This is amazing, by far my favourite version that I've seen - it's not sung too fast, her voice has beautiful purity and clarity that in my opinion isn't rivalled by Renée Fleming or any other dramatic soprano - in my opinion Handel's beautiful, bell-like music requires a pure, lyrical coloratura like Sara Macliver to be truly delivered.
@ssclayton100 Actually, stylistically she's dead on. The custom of singing baroque melismas is to use an "h" to articulate each note. And she wasn't adding any notes, those are actually the original score. Bach did it too. It was just the custom of the time period. :)
@ssclayton100 ...please just go LOOK at any piece by Vivica Genaux....someone who is working a LOT more with her mouth and sound...you will probably die laughing,..however after this small death....you will see her capacity is actually significantly beyond this(this which is actually wonderful)..Vivica's capacity for the melismas are simply off the current human scale..I have not heard Vivica do this piece..obviously she has....perhaps it is time....??? I wonder what she would do with this??/
I'm taking music apprecitation and this link is in our notes thats how i found this. Shes a great singer, but because of how melismatic she is when she sings the word rejoice is a little too much. I think that the notes for that should be left to the instruments and make her sing somthing a little more fitting there.
and plus her face is just PRICELESS! lol how can you watch this video for the first time and not laugh!
ask your teacher to show you more handel's arias and you'll see, and hear, that all of them are full of melismatic lines..... actually, this aria does not have as many as others......that's why this music is so difficult and beautiful and dazzling.... it's like fireworks
@ssclayton100 Well, enough other people have said things so you get the idea. Ask your teacher to tell you about aria da capo, in which the repeat of the A section it ornamented. That's the normal procedure. As far as her face is concerned -- I see nothing to laugh at. She is a delight: she's using her face for the best sound at the same time as she's staying right with the character of the text in expressing appropriate emotion. This was damn near perfect.
desde ese min 2:40 la verdad hermosisimo. y una cancion muy dificil de interpretar q en este video parece facil. la verdad lindo. pero de todos modos le pondria unos brackets xD
I love how her vibrato doesn't get in the way when she's singing the runs. Her voice is so pure, yet she manages to maintain a subtle vibrato that is appropriate and never overbearing!
Thank you! This is the first thing that I listen on a newly installed computer . I like to listen to it every day! I know nothing about music, but I even like to try to sing it.
In my opinion this is the best interpretation on youtube. The joy being sung here is not that of triumph, but of achievement. Macliver delivers the depth hidden in the melody that even great singers such as Damrau somehow miss
Very nice, clean, and crisp treatment of the melissimas. I see the interpretive quality along the order of her advising the daughter of Zion to rejoice greatly for the obvious reasons as stated in the aria. She is technically flawless although I do not understand her use of liberties. Do you think she negotiated this with the conductor as most artists do? I also see that the orchestra is obliging her as well. I'm just giving my two cents for what it's worth here.
A SPECTACULAR performance. I played this at a large wedding years ago on trumpet accompanied only by a pianist. Except for the endurance required it is technically not that difficult for even Bb trumpet. But the chord theory going on is incredibly subtle, requiring exact pitch.
This singer's rendition is brilliant, wonderful. Sigh, to be backed by a full orchestra...
Sadly smiling is not always a technically effectual way of singing difficult passages. One should catch most emotion from the eyes -- which I think she pulls off effectively.
It's a technically great version, but I wouldn't call it the best. For example, Lynne Dawson's version is just as technically brilliant, yet Dawson sings, I think, with more feeling for the text and vocal coloring. Her melismas are also more liquid.
I completely agree. Something about her fixed gaze and lack of jubilation.... I mean this is about rejoice! This controlled, technically accurate but... boring.
Sadly these melismatic passages are not supposed to be "liquid." The are supposed to be very precisely articulated. Which is why the strings are bowed as detache/spicatto and are not slurred. They are supposed to emulate what the voice is supposed to do -- very quick and precise passages.
uh........ any criticism to this would be mere differentiation to taste, which really isn't even criticism. this is incredible, perfection. I love it!
Haha. no. I'd simply say keep it light and beatiful. Try to mimic the human voice when you play - it is after all an aria not a flute sonata. I hope that helps a bit!
Haha. no. I'd simply say keep it light and beatiful. Try to mimic the human voice when you play - it is after all an aria not a flute sonata. I hope that helps a bit!
Great..this is one of the better efforts I've heard...for me the best performance of this piece is the 1961 recording of the Messiah conducted by Colin Davis with the great Heather Harper as the soprano soloist.
