i am a love child...i just love the fact that i was conceived with love...love to my mum and dad...they were only 16 and 17 years old...i just love it.
CRIMES: Count 1 - Invasion of Privacy. Count 2 - Continuing Crucifixion of Angelina DiMauro since February 16, 1994. Today is Friday, January 27, 2012 (C.E.), 2:42 PM (Earth-Eastern Standard Time)
Yes, I agree, it's Diana Ross best delivery. She really did an excellent rendition. Sadly no Supremes (Mary or Cindy) sing in the original recording session. This song is timeless and part of the soundtrack of our lives, so cheers for the Mono version.
All the mono recordings were superb. It was meant to sound good on AM radio. Get your hands on all the mono recordings you can. Especially the Beatles. It's unbelievable when you listen to them with head phones. You can hear all of the instrumentation and vocals, like the producer intended.
As thin as her voice was, Diana Ross never hit a bad note in over 20 years of recording. She was always dead on in pitch and emotion, and always lovely and moving, despite her limitations of range and power.
Ever since I first heard this track during childhood (1971), that opening guitar stab continues to lay down a bolt of lightning straight down my spine. The second it starts my entire body tenses up and says YOU ARE ABOUT TO GET YOUR ASS RAWKED. Holland Dozier Holland - more hits than THE BEATLES. Google it!
Wow, I've heard drastically different mono 45 mixes before, but this one takes the cake. TOTALLY different from the common stereo version. I'm amazed!
I remember as a kid Diana Ross and the Supremes were my very favorites. NOT ashamed to say it. The epitome of fine vocals and harmonies. Then of course I had to get the Jackson 5 albums. Yep, had em.
I wish music was still like this. Produced so perfectly. Dianna has such great vocal phrasing. Her voice is pure, rich and powerful in a very subdued way, but what an impact!! She never belted it out, she didn't have to, like so many girls do today. That's her talent. She knows how to deliver a song. I love her like so many others do.
Every time I see that Mowtown name it brings chills to my body. You know something good is about to happen. Thank you Mr.Gordy, Thank you for making my life a happy one growing up in the 70's in Miami. Black Americans are very proud of you.
@usahorse721 "Will This Be The Day" a nice, light pop tune that is nothing like the dynamic of Love Child, but OK as filler and a testament to Diana Ross' underrated versatility. Happily, Mary Wilson declined to record the background and flew off to vacation in Mexico so The Andantes, Motown's AMAZING house female group provided the exceptional backgrounds. Talented as Mary and Cindy were, they didn't have the chops to bring this record to it's fullest potential. a tour-de-force by Diana Ross!
This record was controversial in my house - my mom was in the hallway and when she heard me playing it, she came into my room, took it off the record player, and literally threw it out of the house - frisbee'd it right out of my bedroom window! (I snuck out that night and got it back.) Ahhh....memories.....
And yes, those of the sleeves some Motown records came in - I still have some. They changed as newer LP's were released.
"A very controversial record at the time!" And even today: lots of oldies stations deliberately DO NOT have this on their play lists.
"Motown 1960's were mixed hot in mono." That enabled the lyrics to be heard with the crappy AM frequency response of the time, and especially on car radios.
I premiered this on my college FM station in 1968 — the first time I played it, it sent shivers up my spine.
WABCRADIO77, that's some serious iron in your vid. What's the turntable?
I had that 45. Always liked the Motown label also the original RCA Victor.
WABCRADIO77, or anyone. I've got a question....is there a name for the space at the end of the song, where the groove seems to loosen and ends at the label. I was told there was a name for that emptying space. Thanks. Great sound.
@jdoesmith85210 The Supremes/Temptations 45 "The Weight" was released in stereo in 1969. (I had the 45 twice - the first time I 'cleaned' it with gasoline and dissolved it.)
Some of Motown first stereo singles were Marvin's "Trouble Man," Stevie's "Superstition", the Supremes "I Guess I'll Miss The Man," Diana's "Good Morning Heartache," Gladys's "Neither One Of Us," Jackson 5's "Lookin' Through The Windows," and Michael's "Ben." Over at Atlantic things were similar. With the exception of 1969's "Share Your Love With Me," Aretha's 45s too stayed mono until the end of 1972.
