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From: shbosch
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  • 優しい(^^♪

    

  • The high notes are very good, the lower notes are rather uninteresting.

  • His tone is musical and tender, but neither is liquid nor has light.

  • Superb!

  • he truly is the best clarinetist ever!

  • This video was just added to a music playlist at JustPlay.fm

  • is he using a "double lip" embouchure?

  • What an absolutely marvelous performance! I think it is a characteristic of his performances to be completely unassuming and just a conduit for the music. I wish he would let his lovely staccato loose a little more often. I have his four Spohr Concertos. Can't fault them. So lovely to see him play, rather than just hear. Puts a name to the face! Bravo!

  • well he does use a german system clarinet. in fact his clarinet is a very very expensive german clarinet. and for a good reason

  • what a perfect sound. what else can anyone want from a clarinet player besides a perfect sound?

  • @Tarcila62078 i agree his sound is perfect but ever think it had to do with the clarinet just sayin, im not trying to put him down just stateing an opinion

  • @megakrazydave1 you are right about it having alot to do with the clarinet but sabine uses the same clarient but her sound isnt as pure as his.

  • @megakrazydave1 you are right about it having alot to do with the clarinet but sabine uses the same clarinet but her sound isnt as pure as his.

  • a perfect sound. what more could anyone what from a clarinet player.

  • wow. i just started playing clarinet lik 2 years ago so ive been listening to alot of clarinet players on youtube. My favorite is karl leister. something about his sound. jus absolutely amazing!!!

  • Excellent control, he is really fantastic.

  • grande

  • grande!!!

    

  • grande!!!

  • Please reply as soon as possible. Is he double tounging? I need to learn it and I do not have a singe clue as to how to accomplish this feat.

  • @SpartanG600 Leister is probably NOT double tonguing. He had a very nice fast single tonguing. You can usually hear the difference - single tonguing is smoother and nicer, but double can give a much better speed boost. You basically do somthing like this - da-ga-da-ga-da-ga. Try practising on any scale, as long as for each tongue hit you are playing a different note. Playing on the same note at the beginning might lead in the wrong direction.

  • @SpartanG600 He doesn´t need double tonguing.

  • The finest clarinettist I've ever heard!

  • Overwhelming!!

  • omg! omg ! omg! omg! omg! omg! omg! omg! omg! omg! your tone alone is superb!!! you and sabine are like the best clarinet players ive ever heard!

  • Leister war bis zu seiner wohlverdienten pension nicht ohne Grund bei den "Berlinern" - super!!!

  • is he not having fun?

  • bravo bravo bravo!!! fantastico!!

  • Sorry but Harold Wright's recording of the entire Weber quintet is the best recording around, I highly recommend it. This guy's tone is peanuts compared to Wright's HOWEVER, I still consider Leister a virtuoso clarinetist of course.

  • @l1sanator1 i 100% disgree with you, i have listened to both of them, and liesters tone is phenominal!!!! sorry, but no.

  • bell

  • Grande MMMMMMMMMestre!!!!!

  • i don't particularly enjoy this interpretation.. i was used to listen to a version played by Eddie Daniels which was moe staccato.. But well, for me Eddie Daniels is the best in the world.. no ofense to this guy

  • Personally I like Eddie much more in jazz but I really enjoyed Charel's Neidich version of this movement.

  • i sound like that when i play in an echoy gym hehe

  • Very nice tone!

  • perfettoooo!

  • 50 years of experience says it all

    salutes from uruguay

  • Karl Leister is one of the greatests clarinetists ever!!! His sound is so particular....

    Thanks for post.

    Salutes from Brazil

  • in a chamber group, you can really achieve a beautiful pianissimo, but in a concerto it's not really possible with the full orchestra behind you...

  • wonderful how full and dark his tone is in the high register.

  • i dont often go for leisters tone, but here he is really fantastic! he is sooo technically smooth, and his tone is centered and full, even in the altissimo!

  • Idol for a player ! Textbook !

  • I like Karl Leister best of the clarinetists who play classic music.

  • ya@@@@@@@!!!! i know right! hes skilled!

