Or alternatively the orchestra could follow the soloist... agreed, the conductors beat is a little too fluid to follow during the crucial rubatos, but surely the players have ears as well? Not that much to ask of the famous Berlin Phil surely...
@thehoodedman53 An orchestra is an incredibly fragile thing, one guy dancing out of line can ruin the entire sound. You have to be in perfect coordination and if someone strays at the live performance, the only thing you can do is play over it. There really was no perfect way to solve it, the soloist and the conductor apparently disagreed on the tempo and by definition that's the soloist's fault.
@cire9984 Not the only thing - if the conductor is as alert as he should be, and the players are watching him as they should be, a professional orchestra should be able to follow him - if the BBC Phil can, why cant the Berlin Phil? In most well established orchestras like this, the players will always play nearly just as well without the conductor as with, the conductor is not always there simply as a metronome; i would have thought that the players would hear that the cello slowed down.
@thehoodedman53 The orchestra does what they previously agreed, ie practiced. There is little to no room for improvisation during the live concert, sounds boring but there isn't really any other way.
Let there be no misunderstanding, it's a mistake on their part, it should not happen and is not what I would expect of the Berlin Phil. Let's not be overdramatic though, you sound a bit like you were just waiting for the tiniest mistake to bring up the BBC Phil, which isn't even the same league.
@cire9984 to blame therefore are the management or the conductor, as either the management did not allow the conductor+orchestra+soloist combination sufficient rehearsal time, or the conductor did not allocate said time suitably.
Snide comments aside, I would point out that rigidity of playing and expression is a common feature amongst German orchestras, and a slightly more versatile and musical approach can often be found in orchestras such as the BBC Phil, who are by the way highly acclaimed.
He is doing all kinds of weirdness to the tempo in this. I was thinking "I would hate to be conducting that." The conductor had his hands full just keeping the orchestra with the cellist. Isserlis has some weird interpretations and sharp notes, but I like it for being different.
I have heard the version by Jacqueline DuPre, in comparison, the celloist may be too paranoid and has too much behaviour (overbehavioured)... Sometimes he is too hurried.
isserlis is a really incredible cellist. my 1 and only problem with his playing is that he uses gut strings!! sometimes its just impossible to hear him over an orchestra!
I saw him perform this with Dudamel conducting at Snape Maltings- a fine concert hall with excellent acoustics- a few years ago, the first time I had heard the piece or seen the performers, it was amazing!
I think that Alan Gilber is destined to be a great conductor. He has still much to learn. I hope that his ego is not too big and he goes to Venezuela and absorb their pioneering work in classical music. If you see Dudamel conduct, he never uses a score. He memorizes and internalizes it, and give the orchestra 100%, and you can hear the results. All Venezuelan conductors memorizes the scores or at least the very good conductors like Christain Vasquez, Diego Matheuz or Manuel Lopez Gomez.
@padredemishijos12 I agree almost completely with you, except that Dudamel does use the score sometimes, although he knows it by heart (see his video conducting this same concerto). Almost every conductor in the world conducts a concerto with the score, because you never know what the soloist could do! Celibidache was the one that conducted everything without score, until one soloist did crazy things in the concert and he couldn't follow. After that he conducted the concerti with score!
Best, most interesting cellist playing today. No histrionics, no flailing, no insipid faces, no bad habits. Just extremely fine, thoughtful, passionate playing with an awareness of score detail. Thank you.
actually the oboe wasn't early, at least it wasn't his fault... as part of the orchestra he has to stay perfectly in time, has to follow the beat and the conductor! if the soloist chooses to do a rit. it's ok but the oboist can't know that! that's artistic freedom...
@mortalfrog0815 soloist dont just choose to ritardando out of the blue, they rehearse this stuff beforehand. theres some miscommunication between isserlis and the oboe obviously. but it did come in early
@Mizzles240 no! it wasn't early, it was in time! i don't know if they rehearsed it differently but it seems more likely that it's the soloist's fault cause normally such things as rit.s are noted in the score!
