Absolutey the best performance of the piece. Only after listening to other pianists' performance of this piece will you realize the necessity of Horowitz's edits. He is also the only one who plays the coda without making it devolve into something unrecognizable.
No one plays the coda like Horowitz does. Everyone else, without exception, rushes through the start of the coda, and goes way too slowly at the octaves.
What akaprinos said is very true. This is an artist w/ a great imagination. He actually made the music sound humorous, whimsical, and fun, as well as impressive
Horowitz'' rendition is the most sophisticated, like a dialogue, caress. When Evgeny plays there's a lot of passion, as if he was wearing his heart out. This is one piece that has SO MUCH coloring that will allow no pianist to hide their "true" colors. It seems like EVERYONE who plays this plays it very differently. Fantasy: lining up all the top pianists and have them all play this one piece sequentially during the whole recital!
Why do you want to play faster than everyone else in the Chopin ballade and sonata no. 2? I've typed too much before I reread this and realized you have no idea about what you're talking about.
First of all, Horowitz holds the record (so to speak) in the presto of the coda of the ballade and final movement of the sonata, so false anyway.
Bluntly, you're wrong. It's not personal, it just contradicts not only fact, but common sense as well.
totusi pianistii rusi redau an adevar esenta spititului muzicii ruse...interpretarea e geniala!!! horowitz depaseste notiunea de pianism,devenind un adevarat creator al unei supraexistente...Geniu al vremurilor...
its the most delicate version existing if we can talk about delicacy in this piece. Yes Horowitz keeps to be the most intelligent when we speak about interpretation....
his legato gives us the sentiment of being transported into another dimension. its no more a technical battle for speed and acrobacy but he takes us off for a romantic promande into the coutry of phantasy..... he let us listen a fairy tale... not a competion battle piece....
I don't think he's carried away.. This is what he does everytime. And this tempo isn't too fast. His tempo is always a little bit slower than other virtuoso's. But his emphasis on rythim and typical tone color, or touch make us feel that the music is very emotional, not like Polini...
This comment has received too many negative votesshow
This is great but sometimes he gets carried away by his temperament and then it sound more noisy then powerful. Was it Busoni who said "never get caried away by temperament because you loose strength'?
To me this is incredibly great. Horowitz had incredible technique; but he never stopped using his great brain. Amazing interpretation and he makes it sound almost easy. So much musical flair. He was so unique !!
I wholly disagree; he obviously arranged this version so it is not the original piece. Besides that, and I know many people hold Horowitz in high esteem, as do I, he really did not do this very well. In the delicate moments, and the instances where he could bring some beauty (and not just, as others have alluded to, bombastic chord strikes), he did marvelously. Overall, though, it was a mess at least near the end. It's worth hearing because it's Horowitz; it's not the best there is, imho.
I listened to his recording, and I was not horribly impressed. He plays is well, but I've heard many better preformances. Perhaps it was just the recording, but I found Horowitz's preformance much better (Of course haha. I love everything Horiwitz).
Well, of COURSE, but I'm very much afraid that, despite the great imagination, tonal variety and flair for the dramatic presented here, Ivo Pogorelich's Carnegie Hall performance surpasses even this -- but certainly not by much. The interlocking octaves are gratuitous.
There are many masterful versions of this bete noir, but I find RUPERT EGERTON-SMITH's 2007 video from The Boston Competition for Exceptional Amateurs very satisfying, because he performs at as piece of MUSIC not a Circus Stunt.
Listen to Rupert Egerton-Smith and judge for yourself. You'd appreciate Egerton-Smith even MORE, if you took the time to listen to his Gaspard de la Nuit all of which is available here on YouTube.
Horowitz is one of my idols. However, in this he is more of a showman than an artist. His Islamey is a great circus stunt -- a huge bag full of tricks. The gratuitous addition of ascending interlocking octaves at the end alone proves that.
RES finds unexpected threads of lyricism and makes MUSIC.
We all respond differently to everything. That's why there is no ONE standard version of any of these works. That's why new generations of instrumentalists keep trying to achieve even more than the last.
I'm glad you listened to RES. So few have bothered in comparison to the tens of thousands who are drawn to big names only.
Whose Gaspard do you prefer to RES? What's not good in RES's version?
If RES's rendition had been labeled Argerich, I wonder how you would've responded?
i still prefer nichelangeli much.. because, in the beginning, i didn't even like gaspard de la nuit, especially the ondine. i thought it made no sense to me.. but after repeatedly listened to it, i started to like it and it was michelangeli's version.. his ondine was just beyond words..
ps: i don;t like martha's version and the others' are just not as good as his..