With Motown, stereo singles didn't become steady until the second half of 1972. Even items as late as "Surrender," "Floy Joy," "Rockin' Robin," "Sugar Daddy" and "Automatically Sunshine" were all mono. During this same time there was experimentation too, with some singles stereo on one side but not the other. An example: Gladys Knight's "Help Me Make It Through The Night," stereo with a mono b-side, "If You're Gonna Leave Just Leave."
We had a CD jukebox in the McD's I used to work for. Whenever this or any other Diana Ross song came on it blasted everyone away. I figure they somehow managed to get the hot mix on a CD. However, nothing matches the original vynil!!
I remember WLS Detroit endlessly playing the opening of this song as a jingle for their commercial for the year end countdown. OMG, the silly things we remember........
In most cases, Motown shipped their records in light brown paper sleeves, but every once in a while they issued sleeves like this to promote their catalog.
I thought the thumbnail sleeves were more common. I was four when Lovechild hit the charts and remember seeing Motown releases with the thumbnail sleeve. The sleeve was printed with many different colors
The Supremes sound very good in MONO. This must have been one of the last mono singles to be released as by 1968, stereo was the norm and mono was considered old and out of fashion
While stereo singles began to appear in mass around this time (1967 - Example - Doors 45's on Elektra), most 45's were still mono up till about 1971 to 1972, then stereo 45's became the norm. After 1973, mono 45's almost did not exist unless it was a radio station promotional copy. However, there were exceptions!
@WABCRADIO77 An exception such as if the label was a small one. Stang/All-Platinum, as late as 1975, issued Shirley & Co.'s "Shame Shame Shame" and The Moments' "Look At Me I'm In Love" in mono.
@CenaTv2 And Motown records will always so well-produced, you could hear each and every element distinctly and in good quality..I'd say that although the artists and style were different, Motown stood by this same high-quality production and lush orchestration with their hit releases all the way through the 1970s, including the label's mid- and late-'70s foray into disco, and up until about 1985 with artists like Rick James and Teena Marie, also. Great stuff! ;)
That copy shown at the start, and played on the turntable, was pressed by American Record Pressing in Owosso, MI (the plant whose 45 pressings often sounded like 78's if you had your eyes closed). My copy was pressed by RCA's Rockaway, NJ plant. RCA pressings have lacquers mastered at RCA's Chicago studios (then in its last months in the "Navy Pier" section, before moving in spring 1969 to the "Loop"). This looks like this was cut somewhere else (probably in-house by Motown itself).
@wmbrown6 I have a copy of this 45 that was pressed at Monarch Records in Los Angeles. Do you have any idea where that pressing was mastered? For some reason, that particular pressing of the single doesn't have as much bottom end as this one does.
This comment has received too many negative votesshow
@oceanbound222 Just to be historically accurate, the background vocals here were provided by a group called the Andantes. Motown stopped using the 2 backup Supremes in the studio as Berry Gordy wanted a stronger sound behind Diana Ross. Most of the later hits bye "the Supremes" were really Diana Ross and the Andantes.
@wmbrown6 The original studio recording of Love Child had an additional verse talking about marriage. It was edited out of the single and album versions. I think you can find the full version somewhere on youtube.
The first Motown record I ever bought was this one. And believe me, these speaker dragons should to be played at lower volume or you will be jumping with fright when the music starts.
Thank you for posting this Spencer!! The mono 45 mix of this song is fantastic and stomps the anemic stereo version. That is clear from the tom and kick drum hit on this. A Motown classic heard the way it was meant to be heard!
This 45 is the biz. That intro would leap out of our portable radio speakers and hit you right between the eyes.
That's an interesting DM prefix of QQQ! 484M05 details where this mono version was once stored in the tape library at Hitsville.
theboyfromxtown 3 weeks ago
i am a love child...i just love the fact that i was conceived with love...love to my mum and dad...they were only 16 and 17 years old...i just love it.
