NO WAY, YOU HAVEN'T HEARD OF CAT CLEMONS!? Come redeem your shame by checking out my videos and commenting and subscribing! It'll be awesome. Trust me. <3
hey justin i hav a question regarding this altered harmony lesson.u showed here that g7 altered scale 2nd note is the parent scale that mean that is parent melodic minor scale in this case is the Ab....so my question is to u that can i play the Ab melodic minor scale while some one playing the G7 chord????if it is why so??cause those notes are b5#5 b9 #9 of g major scale ...but naturally g major scale dose not sound like those b # 5th and 9th...is it sound good to G7??? gemini.lad@gmail.com
From a fellow educator, very, very nicely done! I think that your teaching style may wind up influencing me. Thanks for posting these. I've got a dozen or so posted but only a fraction of the views. By the way, I just noticed that you have 270 VIDEOS! Wow. I'm pretty much in awe.
Awesome lesson! Thanks for taking so much time to do these.
Isn't it also true that if a dominant chord resolves to a chord a half step down it is also functioning? E.g. Db7 going to C. Since Db7 is the tritone substitute for G7, the 'V' chord of C.
ur too cute. sometimes it's hard to listen to what you are saying... I just keep spacing off. :) lol You are a great teacher though, when I do listen I learn a lot more with you than I do with most people. I'm not sure where you're from but Happy Thanksgiving anyway.
@musiccalgary While this is handy, I think this very service is exemplified on his website - everything grouped by category with helpful material alongside.
By the way, Justin, I have seen your site grow since its very beginnings and it is now, in my honest opinion, the best guitar tuition site on the net. Three thumbs up. :)
Hey,the faces look funny when resolving the chords.Its like,when playing the g7 you're holding in a big crap,then the c major, you've pebble dashed the toilet
shhh.... after watching most of the JA-lessons and applying it to my fingerpicking i can't stop playing. never thought i'd actually learn something this theoretical.
your lessons are great, have seen a few of them, and I think I will try to go over all of them to cover up the many holes of understanding I have about the guitar. I think this one is very useful indeed.
I love the faces you make when you resolve the G7 to the Cmaj chord. On the G7 your like "I can't fap to this" then on the Cmaj your like "You can put that there!?"
Nice lesson about the tricks with the guitar neck, I already had realized this and I assumed everyone figured that out when they played their first Ramones song. But I guess that shows why its important to understand bit of theory behind everything you play and understand the major scale.
Thanks for the lesson. I've been using that 7 barre chord with root on sixth fret to major barre chord on fifth string for a while now, and thought it sounded pretty good. It was interesting to get some theory behind it. :)
Great lesson as always. I use a different method of using the fingerboard to quickly find the 1 chord from the dominant chord. Wherever the 3rd of the 5 chord is, a half step up is the root of the 1 chord. That seems to work better for me.
You are a fantastic teacher! cheers! :)
SyverF 2 weeks ago
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NO WAY, YOU HAVEN'T HEARD OF CAT CLEMONS!? Come redeem your shame by checking out my videos and commenting and subscribing! It'll be awesome. Trust me. <3
-Cat
CatClemonsOfficial 1 month ago
thank u justing
killrlj 4 months ago
you are an amazing teacher!
violentvendetta1 11 months ago
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Thanks J-Bird! I've learnt loads and brought both ur ebooks cc and mt.
closetome 1 year ago
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closetome 1 year ago
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closetome 1 year ago
hey justin i hav a question regarding this altered harmony lesson.u showed here that g7 altered scale 2nd note is the parent scale that mean that is parent melodic minor scale in this case is the Ab....so my question is to u that can i play the Ab melodic minor scale while some one playing the G7 chord????if it is why so??cause those notes are b5#5 b9 #9 of g major scale ...but naturally g major scale dose not sound like those b # 5th and 9th...is it sound good to G7??? gemini.lad@gmail.com
9231946847 1 year ago
Great lesson, Justin! Also, loved your facial expressions at the end bit (kinda sounded like someone was chuckling behind the camera :D).
daregularperson 1 year ago
this is what i needed, thanks,
poisoneyes 1 year ago
Thank you so much Justin.
ung2002 1 year ago
GREAT !
rafikimetalperu 1 year ago
From a fellow educator, very, very nicely done! I think that your teaching style may wind up influencing me. Thanks for posting these. I've got a dozen or so posted but only a fraction of the views. By the way, I just noticed that you have 270 VIDEOS! Wow. I'm pretty much in awe.
geoffstockton 1 year ago
Justin,
Awesome lesson! Thanks for taking so much time to do these.