@mortalfrog0815 well the soloist is always right especially someone as expressive as isserlis so its the orchestras job to play into his sound not vice versa.
@Mizzles240 no! it wasn't early, it was in time! i don't know if they rehearsed it differently but it seems more likely that it's the soloist's fault cause normally such things as rit.s are noted in the score! and now just leave the poor oboist alone, they're also just humans...
@mortalfrog0815 Thank you for pointing that out for the idiots that feel the need to find a flaw in this beautifully written work and the brilliant orchestra playing it.
when i was 6 years old i went to a steven isserlis concert, and he saw me in the audience, and was so happy to see a little kid enjoying classical music, that he played an encore, and dedicated it to me. after that he invited me and my family to a performance of the elgar cello concerto in Philadelphia, and we met him backstage!!! He is really an amazingly funny and generous guy...he has inspired me to keep playing cello for 9 years now.
thank you for your email me ... really happy to know it ... but i did not find website link out... could you send it to me (i mean this concerto link ) really really thanks !!!!
Wow. The Berlin Digital Concert Hall really is one of the best forms of video recordings of orchestral music. It's the first time I've seen and heard the Dvorak Concerto on video with such vividness of both visuals and sound. I'm sure other great cellists like Ma, Du Pre, Rostropovich, etc. are equally impressive, but the quality of this recording almost makes me believe Isserlis is the greatest in the world.
1:54-2:05 gives me chills; It has such gravitas. Mr. Isserlis really makes the cello speak like no one else. He takes you on an incredibly vivid and empowering musical journey--I immensely enjoy going on that journey with him every time.
When are you going to record and upload a viola concerto of some sort? Is there one in the Digital Concert Hall? You have the Britten Violin Concerto up here and then this Dvorak Cello Concerto. Where's Bartok's Viola Concerto? Or Hindemith's Der Schwanendreher?
eventhough Master Isserlis played too much ritardando( and that depends also on the personal feeling of each one:P ), the orchestra has to accompany the solist, eventhough he plays not in the correct way, so the critics are pretty correct there..., no possibility to follow is just a lame excuse that the opoe did not listen carefully enough to the solist:)
@Shamanmaster1231 there is no ritardando in the score and there is no reason to do it... sorry but I think the soloist is not always the "king" in a concerto.
@Shamanmaster1231 dont be stupid you think steven isserlis didnt know exactly what he was doing? he wanted to be behind the orchestra, do you think orchestra and soloist have to be exactly together all the time? of course not! i personally like what he does, its like he's resisting the drive of the orchestra and comes across freer.
@sweatinggrundle i think you just did not understand what i meant, i wanted to defend Isserlis, because cellistopher wrote, that he played too much ritardando, i liked what Isserlis did too, i just dont share the opinion, that isserlis did so much ritardando that it was impossible to follow,of course, the orchestra should not be always together with the soloist, but if someone wants them to be together, i would say it was the mistake of the oboe which did not listen carefully enough
To the person asking about his strings. I was by his cello a few years ago and he uses a combination of pirastro eudoxa and olive wound gut. I seem to remember it being a, d, g eudoxa and the c olive. Very distinctive sound he has...he shreds it. Weird guy though...who cares though he plays like a bad ass. My teacher couldn't stand the guys playing...I enjoy it. Not possible to replicate the guy, that's for sure!
Over-expression or not, Isserlis over Dvorak or not, I am sure the last row audience in the hall could really feel his aura and passion for the music.
I see you´re all pretty much Isserlis fans. Sorry, but I have to say this is not my favorite type of playing: too many glissandos wich provide dubious taste to the music, wavering tempi, over inflated notes and the same vib almost all the time. I´ll go to the Berliner webpage to see if I can watch the entire performance to come up with a more complete opinion, but...I hera Isserlis, not Dvorak, and that really bothers me...