Why can't we say that each artist who plays this thing brings something different to it. Certain performances appeal to some people more than others. When you say "better" or "the best," it implies others have weakness, insensitivity, lack of imagination, etc. I don't believe in pitting keyboard giants against one another like gladiators in an arena. Combat to the death is NOT the point of art.
This is another Horowitz transcription that the transcribers have not yet caught up with--the sheet music has yet to appear. There is a whole lot of new Horowtiz material added. For the better, if you ask me.
The magic of Horowitz is that he leads the melody line very well and points out important countervoices. The rest, well, it can be heard that he just didn't want to practise the difficult jumps in the left hand so he omits them. Also the right hand is simplified in some parts but nevertheless, greatest pianist there has ever been!
My God, he makes the silent notes on a piece paper become so alive! And then he even seemlessly adds his own! His playing is addictive. He makes stuff I thought I didn't like sound good!
This is the best Islamey on youtube. The others seem to simply be doing technical exercises compared to this most imaginative, colorful performance. Inventiveness always wins out over technique for me.
zOMG! What can you not find on YouTube? I had no idea that Horowitz played "Islamey" (though it seems pretty obvious), let alone that there is a recording in existence of him playing it!
Hmm.. most versions automatically make me feel like clicking back, this one along with Valentina Lisitsa's version keep me on the page the whole way, it's like they're holding onto me. I wonder why that is.
The dry/resonant/accented bass notes, dry/sparkling leggiero passage work, fast octaves, voicing, and, yes, even the wrong notes all point to Horowitz, in my opinion.
Is this a different version by chance?
liszt141 1 month ago
0:08 - the beginning was so easy, yet he played a wrong note o.O
svenno0007 2 months ago
If Horowitz had intended to show off, he would have kept the glissando.
forgottenbooks 2 months ago
Absolutey the best performance of the piece. Only after listening to other pianists' performance of this piece will you realize the necessity of Horowitz's edits. He is also the only one who plays the coda without making it devolve into something unrecognizable.
forgottenbooks 2 months ago
GREAT!
cuoylyf 4 months ago
No one plays the coda like Horowitz does. Everyone else, without exception, rushes through the start of the coda, and goes way too slowly at the octaves.
LordCalvinHastings 1 year ago
Comment removed
chobeethaninov 3 months ago
perfection..........perfected !
The55555SSSSS 1 year ago
@The55555SSSSS that was not perfect - listen to 0:08
svenno0007 2 months ago
@svenno0007 I'm sure that one day you will play this piece better then Horowitz -PERFECT
asshole...
VekiVj 2 months ago
@YouAreAllPussies This is his transcription.
LordCalvinHastings 1 year ago
What akaprinos said is very true. This is an artist w/ a great imagination. He actually made the music sound humorous, whimsical, and fun, as well as impressive
freeqwerqwer 1 year ago
What akaprinos said is very true. This is an artist w/ a great imagination.
freeqwerqwer 1 year ago
... wonderfully fill the unforgiving minute
with sixty seconds' worth of distance run :)
anasthasys 1 year ago
Reading all the comments here is bemusing--especially those who fault Horowitz for being too showy.
If you can't be showy playing Islamey, when can you be?
maxreger100 1 year ago 3
@maxreger100 Haha, that last comment made my night :)
roflattheworld 3 months ago
such beautiful cantabile playing!
newgeorge 1 year ago
I would have loved to see those fingers!
The55555SSSSS 1 year ago 4
Horowitz'' rendition is the most sophisticated, like a dialogue, caress. When Evgeny plays there's a lot of passion, as if he was wearing his heart out. This is one piece that has SO MUCH coloring that will allow no pianist to hide their "true" colors. It seems like EVERYONE who plays this plays it very differently. Fantasy: lining up all the top pianists and have them all play this one piece sequentially during the whole recital!
mylovelylittleone 1 year ago
That's the beauty of mastering an art form; one can artistically recreate the piece while retaining its essential features.
mylovelylittleone 1 year ago
i like how he takes it slow, how it should be.
slavioks 1 year ago
I like how the audience started applauding before the piece was even over...that's how amazing horowitz is.