PUPPIElover369 1 month ago
CRIMES: Count 1 - Invasion of Privacy. Count 2 - Continuing Crucifixion of Angelina DiMauro since February 16, 1994. Today is Friday, January 27, 2012 (C.E.), 2:42 PM (Earth-Eastern Standard Time)
123ETERNALDEATH 1 month ago
Motown classics sound no better than on the original 45's. That is a fact, and it is not in dispute!!!
teddibearsworld 1 month ago
Pure win!
jasonlava 1 month ago
This has been flagged as spam show
Wowww... Janet Jackson's Intro "You want This" and @ 2,08 (watch?v=aNnUfcLAInY)
michaelstevens06110 1 month ago
Comment removed
michaelstevens06110 1 month ago
JESUS, THIS IS HEAVEN !!!!!!
oceanbound222 2 months ago
Yes, I agree, it's Diana Ross best delivery. She really did an excellent rendition. Sadly no Supremes (Mary or Cindy) sing in the original recording session. This song is timeless and part of the soundtrack of our lives, so cheers for the Mono version.
cjserrot 2 months ago 2
She could sing out. Wish she would come back and shatter glass!
ruthpaget1 5 months ago
Download the audio from this vid at searchripgrab doht cohm.
VaniaDawson882 6 months ago
"Very, very good!"
MrWINNSLAW 6 months ago
All the mono recordings were superb. It was meant to sound good on AM radio. Get your hands on all the mono recordings you can. Especially the Beatles. It's unbelievable when you listen to them with head phones. You can hear all of the instrumentation and vocals, like the producer intended.
70sRob 6 months ago
Ahh, the good old days , the good old days. The Supremes baby!
DetroitLives313 6 months ago
As thin as her voice was, Diana Ross never hit a bad note in over 20 years of recording. She was always dead on in pitch and emotion, and always lovely and moving, despite her limitations of range and power.
JEMnDC 6 months ago 2
The Wire...Season 2...Ziggy
alexanderchien 6 months ago
SALVATION
Friday, August 5, 2011 10:28 AM
From: "Let the Little Children Come"
To: undisclosed-recipients
Enquiry for: SALVATION
Children Of A Future Generation
Name: MISSIONARY James Dirk Diggler
Email:
PoppySandals 7 months ago
LOVE IT!!!! The original sound gives it that nostalgic feeling
SuperVideoWatcher09 7 months ago
Still one of the songs I play the most. Being a Love Child (bastard) myself, this song really speaks to me.
HeavyMetalBluegrass 7 months ago
Damn how long do we have to wait for the Mutha Fucka to come on....
rrrickster3137 7 months ago
Ever since I first heard this track during childhood (1971), that opening guitar stab continues to lay down a bolt of lightning straight down my spine. The second it starts my entire body tenses up and says YOU ARE ABOUT TO GET YOUR ASS RAWKED. Holland Dozier Holland - more hits than THE BEATLES. Google it!
iwantoldschool 7 months ago
@iwantoldschool ....... ur description is soooooooo right-on . The opening makes me sit up in bed
oceanbound222 7 months ago
Wow, I've heard drastically different mono 45 mixes before, but this one takes the cake. TOTALLY different from the common stereo version. I'm amazed!
moogyboy6 7 months ago
DIANA ROSS Only, No Supremes on this one, Motown used The Andantes instead
TheReturnOfBigBear 8 months ago
> Love this classic MoTown Song and the fact that you are playing it on the original 45 Record :) - Thank you !
Schweizermusik 8 months ago
LOVE THIS SONG, DIANA ROSS AND THE SUPREMES!
shataya27 8 months ago
LOVE THIS SONG, DIANA ROSS AND THE SUPREMES!
shataya27 8 months ago
So cool.
I remember as a kid Diana Ross and the Supremes were my very favorites. NOT ashamed to say it. The epitome of fine vocals and harmonies. Then of course I had to get the Jackson 5 albums. Yep, had em.
I LOVED Motown.
TBird5790 8 months ago
Jesus, this girl can sing ...... totally awesome song .....
oceanbound222 8 months ago
I wish music was still like this. Produced so perfectly. Dianna has such great vocal phrasing. Her voice is pure, rich and powerful in a very subdued way, but what an impact!! She never belted it out, she didn't have to, like so many girls do today. That's her talent. She knows how to deliver a song. I love her like so many others do.
