Esta pieza me sobrecoge. Me gustaría poder compartir con alguien lo que siento escuchando esto, pero desgraciadamente pocas personas apreciarían lo bellísimo que es este madrigal, y menos personas de mi edad.
My new love: "Lamento dello ninfa". A great wonder why I have not stumbled upon it before! I adore this version. I think MehdiCaps are right about the dictum regarding Dessay vs. Kirkby. Perhaps it is because Monteverdi is pre-baroque and should be interpreted as such, or perhaps because the song in itself bends more towards the sombre and inwards suggestions of the human heart.
He escuchado demasiadas interpretaciones de esta obra, pero lejos, esta es la mejor de todas. Emma Kirkby interpreta de manera perfecta el sentimiento de la ninfa. El trío masculino acompaña ese dolor con un caracter compasivo, pero manteniendo el papel secundario.
While listening to the movingly beautiful piece, I finally understood just how much a compliment to any musical lament is saying that it possesses "Monteverdian greatness". Perhaps, the most stunning feature is the simplicity of the idiom the composer uses here: the soprano's plaintive appeal is given over a constant bass line that only helps to underline the sustained sadness of the varied vocal part (interestingly enough, at 3:37, the bass line wonderfully mimics the soprano's descent).
Moreover, the "chorus" is featured most prominently, and its' constant repetitions of "miserella", given in a distinctive series of effects (2:16 - a simple parallel statement, 2:42 and 3:10 - a gradual rise of line, passing from one singer to the other, 4:45 - a beautiful concentrated passage), becomes almost an answer of the unfaithful lover to his nymph.
This particular version (I've listened to most of those presented) has to be the definitive in both the interplay of the trio of men and the distinctively mournful singing of Kirkby. Thank you so much for this piece :).
After listening to all the uploads of this piece, it is clear that this Kirkby version stands out. It is extremely balanced in sound and rhythm, and Emma Kirkby fits this music so naturally. It is absolutely electrifying.
This is my favorite interpretation. I think it is because of Kirkby's more subtly, gently emotional portrayal of the nymph. I first downloaded this rendition on iTunes about a year ago, and have listened to it hundreds of times since then. It never gets old, and almost always reduces me to tears. It's such a perfect expression of grief and longing. Great catharsis for the soul!
This is the delight of these "compare and contrast" exercises. For one,lamentation includes public self-disembowelment, another bites her tongue until it bleeds (though no one sees it). All valid interpretations of the same madrigal (and I'm learning a lot). Thanks, Eser!
(I did a quick check to see how long the series might be -- there are about two dozen recorded versions of this!!)
You must have an incredible heart and soul, Eser, to choose the YouTube musical selections you post. I pray we all can step up to the plate from which you broadcast love of fine art.
So beautiful. Who said that Emma was not able to move? She does that with pure singing, no pathos, the anti-Dessay on this one (I'm not saying that Dessay was bad, only at the other end of the spectrum). See her pianissimo on the last "mai", and the last "taci"... Gorgeous.
Although I enjoyed Dessay's passion, I found it overdone and this was a refreshing change. The male voices in the "Lamenti" voices are more ethereal in my opinion, though.
Esta pieza me sobrecoge. Me gustaría poder compartir con alguien lo que siento escuchando esto, pero desgraciadamente pocas personas apreciarían lo bellísimo que es este madrigal, y menos personas de mi edad.
elbaclar 1 week ago
Wauw erg erg mooi!
Wow very very beautiful!
Mastergymnast1 1 month ago
Il brivido più lungo della mia vita..
guitartonno92 2 months ago
Wonderfully sung....hers is the best I've ever heard!
TheMule48 3 months ago
the soprano is terribly flat all over the place; but it's such beautiful music!!
Cantormatis 3 months ago in playlist YouTube Mix for Claudio Monteverdi
@Cantormatis Yeah, right! Kirkby, of all sopranos!
civileso 3 months ago 4
Monteverdi e Rinuccini:zaubere Verbindung!!!
MrGipeto66 3 months ago
this piece conceals an utmust artistic beauty
anisometropie 4 months ago
Monteverdi ist unerreichbar!
Ausgezeichnete Vortragung!!!
Bravissimi!!!
MrGipeto66 4 months ago
There's nothing else like this, anywhere. Che belta'...
jeffg2020 5 months ago
Grazie...bellissimo!
Katherine85 5 months ago
Also so lovely tenor voices - it's amazing music!
MsGreenthings 5 months ago
best version ever (L)
carrieflauta 10 months ago
Comment removed
Dominicussen 1 year ago
My new love: "Lamento dello ninfa". A great wonder why I have not stumbled upon it before! I adore this version. I think MehdiCaps are right about the dictum regarding Dessay vs. Kirkby. Perhaps it is because Monteverdi is pre-baroque and should be interpreted as such, or perhaps because the song in itself bends more towards the sombre and inwards suggestions of the human heart.
Dominicussen 1 year ago
@Dominicussen Lamento della Ninfa
Alfgard1 7 months ago
A mi parecer, la mejor de las versiones!!!