You think so? I'm not so sure since Dvorak was inspired by ethnic music which is supposed to sound a bit off tempo. The big "pillar" points in which the orchestra and cello are supposed to be together are pretty spot on in this performance.
I noticed that too. Not so much in this clip, but in the full performance. I don't know if it was intended, but it was somewhat distracting. Still, an amazing performance...
guest conductor--Isserlis and Rattle couldn't possibly share the same stage--if their collided it'd be *bad*...heh
Too fast tempo aside, the lyric passages are wonderful, the stops are TERRIBLE. Scratchy, no meaty C-string to give some bass to the chords, ugh. Wonder how much of it is engineering b/c Isserlis is obviously a great cellist...
Yup. That's why I like his playing so much. He's a great antidote to the endless lugubrious recordings of this piece, and just about everything else. It belies his baroque and classical sensibilities. Why bother playing any damned thing that's been played a million times before unless you're going to do it the way you feel it? I mean, dear lord, there are plenty of lugubrious, overly-romantic interpretations of Bach and Haydn and Mozart. Let's let Steven and his gut strings have a go at Dvorak!
Wow, the Berliner Philharmoniker is pretty epic. The Cello play in the front, is amazing. The players really do get into the music when they play. Look at the Cello players gestures in his solo 32 seconds. Its really cool that people really get into their parts. Its no wonder why the people in this orchestra have to be virtuosos.
Although both parts are great and the rest of the piece is as well. The music in the beginning goes well with cello player in the front. I think when both he and the orchestra play together it means so much more.
Berliner Philharmoniker always has virtuosos for concertos - example - this one with Steven Isserlis and Beethoven violin concerto has Itzhak perlman. So the conclusion is that the standard is always high
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visit my channel and see SEBASTIAM BAVERSTAM on cello
sanclspbr1 1 week ago
steve nash on oboe!
PJEssence 2 weeks ago
Wonderful!!!
marian444 2 months ago
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there're always comments about his hair....lol
cth12345 2 months ago
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cth12345 2 months ago
Or alternatively the orchestra could follow the soloist... agreed, the conductors beat is a little too fluid to follow during the crucial rubatos, but surely the players have ears as well? Not that much to ask of the famous Berlin Phil surely...
thehoodedman53 2 months ago
@thehoodedman53 An orchestra is an incredibly fragile thing, one guy dancing out of line can ruin the entire sound. You have to be in perfect coordination and if someone strays at the live performance, the only thing you can do is play over it. There really was no perfect way to solve it, the soloist and the conductor apparently disagreed on the tempo and by definition that's the soloist's fault.
cire9984 2 months ago
@cire9984 Not the only thing - if the conductor is as alert as he should be, and the players are watching him as they should be, a professional orchestra should be able to follow him - if the BBC Phil can, why cant the Berlin Phil? In most well established orchestras like this, the players will always play nearly just as well without the conductor as with, the conductor is not always there simply as a metronome; i would have thought that the players would hear that the cello slowed down.
thehoodedman53 2 months ago
@thehoodedman53 The orchestra does what they previously agreed, ie practiced. There is little to no room for improvisation during the live concert, sounds boring but there isn't really any other way.
Let there be no misunderstanding, it's a mistake on their part, it should not happen and is not what I would expect of the Berlin Phil. Let's not be overdramatic though, you sound a bit like you were just waiting for the tiniest mistake to bring up the BBC Phil, which isn't even the same league.
cire9984 2 months ago
@cire9984 to blame therefore are the management or the conductor, as either the management did not allow the conductor+orchestra+soloist combination sufficient rehearsal time, or the conductor did not allocate said time suitably.
Snide comments aside, I would point out that rigidity of playing and expression is a common feature amongst German orchestras, and a slightly more versatile and musical approach can often be found in orchestras such as the BBC Phil, who are by the way highly acclaimed.
thehoodedman53 4 weeks ago
しびれるうう!!!!
yumiko313 3 months ago
Yo-yo-ma<Isserlis<Rostropovich
MrAugustasG 4 months ago
Unbelievable orchestra sound. Great cellist, too.
pzlavln 6 months ago 2
Comment removed
aarong923 7 months ago
This guy is awsome.