Therachh3 1 year ago
@YouAreAllPussies
hardybar1 1 year ago
This comment has received too many negative votes show
Too Pathetic.
mrkwonsony 1 year ago
This is fantastic playing when Horowitz was at his best. Remember this was a live performance. This is a magnificent performance in every way.
cattleman6420012000 1 year ago
Horowitz da 5:30 in poi suona solo le parti che vuole lui...non è giusto.....
eloisacascio 1 year ago
Music cannot valued by the mistake of
pianist. If Horowitz played every part very
clear and no mess, the music would not
excites you and is not interesting.
The art as music, sometimes need what you call "mess." If you want very clear in
every part of music, you should listen to
the computer play of it.
kuma226 2 years ago 7
you r right messes or dissonant notes can be valuable...the success of rock and roll has been exactly the terrible inperfections of the players...
cirosuperiore 1 year ago
>demosj
yes. He is not taking fastest tempo.
For instance, his chopin ballade and
sonata#2 performance, there are many
pianists who can play much faster than Horowitz does. Even, Rachmaninoff and
Scriabin...His performance is not slowest but there are many pianists who
could play with much better technique.
And that's what I mean to say.
His performance known as very emotional
and carried away. But he knows that will always excite the audience. I think he is not carried away.
kuma226 2 years ago
Well of course he doesn't take the fastest tempo. Are you suggesting he should play like Argerich - literally as fast as the fingers can flail?
"Many pianists who could play with much better technique?" Such as? Hofmann or Michelangeli are the only two that come to mind.
Bluntly put, you're wrong. I don't mean it personally, It literally isn't true because it contradicts fact.
demosj 2 years ago
Why do you want to play faster than everyone else in the Chopin ballade and sonata no. 2? I've typed too much before I reread this and realized you have no idea about what you're talking about.
First of all, Horowitz holds the record (so to speak) in the presto of the coda of the ballade and final movement of the sonata, so false anyway.
Bluntly, you're wrong. It's not personal, it just contradicts not only fact, but common sense as well.
I bet Simon Barere is your favorite pianist. :)
demosj 2 years ago
Jaw dropping!. I often think the devil as well as angels resided in those legendary fingers.
meredith218461 2 years ago
DAMN! I wonder what the audience's faces looked like at the end of this. My eyes would be HUGE. wow.
avalanche183 2 years ago 4
totusi pianistii rusi redau an adevar esenta spititului muzicii ruse...interpretarea e geniala!!! horowitz depaseste notiunea de pianism,devenind un adevarat creator al unei supraexistente...Geniu al vremurilor...
overcus 2 years ago
its the most delicate version existing if we can talk about delicacy in this piece. Yes Horowitz keeps to be the most intelligent when we speak about interpretation....
his legato gives us the sentiment of being transported into another dimension. its no more a technical battle for speed and acrobacy but he takes us off for a romantic promande into the coutry of phantasy..... he let us listen a fairy tale... not a competion battle piece....
uhartchristian 2 years ago 4
I don't think he's carried away.. This is what he does everytime. And this tempo isn't too fast. His tempo is always a little bit slower than other virtuoso's. But his emphasis on rythim and typical tone color, or touch make us feel that the music is very emotional, not like Polini...
kuma226 2 years ago 3
Sorry, I'm confused. Are you speaking about Horowitz when you said his tempo was always a little slower than other virtuoso's?
demosj 2 years ago
holy hell!
mikejr41387 2 years ago 2
This comment has received too many negative votes show
This is great but sometimes he gets carried away by his temperament and then it sound more noisy then powerful. Was it Busoni who said "never get caried away by temperament because you loose strength'?
Shalev15 2 years ago
This comment has received too many negative votes show
I prefer Ciani's interpretation
aschscha 2 years ago
To me this is incredibly great. Horowitz had incredible technique; but he never stopped using his great brain. Amazing interpretation and he makes it sound almost easy. So much musical flair. He was so unique !!
cattleman6420012000 2 years ago 4
Brillaint of course by the master.