  • Se la perfezzione avesse un nome sarebbe sicuramente quello di Karl Leister

  • se la perfezione avesse un nome questo sarebbe Karl Leister

  • I studied with Leister years ago in Berlin. I worshipped his recordings especially of the Mozart and Weber Concerti. But when I heard him play in my lessons and with the BSO, his tone was pretty but a bit muffled. He is a giant in the clarinet world but a lousy teacher. The greatest teacher of clarinet was David Weber. Mr. Tone who cared about his students like family. I will miss him very much. He passed away several years ago.

  • the best clarinet quintet

  • He moves the clarinet outwards on the high notes most probably to a compensation for the more piercing character of these notes, increasing the distance to the microphone, a technique that is well-known and widely employed by the all voice players in the world. As we can heard, the final effect is excelent. (Specially for mjs5155.)

  • I admit that periodically I have return to listen Leister, which is not the case with other clarinet more exciting, maybe due to fast saturation.

  • you can't HEAR any expression, but it really is in his eyebrows, shoulders and knees!

    i also think it's a great achievement to finally bringing the clarinet back to being a piece of wood!

    hadn't been done before!

  • gran intrepretación, sin duda un gran artista

  • lol how can anyone dislike his tone? it's Karl Leister! I mean this is a live performance and it's absolutely great but there are one or two low E's that he almost sort of honks... but still, a masterful performance by one of the greatest masters of the instrument. Did anyone else notice how sore his index finger was at about 3:57 ? Is it really necessary to push your fingers that hard? Maybe his fingers are permanently like that because he was born with a clarinet in his hands :P

  • LOL how can anyone like this colorless and boring tone!!!!!!!!! I prefer Reginald Kell,Gervase de Peyer and Walter Boeykens for example much more than this.

  • Most of the above apart from Walter Boeykens rely on Vibrato to change their sound Karl changes his using different methods e.g fingerings, throat shapes etc.

    MICHaeLDIZZLE is absolutely correct Karl is amazing!!!!!!!

  • So if you dont like Karl Leister what are you doing watching this video?????

    I prefer A SINGLE note played by KARL LEISTER that milions played by Reginald Kell, Gervaise de Peyer or Walter Boeykens... Karl Leister has a wonderful smooth deep and warm sound. In other hands, any Böhm or French clarinetist sound like a histerycal women crying!!! Its a really disgusting sound!!!

  • don't be hatin' Böhm :P The latest models are very well adapted to produce excellent tone across the instrument. Böhm is probably one of the most developed systems in the world actually oheiler is getting left behind and it sounds so much like a sax. About tone, Leister is great but I must say Fröst has the greatest tone of all. In fact I think he's the greatest clarinetist in recorded history. Any thoughts on that?

  • Personally I really loved Frost's recording of Brahms and Mozart, but not in other recordings. His Crusell didn't really show any forte, while the Weber he messed up by trying to be too expressive. Still, I agree that Frost has a very wonderful tone, which is most beautiful when he doesn't exaggerate.

  • He not play with colorless!!! His tone is smooth warm and deep woodent clarinet tone!!! In other hand, if you hear playing Karl Leister's old recording (in the Berliner Philharmoniker with H. von Karajan) his tone is not the same. He also has change is clarinet tone.

    In his words: "When you listen to

    my CDs of the 30 years ago, you can

    hear how my sound changed : this time,

    I'm looking for a round, warm, deep

    sound".

  • I haven't listened to either Kell or Boeykens but I can say for sure that Gervase de Peyer's tone isn't really good. His Brahms and Mozart were terrible. Excessive vibrato, shaky tone. But people call that the "British" style. ha.

    On the other hand, listen to Karl Leister's Brahms, Spohr, or Weber with a good speaker. You can grasp the beauty of his tone.

  • Well with Homeblest Chocolate biscuit from Burton we say good on both sides but with Leister it's the same taste on both sides. Boring taste. The same taste from beginning to the end.

  • "Maybe his fingers are permanently like that because he was born with a clarinet in his hands :P"

    Yes, it's true. I have read some articles about Karl Leister in 'The Clarinet' and his father played the bass clarinet in the Opera's Orchestra. His clarinet tone conception came from his father sound.

  • Karl Leister is a master of the orquestra due to the smooth and wood sound, but he is not as good as a soilist, the sound has not the presence of the best soilists. However, his visual coeography is good. (We must not have tabus, and give our opinion, not a copy of others.)