MrAugustasG 7 months ago
He is doing all kinds of weirdness to the tempo in this. I was thinking "I would hate to be conducting that." The conductor had his hands full just keeping the orchestra with the cellist. Isserlis has some weird interpretations and sharp notes, but I like it for being different.
jason101other 8 months ago 4
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LONG LIVE THE SLAVE CULTURE!
less01 8 months ago
i actually prefer isserlis' interpretation far more to jacqueline or yo yo ma's.... they're all brilliant, though xD
clementia101 8 months ago
woaaaaaaaaaaaaaaaa
c1trax 8 months ago
well the first line has some interesting things huh -- we usually don't do rubato on that line!
anyways that's simply AWESOME
JC5268 9 months ago
Holy crap hide the kids!
shib340 9 months ago 3
He is good but not my favorite cello player, not always a fan of his sound.
GregHales 9 months ago
I wish I had hair like that.
kurtkaboom 9 months ago 6
@CEdubsLO idiots with no taste in amazing music or playing! i thought the same thing.
k73f 9 months ago
I have heard the version by Jacqueline DuPre, in comparison, the celloist may be too paranoid and has too much behaviour (overbehavioured)... Sometimes he is too hurried.
1995Blizzard 9 months ago
Bravo Steven.
georgerannie 9 months ago
isserlis is a really incredible cellist. my 1 and only problem with his playing is that he uses gut strings!! sometimes its just impossible to hear him over an orchestra!
please, save it for bach steve!
mynameismaurice 10 months ago
I saw him perform this with Dudamel conducting at Snape Maltings- a fine concert hall with excellent acoustics- a few years ago, the first time I had heard the piece or seen the performers, it was amazing!
timsuffolk 10 months ago
Lindoooooooo!!!!
mdivisio 10 months ago
I think that Alan Gilber is destined to be a great conductor. He has still much to learn. I hope that his ego is not too big and he goes to Venezuela and absorb their pioneering work in classical music. If you see Dudamel conduct, he never uses a score. He memorizes and internalizes it, and give the orchestra 100%, and you can hear the results. All Venezuelan conductors memorizes the scores or at least the very good conductors like Christain Vasquez, Diego Matheuz or Manuel Lopez Gomez.
padredemishijos12 11 months ago
@padredemishijos12 I agree almost completely with you, except that Dudamel does use the score sometimes, although he knows it by heart (see his video conducting this same concerto). Almost every conductor in the world conducts a concerto with the score, because you never know what the soloist could do! Celibidache was the one that conducted everything without score, until one soloist did crazy things in the concert and he couldn't follow. After that he conducted the concerti with score!
juanortu 10 months ago
@padredemishijos12 Makes sense what you say. Thank you for the infomation. I stand corrected.
padredemishijos12 10 months ago
O interessante é que a música de Dvorak traz esperança e apesar da dor evidente, surge algo como um colo materno, maravilhoso.
sergiobantam 11 months ago
Wonderfull...I can't play like this. oh...
adax19hiro 11 months ago
it's so awesome that his high notes sound lyk a violin!! xD
clementia101 1 year ago
@clementia101 yes. because string instruments have a homogeneous sound.
gera1262 11 months ago
his cello playing is HOT!
clementia101 1 year ago
That's amazing! What movement is that?
eccb31 1 year ago
@eccb31 It is the finale, "Allegro moderato".