Animalia00 1 year ago
civileso, Thank you for sharing all of your music!
yngwiejesus2 1 year ago
i love chicken
binkster19 1 year ago
Je trouve que les parties 1 et 3 où la Ninfa ne chante pas sont encore plus incroyables que le reste !!
Jude616 1 year ago
Amazing.
sciaticnerve1 2 years ago
la migliore versione in assoluto.. :) Bravissimi!
Fedez1879 2 years ago
Molto bello. Eccelsa la Kirby, come al solito, davvero molto utile lo spartito che scorre. Grazie
codacorta 2 years ago
La musica delle sfere celesti...
musicat1984 2 years ago
Gyönyörű
gavelpulcsi 2 years ago
He escuchado demasiadas interpretaciones de esta obra, pero lejos, esta es la mejor de todas. Emma Kirkby interpreta de manera perfecta el sentimiento de la ninfa. El trío masculino acompaña ese dolor con un caracter compasivo, pero manteniendo el papel secundario.
Maravilloso!!! Magnífico!!!
Lleno de afectos, traspasando ese dolor.
Impresionante!!!
ArsExcelsaEnsemble 2 years ago
thank you very much for providing the score !!!!.... i've been having trouble finding it.... :-)
5/5 and favorited !!! :-D
PeriodinstrumentfaN 2 years ago
con razón a Emma Kirkby la llaman "La Musa Monteverdiana"
Preciosa la obra... hermosa intepretación...
=)
roalgoro 2 years ago
Hermosa obra....
chela008 2 years ago
While listening to the movingly beautiful piece, I finally understood just how much a compliment to any musical lament is saying that it possesses "Monteverdian greatness". Perhaps, the most stunning feature is the simplicity of the idiom the composer uses here: the soprano's plaintive appeal is given over a constant bass line that only helps to underline the sustained sadness of the varied vocal part (interestingly enough, at 3:37, the bass line wonderfully mimics the soprano's descent).
LindoroRossini 2 years ago
Moreover, the "chorus" is featured most prominently, and its' constant repetitions of "miserella", given in a distinctive series of effects (2:16 - a simple parallel statement, 2:42 and 3:10 - a gradual rise of line, passing from one singer to the other, 4:45 - a beautiful concentrated passage), becomes almost an answer of the unfaithful lover to his nymph.
LindoroRossini 2 years ago
This particular version (I've listened to most of those presented) has to be the definitive in both the interplay of the trio of men and the distinctively mournful singing of Kirkby. Thank you so much for this piece :).
LindoroRossini 2 years ago
After listening to all the uploads of this piece, it is clear that this Kirkby version stands out. It is extremely balanced in sound and rhythm, and Emma Kirkby fits this music so naturally. It is absolutely electrifying.
abelanna 3 years ago
THANK YOU.
Beecognate 3 years ago
awesome
stapleincomp 3 years ago
anthony rooley is my dads brother so hes my something i cart remember but im related to him
zakr07 3 years ago
I'm normally more into techno and hip hop, some rock/folk, but I love this stuff! Keep it up, thanks for helping me "expand my horizons", ha ha.
SiloMour 3 years ago
This is my favorite interpretation. I think it is because of Kirkby's more subtly, gently emotional portrayal of the nymph. I first downloaded this rendition on iTunes about a year ago, and have listened to it hundreds of times since then. It never gets old, and almost always reduces me to tears. It's such a perfect expression of grief and longing. Great catharsis for the soul!
MTCason 3 years ago 3
I liked the tenors and bass in the 2008 "Lamenti" version, but Dessay in that is less than stunning :(
SsteinwayS 3 years ago
Dessay is a little too breathless and frantic in her interpretation, for me.
MTCason 3 years ago
Probably too much arm exercise from moving about! ;)
SsteinwayS 3 years ago
This is the delight of these "compare and contrast" exercises. For one,lamentation includes public self-disembowelment, another bites her tongue until it bleeds (though no one sees it). All valid interpretations of the same madrigal (and I'm learning a lot). Thanks, Eser!
(I did a quick check to see how long the series might be -- there are about two dozen recorded versions of this!!)
grenouilleGG 3 years ago
Simply fascinating. ;) Thanks for the info!
SsteinwayS 3 years ago
You must have an incredible heart and soul, Eser, to choose the YouTube musical selections you post. I pray we all can step up to the plate from which you broadcast love of fine art.
tommax26 3 years ago 10
Thank you very much for the kind words. Beauty only multiplies as we share.
civileso 3 years ago 6
So beautiful. Who said that Emma was not able to move? She does that with pure singing, no pathos, the anti-Dessay on this one (I'm not saying that Dessay was bad, only at the other end of the spectrum). See her pianissimo on the last "mai", and the last "taci"... Gorgeous.
MehdiCaps 3 years ago 5
Well said! She is not the hysterical kind of abandoned nymph; she is faint with grief. And she does it so well! I love it!
civileso 3 years ago 3
Although I enjoyed Dessay's passion, I found it overdone and this was a refreshing change. The male voices in the "Lamenti" voices are more ethereal in my opinion, though.
SsteinwayS 3 years ago