A favourite of mine since hearing it for the first time, age 19, on the soundtrack of the 1962 film 'The L shaped Room,' with Leslie Caron directed by Bryan Forbes.
Ashkenazy is good but I enjoy also Barenboim with Barbirolli, Alfred Brendall & Clifford Curzon.
No, the orchestra comes in in piano, and there is NO diminuendo written in the preceeding piano passage. That dynamic relationship should be preserved, it seems to me, if one ascribes generally to the "rules" of classical music playing where one pretty much follows the score, figuring, in the absence of availability of consultation, it reflects the composer's intent.
HIs phrasing in the opening is incorrect, appalling for a first line musician. Rather pedestrian, colorless playing. Makes an unindicated diminuendo prior to the tutti leading to the chromatic scales passage...should terminate forte with a subito piano when the orchestra comes in. In short, this is in no way representative of the way he evolved later in his career as a distinguished pianist,musician and conductor.
HIs phrasing in the opening is incorrect, appalling for a first line musician. Rather pedestrian, colorless playing. Makes an unindicated diminuendo prior to the tutti leading to the chromatic scales passage...should terminate forte with a subito piano when the orchestra comes in. In short, this is in no way representative of the way he evolved later in his career as a distinguished pianist,musician and conductor.
@gitprofnikat But Brahms does NOT say to terminate the forte and make a subito piano there like you suggest, and you made it sound like the diminuendo he made is incorrect. You expressed distaste in that he did NOT take a liberty from the score, and also when he DOES take a liberty from the score. According to the score, the orchestra comes in forte, so the piano should still be forte to even be heard! The problem with balance is a recording error, not an error on the musicians.
I normally think first movements in concertos are far better than the later ones (not always but generally they are more diverse and have more than mood. Third movements can also sound uncohesive)
But this one is a rival to the first movement.
A good concerto - but not a rival to the PERFECT 2nd concerto.
Most certainly, vcupiano. I played the theme for a friend of mine and he thought Beethoven wrote it. And if you contrast the rondo from Beethoven's 3rd piano concerto in C Minor, Op. 37 with THIS one, you will notice a very strong similarity in the STRUCTURE.
Giulini was director of the Los Angeles Philharmonic from 1978 to 1984. So this video would be sometime within. Ashkenazy looks young for a person in his 40s; he was born in 1937.
Great Piano concerto...my only complaint is that it is split up into so many sections. I guess that's the 10 min limit though...just a minor nuisance to be hearing this divine music and then an abrupt pause because the video is done.
yeah, this 10min limit is quite frustrating... i asked youtube about getting more than that, but no answer.... otherwise i would just split into the different movements...
I wouldn't worry about chadsissine... he's just an idiot who doesn't realise brilliant music when he hears it. Whether he has a grudge or something... I couldn't care.
A favourite of mine since hearing it for the first time, age 19, on the soundtrack of the 1962 film 'The L shaped Room,' with Leslie Caron directed by Bryan Forbes.
Ashkenazy is good but I enjoy also Barenboim with Barbirolli, Alfred Brendall & Clifford Curzon.
photo3642u 3 weeks ago in playlist More videos from tguiot
@orange
No, the orchestra comes in in piano, and there is NO diminuendo written in the preceeding piano passage. That dynamic relationship should be preserved, it seems to me, if one ascribes generally to the "rules" of classical music playing where one pretty much follows the score, figuring, in the absence of availability of consultation, it reflects the composer's intent.
gitprofnikat 10 months ago
@gitprofnikat I must have a bad edition of the score. Which do you have?
OrangeSodaKing 9 months ago
thanks for having posted it!!! Smack smack smack....
kiaragre 1 year ago
This has been flagged as spam show
HIs phrasing in the opening is incorrect, appalling for a first line musician. Rather pedestrian, colorless playing. Makes an unindicated diminuendo prior to the tutti leading to the chromatic scales passage...should terminate forte with a subito piano when the orchestra comes in. In short, this is in no way representative of the way he evolved later in his career as a distinguished pianist,musician and conductor.