BerlinPhil 1 year ago
My favorite all-time cellist. Got to play for him when I was 15, a day I'll never forget!! :)
Dbrazz88 1 year ago 2
Its really good, but my fave is Jaqueline du Pre. She plays these concerto's best
spikeran100 1 year ago
Best, most interesting cellist playing today. No histrionics, no flailing, no insipid faces, no bad habits. Just extremely fine, thoughtful, passionate playing with an awareness of score detail. Thank you.
cbrey 1 year ago 4
what is the name of the song in that cello challenge video? it was fantastic!
spicypolack14 1 year ago
@spicypolack14 It the "The Swan" from Saint-Saëns's "Carnival of the Animals"
BerlinPhil 1 year ago
1:11 ownage. Really, I've never seen it down more convincing visually (even Ma).
physphilmusic 1 year ago
actually the oboe wasn't early, at least it wasn't his fault... as part of the orchestra he has to stay perfectly in time, has to follow the beat and the conductor! if the soloist chooses to do a rit. it's ok but the oboist can't know that! that's artistic freedom...
mortalfrog0815 1 year ago 42
@mortalfrog0815 soloist dont just choose to ritardando out of the blue, they rehearse this stuff beforehand. theres some miscommunication between isserlis and the oboe obviously. but it did come in early
Mizzles240 1 year ago
@Mizzles240 no! it wasn't early, it was in time! i don't know if they rehearsed it differently but it seems more likely that it's the soloist's fault cause normally such things as rit.s are noted in the score!
mortalfrog0815 1 year ago
@mortalfrog0815 well the soloist is always right especially someone as expressive as isserlis so its the orchestras job to play into his sound not vice versa.
Mizzles240 1 year ago
@Mizzles240 i guess you've never played in an orchestra!
mortalfrog0815 1 year ago
@Mizzles240 no! it wasn't early, it was in time! i don't know if they rehearsed it differently but it seems more likely that it's the soloist's fault cause normally such things as rit.s are noted in the score! and now just leave the poor oboist alone, they're also just humans...
mortalfrog0815 1 year ago
@mortalfrog0815 Thank you for pointing that out for the idiots that feel the need to find a flaw in this beautifully written work and the brilliant orchestra playing it.
makuletboy 1 year ago
when i was 6 years old i went to a steven isserlis concert, and he saw me in the audience, and was so happy to see a little kid enjoying classical music, that he played an encore, and dedicated it to me. after that he invited me and my family to a performance of the elgar cello concerto in Philadelphia, and we met him backstage!!! He is really an amazingly funny and generous guy...he has inspired me to keep playing cello for 9 years now.
conversejunkie2222 1 year ago 5
where can i buy this recording ??
yeusyeus1 1 year ago
@yeusyeus1 Unfortunately, there is no CD or DVD of this performance, but you can watch the complete recording online in the Digital Concert Hall.
BerlinPhil 1 year ago
thank you for your email me ... really happy to know it ... but i did not find website link out... could you send it to me (i mean this concerto link ) really really thanks !!!!
yeusyeus1 1 year ago
@yeusyeus1 It is right below the video player.
BerlinPhil 1 year ago
@BerlinPhil thank you i will try it again now :)
yeusyeus1 1 year ago
@BerlinPhil sorry , do i need pay any money for watching this concert ?
yeusyeus1 1 year ago
this is the best version on youtube, i really think about buying it at the dch...
mortalfrog007 1 year ago 2
@mortalfrog007 it's so worth it. i watched it, and this guy just takes the first movement into another level.
k73f 1 year ago
super orchestra
AsadaNagasu 1 year ago
Wow. The Berlin Digital Concert Hall really is one of the best forms of video recordings of orchestral music. It's the first time I've seen and heard the Dvorak Concerto on video with such vividness of both visuals and sound. I'm sure other great cellists like Ma, Du Pre, Rostropovich, etc. are equally impressive, but the quality of this recording almost makes me believe Isserlis is the greatest in the world.
dga471 1 year ago
1:54-2:05 gives me chills; It has such gravitas. Mr. Isserlis really makes the cello speak like no one else. He takes you on an incredibly vivid and empowering musical journey--I immensely enjoy going on that journey with him every time.
TheMaestroBrad 1 year ago 2
Bravo Mr. Isserilis! It is fantastic performance of great cellist! Absolutely outstanding! Words are not enough...