  • Have you heard his records of Sphor's, Weber and Mercadante's Clarinet Concertos?? He is an excellent soloist player.

  • I like so much Karl Leister

  • aghhhh!!! Thats a master in action... Man this is awesome.

  • Karl Leister is great, just leave it to the clarinetists to decide who's 'poor'

  • I dont like his tone. Very poor compared with others. No color, no expression.

  • you're kidding, who has a better tone?

  • Gervase de Peyer,Reginald Kell,Walter Boeykens just to name few

  • LOL Walter Boeykens probably has the worst clarinet sound in the world!!

  • Please tell me who you like ? I couldn't agree more with you.

  • I'm agree with Karl Leister. In his own words: "In the time I started, the sound for the clarinet players in France was very thin and light, it was the time of Delecluse. When I met him in 1957, when I got the price at the ARD competition in Munich, he talked to

    me and he said he was very impressed

    about how I played the clarinet, but he said something very interesting, "but you

    have a curious sound" I answered "I love this curious sound".

  • I don't know why youtube put my messages in the wrong place!!!

    Karl Leister's words: "It was so far away from the idea of sound of the French clarinet players, but the biggest

    changing happened at the origin of

    French clarinet players and some of them

    have now a wonderful sound : darkness,

    velvet, warm sound, and they changed a

    lot since the last 40 years."

  • An old video...but Karl's tone is still in flexable and borrrring!

  • meraviglioso, come sempre

  • Oh, very good!

  • Is this the only video of him in Youtube? I wish to see more.

  • one of the best clarinetists ever...

    but as an "ordinary" orchestra clarinetist with the Berlin Philharmonic he was even better than as a soloist. His sound is unique.

  • I thank good that we now have a new genertation of clarinetist. No more straight,smooth and boring playing in the German school of clarinet playing(but I think that school doesn't exsist any more).

  • uh, why are you so biased against the German school? Sorry, but the German tradition is continued by many, many young German clarinetists.

    Although I agree that it might sound boring, I disagree with you in that I value the German tradition as somehing left from the oldest maestroes: Stadler, Baermann, and Mulfeld.

    In an age in which everybody plays flashly and extravagantly, Karl Leister's extreme precision and beautiful tone stands out.

  • Nothing wrong with German school! I'd like to see ANY musican take more risk though... I admire perfection and control, but it's a high price considering that today's classical music seems to have completely lost the expressiveness of for example the great violinists (Oystrakh, Stern, Kreisler etc), who were exceptions in an already declining tradition themselves... Precision AND expressive risk (agreed: not just for the sake of standing out), that's what we admire with the great masters!

  • another thing is that Karl Leister ws the last to have his original playing style and tone. The tone of younger clarinettist can hardly be discerned from one another.

    Although I do like Sabine Meyer's style and all, I do not like the fact that she brought about the "unification" of clarinet tone-everybody copied her tone and playing style.

    I would go to a concert by Karl Leister than a 100 of those young players who disregard the basics and focus only on technique.

  • @klarinetta no, I'd say the German school of sound still does exist. as a young clarinetist that's EXACTLY what I aim for, is that flawless German sound.

  • great sound!!!!!I like german sistem!!!and Mr. Leister playing great!!!how old he is now??????pleas tell me if now anione!!!

  • Hello.. mr Leister was born in 1937...

  • @green291 it is a german system. its a fritz wurlitzer clarinet, get it right

  • Mr.leister, Do you remenber me?

    When MINATOMIRAI hall at Yokohama in Japan, I said Danke schoen, Danke schoen! You said Bitte schoen, Bitte schoen! That girl is a specialty Es klarinetten player now.

    In case of arrive my massage and read you, I wish tell you, Thank you came Japan!

  • K.L. is the best clarinetist in the world!!!

  • asuuuuuuu k lokazo k envidia ojala algun dia

  • I had the pleasure of meeting Karl Leister (AND Leon Russianoff!) at KlarFest 1981 in Washington, D.C.

  • I love his tone; it's so perfect. I reminds me of milk chocolate melting in your mouth, creamy and smooth. But, I also think of dark chocolate, especially when I listen to his recording of the Mozart Clarinet Concerto, tastefully rich.

