Added: 4 years ago
From: ortizcastro
Views: 8,608
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  • Wonderful. I first heard this on a barge docked at the foot of the Brooklyn Bridge, at a memorial concert on 9/11/09. It blew my mind and immediately set out to learn it, but was too lazy to work past the mental-physical challenge of using only one non-dominant hand to create such a dimensional sound. Now that my right hand is out of commission for months after nerve surgery, I will approach the pieces again. Thanks for this video - impressive even if two hands had been used!

  • very insensitive.... well you're a man... no metronome to adhere to... well it's not THAT bad... but not sensitive enough. xoleah

  • It is very cultured sound but lacking culmination. Sounds a bit like flat horizon.

  • Lovely! I'm about to start learning this, I see the balance and pedalling are things I have to look at, you do it well. The Nocturne seems quite a challenge...I have my work cut out!

  • Bravo - I especially appreciated your phenomenal dynamics and your faithfulness to the tempo even when adding a bit of dramatic delay (i.e. without the overexaggeration I've heard in other versions). Sounds like four hands are playing, not one.

    : )

  • Comment removed

  • Very very nice

  • I fractured a finger on my right hand and I learnt the prelude (left hand) and it was really nice.

  • hey, my teacher just gave me this piece to work on for a competition. I find the prelude easy to sight-read (I sight-read it within a day), but the nocturne kills my mind. Scriabin's works are mostly on technical skills as well, which makes fingering technique so much better.

  • Prelude is nice! I rather thought Nocturne is a bit too rush and too heavy, but overall, nice work :)

  • I do more breathing and emphasis on certain notes. You could take a tad longer to start your Nocturne to show that it isn't a pause in the piece, but a new piece. Great feeling and balance!

  • Superb balance and control. Well done.

  • incroyable..je vois ce pianiste et je ne crois pas qu´il est mon profeseeur plutôt, je ne crois que je connais un musicien ausssi magnifique. Je suis hereuse de travailler avec vous prosseur, j´aime bien votre travail.

    je voudrais, j´ai besoin bien de être une bonne élève, pour moi premièrement mais pour vous aussi, parce que je ne veux pas que vous regrettez d´être mon professeur.

    salut !

    oriana carvajal

  • I liked the interpretation. I myself play this prelude, altough I don't do the arpeggios as you.

    I'm still working on my interpretation, but maybe someday I'll post it.

    Good job, if you ask me.

    COngratulations, good dinamics, good feeling.

  • ...arpeggios of the prelude, good job for the nocturne

  • Your 5th 4th and 3rd fingers beat too strong the keys, you should play like this only in the a

  • Well played. Keep posting.

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