BulgarianVirtuosi 1 year ago
his technique is so f***ing good! look at his left hand! oh steven when will you release a cd of the dvorak?
sweatinggrundle 1 year ago 5
That guy's hair is AWESOME!!!!!
daytripper10108 1 year ago 8
ditto.
cygannon 1 year ago
When are you going to record and upload a viola concerto of some sort? Is there one in the Digital Concert Hall? You have the Britten Violin Concerto up here and then this Dvorak Cello Concerto. Where's Bartok's Viola Concerto? Or Hindemith's Der Schwanendreher?
violaissimmo 1 year ago
We will be transmitting in the Digital Concert Hall the Bartók concerto in June (with Tabea Zimmermann and Semyon Bychkov).
BerlinPhil 1 year ago 2
@BerlinPhil Yes! Bychkov is the best conductor ever..
sweatinggrundle 1 year ago
Isserlis came to my uni the other day. Great player
tommyk77 1 year ago
This comment has received too many negative votes show
I can understand people moving while they play, and I do it myself sometimes (I play the violin.) But some people here need to control themselves!
agentnibbles 1 year ago
Oboe is early at 0:40
tisk tisk
jmuzic77 2 years ago 33
@jmuzic77 HEHEHE, no. ISSERLIS plays defnately too much ritardando here...so no possibility to follow him :-)
cellistopher 1 year ago
still... is he's in the Berlin Phil then he should be able to read a soloist
jmuzic77 1 year ago
@jmuzic77 sorry but it it to fast to react in that moment, if they hadn't decide it before...
yellow6363 1 year ago
@cellistopher
eventhough Master Isserlis played too much ritardando( and that depends also on the personal feeling of each one:P ), the orchestra has to accompany the solist, eventhough he plays not in the correct way, so the critics are pretty correct there..., no possibility to follow is just a lame excuse that the opoe did not listen carefully enough to the solist:)
Shamanmaster1231 1 year ago 2
@Shamanmaster1231 there is no ritardando in the score and there is no reason to do it... sorry but I think the soloist is not always the "king" in a concerto.
yellow6363 1 year ago
@Shamanmaster1231 dont be stupid you think steven isserlis didnt know exactly what he was doing? he wanted to be behind the orchestra, do you think orchestra and soloist have to be exactly together all the time? of course not! i personally like what he does, its like he's resisting the drive of the orchestra and comes across freer.
sweatinggrundle 1 year ago
@sweatinggrundle i think you just did not understand what i meant, i wanted to defend Isserlis, because cellistopher wrote, that he played too much ritardando, i liked what Isserlis did too, i just dont share the opinion, that isserlis did so much ritardando that it was impossible to follow,of course, the orchestra should not be always together with the soloist, but if someone wants them to be together, i would say it was the mistake of the oboe which did not listen carefully enough
Shamanmaster1231 1 year ago
@jmuzic77 NO!!! It's LATE!!! Can't you hear???
orangelacko 1 year ago
@jmuzic77 SORRY!!! Really!!! obviously I CAN'T hear!!! HE REALLY WAS EARLY...
SORRY AGAIN!!!
orangelacko 1 year ago
@jmuzic77 Yes, but his quick vibrato on 0:13 is perfect :) By the way, how quick is this interpretation !!! I love it.
pierrot79 1 year ago
@jmuzic77 also hes trying to move his head like he has awesome hair like Isserlis. lmao
Romanticloser16 1 year ago
@jmuzic77
Oboe wasn't late.He played the right notes and he can't know how and when isserlis gonna play the end.
MrAugustasG 4 months ago
Dvorak sure can write a melody! So many gems in this little clip
usnhorn 2 years ago 4
just one word : awesome
his bow technik is just amazing
Shamanmaster1231 2 years ago 3
I like this!
Shafran3 2 years ago
Not my favorite cello player.
GregHales 2 years ago
Who is your favourite then?
ulyssesjj 2 years ago
The man is obviously one with the notes that he plays... and you can tell that in his music. Simply amazing.