gitprofnikat 1 year ago
HIs phrasing in the opening is incorrect, appalling for a first line musician. Rather pedestrian, colorless playing. Makes an unindicated diminuendo prior to the tutti leading to the chromatic scales passage...should terminate forte with a subito piano when the orchestra comes in. In short, this is in no way representative of the way he evolved later in his career as a distinguished pianist,musician and conductor.
gitprofnikat 1 year ago
@gitprofnikat But Brahms does NOT say to terminate the forte and make a subito piano there like you suggest, and you made it sound like the diminuendo he made is incorrect. You expressed distaste in that he did NOT take a liberty from the score, and also when he DOES take a liberty from the score. According to the score, the orchestra comes in forte, so the piano should still be forte to even be heard! The problem with balance is a recording error, not an error on the musicians.
OrangeSodaKing 10 months ago
Comment removed
galileo021728 1 year ago
Hear this concert in the interpretation of Emil Gilels. Outstanding.
haioforler 2 years ago
Brahms stood on
Beethoven's head and surpassed Tchaikovski.
Un bee frickin leeeeeeevable.
petie32 2 years ago
I normally think first movements in concertos are far better than the later ones (not always but generally they are more diverse and have more than mood. Third movements can also sound uncohesive)
But this one is a rival to the first movement.
A good concerto - but not a rival to the PERFECT 2nd concerto.
Sim882 2 years ago
it is the most difficult piano concerto ever composed...
fracche 2 years ago
NOBODY CAN EVEN FREIRE ON BRAHMS 1 AND 2
n00belicious 2 years ago
Arrau can, and has, Arrau plays the BEST Brahms concertos ever !!!!!
arturon111 2 years ago 2
@arturon111 with Bruno Gelber
PhedraBcn 9 months ago
@PhedraBcn -Giulini here.
paulostroff99 5 months ago
qualcuno puo' famri avere lo sparito per pianoforte di questa opera? o darmi il link dove trovarlo o inviandomelo per e-mail.grazie
tkguarina 3 years ago
Thank you for uploading this phenomenal performance!
john9487 3 years ago
One of my favorite piano concertos besides of Beethoven 4th and Rachmaninoff 2nd and 3rd. :D
keykanonmania84 3 years ago 3
Wow, same like me ;)
haioforler 2 years ago
you can definitely hear his admiration for beethoven in this piece
vcupiano 3 years ago
Most certainly, vcupiano. I played the theme for a friend of mine and he thought Beethoven wrote it. And if you contrast the rondo from Beethoven's 3rd piano concerto in C Minor, Op. 37 with THIS one, you will notice a very strong similarity in the STRUCTURE.
mathpianist93 3 years ago
what year is this?
4444matthew4444 4 years ago
Giulini was director of the Los Angeles Philharmonic from 1978 to 1984. So this video would be sometime within. Ashkenazy looks young for a person in his 40s; he was born in 1937.
mathpianist93 3 years ago
Beautifully rendered mainly because of dynamics, legato, AND passion!
mathpianist93 4 years ago
Great Piano concerto...my only complaint is that it is split up into so many sections. I guess that's the 10 min limit though...just a minor nuisance to be hearing this divine music and then an abrupt pause because the video is done.
ixcuincle 4 years ago 5
yeah, this 10min limit is quite frustrating... i asked youtube about getting more than that, but no answer.... otherwise i would just split into the different movements...
well too bad, but better than nothing
tguiot 3 years ago
This is one of the best piano concertos I've ever heard. I'm was never too fond of the piano however, but this breaks the norm, I assume.
MarchiolyTorma 4 years ago
This has been flagged as spam show
screw this!!!
chadsissine 4 years ago
could you give some more explanation please ?
tguiot 4 years ago
I wouldn't worry about chadsissine... he's just an idiot who doesn't realise brilliant music when he hears it. Whether he has a grudge or something... I couldn't care.
I wouldn't bother with him.
reaperman2004 4 years ago 3
I agree
suzettegm 4 years ago
plays with more staccato than Arrau on this movement.
cellestialX 4 years ago 4
Gosh this is my all-time favorite piano concerto...and he plays it really well!!!
yupSAMiam 4 years ago 6
Excellent, especially from 1:30 to 2:15; the way he espresses Brahms is divine...
bdgiusti 4 years ago 5