65attila 2 years ago 3
He makes this impossibly difficult piece seem effortless and musical as few others ever have.
gerryrains 2 years ago 4
Such incredible energy and audacity! I love how the audience bursts into applause before he even finishes playing that hair-raising ending.
cerzule 2 years ago 2
This is an incredible performance.
cattleman6420012000 2 years ago 4
best islamey there is! better then barere even!
driemaaldrommels 2 years ago
Definitely agree. This is the best performance of Islamey there is.
owatson322utube 2 years ago 15
I wholly disagree; he obviously arranged this version so it is not the original piece. Besides that, and I know many people hold Horowitz in high esteem, as do I, he really did not do this very well. In the delicate moments, and the instances where he could bring some beauty (and not just, as others have alluded to, bombastic chord strikes), he did marvelously. Overall, though, it was a mess at least near the end. It's worth hearing because it's Horowitz; it's not the best there is, imho.
wsp67326 2 years ago
@wsp67326 Couldn't agree more! Thank you for telling the truth.
hardybar1 1 year ago
@owatson322utube I don't know, I prefer Pogorelić. He makes it sound a bit more oriental, more passionate.
MrElicottero 1 week ago
The monumental Horowitz demonstrates his great wizardry once again.
It´s pretty incredible.
mrmolinodelahoz 2 years ago 3
In regards to all the people advocating RES:
I listened to his recording, and I was not horribly impressed. He plays is well, but I've heard many better preformances. Perhaps it was just the recording, but I found Horowitz's preformance much better (Of course haha. I love everything Horiwitz).
aguyfromtexas 2 years ago
Well, of COURSE, but I'm very much afraid that, despite the great imagination, tonal variety and flair for the dramatic presented here, Ivo Pogorelich's Carnegie Hall performance surpasses even this -- but certainly not by much. The interlocking octaves are gratuitous.
There are many masterful versions of this bete noir, but I find RUPERT EGERTON-SMITH's 2007 video from The Boston Competition for Exceptional Amateurs very satisfying, because he performs at as piece of MUSIC not a Circus Stunt.
Pischnaholic 2 years ago
Holy...jeez. That was crazy. And freaking incredible. Bravo to you, Horowitz!!!!!
BenGabbay 2 years ago 3
se comio una parte en 5:48
osc824 2 years ago
just great!
ostrun 2 years ago
Comment removed
Pischnaholic 2 years ago
What specifics does Mr. Egerton-Smith do that you find more musical than Horowitz?
demosj 2 years ago
Listen to Rupert Egerton-Smith and judge for yourself. You'd appreciate Egerton-Smith even MORE, if you took the time to listen to his Gaspard de la Nuit all of which is available here on YouTube.
Horowitz is one of my idols. However, in this he is more of a showman than an artist. His Islamey is a great circus stunt -- a huge bag full of tricks. The gratuitous addition of ascending interlocking octaves at the end alone proves that.
RES finds unexpected threads of lyricism and makes MUSIC.
Pischnaholic 2 years ago
i;ve listened to the ES's version of gaspard de la nuit.. sorry, there are just more satisfying recording than his..
rvn10rvn17 2 years ago
We all respond differently to everything. That's why there is no ONE standard version of any of these works. That's why new generations of instrumentalists keep trying to achieve even more than the last.
I'm glad you listened to RES. So few have bothered in comparison to the tens of thousands who are drawn to big names only.
Whose Gaspard do you prefer to RES? What's not good in RES's version?
If RES's rendition had been labeled Argerich, I wonder how you would've responded?
Psychology!
Pischnaholic 2 years ago
i still prefer nichelangeli much.. because, in the beginning, i didn't even like gaspard de la nuit, especially the ondine. i thought it made no sense to me.. but after repeatedly listened to it, i started to like it and it was michelangeli's version.. his ondine was just beyond words..
ps: i don;t like martha's version and the others' are just not as good as his..
rvn10rvn17 2 years ago
I admire Horowitz greatly for his circus stunts.
aguyfromtexas 2 years ago
We all do! That was not my point, however. there is more lyricism in Islamey than Horowitz's rendition indicates.
Pischnaholic 2 years ago
This is absolutely possessed. I've heard no performance that even comes close, and I've heard every one mentioned. This is insane in its perfection.
cctunes 2 years ago 4
Berezovsky and Cziffra performance are better.
edtskyline 2 years ago
Why can't we say that each artist who plays this thing brings something different to it. Certain performances appeal to some people more than others. When you say "better" or "the best," it implies others have weakness, insensitivity, lack of imagination, etc. I don't believe in pitting keyboard giants against one another like gladiators in an arena. Combat to the death is NOT the point of art.
Pischnaholic 2 years ago
Damn. Clapping even before the end??
Only Horowitz.