  • Well put. I'm looking foreward to seeing this one live. :)

  • he plays with what seems to be perfect intonation throughout, but I think some might find his playing somewhat boring and not very musical, but I envy his technique

  • it's very good!!!I have a CD whit his interpretation of the Brahms-sonate no 1 and 2,rossini, verdi and spohr no 1,2,3 and 4...........it's incredibl...

  • his tone is amazing. I have a CD with his interpretation of the Mozart Clarinet Concerto in A K622, and its absolutely brilliant. One of my favorite clarinetists along with Sabine Meyer.

  • Karl Leister is one of the best, if not the best, clarinettists I've ever heared. To hear hear him play Mozart is bliss, but that's just me. LetsReason is absolutely correct.

  • There is no "best" for everyone. Leister has been world reknown for his sound for decades. Whether you think it the best, very few could deny that it is at least pleasant and at most, heading towards ideal. I am a professional clarinetist and would LOVE to sound like him ANY day. We should all just enjoy and stop trying to pretend we have some secret knowledge or understanding that allows us to criticize.

  • y este!!! de los mejores clarinetistas de mundo.

  • powerful !

  • Joe.T...Beautiful sound : It does'nt get any better than that.

  • il miglior clarinettista al mondo!!

  • This guy is probably the most effortless clarinet player I've ever heard. Much better than even the best players in the U.S.

  • wow see the asian violinist he's the principal violinist of Berlin Phil!

    a quintet of famous ppl

  • Fantastic!!!!

  • her is very good, but im amazed how he can play that fast with his fingers so high off the keys!! nice one

  • why does Mr leister play the c above the stave with his index finger down? it doesnt work on my clarinet

  • You have to remember Leister is playing a German system clarinet(i think its called the Oehler System), not the commonly used French System(Boehm), so the fingerings are gonna be different. As the clarinet has developed their have been many types of fingerings, like the Albert System which is a simpler fingering system used by alot of Klezmer players.

  • french system is the best!

    it has a variety of tone to keep audience away from sleep

  • I myself am a player of the french system, which was created and adapted to overcome some of the fingering problems that occur with the Ohler system(german), but it is not the system that dictates the tone, it's the setup and skill level of the performer, I've heard people playing the german and albert system clarinets that have great tone and technique.

  • @band1163 false, there is a vast difference between the two types of clarinets. it's not all about the fingering system; I think people often forget that the bore of the horn is a huge factor in sound production.

  • each system has its own qualities....

    for example, the French system has easy fingerings and relative easiness to control of tone and volume, while the German system usually has a denser tone and correct pitch.

    Still, if you fall asleep watching this, you don't know how to appreciate music by maestros of the time.

  • Ya, the Boehm system has some obnoxious intonation problems. The differing sounds for the most part has more to do with the school of playing: German, Viennese, American, French, British, etc. They all have their distinctions, though there is obviously overlap. The German sound may be "dense", but it by no means is better. I'm obviously biased when I say this but I've never found a clarinet sound as gorgeous as Robert Marcellus or Daniel Bonade (both American school).

  • I like the sound of Mr. Leister but with a French clarinet nobody can get it. French clarinet is to much bright...

  • @dunedinnz91 what clarinet system you play with? That only works with german system clarinets.

  • fantastic, although my hero is still Walter Boeykens

  • Great I love him too have 4 cd with him and he is fantastic. But it was so sad to hear that he had one of his lounge removed because of cancer several years ago. Smoking kills.

  • what, does he plays with only one lounge?

  • Wenn der Gott eines Tages Klarienette spielen wolte,würde er genauso spielen.Gottlich

  • I dont know how people can play music like this on a German system clarinet.. Thats amazing..

  • bravissimo

    come al solito karl leister!

  • his passages are all perfect, and his tone is lovely, while not being too romantic. it sounds so pure and effortless, probably exactly like weber would have wanted it.

  • possibly the most overrated player of all time. 1) he can't play in tune. 2) his sound is godawful. 3) his articulation makes ABSOLUTELY NO SENSE, and is completely pansy.