70sRob 9 months ago 2
Comment removed
70sRob 9 months ago
nice!!
gaaratard123 11 months ago
Every time I see that Mowtown name it brings chills to my body. You know something good is about to happen. Thank you Mr.Gordy, Thank you for making my life a happy one growing up in the 70's in Miami. Black Americans are very proud of you.
enorytl 11 months ago
whats the name of the flip side
usahorse721 11 months ago
@usahorse721 "Will This Be The Day" a nice, light pop tune that is nothing like the dynamic of Love Child, but OK as filler and a testament to Diana Ross' underrated versatility. Happily, Mary Wilson declined to record the background and flew off to vacation in Mexico so The Andantes, Motown's AMAZING house female group provided the exceptional backgrounds. Talented as Mary and Cindy were, they didn't have the chops to bring this record to it's fullest potential. a tour-de-force by Diana Ross!
supremester2 9 months ago 4
This record was controversial in my house - my mom was in the hallway and when she heard me playing it, she came into my room, took it off the record player, and literally threw it out of the house - frisbee'd it right out of my bedroom window! (I snuck out that night and got it back.) Ahhh....memories.....
And yes, those of the sleeves some Motown records came in - I still have some. They changed as newer LP's were released.
KnowWhatIThink 11 months ago
Oh Yeah thats the good stuff. A true oldie there. Does not get any better then this.
MrJjs77 11 months ago
"A very controversial record at the time!" And even today: lots of oldies stations deliberately DO NOT have this on their play lists.
"Motown 1960's were mixed hot in mono." That enabled the lyrics to be heard with the crappy AM frequency response of the time, and especially on car radios.
I premiered this on my college FM station in 1968 — the first time I played it, it sent shivers up my spine.
WABCRADIO77, that's some serious iron in your vid. What's the turntable?
mostlyclassics 1 year ago
@mostlyclassics Technics, probably the 1200. Cmon. One of the best ever. They even came out with the MKII later on.
TBird5790 8 months ago
This song brings chills of joy up and down my spine
oceanbound222 1 year ago
amazing lyrics and great sound and beautiful song
MaRi7BR 1 year ago
You want to laugh your ass off where you're on your belly crawling out of the room? Then check out my video poem songs.
Jjonathanhart 1 year ago
Super song of life situations.
Kasbahkabaret 1 year ago
I had that 45. Always liked the Motown label also the original RCA Victor.
WABCRADIO77, or anyone. I've got a question....is there a name for the space at the end of the song, where the groove seems to loosen and ends at the label. I was told there was a name for that emptying space. Thanks. Great sound.
corfan99 1 year ago
@jdoesmith85210 The Supremes/Temptations 45 "The Weight" was released in stereo in 1969. (I had the 45 twice - the first time I 'cleaned' it with gasoline and dissolved it.)
shmuli9 1 year ago
This song ROCKS !!!!!!!!!!!!!
oceanbound222 1 year ago
among DIANA ROSS best vocals performance ever! This song ROCKS!
IT JAMS!
supremes1964 1 year ago 9
nices music
diana ross 45rpm
trank you
9981522122 1 year ago 2
Some of Motown first stereo singles were Marvin's "Trouble Man," Stevie's "Superstition", the Supremes "I Guess I'll Miss The Man," Diana's "Good Morning Heartache," Gladys's "Neither One Of Us," Jackson 5's "Lookin' Through The Windows," and Michael's "Ben." Over at Atlantic things were similar. With the exception of 1969's "Share Your Love With Me," Aretha's 45s too stayed mono until the end of 1972.
dvlaries 1 year ago
With Motown, stereo singles didn't become steady until the second half of 1972. Even items as late as "Surrender," "Floy Joy," "Rockin' Robin," "Sugar Daddy" and "Automatically Sunshine" were all mono. During this same time there was experimentation too, with some singles stereo on one side but not the other. An example: Gladys Knight's "Help Me Make It Through The Night," stereo with a mono b-side, "If You're Gonna Leave Just Leave."
dvlaries 1 year ago
Fantastic song, on of my all time favorites. thanks so much for posting
Lockemeister 1 year ago
We had a CD jukebox in the McD's I used to work for. Whenever this or any other Diana Ross song came on it blasted everyone away. I figure they somehow managed to get the hot mix on a CD. However, nothing matches the original vynil!!
WillWatchAnything 1 year ago
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I remember WLS Detroit endlessly playing the opening of this song as a jingle for their commercial for the year end countdown. OMG, the silly things we remember........
oceanbound222 1 year ago
@oceanbound222 ...sorry CKLW detroit,
oceanbound222 1 year ago
Is that the origanl factory sleeve with the single? It is the frist time I have seen a classic motown single with the original sleeve.
shyphyre 1 year ago 5
Yes, it's the original Motown sleeve!
