I really like this piece but what bugs me is that the tenor sings an A-natural @0:58 when the score indicates A-flat. I hear this error in many recordings of tuba mirum I dont know why its so hard to sing an F-minor arpeggio... Its too bad because he has a beautiful voice
@kirbymage Ah, now as I understand it, there is no original score with which musicians are totally satisfied. That is why so many different versions exist, 'finished' by scholars like Beyer and Maunder et al. And we don't know exactly which note Mozart might have preferred for absolutely definite. This may be the source of your irritation, but really, I wouldn't worry about it too much...
@olialto7 Thanks for clearing that up for me. I can understand why there would be such debate over Mozart's intentions, especially with other composers having access to the score(such as Eybler and Sussmayr) and with other scholars creating their own versions as you mentioned.The particular copy of the score I have indicates a A-flat, which is why I was confused. I personally prefer the A-flat because the rest of the tenor's solo suggests a minor tonality, but I guess the A-natural is not so bad
@kirbymage I've actually listened to the bit now, and I do think the tenor here is singing an A-flat, but somehow the brightness of his voice and his vibrato seem to make it sound sharp enough to almost be an A-natural. And come to think of it, I've never heard an A-natural sung in this place before.
@olialto7 Perhaps that is the case, as the ear perceptually favors the higher register during a vibrato technique, but I have listened to the note several times and I am still fairly convinced that he sings an A-natural. There is another version posted by the user "bassbariton9" in which the tenor seems to sing an A-natural
@olialto7 Also if you compare it to the other versions on youtube such as those uploaded by users @pimidup and @aljazeerkazan it seems like there is a noticeable difference in tonality
This is so beautiful. This used to be my least favorite part of the Requiem, but the more I listen to it the more I like it. Now it's definately my favorite part.
The tenor Peter Schreier is wonderful here. So beautiful so beautiful. Just a quick note for the literalists its an allegory ;s. Gosh the American education system. Kind and most humble regards,
Very nice drawings. You are talented!
damorar 4 weeks ago in playlist Mai multe videoclipuri de la hryzunik
Did Mozart compose this?? or was it the guy who finished the requiem?
dominoes37 2 months ago
Wahs in the trombone made me lol XD
asdf841 2 months ago
Comment removed
tylarbullion 2 months ago
I don't know why... but this makes me think of Muse... lol.
DackIsBack 3 months ago
Is all of the art you put on these videos yours??
JayMarie003 3 months ago
il tenore
è Francisco Araiza!
R4UL92 3 months ago
It's a little too fast for me... I personally did not like how he passed from "Cum resurget creatura" to "judicanti responsure." in 1:05
Neonalfax 4 months ago
great art however I would honestly prefer some not unique religious looking art as oppossed to these neutral portraits
Sonofkong0 5 months ago
Correction, soprano and alto, of course... :)
Johananful 5 months ago
Names of the soprano and mezzo soprano, please?
Johananful 5 months ago in playlist mozart requiem
My favorite version. Of course, Peter Schreier, the conductor, is a world-renown tenor himself and perfectionist who knew how to prepare the choir.
RoboSlater 5 months ago
dissing the trumpet...... noooo they have insulted the classical trumpet my dear friends
trey1177 7 months ago
I really like this piece but what bugs me is that the tenor sings an A-natural @0:58 when the score indicates A-flat. I hear this error in many recordings of tuba mirum I dont know why its so hard to sing an F-minor arpeggio... Its too bad because he has a beautiful voice
kirbymage 8 months ago
@kirbymage Ah, now as I understand it, there is no original score with which musicians are totally satisfied. That is why so many different versions exist, 'finished' by scholars like Beyer and Maunder et al. And we don't know exactly which note Mozart might have preferred for absolutely definite. This may be the source of your irritation, but really, I wouldn't worry about it too much...
olialto7 8 months ago in playlist mozart requiem
@olialto7 Thanks for clearing that up for me. I can understand why there would be such debate over Mozart's intentions, especially with other composers having access to the score(such as Eybler and Sussmayr) and with other scholars creating their own versions as you mentioned.The particular copy of the score I have indicates a A-flat, which is why I was confused. I personally prefer the A-flat because the rest of the tenor's solo suggests a minor tonality, but I guess the A-natural is not so bad
kirbymage 8 months ago
@kirbymage I've actually listened to the bit now, and I do think the tenor here is singing an A-flat, but somehow the brightness of his voice and his vibrato seem to make it sound sharp enough to almost be an A-natural. And come to think of it, I've never heard an A-natural sung in this place before.
olialto7 8 months ago
@olialto7 Perhaps that is the case, as the ear perceptually favors the higher register during a vibrato technique, but I have listened to the note several times and I am still fairly convinced that he sings an A-natural. There is another version posted by the user "bassbariton9" in which the tenor seems to sing an A-natural
kirbymage 8 months ago
@olialto7 Also if you compare it to the other versions on youtube such as those uploaded by users @pimidup and @aljazeerkazan it seems like there is a noticeable difference in tonality
kirbymage 8 months ago
Mirificus
Arghira 10 months ago
umm i dont know very much latin, but a lot of things seem to be wrong in the translation.....
TheWorstViolinist 1 year ago
I. Introitus: Requiem aeternam
II. Kyrie,
III. Sequenz 1. Dies irae, 2. Tuba mirum, 3. Rex tremendae, 4. Recordare, 5. Confutatis, 6. Lacrimosa,
IV. Offertorium 1. Domine Jesu, 2. Hostias,
V. Sanctus,
VI. Benedictus,
VII. Agnus Dei,
VIII. Communio
Croconos 1 year ago
Loves it.
SandrineSoprano 1 year ago
This is so beautiful. This used to be my least favorite part of the Requiem, but the more I listen to it the more I like it. Now it's definately my favorite part.
arekkusu888 1 year ago
This has been flagged as spam show
Great Music youtube.com/watch?v=2i3Ua1gQLmQ
TheSensationalMusic 1 year ago
The tenor Peter Schreier is wonderful here. So beautiful so beautiful. Just a quick note for the literalists its an allegory ;s. Gosh the American education system. Kind and most humble regards,
TheWisemonkey8 2 years ago
wondrous, not awful translation is off a little
drakemcbride 2 years ago
And the rest:
A book, written in, will be brought forth
In which is contained everything that is,
Out of which the world shall be judged.
When therefore the Judge takes His seat
Whatever is hidden will reveal itself.
Nothing will remain unavenged.
What then shall 1 say, wretch that I am,
What advocate entreat to speak for me,
When even the righteous may hardly be secure?
sepiaprone 2 years ago
I translate this a little differently; note the first line in particular. This is in two comments, due to length!
A trumpet, spreading a wondrous sound
Through the graves of all lands,
Will drive mankind before the throne.
Death and Nature shall be astonished
When all creation rises again
To answer to the Judge.
sepiaprone 2 years ago 2
Great translation!
Congratulations....
papakarola16 3 years ago 2
Thanks for such video, it helps to understand Requiem lyrics.
Brainiaccccc 3 years ago 16
Wonderful. Thank you for the video. 5/5.
By Desmodius.
ZionEmperor 3 years ago 10