  • then how do you think that he was principal clarinettist of the Berliner Philharmoniker for 30 years? I bet that you're not as half as good as Herr Leister. Even professionals regard him as the best player in the "conventional style"

  • He is maybe a fine musician but as a clarinet player he is just so awfuly boring.For German clarinet playing I would take Sabine and Wolfgang Meyer anytime over Leister. And for the reason he was pricipal in the Berliner Philharmoniker has maybe something to do with the conductor at the time of the audition and maybe not who knows.

  • Maybe so. I respect your point. However, him being the principal player of the BPO signifies something important: Karl Leister embodies the "German" clarinet playing, which is representd by the repression of emotion and strictly adhering to the "originals", if you get my meaning.

  • I also respect your point. I then have to tell you that player like George Pieterson which I like very much played with the Concergebouw orchestra in Amsterdam one of the best orchestra in the world.

  • 1. Not everyone thinks piano tuning for all pitches is "in tune" especially considering that the ensemble is mostly strings! Welcome to tuning chords...

    2. His sound is beautiful!

    3. His articulation works well to shape the phrases in this particular work. Especially consider how well he matches note lengths with the strings.

  • If playing clarinet was all about smooth then no problem for Leister. But it's also about painting pitcures on a wall/paper with colors which is for the first thing very difficult to do on a German system clarinet. He sounds just the same from begining to the end . It's like clear and still water nothing happening. Only if he had such tone colors like the string quartet playin with him. I would rather watch an emty tv screen or something.

  • My mums maiden name is leister x

  • Big Karl!!!

  • seems rushung

  • Thank you SO MUCH for posting this! I've admired him for years but never had the chance to see him in person. GREAT!

  • you're welcome! Thats the reason i posted it! :)

  • karl leister is one of the best..his articulation are good. knowing webbers articulations are very hard..his sound is very good...

  • Clarinetqueen--sorry for your bad experience. You seem to have let it go--great. Can you tell me if Leister plays double or single lip?? Just curious......

  • single lip...

  • @ipmoic he played single lip while he was in the berlin philharmonic. but now he has switched to double lip.

  • I fell in love with Leister's tone the summer after I graduated from High School and first heard him on a Berlin Phil. record playing the "Pines of Rome". As soon as I heard him play, I said, "THAT'S it, that's the ultimate clarinet tone". I've tried to emulate it to this day, but it's difficult with French equipment.I use a Vandoren CRYSTAL A-1 and Vandoren V-12 # 4 reeds.

  • My Music teacher has a book that tells what equipment different professional clarinet players use if you want I can look it up what kind of Mouthpeice he plays on. Most proffesionals in that book play on the Vandoren M13 Lyre but I can see what he plays on.

  • Mr Leister is playing German clarinets. The Vandoren M13 mouthpiece is not suited to fit on those clarinets but are made for "French"(Boehm) clarinets. Mr Leister will probably play on moutpieces made by Wurlitzer and/or Zinner

  • Come to think of it that makes sense but i'm still planning on looking it up.

  • No he doesn't. He plays custom mouthpieces.

  • Karl Leister plays on a plastic mouthpiece, which has been custom-refaced to suit his reeds (of which brand I am not certain). You won't find it anywhere - not in a book, catalogue or store etc. Don't bother looking. In his younger years he played a wooden crafted mouthpiece, but found they were prone to too much warping. Hence, his choice for plastic.

  • True. I'm not allowed to play German system clarinets in my conservatory but I bought one (the brand that Mr Leister used to play before he entered into the Berliner Philharmoniker), with a custom German mouthpiece, lace and reed and I like it very much. It's amazing how he could record the four Sphor's Clarinet Concerts with French Eb Clarinet reed!!! (That is because German mouthpiece uses a more little reed than French mouthpieces).

  • Such a wonderful player, but such a mean person. I played the Mozart concerto in a masterclass for him about 2 years ago, and he treated me like crap. Everyone else he was fine with, but then again everyone else was male. Go figure. He did say that he liked my sound, and I should hope so, since I modeled my sound concept after listening to him play in the old Berlin Phil recordings.

  • Hey at least you got to meet see him. I wish I was there.

