Favorite record of mine and not just because my dad played the date. He loved Marty Paich's arrangements. He noted the personnel on his copy of the record:
Trumpets: Frank Beach, Stu Williamson - Trombones: Bob Enevoldsen, George Roberts Sax/Reeds: Art Pepper, Jimmy Giuffre, Bill Perkins French Horn: Vince DeRosa Drums: Mel Lewis Bass: Scott LaFaro Piano: Marty Paich Vibes/Percussion: VIctor Feldman
BUT... I don't understand why you would think that running the signal thru a speaker box of ANY kind no matter how good will create a more natural sound; rather it introduces yet further alterations. Is the echo from your recording room?
Thank you for your crucial comment. Yes, the echo is from my room. The sound here has got alterations through the re-recording process. My aim is to let people know how natural open baffle speakers could sound and how great the albums are. If you like the sound of my OB speakers, you could buy or build OB speakers yourself. If you want the original sound, you should get copies of the albums.
@openbaffle3 That doesn't make much sense because your OB speaker sound is then reproduced through YouTubers' non-OB speakers, often being laptop speakers, cheap headphones and desktop speakers worth $10. Even on expensive HiFi or studio reference speakers, it is impossible to catch the quality of your OB speakers because the sound reaching the listener's ears combines both your and listener's room colorations and reverberations and some of the magic is essentially lost en route.
@openbaffle3 When I listen directly to the studio recording, the sound is much more present and the stereo imaging is preserved. I must admit, the lack of highs and an the emphasized middle range of your video does sound more mellow although way more muddy, so I presume it must a real joy listening to the recording in front of your OB speakers :)
Nice cut. Are we to understand that you've re-mastered this in some way? Is all the echo your thing, or the original recording? (I like a bit of echo, but this is overdone.)
It's a great album - this post made me go out and look for it. Found it at amazon England so it must in print and available in the States. Great value for the money too - there's something like 16 tunes on it & a great sounding recording.
A great post, thankyou : - ) If you've never been in love with Art Pepper and the West Coast jazz of the 50s before, then this track ought to make you feel a spark - so many years after it was recorded. All the soloists sparkle here set off with magical ensemble playing. Marty Paich's arranging is unmistakable - his distinctive open voicing, moving line passages and the sharp nine ensemble brass chord at 2:05 all carry his unique touch.
A great post, thankyou : - ) If you've never been in love with Art Pepper and the West Coast jazz of the 50s before, then this track ought to make you feel a spark - so many years after it was recorded. Marty Paich's arranging is unmistakable - his distinctive open voicing, moving line passages and the sharp nine ensemble brass chord at 2:05 all carry his unique touch.
first time Iv e heard this Awesome WOW I was hearing the Marty Paitch Orch w Mel Torme earlier. Mels cover of Fagins Goodbye Look, Different genre but worth hearing
Art Pepper swings like Mel Lewis in the break-in. Beautiful sound, dynamics, articulation, and above all magnificent timing! Very few other players have these important instrumental and musical elements at such a high level. Great altoplayer!
Hi 1 what is that strange set - up of amplifiers, wooden cases and microphones seen in the pics? The amplis look much like Luxman from eraly eighties. Correct ? but what for?
You mean the wooden case behind the amp? It is a speaker stand filled with sand to absorb unwanted vibration of the speaker. The amp looks like Luxman, but is Denon 390.
Favorite record of mine and not just because my dad played the date. He loved Marty Paich's arrangements. He noted the personnel on his copy of the record:
Trumpets: Frank Beach, Stu Williamson - Trombones: Bob Enevoldsen, George Roberts Sax/Reeds: Art Pepper, Jimmy Giuffre, Bill Perkins French Horn: Vince DeRosa Drums: Mel Lewis Bass: Scott LaFaro Piano: Marty Paich Vibes/Percussion: VIctor Feldman
Enjoy!
Nancy Beach
finemouche 3 months ago
These top tier West Coast musicians were just great--love Art Pepper! Mel Lewis just one of the all time greats.
kingorthy 7 months ago
Mel Lewis and Scott Lafaro .. what a combination !
posaunist5 9 months ago
Mel Lewis and Scott Lafaro .. what a combination !
posaunist5 9 months ago
Nice cut. Thank you for posting.
