This is amazing singing, but I've always found her coloratura too fast and some of the ornaments are a bit silly. The Sutherland studio recording of this aria displays her superior breath control, trill, and ability to shape the phrases in a more interesting way. However, Sills voice is more agile and clear than Sutherland' voice. I'd rather listen to Sutherland, but when I come back to the Sills recording I always marvel over it BEFORE I come back to reality and think about her limitations.
A very subtle plug for Sutherland...NOT. Yes, it's fast and highly ornamented, but that's the point. Composers at the time routinely wrote show-stopping pieces to highlight certain singers' talents. In this case Sills absolutely dazzles. She also has incredible breath control and phrasing. Although while Sutherland tended to smudge almost everything she sang 1970 and onward, Sill continued to sing with crisp diction all the time. And Sills was a master at interjecting character into her singing.
and she claims that she doesn't have an italian repertoire voice?!?! this was very amazing. although, i can see the difference from valerie masterson, who is more ideally suited for this rep. beverly has tons more flexibility, as she said in her interview. but, still, she does a remarkable job here.
i love how she walks around and curtsies/bows....i just really enjoy her performance of this piece. by far sills is my fave that i've heard on this number love her!
I don't like orgasms during coloratura, either. What a marvelous phrase and one worth remembering! That is really funny. I have listened to the Sutherland recording many times, and it is wonderful, but I have to admit, Sills' ability to embellish the notes is outstanding, and I actually prefer the faster tempo. What a pro she was. Her ability to communicate a sense of joy and passion is second to none. Brava!
i prefer this opera seria staging to the modern thrashing around you see, posing as "acting". I saw leah partridge sing this role in Miami and she humped ceasar during one of her arias - why do we need to see this? orgasms during coloratura are so vulgar to watch. this is all you need for handel- excellent singing and a pretty costume!
Many years ago I drove from SF down to LA to see Sills in "Manon." The afternoon of the performance I went to the killer whale show at Marineland and who should walk in but Sills, her husband and her daughter. That night she was magnificant. And how else would this be staged??? It is opera seria for god's sake. I hope no one was expecting "dramatic tension."
Turandot82, I agree with you partially. Sills has been and still is my favorite Cleopatra. However, Sutherland's performance of this aria is just as brilliant, perhaps even more so, technically. And I think Swenson's recent performance in the role is outstanding. Nonetheless, I prefer Sills for her spirit and velocity in the allegro arias of the opera and her beautiful high piani singing in the slower arias.
No one can touch her embellishments in this aria! I love this performance. I keep looking for other intrepertations on Youtube, but always come back to this one.
Chanter haendel de la sorte de nos jours parait impossible. Haro sur B. Sills diraient les grandes prêtresses du baroque ! et pourtant, près de 40 ans se sont écoulés... B. Sills, votre chant est incroyablement moderne, sans parler de votre science de l'ornementation. Une sacrée leçon de chant à tous nos sopranos pépiants. Bravo.
Sills has always been my favorite Cleopatra. I loved her energy, her embellishments, and everything. Loved the fact they kept Baroque opera like Baroque opera and didn't modernize it.
I've been in mourning for a week, hanging out her and at beverlysills dot com every night. I hope more videos of her work are released. Unfortunately many early ones were never recorded.
I am very pleased you like Beverly Sills, but please don't insult Handel in the process. This exactly the kind of performance he wanted. He would have been very pleased with Beverly Sills.
(continued): So NYC fought back with an original type production of one of the very HARDEST Handel operas and coloratura operas (because both the leads have to do it) ever created.
Thank god that NYCO did. They launched Beverly to legend status with this opera. And I agree, Norman Treigle's coloratura was amazing. I was just listening to his "A lampo del armi" today and Im always amazed when I hear it.
This is a rare, and valuable piece of video. I just wish we had Norman Treigle on you Youtube (though I will search!). She did this with this incredible bass who could do REAL coloratura even though he smoked three packs of cigarrettes a day, as the opening performance at the NYC Opera, on a day that Antony and Cleopatra was opening at the Met, because the Met wouldn't hire American opera singers unless they were necessary to "fill in" at the last minute.
This is staged as it would have been in Handel's time. Purposefully. Don't blame Bubbles for the staging. And Bubbles was glorious. AS a COLORATURA, I can tell you that she executes this flawlessly - and it was sung fast orginally if you know anything about Handel. I doubt you sing, just armchair criticize. Pretty rancid of you to do that right now, after she just passed.
such a beautiful ambassador of opera, of classical music, of music! What a beautiful singer, a charismatic star, a skillful leader of musical organizations, an articulate spokesperson for cultural enterprises.