In most cases, Motown shipped their records in light brown paper sleeves, but every once in a while they issued sleeves like this to promote their catalog.
WABCRADIO77 1 year ago 4
@WABCRADIO77
I thought the thumbnail sleeves were more common. I was four when Lovechild hit the charts and remember seeing Motown releases with the thumbnail sleeve. The sleeve was printed with many different colors
shyphyre 1 year ago
@WABCRADIO77 They also had an interesting picture sleeve for this song, too, rather like the one they had for "I'm Livin in Shame"
shmuli9 1 year ago
I can just hear the late great Chuck Leonard playing this back in '68-69 on WABC!
Stoned69 1 year ago 7
Complete with the WABC Chime at the end!
WABCRADIO77 1 year ago 2
@WABCRADIO77 Did you know "The Clan" wrote this song frm 1968?
kjchicago1 7 months ago
The Supremes sound very good in MONO. This must have been one of the last mono singles to be released as by 1968, stereo was the norm and mono was considered old and out of fashion
CenaTv2 1 year ago 6
While stereo singles began to appear in mass around this time (1967 - Example - Doors 45's on Elektra), most 45's were still mono up till about 1971 to 1972, then stereo 45's became the norm. After 1973, mono 45's almost did not exist unless it was a radio station promotional copy. However, there were exceptions!
WABCRADIO77 1 year ago
@WABCRADIO77 An exception such as if the label was a small one. Stang/All-Platinum, as late as 1975, issued Shirley & Co.'s "Shame Shame Shame" and The Moments' "Look At Me I'm In Love" in mono.
dvlaries 1 year ago
@CenaTv2 And Motown records will always so well-produced, you could hear each and every element distinctly and in good quality..I'd say that although the artists and style were different, Motown stood by this same high-quality production and lush orchestration with their hit releases all the way through the 1970s, including the label's mid- and late-'70s foray into disco, and up until about 1985 with artists like Rick James and Teena Marie, also. Great stuff! ;)
italoman9 6 months ago
Love this song! Keep putting more supremes on?
Galiaxie78 1 year ago 2
That copy shown at the start, and played on the turntable, was pressed by American Record Pressing in Owosso, MI (the plant whose 45 pressings often sounded like 78's if you had your eyes closed). My copy was pressed by RCA's Rockaway, NJ plant. RCA pressings have lacquers mastered at RCA's Chicago studios (then in its last months in the "Navy Pier" section, before moving in spring 1969 to the "Loop"). This looks like this was cut somewhere else (probably in-house by Motown itself).
wmbrown6 1 year ago
Oh, and if anyone asks: Count me as preferring the mono of this.
wmbrown6 1 year ago
@wmbrown6 I have a copy of this 45 that was pressed at Monarch Records in Los Angeles. Do you have any idea where that pressing was mastered? For some reason, that particular pressing of the single doesn't have as much bottom end as this one does.
blackwaxjh 1 year ago
Aaaah, I have this one. And glad I do. Great sound!
burrexkeefAGAIN 1 year ago
One of the all-time great classics. Diana Ross' vocal performance is extraordinary.
oceanbound222 1 year ago
This comment has received too many negative votes show
@oceanbound222 Just to be historically accurate, the background vocals here were provided by a group called the Andantes. Motown stopped using the 2 backup Supremes in the studio as Berry Gordy wanted a stronger sound behind Diana Ross. Most of the later hits bye "the Supremes" were really Diana Ross and the Andantes.
oceanbound222 1 year ago
@oceanbound222 - Sounds almost like the story of the so-called "Crystals" hit "He's a Rebel" where the actual vocal group was The Blossoms, dunnit?
wmbrown6 1 year ago
@wmbrown6 The original studio recording of Love Child had an additional verse talking about marriage. It was edited out of the single and album versions. I think you can find the full version somewhere on youtube.
oceanbound222 1 year ago
The first Motown record I ever bought was this one. And believe me, these speaker dragons should to be played at lower volume or you will be jumping with fright when the music starts.
jconifer7 1 year ago
Thank you for posting this Spencer!! The mono 45 mix of this song is fantastic and stomps the anemic stereo version. That is clear from the tom and kick drum hit on this. A Motown classic heard the way it was meant to be heard!
blackwaxjh 1 year ago