BUT... I don't understand why you would think that running the signal thru a speaker box of ANY kind no matter how good will create a more natural sound; rather it introduces yet further alterations. Is the echo from your recording room?
blueyedboymrdeath 9 months ago
@blueyedboymrdeath
Thank you for your crucial comment. Yes, the echo is from my room. The sound here has got alterations through the re-recording process. My aim is to let people know how natural open baffle speakers could sound and how great the albums are. If you like the sound of my OB speakers, you could buy or build OB speakers yourself. If you want the original sound, you should get copies of the albums.
openbaffle3 9 months ago
@openbaffle3 That doesn't make much sense because your OB speaker sound is then reproduced through YouTubers' non-OB speakers, often being laptop speakers, cheap headphones and desktop speakers worth $10. Even on expensive HiFi or studio reference speakers, it is impossible to catch the quality of your OB speakers because the sound reaching the listener's ears combines both your and listener's room colorations and reverberations and some of the magic is essentially lost en route.
WannabeGadd 2 months ago
@openbaffle3 When I listen directly to the studio recording, the sound is much more present and the stereo imaging is preserved. I must admit, the lack of highs and an the emphasized middle range of your video does sound more mellow although way more muddy, so I presume it must a real joy listening to the recording in front of your OB speakers :)
WannabeGadd 2 months ago
@WannabeGadd
Thank you for your comments. They made me think about the meaning of my videos.
My conclusion is that the way audiophiles play music is an interpretation of music through their audio systems.
PS: I've decided to recommend using headphones or earphones in each explanation of my videos.
openbaffle3 2 months ago
Nice cut. Are we to understand that you've re-mastered this in some way? Is all the echo your thing, or the original recording? (I like a bit of echo, but this is overdone.)
blueyedboymrdeath 9 months ago
It's a great album - this post made me go out and look for it. Found it at amazon England so it must in print and available in the States. Great value for the money too - there's something like 16 tunes on it & a great sounding recording.
adeduction 1 year ago
@adeduction
I'm extremely happy to know that.
openbaffle3 1 year ago
Woderful post! Thank you
123must 1 year ago
A great post, thankyou : - ) If you've never been in love with Art Pepper and the West Coast jazz of the 50s before, then this track ought to make you feel a spark - so many years after it was recorded. All the soloists sparkle here set off with magical ensemble playing. Marty Paich's arranging is unmistakable - his distinctive open voicing, moving line passages and the sharp nine ensemble brass chord at 2:05 all carry his unique touch.
sevildrib 1 year ago
@sevildrib Thank you for the witty and interesting comment.
openbaffle3 1 year ago
Comment removed
sevildrib 1 year ago
A great post, thankyou : - ) If you've never been in love with Art Pepper and the West Coast jazz of the 50s before, then this track ought to make you feel a spark - so many years after it was recorded. Marty Paich's arranging is unmistakable - his distinctive open voicing, moving line passages and the sharp nine ensemble brass chord at 2:05 all carry his unique touch.
sevildrib 1 year ago
first time Iv e heard this Awesome WOW I was hearing the Marty Paitch Orch w Mel Torme earlier. Mels cover of Fagins Goodbye Look, Different genre but worth hearing
Thanks so much for posting
sailorguyli 2 years ago
You're welcome, sailorguyli. I heard Mel's cover of Goodbye Look. It's nice rendition.
openbaffle3 2 years ago
Art Pepper swings like Mel Lewis in the break-in. Beautiful sound, dynamics, articulation, and above all magnificent timing! Very few other players have these important instrumental and musical elements at such a high level. Great altoplayer!
TheAltoman 2 years ago 2
I see. I think timing and pitch are the basic requirements for musicians and singers.
openbaffle3 2 years ago
except that in the break-in it's Jimmy Giuffre on baritone entering hte first solo. Nevertheless, Art swings more than fine :-)
MrNepau 2 years ago
Hi 1 what is that strange set - up of amplifiers, wooden cases and microphones seen in the pics? The amplis look much like Luxman from eraly eighties. Correct ? but what for?
MrNepau 2 years ago
You mean the wooden case behind the amp? It is a speaker stand filled with sand to absorb unwanted vibration of the speaker. The amp looks like Luxman, but is Denon 390.
openbaffle3 2 years ago
This swings so incredible and I never get tired of listen to it.
Indeed a great sound and quality I specially liked the Victor Feldman touch on vibes and the swinging bass sound.
I dont even miss a guitar rhythm or solo, which gives me a change to do so!
Thank you.
46ricochet 2 years ago
You're welcome, 46ricochet.
Thanks for your precious time.
openbaffle3 2 years ago