Although I did not personally know Ms Sills, her life has made an impact on my musical life, on my life in general, and on those of countless others.
As countless other have had, I too had the great pleasure of hearing her live. We all have had our lives brightened by her singing. Thank you youtube for giving us this pleasure over again.
A great singer who has given me soooo much on stage and on disks....she has brightened our opera world and will greatly be missed. Brava Ms Sills for a job well done....
It's great to hear a colouratura with a warm sound that you don't hear in other ( which can be nasal or to high pitch, almost traditionally squeeky.) She will be missed.
It's so great to know we won't miss her so terribly, because Sills gave us such a great legacy that will never stop producing amazement and admiration. She's one of those artists that will always bring something now to us, even after their passing! I'm sure she's already resting in peace and telling jokes to Tetrazzini and Nilsson. I'm glad that she was widely recognized and beloved in life, she deserved it. ;-)
This made me cry, remembering Bubbles in her glory days. She helped put Baroque opera back on the musical landscape with performances like these. I and millions of others will sorely miss her.
Trills, Runs, Roulades, Fiorature, embellished with everything but the god damn kitchen sink! When does this woman take a breath?? And she makes it all seem so effortless, like a day at the park.
Truly a Maestra non pareilla!! There is so much incomparable joy in her singing. Why would anyone want her to do it any other way? I don't remember her ever having anything to do with set,costume design or
choreography.
My first real appreciation of Opera began with Beverly Sills.
Brilliant!!! Talk about giving 100 percent! This is a singing lesson- it's full of life, and it's the expression of mastery. Today's singers should take note of this truly magnificent artist.
I am, of course, a Beverly Sills fan. She was my very first introduction to opera in La Traviata. I then went on to my lifelong fascination with Leontyne Price, only because Bubbles retired one year later. Her coloratura and personality were unequalled. I adore her singing. Brava Bev!
Don't compare. Futral is great in her own right. I saw her in this opera and she was INCREDIBLE. Can't we love Sills and still appreciate the new talents like Elizabeth? Oh...Sill is absolutely brilliant here. Her runs are absolutely brilliant.
This is my favourite Sills footage ( thanks again guys )It seems to be the ONLY extant filmed record of Sills as Cleopatra. So THIS is what it was all about! She must get dizzy from circling the couch so often..poor thing.
Excellent coloratura!! She was great as her voice had a sheen of metal and a bitter, heavier dramatic tone and Joan Sutherland's was even more grand and larger, were the greatest, the closest today are Natalie Dessay and Sumi Jo. p.s. the first 2 classic divas had perhaps the most amazing lightning fast trills ever heard
I've only heard one thing of hers i haven't loved. But wow, can she sing! Her Lucia, Baby Doe, Violetta, Anna Bolena, Rosina, ALL amazing. Thanks for the great video.
Einfach, die beste Cleopatra.
Ganz wunderbar.
hautecontrre 9 months ago
Goodness gracious 3:13
TheWisemonkey8 1 year ago 4
the queen of the night can go back to bed.
wattever333 2 years ago 13
@wattever333 LOOOOOL
nicoletxl 1 year ago
You have to love the 'acting'. When I'm happy I frequently strut about with my arms out-stretched occasionally bowing for no apparent reason :-)
Great performance though and taken at a real rate of knots. I think it's the most up tempo version on youtube.
Theophrastus 2 years ago 3
@Theophrastus I know, right? But thats the Handel way of singing/acting the arias.
SergeySmirnov87 2 years ago
brava beverly!!!
U had to be italian ehehehhe :-)
MrLupo23 2 years ago
This is amazing singing, but I've always found her coloratura too fast and some of the ornaments are a bit silly. The Sutherland studio recording of this aria displays her superior breath control, trill, and ability to shape the phrases in a more interesting way. However, Sills voice is more agile and clear than Sutherland' voice. I'd rather listen to Sutherland, but when I come back to the Sills recording I always marvel over it BEFORE I come back to reality and think about her limitations.
asdfopera 2 years ago
A very subtle plug for Sutherland...NOT. Yes, it's fast and highly ornamented, but that's the point. Composers at the time routinely wrote show-stopping pieces to highlight certain singers' talents. In this case Sills absolutely dazzles. She also has incredible breath control and phrasing. Although while Sutherland tended to smudge almost everything she sang 1970 and onward, Sill continued to sing with crisp diction all the time. And Sills was a master at interjecting character into her singing.
tristanhnl 2 years ago 11
Very very fast!!!
altrimenti992 2 years ago 3
I have the recording in my memory from childhood, and I don't hear any difference. Is this a lip sync? Too bad nobody thought to film Treigle.
