 months ago
Haunting, moody, brooding--TREMENDOUS Tks
johnohconnor2 10 months ago
"Can I go now?"
grindhouse141 10 months ago
last word,so well said,,,:) i guest not so many people got what you just said here ,,,, CAN I GO NOW?and this beautiful song so sweet,thanks grinchouse
gilgamesh02 10 months ago
@gilgamesh02 Thanks, the movie's a masterpiece!
grindhouse141 10 months ago
a moody song that gets me...moody.
sineaddg 1 year ago
Don't know whether anyone else commented on this here, but the growl/plunger/mute trumpet is none other than Bubber Miley, ex of Duke Ellington's Orchestra.
JCJasion 1 year ago
This has been flagged as spam show
My friend Bruno Leicht sucks Cock.
Chris Rich
KilIedByAJanitor 1 year ago
This has been flagged as spam show
Convicted child pornographer Bruno Leicht uses this tune often in his videos
Chris Vivarin Rich
KilIedByAJanitor 1 year ago
The vocal so melancholy! The mutted trumpet so exquisite! Love the recording!
thefabulousmark 1 year ago
love it!
Alex92513 1 year ago
i like this arrangement. is it a trumpet? like the sudden violins playing after the singer sings. the song gets in the minor key. is it next a saxophone? great post ROGHAM
rogharm 1 year ago
it was while listening to native chants in marrakesh that cole porter got the inspiration for this dark,brooding melody of despair....
gastongian 1 year ago
Porter's first great ballad, equal in stature to "Night and Day" and "I've Got You Under My Skin." Reisman is no Whiteman, but, in all fairness, he never pretended to be.
effjay
boojum2222 1 year ago
@boojum2222 Reisman is no Whiteman? No, certainly! He is better ;-) At least in this totally badass arrangement.
Mnnvint 1 year ago
CORRECTION: This recording is a 1929 Victor. The first picture is that of Eddie Duchin and his Orchestra and the second is Joe Reichman and his Orchestra, both piano playing band leaders. Leo Reisman was violinist and bandleader. No connection of either to Leo except that Eddie played with Leo first before his own group and played on this recording. This recording represents the style of Reisman's orchestra. Listen to his other recordings 1928 thru 1935. Porter pics are good.
wasackett 1 year ago
Excellent, remarquable
pompenel 1 year ago
wow, what a surprise, a great arrangement, really enjoyed it, like the uptempo and trumpet, frank still has the greatest rendition of it, but again this one is a classic
beriflor 2 years ago
Former Ellington trumpeter James "Bubber" Miley steals the show on this record. And check out Adrian Rollini's bass sax throughout!
Grouchy2day 2 years ago
Sinatra owns this song, Go listen
feedboi 2 years ago
Porter was beyond genius
feedboi 2 years ago
is this the first recording of this song?
if not I think its the best. a great 78 that's not so hard to find
toygirafe 2 years ago
im 19 and am listening to this because of a 16 year old :) this is wonderful music and i can't believ what ive been missing for so long
beanfishy 2 years ago
fabulous and 30 years older than i am! 2 years older than my parents. this is timeless music.....
lisa1gas 2 years ago
Listen to the rhythmic pattern at the intro w/tympani, again at 2:53 this was a fox-trot variation rhythm known as the "Collinstone Fox-Trot" which had a short popularity on the East Coast. Reisman promoted it heavliy for a number fo years, it can also be heard in his recording from 1931 "Steppin into Love' Vocal by Composer Harold Arlen. The Resiman recording on Victor is backed by the first recording made by Paul Whiteman when returned to Victor
"Tango Americano"in 1931.
78timothy 2 years ago
what a charmer! Thanks for all the info.
spartanmiss 2 years ago
Fantastic!
KreamKat 2 years ago
Fell in love with this song because of Woody. Have heard many versions since but still return to this one, I love it so much. I can thank Woody for opening up a whole new door of old music for me.
jenzeppelin 2 years ago
Recorded on January 20, 1930...with Eddie Duchin at the piano.
fromthesidelines 2 years ago
I havent heard this Leo Reisman version in 40 years! It's on a compilation LP in storage somewhere. Great!
Bobchai 2 years ago 2
I normally can't stand Leo Reisman, but plunger-mute specialist Bubber Miley redeems this. I think it's hilarious how he and the vocalist are working in such contrasting styles (hot vs. sweet). Check out 1:30, Bubber throws in a lick from East St. Louis Toodle-O. It also helps that the Porter song is so beautiful in and of itself.
stravinskyrocks 2 years ago 3
Just a jewel. Thanks
pedrogarcea 3 years ago 2
And don´t forget the trumpetplayer!:
Bubber Miley, ex Ellington member!
formiggini 3 years ago 3
Thanks! I always wanted to know who the trumpeter was - superb!
loris711 3 years ago
woody allen used this in his movie husbands and wives
riffraff6259 3 years ago
This is excellent. I also like the Libby Holman version which has some surprises such as slide guitar and the particularly haunting pedal tone obligato.
guitaress1 3 years ago
I'm suddenly in the mood for a Woody Allen movie.
KidMillions 3 years ago 12
I'm sure your aware, but this song opens and closes his movie "Husbands and Wives" (1992). Far and away the best rendition of the Cole Porter classic.
flana001 3 years ago 12
@flana001 One of my favourite films...the stellar soundtrack was like icing on the cupcake.
jenzeppelin 1 year ago
Just Wonderful!!!
Shurayuki18481 3 years ago
My favorite arrangement of this song. I agree with all that's been said - it's a haunting piece, right to the final gong. The trumpet improv throughout the vocal is just icing on the cake. Perhaps others could have done it better, but I quite like Lew Conrad's poignant phrasing of "I saw you there, one wonderful day, you took my heart, and threw it away." He has a wistfulness that is missing in other versions. I works for me. Thanks so much!
loris711 3 years ago
takes my breath away!!!! wow
bearcub410 3 years ago
Super!
dzheger 4 years ago
Wonderful site. Thank You! This version of
"What is..." is the only one that counts, by my lights.
HepKatt139 4 years ago
What an outstanding arrangement!
kspm01 4 years ago
Fantastic arrangement, but imagine if Lee Wiley did the vocal instead of Lew Conrad. She was already working for Reisman then.
merrihew 4 years ago
5 stars - never better! Very modern arrangement for l929..
HarborGuy 4 years ago
EXCELLENT! What a great way to end the evening. :) I always loved Cole Porter's music but I never knew he was such a handsome man. Thanks for the song.
genia106 4 years ago