Someone asked to hear me sing this. I had never heard of it. The range is a bit challenging. I have a lot of D'Archangelo recordings. I'm surprised that he would sing something this low but he only whispers the low notes and goes into falsetto on the high notes. This dreamy crooning approach seems wrong for a cyclops. I can sing the quick top Gs without much trouble but I'm worried about the A. I may have to adopt a falsetto yelp. Its like "Credeasi Misera" for bass.
I believe this aria was written for a specific basso in Handel's stable of singers who was famous for his wildly rangy voice...it's a lovely aria, if a little nutty.
Sì è vero, D'arcangelo è molto dotato e bravo, preferisco comunque Naouri (in quest'aria e in generale).
Per i bassi si possono definire operisticamente 3 periodi coincidenti con i tre bassi importanti: il primo periodo che corrisponde appunto a quello di Boschi (il basso per cui fu scritta quest'aria), fu un basso dalla immensa estensione ma con una certa preferenza nel registro acuto piuttosto che nei gravi (non è escluso che fosse più baritono che basso)...
@indispettito Il secondo periodo coincide con Montagnana,un basso meno esteso(ma questo non significa poco esteso visto che Boschi era semplicemente spaventoso in quanto ad estensione)ma con una timbrica più forte e dei gravi probabilmente più convincenti ed infine l'ultimo periodo,dalla scrittura musicale sempre bellissima ma con un cantante certamente meno virtuoso,il povero (cuoco?)Waltz e nello stesso periodo includerei un Montagnana ritornato un po' stanco e con una estensione più limitata.
@indispettito caspita un vocalizzo...Penso che questa sia una delle più belle arie scritte nel barocco per basso-baritono...Non senti l'accompagnamento?C'è una retorica musicale elegantissima: a "farfalla confusa" dei dolci trilli creano un'atmosfera sognante che ricorda proprio i battiti d'ali di farfalla, il violone grosso accompagna polifemo senza cembalo in modo da generare il senso di gravezza e cupezza del personaggio, la discesa iniziale di tutto l'organico orchestrale..ecc
This recording is in fact in a=395, two semitones under written pitch, one semitone under the CD pitch. Why? So he has to go down to C and up to g'. Stupendous! I quite like his voice.
This is very strange. It is definitely a semitone lower than my recording and the first phrase is for sure a D flat major chord downwards here and - interesting!- also on the Deutsche Grammophon website and Amazon (a=395). My version from the iTunes Store begins in D major (a=415).
Anyway, it is a fine recording and thanks for posting it.
Well I think you should try playing the notes on a keyboard, the first note he sings is an A, it's written as a B-flat, so that's indication this is in 415, not lower.
Well, I am fairly proficient in this business. Because I was sure that you are as well, I just called my wife and asked her to listen. You will not believe it, my PC here plays the stuff 1 semitone too low, in 395. My wife's Macbook plays it in 415, as does my iPhone. You are completely right, it is in 415. I am puzzled. Sorry for Off Topic!
The lowest note hi sings is C#2 and the highest is G#4. So the range is 2 octaves + a fifth. Very difficult and very well done. But it's not uncommon for trained singers to have 2 octaves and a fifth of usable modal voice when both the upper and the lower extensions are iemployed.
Actually the highest here is an A4. The highest written is G#4 though. The A4 is interpolated in an ornament. And he is singing in baroque tuning, so that would be counted as Bb4 in baroque tuning.
@Taenyr There seems to be a lot of controversy about the key and the pitches. I don't know. This opera isn't in Groves. But the modern score widely available on the web in in B Flat Major. The first high note is a quick F. The next is a G. Then an A Flat and finally an A Natural. All of these high notes are very quick while the low notes are sustained. This is the version written for Manna. The Boschi version has no low notes at all.
Actually seeing these notes in the score is rather scary. Another good thing about this bass is that he is only 40 years old, I believe. So we have many more years ahead to enjoy his excellent voice.
Yes, also what's surprising is that this voice past his 20's can sing high notes into the tenor register! and still deliver convincing solid low Db's.
Thank you for posting this. It helps us see the amazing range of this aria, and the performer, with our own eyes as well as hear it. I love this rendition.
My jaw literally dropped at 2:53
dcoveyamericamd 2 months ago
Comment removed
dcoveyamericamd 2 months ago
This seems to be a reworking of an aria from "Sosarme", or is it the other way round?
seancoxen 2 months ago
Someone asked to hear me sing this. I had never heard of it. The range is a bit challenging. I have a lot of D'Archangelo recordings. I'm surprised that he would sing something this low but he only whispers the low notes and goes into falsetto on the high notes. This dreamy crooning approach seems wrong for a cyclops. I can sing the quick top Gs without much trouble but I'm worried about the A. I may have to adopt a falsetto yelp. Its like "Credeasi Misera" for bass.
Agorante 2 months ago
maravilloso
leonardo94ism 6 months ago
wow Handel...just wow.
handelfan610 7 months ago
My low notes sound like dying cows....I'm jealous of his clear, flawless notes...
violinistx100 7 months ago
I believe this aria was written for a specific basso in Handel's stable of singers who was famous for his wildly rangy voice...it's a lovely aria, if a little nutty.
tamerlano 9 months ago 2
Ok, one of my new favorites!!! LOVE HIS VOICE!!!
Chanteusette 11 months ago
Сумашедшая АРИЯ! Гендель великий прорицатель!!!
contandrey82 1 year ago
Incredible voice.
barwyton 1 year ago 2
I listened this opera last friday here in Paris, where I live, and it sound like this, so low. Then I guess this singing is correct.