  • not sure if he's using the same ideas at play here, but he seems to get it down!especially crossing the bridg!! from like a A to B! and up and down again, so smoothly!! man..that's tough!!tone, cresendos, emotion, that all comes after and with the fingers.i dunno..he seems very good to me...but i'll be catching up sooner or later =)

  • you guys talk about good tone and emotion...but is that what realy plays the music?man,i see this guy using his fingers like crazy it's not realy technical, but to feel every beat, gruop, entrance note...

  • @fjamama his sound is perfect. music is to enter through your ears and into your soul. his sound enters my ears smoothly and warms my soul (: most clarinetists can sound kinda....obnoxious.

  • O_O waaao

  • I read an interview with Mr Leister, where he says that he does not consider his sound to be German and many German players also think this. He said that he based his tone on his father's bass clarinet sound.

  • leister is my idol. Is the best clarinet player in the world

  • LEISTER IS MY IDOL

  • What is great is that he doesn't move too much like many soloists and can really concentrate on the piece!

  • Excellent, I wish I ever get to be even as half good as he is =)

  • Great!!!Beautiful sound !!!

  • Karl Leister is the best clarinet in the world I have never listen to a such beuatiful sound with clarinet.More videos !!!!!

  • Technically superb and a classic German playing style, but to me there's something missing here- emotion, engagement with the music? But then if I could ever play to anything approaching this level I would die happy!

  • i have always loved him but something really is missing!!!! his Crusell Concertos are so BORING!!!!!!!!!!!!!!!!!!!!!!!!­!!!!!!! but he is technically great!! Sabine kicks his ass though!!!!lol

  • I LOVE his version of Crusell's Concertos. I HATE Sabine Meyer version of Stamit's Concertos. She hasn't got Mr Leister warm and smooth sound indeed (and she plays with the same clarinet model and brand that Mr Leister).

  • WOW!! Really good, but wtf is up with all the little spasms and seizures while playing

  • wow so good~

  • In the time I started, the sound for the clarinet players in France was very thin and light, it was the time of Delecluse. When I met him in 1957, when I got the price at the ARD competition in Munich, he talked to me and he said he was very impressed about how I played the clarinet, but he said something very interesting, "but you have a curious sound" I answered "I love this curious sound".

    I totally agree with Mr. Leister...

  • This is a fragment of an interview to Mr. Leister:

    The sound is very personal, you can not copy my sound and I can not copy your sound.

  • MORE KARL LEISTER'S VIDEOS, PLEASE!!!!!!

    Mr. Leister is the number one! I love German Clarinet sound... I have also a German Clarinet and it's a wonderful (and a difficult to play) instrument. Where I live is used to play French system, but I don't like French sound... it's an awful sound... I love Mr.Leister's sound instead.

  • Respect for that man, he is a living legend.. No ! after MR. GOODMAN.

  • Come on, Eddie Daniels is really good technically, but plays really corny "modern jazz," with an annoyingly thin tone. Leister is one of the greatest classical clarinetists of all time, along with Marcellus and Wright. Notice how effortless his articulations are.

    As for "no emotion," at least it doesn't look as if he is having a seizure when he plays.

    If there is one clarinetist that young musicians should try to emulate, it is him.

  • i cant stand this man. hes so boring. i hate the way he plays. he shows no emotion at all, and his tone is very plain.

  • Si, de acuerdo, Creo que Leister en uno de las mejor musicos en el mundo de musica classica, de hecho. Su sonido es fantastico en mi opinion y quiero ser similarmente.

  • Lovely. He was always my hero. I heard him play the same piece back in the early 80's at a clarinet convention and got a chance to tell him he was my clarinet hero. Love that dark tone!

  • oh come on, the piece is a great one, but still he is not appealing to me. If you want a rich all you want tone, go to eddie daniels and his recording of the quintet. If you just want an another good tone you should look at kalman berkes. I agree with peterd05. AND yes i know he played with the berlin philharmonic.

  • the eddie daniels recording of the quintet is my favorite recording of that piece lol.

  • Great playing!I've already heard better though...

  • Only Karl Leister...Nobody more

  • excellent!!!!no necessery coments by amators!!

  • i also just noticed that he doesn't play the two high notes before the runs at the end. In listening to this it seems like the high register is his weak point. Another possibility is that those notes arn't in this score. I'm basing that in the recording by Kari Kriikku