Chocokriz 2 years ago 3
effortless! amazing!
SMILEJEN7 2 years ago 6
All of you can diss Isserlis
however, his bow arm is completely amazing.
towlie1789 2 years ago
To the person asking about his strings. I was by his cello a few years ago and he uses a combination of pirastro eudoxa and olive wound gut. I seem to remember it being a, d, g eudoxa and the c olive. Very distinctive sound he has...he shreds it. Weird guy though...who cares though he plays like a bad ass. My teacher couldn't stand the guys playing...I enjoy it. Not possible to replicate the guy, that's for sure!
SMoovem80 2 years ago
Over-expression or not, Isserlis over Dvorak or not, I am sure the last row audience in the hall could really feel his aura and passion for the music.
JeffreyCWang 2 years ago 4
love his playing but personality ...
polabenke 2 years ago
It's amazing that he can play as he does an still have such control over the cello and be so realaxed!
Jooseef95 2 years ago
Isserlis is always worth the listen!
BRAVO!!
AlamoCityCello 2 years ago
Isserlis is a baller
JayYard 2 years ago
I love him! His hair is awesome
his son is really good at the cello as well
ladanseestlavie 2 years ago 4
I love the music, but I literally cannot watch this man moving. There is such a thing as OVER-expression.
midnightcomes 2 years ago
I see you´re all pretty much Isserlis fans. Sorry, but I have to say this is not my favorite type of playing: too many glissandos wich provide dubious taste to the music, wavering tempi, over inflated notes and the same vib almost all the time. I´ll go to the Berliner webpage to see if I can watch the entire performance to come up with a more complete opinion, but...I hera Isserlis, not Dvorak, and that really bothers me...
Montagnanaman 2 years ago
Well... I love it lol
towlie1789 2 years ago
The cellist and conductor didn't seem to agree on the tempo, and decided to play their own...
eltongo 2 years ago
You think so? I'm not so sure since Dvorak was inspired by ethnic music which is supposed to sound a bit off tempo. The big "pillar" points in which the orchestra and cello are supposed to be together are pretty spot on in this performance.
Pvannortwick 2 years ago
I noticed that too. Not so much in this clip, but in the full performance. I don't know if it was intended, but it was somewhat distracting. Still, an amazing performance...
PianistSk8er 2 years ago
Ha! get a load of that oboist. Awesome. The triangle is pretty awesome too.
How does he keep his hair from getting caught in the strings??? My hair was just shoulder length and that was very painful....
bookishmuch 2 years ago
guest conductor--Isserlis and Rattle couldn't possibly share the same stage--if their collided it'd be *bad*...heh
Too fast tempo aside, the lyric passages are wonderful, the stops are TERRIBLE. Scratchy, no meaty C-string to give some bass to the chords, ugh. Wonder how much of it is engineering b/c Isserlis is obviously a great cellist...
medpiano 2 years ago
...their HAIR collided...
medpiano 2 years ago
You do have humour... :)
But I hope to meet them once together: Rattle and Isserlis, in a concert, and then we will talk again....
Rattle is a man of details, all the details.
And this Cello Master, I love it how he is translating the notes into music....
TheClassicalFun 2 years ago
I can honestly say that if I were to mute this video and just watch him, I would know exactly what he was playing and what he was trying to convey.
Just sheer brilliance.
towlie1789 2 years ago
HE has so much fun up there.....
makuletboy 2 years ago
ahh, i really wish isserlis made a recording of this concerto,
k73f 2 years ago
this is too fast at the 'cello's entry: it is supposed to a majestic, proud piece; he treats like a casual, fun tune
Lezzaz 2 years ago 4
Yup. That's why I like his playing so much. He's a great antidote to the endless lugubrious recordings of this piece, and just about everything else. It belies his baroque and classical sensibilities. Why bother playing any damned thing that's been played a million times before unless you're going to do it the way you feel it? I mean, dear lord, there are plenty of lugubrious, overly-romantic interpretations of Bach and Haydn and Mozart. Let's let Steven and his gut strings have a go at Dvorak!
tinypapercube 2 years ago
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I did not always care for his sounds and sense of rhythm...I think there are cello players who can do better.