Wow...YOU think she's awful...But sings pretty well! I don't get it. I am very interested in the singers that you are impressed with. As I am seeking enlightenment on this critique of yours. Looking forward to hearing from you.
I'm from Argentina and i think i was misunderstood. When I said "awful" i've meant to say that she is not pretty as a woman, I was talking about her phisical aspect. Sorry for my english, it's really bad.
Her voice is clear as crystal....wonderfull!!
iSteven00 1 month ago
she's amazing... but lacks grace in her expression.
windycitysinger 1 month ago
she makes it look easy...BEAUTIFUL!
slashess 1 month ago
This is amazing, by far my favourite version that I've seen - it's not sung too fast, her voice has beautiful purity and clarity that in my opinion isn't rivalled by Renée Fleming or any other dramatic soprano - in my opinion Handel's beautiful, bell-like music requires a pure, lyrical coloratura like Sara Macliver to be truly delivered.
xxxfairymaryxxx 8 months ago
Amen and Amen!
xiaolong143 10 months ago
this is outstanding
notabadguy06 10 months ago
lindíssima voz, realmente emocionante de ouvir.
doutoreinstein 1 year ago
@ ssclayton100 Why would she sing it any differently than the way Handel wrote it? That's just ignorant.
1978herin 1 year ago
@1978herin im just saying the way she sings it is a little much
ssclayton100 1 year ago
@ssclayton100 Actually, stylistically she's dead on. The custom of singing baroque melismas is to use an "h" to articulate each note. And she wasn't adding any notes, those are actually the original score. Bach did it too. It was just the custom of the time period. :)
kudasango 11 months ago
@ssclayton100 ...please just go LOOK at any piece by Vivica Genaux....someone who is working a LOT more with her mouth and sound...you will probably die laughing,..however after this small death....you will see her capacity is actually significantly beyond this(this which is actually wonderful)..Vivica's capacity for the melismas are simply off the current human scale..I have not heard Vivica do this piece..obviously she has....perhaps it is time....??? I wonder what she would do with this??/
bf2019 8 months ago
I'm taking music apprecitation and this link is in our notes thats how i found this. Shes a great singer, but because of how melismatic she is when she sings the word rejoice is a little too much. I think that the notes for that should be left to the instruments and make her sing somthing a little more fitting there.
and plus her face is just PRICELESS! lol how can you watch this video for the first time and not laugh!
ssclayton100 1 year ago
@ssclayton100
ask your teacher to show you more handel's arias and you'll see, and hear, that all of them are full of melismatic lines..... actually, this aria does not have as many as others......that's why this music is so difficult and beautiful and dazzling.... it's like fireworks
nicosupersex 1 year ago
@ssclayton100 Well, enough other people have said things so you get the idea. Ask your teacher to tell you about aria da capo, in which the repeat of the A section it ornamented. That's the normal procedure. As far as her face is concerned -- I see nothing to laugh at. She is a delight: she's using her face for the best sound at the same time as she's staying right with the character of the text in expressing appropriate emotion. This was damn near perfect.
manthasagittarius 9 months ago
I'm singing it Christmas Eve. :) (soprano1)
evildoom9408 1 year ago
Comment removed
evildoom9408 1 year ago
Tempo change......great!!
CarrieBHS 1 year ago
Awesome... I'm listening to the Messiah: The Dream Cast now... i love this track!!
ABCClassics 1 year ago
I'm a tenor.. But I will sing this on december 25, Christmas day on our Church.. :)
revengejeffrey21 1 year ago
THE BEST OF THE BEST!!! <3
Ilovecoffeex12 1 year ago
This has been flagged as spam show
very nice.
I sang this for our Messiah concert last year in 11th grade.
It's posted on my youtube account. let me know what you think.
JennNikole 1 year ago
desde ese min 2:40 la verdad hermosisimo. y una cancion muy dificil de interpretar q en este video parece facil. la verdad lindo. pero de todos modos le pondria unos brackets xD
superaton26 1 year ago
mas torcido q los dientes de esta mina jaja! xD
superaton26 1 year ago
I love how her vibrato doesn't get in the way when she's singing the runs. Her voice is so pure, yet she manages to maintain a subtle vibrato that is appropriate and never overbearing!
Zorica12 1 year ago
heard this many years ago on BBC. obviously, i've never forgotten it
patthecatman 1 year ago
1:38
leopulga 1 year ago
the best one!
vcomini1 1 year ago
Thank you! This is the first thing that I listen on a newly installed computer . I like to listen to it every day! I know nothing about music, but I even like to try to sing it.
