Added: 4 years ago
From: dirkmoelants
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  • i'm aware there are different settings by purcell, i was asking whether or not the continuo was arranged from the original as i've played this particular one before (with voice/harpsichord/gamba).

  • there are three versions by Purcell

  • dirk, did you arrange the continuo part?

    correct me if i'm wrong, but the original is quite different.

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  • There are three versions by Purcell, I LOVE this one...

  • @emeboteef: not all Baroque music are performed at A=415. For example, a lot of Purcell's music was indeed sung at a much higher pitch, even as high as the 490s. Another example is the Venetian pitch (e.g. for some Vivaldi's music). 462+. And the vibrato comment: vibrato has always been seen as a natural part of a healthy voice, and larger deviation of the principal note in the Baroque era was called something else entirely: ornaments, trills.. as long as they enhance, and not distort harmony.

  • Now, although some people prefer "historically accurate" performances of Baroque music a half step down and without vibrato, many, many realize that the Baroque musicians would have been pleased with a more evolved sound, and indeed eventually sought it for themselves.

  • @emeboteerf Blatant chronocentrism.

  • Baroque music was not traditionally SUNG with out vibrato. Rather, the instruments played without vibrato, until they realized they would sound better if they attempted to emulate the beautiful natural vibrato of the freely resonating voice.

  • please, listen to emma kirkby's version.

  • I don't know...I kind of like the choir version better. This may be beautiful, but the choir version is godly.

  • I very much enjoyed this rendition! In my opinion, both musicians gave a well balanced and beautifully interpreted performance.

    In my study of music history I was always led to believe that the reason we now use vibrato more freely in all music is because instrumentalists began imitating the natural vibrato that many vocalists were already using. Also, another thing to consider is that many of the soloists that would have performed this in Purcell's day would have been contratenors or castrati.

  • In response to "magicalrocker" - yes its been said and noted that vibrato was not necessarily used in baroque music, however vibrato in the voice has always been present regardless of the time, and music is free to be interpreted with the intentions of the performer, not just the conventions of the time - and as regards to the ornamentation, this version has bars of colloratura (which are very very difficult to sing I might add) - so purcells intentions are ver clear, way beyond his time too!!

  • The voice reminds me of Lesley Garrett but she got better techniques.

  • beautiful, your vibrato is amazing, baroque music sounds fine, even when sung with vibrato, just look at some outstanding, baroque performers (Cecilia Bartoli, Marilyn Horne) they all used vibrato, and they sounded great doing it.

  • Too much vibrato for Purcell, remember vib. wasn't really called for in early - mid. Baroque music. If there was any embellishment in terms of vib, it was written into the music by way of ornament.

  • as a bit of a purist i think her voice is too operatic for purcell no matter how lovely her voice is - it doesn't suit the style. it needs a pure tone i.e. emma kirkby but that's just my opinion

  • Great singing.. lovely voice.. I'm learning the second version, but nice to hear this one which I don't know.. have you tried the other one, it's bloody hard! though it sound simple.. and what about "what can we poor females do?" Hope to hear from you..

  • fabulous.

  • you sound great! nice line.

  • Wow, very interesting and impressive lyra style on the viol! Great going. A really interesting and enjoyable performance!

  • There are two "If Music Be The Food of Love"... Purcell used the same poem, and wrote 2.

    I like this one the best... they are both beautiful though!

  • He wrote 3, actually, although I've never seen the second version (this is the 3rd).

  • Really? Thankyou for the info. I'm going to look it up.

  • Yeah. And I can't find number one anywhere!

    But I liked this version though^^

    It was really pretty<3

  • You both did it your way...lovely!

  • This isn't the Purcell version that I sang.

  • I dont recall this song being sung this way... Have you altered it in any way?? Have you made the notes a bit longer =  .)

  • Just glorious!

  • Very nice! More people should use the gamba this way..Some Hume perhaps now?

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