GregHales 2 years ago
ta bueno
PPchopin 2 years ago
This comment has received too many negative votes show
gah look at the title!
i cant understand a thing and i want to know the name of the song
loriziell 2 years ago
Dvořák: Cello Concerto? O_o
aurilind 2 years ago 3
oh thats it? :D
loriziell 2 years ago
yeah :P
aurilind 2 years ago
thanks :D
loriziell 2 years ago
This is the beginning of the 3rd movement (part) of the Cello Concerto by Antonin Dvorak.
jaiobie 2 years ago
k thanks
loriziell 2 years ago
Wow, the Berliner Philharmoniker is pretty epic. The Cello play in the front, is amazing. The players really do get into the music when they play. Look at the Cello players gestures in his solo 32 seconds. Its really cool that people really get into their parts. Its no wonder why the people in this orchestra have to be virtuosos.
BattosaiX123 2 years ago 5
but listen how much better he sounds between 0:59 and 1:05 where not so much dandruff is flying around.
etiterum 2 years ago
Although both parts are great and the rest of the piece is as well. The music in the beginning goes well with cello player in the front. I think when both he and the orchestra play together it means so much more.
BattosaiX123 2 years ago
Thanks a lot
bdmntnfan 2 years ago
Berliner Philharmoniker always has virtuosos for concertos - example - this one with Steven Isserlis and Beethoven violin concerto has Itzhak perlman. So the conclusion is that the standard is always high
bdmntnfan 2 years ago 2
The first violinist with the partly unshaven beard is really cool. Who is he and who is the guy on the triangle???
bdmntnfan 2 years ago
The violinist is Guy Braunstein, 1st Konzertmeister since 2000. On the triangle you see Jan Schlichte.
BerlinPhil 2 years ago
@BerlinPhil
i don't know anybody in the world who is cooler than guy braunstein
x3x3yz 1 year ago
the great performance indeed!
i think mr steven isserlis looks like
sir simon rattle about hairstyle.
harvinsky 2 years ago
he had the hair way before Simon Rattle did!
andiejanefisher 2 years ago
sehr intensiv
yuehchopin 2 years ago
odd
I recognise none of the BP players in this video
sutphoe 2 years ago
who is on 1st horn?? hmm
Finners1551 2 years ago
probably someone form the Berlin Phil Orchestra Academy
NisbetAM 2 years ago
It is Jens Plücker, solo horn at NDR-Sinfonieorchester
BerlinPhil 2 years ago
See the other videos for the same entry. The other cellists play it slowly but this video is the best.
bdmntnfan 2 years ago
gave a master class at my school, i wish he would cut that hair. great performance
gnatural 2 years ago
Uou! Great cellist!
1:49 to 1:54 - cool ;)
Eliporto 2 years ago
This is amazing!!! The soloist, the orchestra, everything!
violinsrockdude 2 years ago
OMG, Really a good cellist!
redhotchiliangel 2 years ago 2
He is SO good!
minsypie 2 years ago
lol for a moment i thought Sir Rattle was playing cello....
FungoBoy 2 years ago 18
haha - me too!
BernardProfitendieu 2 years ago
haha yeah,,,
shaosuye 2 years ago
rotary valve trumpets are kick ass!
Leradcoris 2 years ago 3
man this sounds so good....
loriziell 2 years ago
Certified Intergalactic!
Dogaradodia 2 years ago
Btw, is that the new conductor of the NYPhil? Like him...
MikeDrewYT 2 years ago
Yup, he is.
Marlene55M 2 years ago
Isserlis is such a showoff :)
nfajkblg 2 years ago
No shit. Such a glib smirk. But then I could never control what my face looked like either...
MikeDrewYT 2 years ago