Isn't it also true that if a dominant chord resolves to a chord a half step down it is also functioning? E.g. Db7 going to C. Since Db7 is the tritone substitute for G7, the 'V' chord of C.
clarity754 1 year ago
ur too cute. sometimes it's hard to listen to what you are saying... I just keep spacing off. :) lol You are a great teacher though, when I do listen I learn a lot more with you than I do with most people. I'm not sure where you're from but Happy Thanksgiving anyway.
keppock1607 2 years ago
A suggestion Justin -- it would be helpful if you grouped your videos into playlists which center on a given topic.
Peace and lunch.
musiccalgary 2 years ago 2
@musiccalgary While this is handy, I think this very service is exemplified on his website - everything grouped by category with helpful material alongside.
By the way, Justin, I have seen your site grow since its very beginnings and it is now, in my honest opinion, the best guitar tuition site on the net. Three thumbs up. :)
FreepowerUG 1 year ago
well explained as always justin!
jimbang 2 years ago
Great reminder of some 'base' theory! I remember doing this in every key with classical book of cadences... ah the good old days LOL
roblimusic 2 years ago
Hey,the faces look funny when resolving the chords.Its like,when playing the g7 you're holding in a big crap,then the c major, you've pebble dashed the toilet
jimllfaxit 2 years ago
you,re crazy man,,, you,re the best...
thanx for teaching all whole world..
greetings from venezuela
RUBENPEREZmusic 2 years ago
shhh.... after watching most of the JA-lessons and applying it to my fingerpicking i can't stop playing. never thought i'd actually learn something this theoretical.
Justin ... what have you done to mee? ;D
DroehnIng 2 years ago
your lessons are great, have seen a few of them, and I think I will try to go over all of them to cover up the many holes of understanding I have about the guitar. I think this one is very useful indeed.
rohaihuparaguay 2 years ago
I love the faces you make when you resolve the G7 to the Cmaj chord. On the G7 your like "I can't fap to this" then on the Cmaj your like "You can put that there!?"
RickjamesSH 2 years ago
thats a really nice tele
2KruDam3 2 years ago
Nice lesson about the tricks with the guitar neck, I already had realized this and I assumed everyone figured that out when they played their first Ramones song. But I guess that shows why its important to understand bit of theory behind everything you play and understand the major scale.
CaptainAmerica7770 2 years ago
what
TheEarlOfDublin 2 years ago
You are very passionate.... and I Love it dude.
Ninenineboy 2 years ago
obviously ill still be looking at your you tube bits.....check out my stuff for playing ability
mikebrownonline 2 years ago
can you recommend a good book then justin? for the jazz standards and bits of theory
mikebrownonline 2 years ago
get mark levines jazz theory book (it isn't guitar focused but it has all you need to know). Maybe check out some of Ted Greenes books
TheEarlOfDublin 2 years ago
Mark Lavine's Jazz Theory book is indeed a brilliant book. Probably the written on the topic. J
JustinSandercoe 2 years ago
Thanks for the lesson. I've been using that 7 barre chord with root on sixth fret to major barre chord on fifth string for a while now, and thought it sounded pretty good. It was interesting to get some theory behind it. :)
tehm 2 years ago
glad it's making sense to y'all :) -
@SearchInSun - no new pickup
J
JustinSandercoe 2 years ago
Ohh justing modded his guitar :P new pup in the mid
SearchInSun 2 years ago
excellent lesson, very informative, its these sort of tricks that the people on jamplay and things just dont teach you
archipelligo 2 years ago
by "these sort of tricks" do you mean basic harmony? lmao its shocking how terrible most guitar education sites are
TheEarlOfDublin 2 years ago
to avoid confusion I don't mean justin guitar his videos are great
TheEarlOfDublin 2 years ago
VERY VERY VERY ...... VERY VERY useful!
Mvision123 2 years ago
Great lesson as always. I use a different method of using the fingerboard to quickly find the 1 chord from the dominant chord. Wherever the 3rd of the 5 chord is, a half step up is the root of the 1 chord. That seems to work better for me.
javadude54 2 years ago
fantastic explanation!!!
keep up the good work.
marcrothman 2 years ago
nice shirt justin
Avinashl 2 years ago
thx alot Justin!
skyke12 2 years ago
Fender telecaster?
tamborero510 2 years ago 2
yes
ex0ja 2 years ago
heh i actually use that same trick =X
DaShortyJ 2 years ago
justin you rock!
ptran001 2 years ago
interesting...
sethsword11206 2 years ago
nice lesson! I'm going to start going through all your lessons and learn everything I don't know, or need to work on
MikeMarino 2 years ago
Excellent, more jazz lessons.
I like tour tension and resolution faces :)
Testacabeza 2 years ago
yes...more jazz lessons,thanks j
bizzle1783 2 years ago