ReturnOfTheStienway 2 years ago 4
I have never heard 5:48 played like that. If only we had the video footage. ;-;
demosj 2 years ago 3
This is another Horowitz transcription that the transcribers have not yet caught up with--the sheet music has yet to appear. There is a whole lot of new Horowtiz material added. For the better, if you ask me.
shubus 2 years ago
Explosive! That's the best way I could describe it.
squishym 3 years ago 2
GENIUS!!!!!!!!!!!!!!. ABSOLUTE GENIUS.. i cant beleive the comments i read from some of the turds on this site.
Such nobodies with lackuster lives. ..
Not EVEN GOD could play it better than that .
sattvicwarrior 3 years ago
careful, that got John Lennon in trouble.
jk, i believe that horowitz played this absolutely amazing.
OrangeSodaKing 3 years ago 2
This is wonderful playing, Horowitz at his best.
cattleman6420012000 3 years ago
The magic of Horowitz is that he leads the melody line very well and points out important countervoices. The rest, well, it can be heard that he just didn't want to practise the difficult jumps in the left hand so he omits them. Also the right hand is simplified in some parts but nevertheless, greatest pianist there has ever been!
katkula 3 years ago
Of course! That's the secret, why don't we all do it? It was so easy all along...
joeisapiano 2 years ago
this is horowitz doing whatever the hell he wants with the piece
ElPopularVale 3 years ago 4
lol typical horowitz I love it even though he cut out several bars
fuzzy8balls 3 years ago 5
My God, he makes the silent notes on a piece paper become so alive! And then he even seemlessly adds his own! His playing is addictive. He makes stuff I thought I didn't like sound good!
HumAnimAlien51 3 years ago 3
This is the best Islamey on youtube. The others seem to simply be doing technical exercises compared to this most imaginative, colorful performance. Inventiveness always wins out over technique for me.
Pogouldiwitz 3 years ago
Horowitz adds a few flashy improvisations, but Chaloff plays directly from the note sheet. Look at the note sheet and compare...
ampicob 3 years ago
This doesn't mean that his performance isn't more captivating. Special talents like Horowitz will always be forgiven if they decide to "improvise."
Pogouldiwitz 3 years ago
Honestly, I think he could've left the changes in the composition out and it'd still be the best to me. The piece just fits Horowitz's style.
RabidCh 3 years ago
does anyone know what cd this is on THANKS
pianofat 3 years ago
It has never been released.
lyghdha 3 years ago
Then how do you get it
and how did the poster get it?
bigd36 2 years ago
hmm. I like Gilel's Islamey a lot too.
OrangeSodaKing 3 years ago
This performance definitely has the unmistakable Horowitz imprint. Not just in the bravura touches that are added, but in the tonal control. Amazing!
Grigor99 3 years ago
zOMG! What can you not find on YouTube? I had no idea that Horowitz played "Islamey" (though it seems pretty obvious), let alone that there is a recording in existence of him playing it!
weikko79 3 years ago
Hmm.. most versions automatically make me feel like clicking back, this one along with Valentina Lisitsa's version keep me on the page the whole way, it's like they're holding onto me. I wonder why that is.
4c00h 3 years ago
That's simple. Horowitz plays with his heart. He doesn't let a few wrong notes dissuade him from bringing out the character of the piece.
akapinos 3 years ago 23
exactly
skalkmusix 2 years ago
is this really horowitz? doesnt sound like it...
IAMLISZT 3 years ago
The dry/resonant/accented bass notes, dry/sparkling leggiero passage work, fast octaves, voicing, and, yes, even the wrong notes all point to Horowitz, in my opinion.
keenanonie 3 years ago 5
yeah actually youre right, i just never thought hed played this piece
IAMLISZT 3 years ago
oh..i think it DOES sound like Horowitz!!!
lazarogeorg 3 years ago
Yeah, there are lots of "additional touches" typical of Horowitz.
weikko79 3 years ago
A truely great pianist can make a very difficult piece sound easy.... Horowitz.. indeed does so here with this piece
lu1think 3 years ago 3
This comment has received too many negative votes show
The cuts, fistfuls of wrong notes, and bizarre articulations really ruin this piece, and I'm a huge Horowitz fan.
minor2nd 3 years ago
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FUCK YOU STUPID BITCH.
thunder1909 3 years ago 2
I don't think they ruin the piece, but I see what you're getting at.
weikko79 3 years ago
It is wonderful to hear this very early recording. I am an enormous fan of Horowitz. Thank you very much for letting us hear this.
cattleman6420012000 3 years ago
Herbert,
I agree with you totally.
Gerry
gerryrains 3 years ago