Goethefemme 2 years ago
@Goethefemme The recording is live from their performance at NYCO I believe
musikphantom1881 1 year ago
but who can shut up the man?
zasesdea 2 years ago
and she claims that she doesn't have an italian repertoire voice?!?! this was very amazing. although, i can see the difference from valerie masterson, who is more ideally suited for this rep. beverly has tons more flexibility, as she said in her interview. but, still, she does a remarkable job here.
dacanceruwishuwere94 2 years ago 3
Beverly Sills rules !!!!
JuanDiegooooo 2 years ago 4
truly great great singing by even the highest standards, one of the best Cleopatras ever
Ctmagnus 3 years ago 24
i love how she walks around and curtsies/bows....i just really enjoy her performance of this piece. by far sills is my fave that i've heard on this number love her!
handelfan610 3 years ago 28
Wow...this is very difficult singing. It's not easy to stand there and sing that!! LOL
DivaDeb1234 3 years ago 13
A far better musician than Sutherland...and not as "pipey".
ericscam 3 years ago 6
They were both unique in their own ways..
DivaDeb1234 3 years ago 8
wow
p6105 3 years ago 4
I've loved Bubbles since the first time I ever heard. This is such a great video of one of her greatest triumphs. She is spectacular!
ptedeschi13 3 years ago 8
Wow-I think i DID have an orgasm during this!!! In her prime, Sills was a force to be reckoned with-wow!!!!!!!!!
tonyvillecco 3 years ago 10
"period style" lol
in the baroque period, singers always did a little walk around their divans in the interludes
still, 'lest we forget', i suppose.
(though i make fun of her uninformedness, it's still Bubs.)
mymokshashocksya 3 years ago
Sills has easily some of the clearest trills I've heard.. Brava!
1stTelmar 3 years ago 9
I don't like orgasms during coloratura, either. What a marvelous phrase and one worth remembering! That is really funny. I have listened to the Sutherland recording many times, and it is wonderful, but I have to admit, Sills' ability to embellish the notes is outstanding, and I actually prefer the faster tempo. What a pro she was. Her ability to communicate a sense of joy and passion is second to none. Brava!
venetianformula 3 years ago 5
i prefer this opera seria staging to the modern thrashing around you see, posing as "acting". I saw leah partridge sing this role in Miami and she humped ceasar during one of her arias - why do we need to see this? orgasms during coloratura are so vulgar to watch. this is all you need for handel- excellent singing and a pretty costume!
sfafenpoof 3 years ago 5
Many years ago I drove from SF down to LA to see Sills in "Manon." The afternoon of the performance I went to the killer whale show at Marineland and who should walk in but Sills, her husband and her daughter. That night she was magnificant. And how else would this be staged??? It is opera seria for god's sake. I hope no one was expecting "dramatic tension."
meinfb 4 years ago 3
magnificent
h56770 4 years ago 5
Sills is unbelieveable in this clip. Despite the period staging, it is a fantastic vocal display!!
raycanto76 4 years ago 7
Yes, i keep returning to this piece.
Sadiesexy 4 years ago
This was great! Pure joy!
Sadiesexy 4 years ago 2
Turandot82, I agree with you partially. Sills has been and still is my favorite Cleopatra. However, Sutherland's performance of this aria is just as brilliant, perhaps even more so, technically. And I think Swenson's recent performance in the role is outstanding. Nonetheless, I prefer Sills for her spirit and velocity in the allegro arias of the opera and her beautiful high piani singing in the slower arias.
meltzerboy 4 years ago
No one can touch her embellishments in this aria! I love this performance. I keep looking for other intrepertations on Youtube, but always come back to this one.
turandot82 4 years ago 9
i agree!!!
ypsiboi05 4 years ago
Chanter haendel de la sorte de nos jours parait impossible. Haro sur B. Sills diraient les grandes prêtresses du baroque ! et pourtant, près de 40 ans se sont écoulés... B. Sills, votre chant est incroyablement moderne, sans parler de votre science de l'ornementation. Une sacrée leçon de chant à tous nos sopranos pépiants. Bravo.
marioj34 4 years ago
Gracious goodness. "Dazzling" is right. Ms. Sills really impressed me! I'd never heard this aria before and she was splendid. Thank you for sharing.
erzbet07 4 years ago
i love her embellishments
bkmustang07 4 years ago
Amazing! We will miss you, Ms. Sills!
mijst4 4 years ago 2
Sills has always been my favorite Cleopatra. I loved her energy, her embellishments, and everything. Loved the fact they kept Baroque opera like Baroque opera and didn't modernize it.
