Added: 1 year ago
From: carmona121
Views: 38,731
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  • Come & Be Joyful! St. Thomas Aquinas Traditional Choir is practicing this in their present practice! I love it!

  • I'm singing this in my school's choir! This is my favourite movement! I'm an alto! :D

  • que puedo decir, solo que es abrumador e inspirador, fantastico

  • I actually felt that the only parts that consistently shone through in this recording were the sopranos and tenors, which is a shame, because Vivaldi is wonderful to sing as an alto. The instrumental part just drowned out the altos and bases here.

  • Ah, my favorite part of the Gloria! It's fun being an alto. <3

  • Vivaldi=the most underrated composer

  • I remember having to lead the tenor section of this, and I couldn't even read music. Just the only one who had rhythm. Still, it was our favorite piece of Vivaldi's gloria.

  • i love this song :X...i sang it in a choir...it's magnificient :)

  • hurray for the basses! And everyone else! :) And the decrescendo at the end makes a lot more sense - I doubt Vivaldi would have written a descending line crescendo.

  • I also prefer altos and basses.

    When I write arrangements I try to make 'em brighter!

    I'm NOT against high pitches, but It's a matter of taste.

    It's time to explore low notes, huh?

  • My fovourite part of "Gloria"

  • もうチョイ早い方がすきw

    

  • bass actually got a chance to shine, not only did he love altos, he also loved the other parts

  • @billyjoedelfigalo BASSES FTW!!!!

  • Comment removed

  • vivaldi loved altos!

  • i know, right?

  • i love this version!

  • Well done.

  • Nice recording. Funny, the last vocal line is written with a crescendo to fortissimo, however the recording actually does the opposite.

  • @mikehardcastle good point -- neither the decrescendo as performed nor the score marking are Vivaldi's own, as dynamic indications are historically later interpolations. Both versions represent performer, not composer intentions -- and you're right, it's hilarious.

  • @mikehardcastle good point -- neither the decrescendo as performed nor the score marking are Vivaldi's own, as dynamic indications are historically later additions to scores. Both versions represent performer, not composer intentions -- and you're right, it's bloody hilarious.

  • I love it so much! Its so fun and up beat.

  • Great performance.  Thanks for including the score!

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