sir, there is something wrogn with this recording. the recording here, is in e flat. but that piece should be in c-minor. this must be a little too high the exact pitch.... the whole piece should be a little slower i guess, in original.
@paganviodio indeed, the piece is written in C minor, but there is a tradition of tuning the G string up to B flat so that the piece sounds more exciting and brilliant (and of course, in E flat minor/major). I myself studied this work under a well known Russian teacher in London, and he demanded that I play it with the scordattura in B flat.
@Xytopamenia I don't believe that's standard though, is it? Of the music I've seen I've never known there to be such liberties taken, though I may be wrong. Might've been Kogan taking musical liberties... the accompaniment is also delightful, if not a little foreign...
@Hagrid01 It is standard. While there are other editions, its pretty common to go either way. The version I played used other strings on the last chord as well.
This is a famous example of Paganini's trickery.He first played this with deliberately frayed D,A, and E strings.These then snapped, leaving him to miraculously finish the piece on the G string. When i first played this,i didn't see the instruction to retune the G string to Bb,so i practiced with normal tuning-you can imagine what it sounded like the first time i played it with the piano! lol
Paganini once in his concert demonstrated he can play his music from some one's shoe when put the strings on it. I doubt it can create the same harmony.
Kogan and Oistrakh all the way! You should here the Paganini concerto for 4 violins with Oistrakh and son, and Kogan and son I believe. It's wonderful.
Stradivari made over one thousand violins in his lifetime. Only less than one hundred of them were considered great. Now, the actual process of making those instruments was pretty much the same. Which means that the only significant variable that affected the sound was the quality of the wood Stradivari used at any given time. The wood was delivered from the Alpine region of Italy. Its the wood density, folks that differentiates great, average and mediocre Strads!
Didnt the wood come from the area of Bosnian/Croatian woods? From what i know it was brought to Italy from that region. And the wood from the same area si still used to make instruments.
LK and Heifetz would have been able to achieve an adequate sound production playing on a frying pan with 4 strings attached to it. Both were amazing child prodigies who were lucky enough to be transformed into supreme masters of their craft when they reached adulthood. Heifetz used to admit himself that "Child Prodigism is usually fatal". Research shows that its the amount and quality of Practice and Instruction, Diligence and Resilience that make for a great performer.
As far as the violins go, the soviet violinists weren't known for playing the best instruments. Kogan had a couple Del Gesu's and Oistrakh had a Strad, but these were not the great Del Gesu's and Strads, just your average or so. Compare: Heifetz had the Dolphin Strad and ex-David del Gesu, one of the absolute finest from each maker. But what difference did it make? Naught. Heifetz was still Heifetz with a Tononi in hand, and Kogan was still Kogan with Paganini's [exceptional] fiddle in hand
True, but anyway , Oistrakh played on around 13 strads...so I guess they had the option to choose , plus Kogan owned ( Yes , owned ) a collection of pecattes , they were considered gods in their country so they had some privileges, not mansions on beverly hill as our dear jascha , but at least...priviliges.
did you ever hear the one where a fan approached Heifetz and said "Mr. Heifetz, your violin sounded so good!" Heifetz held the David Guanerius up to his ear and replied "funny, I dont hear anything" Point is that Kogan makes the violin sound good. If I were to play the same violin, I am certain you and others would recoil in agony!
This is very true. The player brings out the fullest sound of the violin. However, if Heifetz played his Guarneri and then afterwords played a cheap eBay instrument I'm sure the difference would definitely be heard. Both the player and the violin must both be great. Something I can only dream of for myself. x_x
you´re in some points wrong,if he hadnt have the Guarneri this wouldnt sound such great.inspite of heifetz joke,a great violin helps to produce great tone.those violins are great instruments.they have themselves have the abilities to sound that great.you cannot-or heifetz cannot make a violin sound that great,if it has not this quality.
I take it the English is not your first language. I think you miss some nuance to my comment because of a language barrier. (I do not mean this as an insult). Speaking a second or third language takes tremendous skill and effort.
yes,trully i understand your point,i read why you wrote this comment here,but...you are going to agree with me,that,nobody and nothing can make a bad violin sound like a guarneri.that´s why,if somebody plays a guarneri,it is a right to make a compliment just to the violin.Heifetz would also agree with me i guess.otherwise,he wouldnt prefer to play a guarneri.AND a strad.having both,and joking as he did,is infact somehow also funny.