HectorsShadow 1 year ago
@indispettito: di sicuro non è un basso profondo!!! Per me è un basso cantante magari con una voce piu corposa ma non profondo
Sorrentodellesirene 1 year ago
Non ha senso un brano così....
Sorrentodellesirene 1 year ago
@Sorrentodellesirene
per me è più simile a un esercizio di vocalizzi
e poi posso dirla tutta? il basso basso non è il suo registro
ecco, l'ho detta!
indispettito 1 year ago
Comment removed
suora88 1 year ago
@suora88
grazie per la puntualizzazione che ci voleva tutta
ma il mio appunto era per l'esecuzione del brano non tanto per il pezzo in sé
a me Indebrando piace molto ma quest'aria trovo che non sia adattissima alla sua estensione. Tutto qua
Riascoltando il pezzo poi hai ragione: fa venire i brividi!!!
indispettito 1 year ago
@indispettito ciao indispettito ^^
Sì è vero, D'arcangelo è molto dotato e bravo, preferisco comunque Naouri (in quest'aria e in generale).
Per i bassi si possono definire operisticamente 3 periodi coincidenti con i tre bassi importanti: il primo periodo che corrisponde appunto a quello di Boschi (il basso per cui fu scritta quest'aria), fu un basso dalla immensa estensione ma con una certa preferenza nel registro acuto piuttosto che nei gravi (non è escluso che fosse più baritono che basso)...
suora88 1 year ago
Comment removed
indispettito 1 year ago
@indispettito Il secondo periodo coincide con Montagnana,un basso meno esteso(ma questo non significa poco esteso visto che Boschi era semplicemente spaventoso in quanto ad estensione)ma con una timbrica più forte e dei gravi probabilmente più convincenti ed infine l'ultimo periodo,dalla scrittura musicale sempre bellissima ma con un cantante certamente meno virtuoso,il povero (cuoco?)Waltz e nello stesso periodo includerei un Montagnana ritornato un po' stanco e con una estensione più limitata.
suora88 1 year ago
@indispettito caspita un vocalizzo...Penso che questa sia una delle più belle arie scritte nel barocco per basso-baritono...Non senti l'accompagnamento?C'è una retorica musicale elegantissima: a "farfalla confusa" dei dolci trilli creano un'atmosfera sognante che ricorda proprio i battiti d'ali di farfalla, il violone grosso accompagna polifemo senza cembalo in modo da generare il senso di gravezza e cupezza del personaggio, la discesa iniziale di tutto l'organico orchestrale..ecc
suora88 1 year ago
This recording is in fact in a=395, two semitones under written pitch, one semitone under the CD pitch. Why? So he has to go down to C and up to g'. Stupendous! I quite like his voice.
drisspissdriss 2 years ago 2
No, I played along my keyboard the lowest is Db2, I don't know where you got that it's in 395, and the highest note in this recording is an A4.
primohomme 2 years ago
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This is very strange. It is definitely a semitone lower than my recording and the first phrase is for sure a D flat major chord downwards here and - interesting!- also on the Deutsche Grammophon website and Amazon (a=395). My version from the iTunes Store begins in D major (a=415).
Anyway, it is a fine recording and thanks for posting it.
drisspissdriss 2 years ago
Well I think you should try playing the notes on a keyboard, the first note he sings is an A, it's written as a B-flat, so that's indication this is in 415, not lower.
primohomme 2 years ago
@primohomme you´re right the score is one semitone lower
alexXx
gonzoli 1 year ago
The first note he sings is an A, in baroque pitch that would be a B-flat almost, so I'm guessing this it at baroque pitch, not lower.
primohomme 2 years ago
Well, I am fairly proficient in this business. Because I was sure that you are as well, I just called my wife and asked her to listen. You will not believe it, my PC here plays the stuff 1 semitone too low, in 395. My wife's Macbook plays it in 415, as does my iPhone. You are completely right, it is in 415. I am puzzled. Sorry for Off Topic!
drisspissdriss 2 years ago
Found it! The PC's Asus board has a Karaoke function which was activated and transposed everything 1/2 tone down! Sorry for bothering you.
drisspissdriss 2 years ago
It's fine ;) don't worry
primohomme 2 years ago
The lowest note hi sings is C#2 and the highest is G#4. So the range is 2 octaves + a fifth. Very difficult and very well done. But it's not uncommon for trained singers to have 2 octaves and a fifth of usable modal voice when both the upper and the lower extensions are iemployed.
ajwolf 2 years ago
Actually the highest here is an A4. The highest written is G#4 though. The A4 is interpolated in an ornament. And he is singing in baroque tuning, so that would be counted as Bb4 in baroque tuning.
primohomme 2 years ago
@primohomme Where is the A4? I only counted an Ab4, by modern tuning.
Taenyr 8 months ago
@Taenyr Oh haha my bad...I found it. The sustained high note at the end, of course...
Taenyr 8 months ago
@Taenyr There seems to be a lot of controversy about the key and the pitches. I don't know. This opera isn't in Groves. But the modern score widely available on the web in in B Flat Major. The first high note is a quick F. The next is a G. Then an A Flat and finally an A Natural. All of these high notes are very quick while the low notes are sustained. This is the version written for Manna. The Boschi version has no low notes at all.
Agorante 2 months ago
Actually seeing these notes in the score is rather scary. Another good thing about this bass is that he is only 40 years old, I believe. So we have many more years ahead to enjoy his excellent voice.
dt195k2 2 years ago
Yes, also what's surprising is that this voice past his 20's can sing high notes into the tenor register! and still deliver convincing solid low Db's.
primohomme 2 years ago
Thank you for posting this. It helps us see the amazing range of this aria, and the performer, with our own eyes as well as hear it. I love this rendition.
readerjoy 2 years ago