My kicks (wich are heavy distorted hardstyle kicks with lots of reverb and eq's) always go into the red just like my master, even if I put compressors and limiters on it it clips.
Only If I put all the volume's down and/or limit the kicks heavy it doesn't go into the red, but than when I bounce the track (with or without normalize on) The volume of my track is very low.
But I think how I can fix it, by keeping the volume of all the tracks low so it doesn't clip.
Then export it (without normalize) and then import it again in a new file with the stereo master plug ins and boost the volume with the noise gate and expander.(this worked when I exported a small reggae track)Now I'm gonna try it on my new hardstyle track which is a lot more difficult because of the 4 layered bass with huge amount of sub-bass,distortion,guitar-amps etc
@hardstyleaddictedNL when you record in it is good to keep it under about -6db that way you have plenty of headroom to add dynamic processing and other plugins. you might want to try busing the track/ tracks to an aux track then adding compressor, expander, gate, limiter and anything else you think sounds good to the aux track. that is one way of doing things other people might know of a different way. there are plenty of good resources online you just have to dig for them.
...In todays climate of mastering everything to 0dB what level to you record at ?what peak level do you shoot for?( to have a good strong dynamically interesting signal!!!)
Any help or advise with this would be greatly appreciated!
@Philso69 As a very rough rule -10dB on the channels as this equivalent to 0dB on an analogue mixing desk (presuming your working at 24bit), your peaks can go higher than this depending on the nature of the audio (remember low frequency material has more energy). No professional mastering engineer will accept your tracks if it has less than 6db of headroom, so your master should be peaking at -6dB. I personally always keep my master at 0. Hope that helps.
@ThePhillips85 There are no major advantages apart from potentially enabling you to create a louder overall mix. This video is just demonstrating that if you are peaking slightly in your channel strip, you don't necessarily need to worry as long as your master channel is not peaking as well.
is this true for all DAWs or just logic? Although i avoid the red always and leave headroom on the stereo out and then apply limiting.compression in Ozone 3 after.
yeh, most of them are 32bit float.. and yeh, it's best to avoid the red really... if only for aesthetic reasons when mixing.. despite the fact they can cope.
To everyone who's asking about headroom in DAW's have a read of this: popmusic.dk/download/pdf/levels-in-digital-audio.pdf
MultiSideboob 3 months ago
Please some help!
My kicks (wich are heavy distorted hardstyle kicks with lots of reverb and eq's) always go into the red just like my master, even if I put compressors and limiters on it it clips.
Only If I put all the volume's down and/or limit the kicks heavy it doesn't go into the red, but than when I bounce the track (with or without normalize on) The volume of my track is very low.
How can I solve this?
hardstyleaddictedNL 4 months ago
@hardstyleaddictedNL what is your db level as you record in?
steve1287 2 months ago
@steve1287 dB level of my master?
But I think how I can fix it, by keeping the volume of all the tracks low so it doesn't clip.
Then export it (without normalize) and then import it again in a new file with the stereo master plug ins and boost the volume with the noise gate and expander.(this worked when I exported a small reggae track)Now I'm gonna try it on my new hardstyle track which is a lot more difficult because of the 4 layered bass with huge amount of sub-bass,distortion,guitar-amps etc
hardstyleaddictedNL 2 months ago
@hardstyleaddictedNL when you record in it is good to keep it under about -6db that way you have plenty of headroom to add dynamic processing and other plugins. you might want to try busing the track/ tracks to an aux track then adding compressor, expander, gate, limiter and anything else you think sounds good to the aux track. that is one way of doing things other people might know of a different way. there are plenty of good resources online you just have to dig for them.
steve1287 2 months ago
best info, more music
MrTroposphere 4 months ago
great info cheers
Rrrrobbo 8 months ago
So how do you get a really fat big sound when you bounce it then?
oali94 10 months ago
Good Work very helpful! Was wondering if you could solve another one 4 me? What Level Do you want to record at if you have all this headroom?
I know this will obviously vary depending on type of instrumentation/mix ect?
but lets say an electric guitar solo or lead vocal?
Philso69 1 year ago
...In todays climate of mastering everything to 0dB what level to you record at ?what peak level do you shoot for?( to have a good strong dynamically interesting signal!!!)
Any help or advise with this would be greatly appreciated!
Philso69 1 year ago
@Philso69 As a very rough rule -10dB on the channels as this equivalent to 0dB on an analogue mixing desk (presuming your working at 24bit), your peaks can go higher than this depending on the nature of the audio (remember low frequency material has more energy). No professional mastering engineer will accept your tracks if it has less than 6db of headroom, so your master should be peaking at -6dB. I personally always keep my master at 0. Hope that helps.
MultiSideboob 3 months ago
*I personally always keep my master GAIN at 0
MultiSideboob 3 months ago
cheers for the response.
ThePhillips85 1 year ago
what are the advantages of going into the red?
ThePhillips85 1 year ago
@ThePhillips85 There are no major advantages apart from potentially enabling you to create a louder overall mix. This video is just demonstrating that if you are peaking slightly in your channel strip, you don't necessarily need to worry as long as your master channel is not peaking as well.
pointblankonline 1 year ago
@pointblankonline thank you so much!
MarcioYTchannel 10 months ago
@pointblankonline that is not true you never want to peak anywhere with digital recording, now if it was analog its a different story.
steve1287 2 months ago
I've been wondering this for some time, so glad you were able to address this!
emoboi86 1 year ago
is this true for all DAWs or just logic? Although i avoid the red always and leave headroom on the stereo out and then apply limiting.compression in Ozone 3 after.
gdub12345 2 years ago
yeh, most of them are 32bit float.. and yeh, it's best to avoid the red really... if only for aesthetic reasons when mixing.. despite the fact they can cope.
enzymeblack 2 years ago
@dave2k4
not sure how your comment got deleted sorry! To answer your question, Danny is using screenflow to record this.
pointblankonline 2 years ago
Comment removed
daveg2k4 2 years ago
thanks danny, nice to know (:
ixfluffxi 2 years ago
thanks for that advice..i never knew that either
mrdlopes90 2 years ago 5
Wow that's something I never knew - but still I always try not to go into the red on individual strips.
Westsound191 2 years ago 4