In prision. One string (G) left. Boredom is agonizing, but it isn't good for nothing.
Welther47 1 week ago
gosh im gonna play this!!!!!
lucycuteyviolinplaye 3 weeks ago
sir, there is something wrogn with this recording. the recording here, is in e flat. but that piece should be in c-minor. this must be a little too high the exact pitch.... the whole piece should be a little slower i guess, in original.
paganviodio 2 months ago
@paganviodio indeed, the piece is written in C minor, but there is a tradition of tuning the G string up to B flat so that the piece sounds more exciting and brilliant (and of course, in E flat minor/major). I myself studied this work under a well known Russian teacher in London, and he demanded that I play it with the scordattura in B flat.
musicperhaps 3 weeks ago
and it is standard....just the scale at the end he changes a bit....
egonsky 3 months ago
He is known...
egonsky 3 months ago
he plays so beautiful...............
berituka 3 months ago
love it, thanks for sharing
amuntvalenciane 3 months ago
It's very difficult to play i know ^^
TheCoony7 1 year ago
How is it possible to have all the high g notes so Clear???
Almost Impossible...
Love this Piece... Played it...
hackbug39 1 year ago
Wait, I thought this was an exercise on "one" string - why does it sound like he's rolling a chord at the end? haha Regardless, fantastic performance
Hagrid01 1 year ago
@Hagrid01 the second to last chord is the only chord in the piece that involves the other strings
Xytopamenia 1 year ago
@Xytopamenia I don't believe that's standard though, is it? Of the music I've seen I've never known there to be such liberties taken, though I may be wrong. Might've been Kogan taking musical liberties... the accompaniment is also delightful, if not a little foreign...
Hagrid01 1 year ago
@Hagrid01 It is standard. While there are other editions, its pretty common to go either way. The version I played used other strings on the last chord as well.
tlcooper93 11 months ago
Na minha opinião quem foi o melhor interprete de Paganini foi Kogan muito perfeito grande som
jeffersonfsoares 2 years ago
I wonder why he is not more known. especially his paganini is outstanding.
hotuser2 2 years ago 10
@hotuser2 he is very well known
vonlubcke 1 year ago
Lukecash you mean the Vivaldi concerto....
jsmoore1 2 years ago
His G string is tuned up...typically Paganini.
Koganification 2 years ago
This is a famous example of Paganini's trickery.He first played this with deliberately frayed D,A, and E strings.These then snapped, leaving him to miraculously finish the piece on the G string. When i first played this,i didn't see the instruction to retune the G string to Bb,so i practiced with normal tuning-you can imagine what it sounded like the first time i played it with the piano! lol
shiveringflower 2 years ago
I never saw a real Pagnini's video(who did?), I guess Kogan plays the music as Pagnini wanted.
variousweetie 2 years ago 17
@variousweetie
It's like art: if two artists paint the same flower with the same technique and colors ... yes Paganini was and will ever be only one.
P.S: this execution? A masterpiece, pure art. I'm enjoying every note!
extranged 2 years ago
@variousweetie You've never seen a real Paganini video because Paganini has been dead for a long time...
zeppelinman71 1 year ago
Certified Intergalactic!
Dogaradodia 2 years ago
Paganini once in his concert demonstrated he can play his music from some one's shoe when put the strings on it. I doubt it can create the same harmony.
sivery70914 2 years ago
Would love to see that!
mpc999STEP 2 years ago 3
The original melody is from the opera MOSES by Rossini, who was a good friend of Paganini's. But you knew that already.
analogyman 2 years ago
mr rareviolintreasures -where do you find these excellent recordings
i have to say give me kogan above heifetz in most pieces - check out his waxman carmen
themusicdr 2 years ago 2
Kogan and Oistrakh all the way! You should here the Paganini concerto for 4 violins with Oistrakh and son, and Kogan and son I believe. It's wonderful.
Lukecash12 2 years ago
yes its fantastic - i doubt v much if there could be a modern equivalent
themusicdr 2 years ago
Stradivari made over one thousand violins in his lifetime. Only less than one hundred of them were considered great. Now, the actual process of making those instruments was pretty much the same. Which means that the only significant variable that affected the sound was the quality of the wood Stradivari used at any given time. The wood was delivered from the Alpine region of Italy. Its the wood density, folks that differentiates great, average and mediocre Strads!
Dshapdds 3 years ago
You´re absolutely right--it is good to read from someone who really knows what he is talking about.