BDSCalgary 4 years ago
Excellent! Who will ever sing Cleopatra like our beloved Beverly? Bravissima!
scarpia1965 4 years ago
She was amazing!!!
queenmaxartists 4 years ago
I've been in mourning for a week, hanging out her and at beverlysills dot com every night. I hope more videos of her work are released. Unfortunately many early ones were never recorded.
foxyzzzzz 4 years ago
How is it possible to sing Handel like this ?
So much life and energy !
Very high performance.
cristoforo66 4 years ago
I am very pleased you like Beverly Sills, but please don't insult Handel in the process. This exactly the kind of performance he wanted. He would have been very pleased with Beverly Sills.
jmontgomery7577 4 years ago
(continued): So NYC fought back with an original type production of one of the very HARDEST Handel operas and coloratura operas (because both the leads have to do it) ever created.
FancyPantsElitist 4 years ago
Thank god that NYCO did. They launched Beverly to legend status with this opera. And I agree, Norman Treigle's coloratura was amazing. I was just listening to his "A lampo del armi" today and Im always amazed when I hear it.
turandot82 4 years ago
Another little comment...
This is a rare, and valuable piece of video. I just wish we had Norman Treigle on you Youtube (though I will search!). She did this with this incredible bass who could do REAL coloratura even though he smoked three packs of cigarrettes a day, as the opening performance at the NYC Opera, on a day that Antony and Cleopatra was opening at the Met, because the Met wouldn't hire American opera singers unless they were necessary to "fill in" at the last minute.
FancyPantsElitist 4 years ago
This is staged as it would have been in Handel's time. Purposefully. Don't blame Bubbles for the staging. And Bubbles was glorious. AS a COLORATURA, I can tell you that she executes this flawlessly - and it was sung fast orginally if you know anything about Handel. I doubt you sing, just armchair criticize. Pretty rancid of you to do that right now, after she just passed.
FancyPantsElitist 4 years ago
...we love you, beverly sills!
such a beautiful ambassador of opera, of classical music, of music! What a beautiful singer, a charismatic star, a skillful leader of musical organizations, an articulate spokesperson for cultural enterprises.
Although I did not personally know Ms Sills, her life has made an impact on my musical life, on my life in general, and on those of countless others.
Farewell, Bubbles!
apollodionysus7 4 years ago
As countless other have had, I too had the great pleasure of hearing her live. We all have had our lives brightened by her singing. Thank you youtube for giving us this pleasure over again.
highbaritone 4 years ago
A great singer who has given me soooo much on stage and on disks....she has brightened our opera world and will greatly be missed. Brava Ms Sills for a job well done....
zutler 4 years ago
It's great to hear a colouratura with a warm sound that you don't hear in other ( which can be nasal or to high pitch, almost traditionally squeeky.) She will be missed.
djtypek 4 years ago
It's so great to know we won't miss her so terribly, because Sills gave us such a great legacy that will never stop producing amazement and admiration. She's one of those artists that will always bring something now to us, even after their passing! I'm sure she's already resting in peace and telling jokes to Tetrazzini and Nilsson. I'm glad that she was widely recognized and beloved in life, she deserved it. ;-)
OperaBR 4 years ago
She's amazing!
xxawayfrommexx 4 years ago 2
Rest in eternal peace...
gclef2288 4 years ago 2
Dear Beverly,
God bless you, what a magnificent talent, and your warmth and joy are/were here for all to see.
Thank you for bringing your voice and music into our lives. May God hold you in the palm of His hand.
Diamondsrfvr 4 years ago
This made me cry, remembering Bubbles in her glory days. She helped put Baroque opera back on the musical landscape with performances like these. I and millions of others will sorely miss her.
celebrian1051 4 years ago
May you have 10,000 times more joy in the next World than you brought to millions of people in this world!!!
jmontgomery7577 4 years ago
Godspeed to you, Beverly, as you now sing for the angels. You will be missed!
emerald4444 4 years ago 2
This is one of those arias you want to never end!