Maybe you know the recording of IGOR Oistrach of this piece--it is really wonderful, too.--Greetings, Ralf
meineke11 3 years ago 2
Didnt the wood come from the area of Bosnian/Croatian woods? From what i know it was brought to Italy from that region. And the wood from the same area si still used to make instruments.
torturer6067 2 years ago
Also the Carpathians in Romania.
calloffthedogs 2 years ago
LK and Heifetz would have been able to achieve an adequate sound production playing on a frying pan with 4 strings attached to it. Both were amazing child prodigies who were lucky enough to be transformed into supreme masters of their craft when they reached adulthood. Heifetz used to admit himself that "Child Prodigism is usually fatal". Research shows that its the amount and quality of Practice and Instruction, Diligence and Resilience that make for a great performer.
Dshapdds 3 years ago 3
"LK and Heifetz would have been able to achieve an adequate sound production playing on a frying pan with 4 strings attached to it."
lol! what a brilliant comment!
duhhh86 3 years ago 2
great comment! very accurate! they would sound fab on a crackerbox fiddles.
calloffthedogs 2 years ago
Agree with you totally. The greats sound great on any instrument.
calloffthedogs 2 years ago
As far as the violins go, the soviet violinists weren't known for playing the best instruments. Kogan had a couple Del Gesu's and Oistrakh had a Strad, but these were not the great Del Gesu's and Strads, just your average or so. Compare: Heifetz had the Dolphin Strad and ex-David del Gesu, one of the absolute finest from each maker. But what difference did it make? Naught. Heifetz was still Heifetz with a Tononi in hand, and Kogan was still Kogan with Paganini's [exceptional] fiddle in hand
citizenjosefk 3 years ago 3
True, but anyway , Oistrakh played on around 13 strads...so I guess they had the option to choose , plus Kogan owned ( Yes , owned ) a collection of pecattes , they were considered gods in their country so they had some privileges, not mansions on beverly hill as our dear jascha , but at least...priviliges.
Bautisnemo 2 years ago 2
adjix(dot).com/apa Great Video
mrpaganicast 3 years ago
Certified Intergalactic! Unequalled! Immortal Kogan!
Dogaradodia 3 years ago
Thank you very much for sharing with us!
leonardopraha 3 years ago
wonderful performance,but still my favorite version of this piece is perlman's interpretation
farzadvengerov 3 years ago
I love the sound of his violin!
memeee090 3 years ago
did you ever hear the one where a fan approached Heifetz and said "Mr. Heifetz, your violin sounded so good!" Heifetz held the David Guanerius up to his ear and replied "funny, I dont hear anything" Point is that Kogan makes the violin sound good. If I were to play the same violin, I am certain you and others would recoil in agony!
calloffthedogs 3 years ago 2
This is very true. The player brings out the fullest sound of the violin. However, if Heifetz played his Guarneri and then afterwords played a cheap eBay instrument I'm sure the difference would definitely be heard. Both the player and the violin must both be great. Something I can only dream of for myself. x_x
masael255 3 years ago
I'll bet you fifty bucks you could still tell it was Heifetz playing even though it was on a crackerbox ebay fiddle.
calloffthedogs 3 years ago
Now I'll give you that. :P
masael255 3 years ago
I bet a thousand
pouli769 3 years ago
10 4 that!
calloffthedogs 3 years ago
incorrect.
DualThunder 3 years ago
you´re in some points wrong,if he hadnt have the Guarneri this wouldnt sound such great.inspite of heifetz joke,a great violin helps to produce great tone.those violins are great instruments.they have themselves have the abilities to sound that great.you cannot-or heifetz cannot make a violin sound that great,if it has not this quality.
paganviodio 3 years ago
I take it the English is not your first language. I think you miss some nuance to my comment because of a language barrier. (I do not mean this as an insult). Speaking a second or third language takes tremendous skill and effort.
calloffthedogs 3 years ago
yes,trully i understand your point,i read why you wrote this comment here,but...you are going to agree with me,that,nobody and nothing can make a bad violin sound like a guarneri.that´s why,if somebody plays a guarneri,it is a right to make a compliment just to the violin.Heifetz would also agree with me i guess.otherwise,he wouldnt prefer to play a guarneri.AND a strad.having both,and joking as he did,is infact somehow also funny.
paganviodio 3 years ago
This is an excellent performance. Thank you.
tHEnOOSEsWING 3 years ago 2