Especially when the singer is Beverly Sills!
jmontgomery7577 4 years ago 2
And it won't end, because we have these recordings of her incredible talent and spirit to preserve her memory, thank God!
RossiniSoprano 4 years ago
Trills, Runs, Roulades, Fiorature, embellished with everything but the god damn kitchen sink! When does this woman take a breath?? And she makes it all seem so effortless, like a day at the park.
crewmantle 4 years ago 2
And she's FORTY when she sang this for Gods sake!!
crewmantle 4 years ago
Had to comment AGAIN! This BLOWS YA away like nothing else!!! Brilliant, endless fireworks at a shotgun tempo.
There is NO ONE singing today with this command and authority... A lesson to younger singers who give too much too early.
crewmantle 4 years ago
Truly a Maestra non pareilla!! There is so much incomparable joy in her singing. Why would anyone want her to do it any other way? I don't remember her ever having anything to do with set,costume design or
choreography.
My first real appreciation of Opera began with Beverly Sills.
jmontgomery7577 4 years ago
Do you really think she was responsible for the staging?
tinyvoicedgheorghiu 4 years ago
No, this was a concept production, to bring back the way it would have been done in Handel's day. You can read about this in her book.
RossiniSoprano 4 years ago
I read it. I suspect you are talking about her biography. What I found silly was the above poster's idea that Sills was responsible for the staging.
tinyvoicedgheorghiu 4 years ago
Brilliant!!! Talk about giving 100 percent! This is a singing lesson- it's full of life, and it's the expression of mastery. Today's singers should take note of this truly magnificent artist.
Andante735 4 years ago
Brilliant, incredibly virtuoistic coloratura.
gvjps123 4 years ago 3
Any problems with the tempo in certain places (in the A section) is the fault of the conductor in this case. The orchestra should not be inflexible.
D9l3tt 4 years ago
Sung with such gusto and vigor! True bravura. The tempo is a tad too fast for my taste.
Lachrymae 4 years ago
I have Ruth's version of this song. True that she can be a bit boring, but she's always in great voice and always brilliant.
Iareto 4 years ago
I am, of course, a Beverly Sills fan. She was my very first introduction to opera in La Traviata. I then went on to my lifelong fascination with Leontyne Price, only because Bubbles retired one year later. Her coloratura and personality were unequalled. I adore her singing. Brava Bev!
htshoward 4 years ago
I watch this video everyday; amazing. Gives a positive energy, I totally admire her work!
paminaase 5 years ago
Effervescent Bubbles; what stage presence!
tjfloyd 5 years ago
Love the Outfit:p amazing vocals...Love the play Cleaoatra but i dont no what language this is...maybe italian? i dunno:(
HydeingtheRainbow 5 years ago
Yes, Italian, yes.
PsychoLemur42 4 years ago
Frutal move over dear this is how is done!!Now we now by Sills become a Star after her Cleopatras in The City Opera...
mariogorga 5 years ago
Don't compare. Futral is great in her own right. I saw her in this opera and she was INCREDIBLE. Can't we love Sills and still appreciate the new talents like Elizabeth? Oh...Sill is absolutely brilliant here. Her runs are absolutely brilliant.
Iareto 5 years ago
This is my favourite Sills footage ( thanks again guys )It seems to be the ONLY extant filmed record of Sills as Cleopatra. So THIS is what it was all about! She must get dizzy from circling the couch so often..poor thing.
crewmantle 5 years ago
youd also get dizzy from those machine gun trills
nicki121 5 years ago 2
Her technique is impeccable. truly one of the greatest sopranos to ever live.
donaldwyatt 5 years ago 3
bravo
madbro 5 years ago
Excellent coloratura!! She was great as her voice had a sheen of metal and a bitter, heavier dramatic tone and Joan Sutherland's was even more grand and larger, were the greatest, the closest today are Natalie Dessay and Sumi Jo. p.s. the first 2 classic divas had perhaps the most amazing lightning fast trills ever heard
whistlenotelover 5 years ago 2
I've only heard one thing of hers i haven't loved. But wow, can she sing! Her Lucia, Baby Doe, Violetta, Anna Bolena, Rosina, ALL amazing. Thanks for the great video.
jcmendoza86 5 years ago
Of course it's excellently done...it's Beverly Sills! She's a god! :0)
primadonna360 5 years ago
couldn't agree with you more.....she's the greatest!
sillsfan 5 years ago
excellently done.
sab3156 5 years ago