DavidEberhardt 1 year ago
In my opinion this is the best interpretation on youtube. The joy being sung here is not that of triumph, but of achievement. Macliver delivers the depth hidden in the melody that even great singers such as Damrau somehow miss
tttito1 2 years ago
methinks i will faint from pleasure
muhdizgleet 2 years ago
Very nice, clean, and crisp treatment of the melissimas. I see the interpretive quality along the order of her advising the daughter of Zion to rejoice greatly for the obvious reasons as stated in the aria. She is technically flawless although I do not understand her use of liberties. Do you think she negotiated this with the conductor as most artists do? I also see that the orchestra is obliging her as well. I'm just giving my two cents for what it's worth here.
classyteacherdiva 2 years ago
So powerful! Love it!
frm5 2 years ago
herrlich temperamentvoll spritzig ausdrucksstark meisterhaft gesungen!
Dappschaf 2 years ago
Wo ist das ausdrucksstark? Technik , nichts anderes. Furchtbar langweilig.
littlebrabbel 2 years ago
A SPECTACULAR performance. I played this at a large wedding years ago on trumpet accompanied only by a pianist. Except for the endurance required it is technically not that difficult for even Bb trumpet. But the chord theory going on is incredibly subtle, requiring exact pitch.
This singer's rendition is brilliant, wonderful. Sigh, to be backed by a full orchestra...
CaptainQueue 2 years ago 10
Comment removed
girlwithcurls90 3 years ago
wow!
fantastic coloratura! who is she?
good orchesta
rovogouea 3 years ago
She's from Western Australia. I love her voice.
mairanya1 2 years ago
Its so scary the way the cantor sings Rejoice without even smiling. Not that I'm saying the song isn't good though - Its OK when I just listen to it.
Sajjist57 3 years ago
Sadly smiling is not always a technically effectual way of singing difficult passages. One should catch most emotion from the eyes -- which I think she pulls off effectively.
CountertenorJ 2 years ago
très beau soprano à écouter aussi l'interprétation de joan sutherland.
HoD3 3 years ago
great!! ...i love the conductor as well!
linket88 3 years ago
totally love this.
paprika713 3 years ago
great! Best version of this piece on youtube
donstefano77 3 years ago 3
It's a technically great version, but I wouldn't call it the best. For example, Lynne Dawson's version is just as technically brilliant, yet Dawson sings, I think, with more feeling for the text and vocal coloring. Her melismas are also more liquid.
FaustinaBordoni 3 years ago
I completely agree. Something about her fixed gaze and lack of jubilation.... I mean this is about rejoice! This controlled, technically accurate but... boring.
girlwithcurls90 3 years ago
Sadly these melismatic passages are not supposed to be "liquid." The are supposed to be very precisely articulated. Which is why the strings are bowed as detache/spicatto and are not slurred. They are supposed to emulate what the voice is supposed to do -- very quick and precise passages.
CountertenorJ 2 years ago 2
Greate voice..but I do think it is a bit to fast tempo for my taste. But it may suit this kind of voice more than a bigger one.
soprankarin 3 years ago
I am to sing this...when I hear her I'm just sad...how to do it? She's great!
joanna4659 3 years ago
I love her tone, but she doesn't look very joyful... more scared.
Aniretak205 3 years ago
I don't agree. I don't think she looks scared at all. And I think she sings like an angel--a baroque angel!
lovedebussy 3 years ago
I don't think she looks scared, even though she has a great deal to be scared about. This is one TOUGH aria!
picardythirds 3 years ago
Well, I think she just looks serene, not really scared. She's so amazing! Those lengthy melismas would kill me...
SsteinwayS 3 years ago
She's obviously fabulous, but her playfulness really gets me! I love it!
arngrei 3 years ago
uh........ any criticism to this would be mere differentiation to taste, which really isn't even criticism. this is incredible, perfection. I love it!
klickenpod 3 years ago 3
Perfect interpretation of this peice. It real captures the spirit of it.
parsonstreet 3 years ago 7
I am going to play this song at a fine arts fest! instead of singing it'll be on my flute.. n e body have n e advice?
MuSiCisLiFe177 3 years ago
don't get it wrong!!
Haha. no. I'd simply say keep it light and beatiful. Try to mimic the human voice when you play - it is after all an aria not a flute sonata. I hope that helps a bit!
andrewoconnorblue 3 years ago
don't get it wrong!!
Haha. no. I'd simply say keep it light and beatiful. Try to mimic the human voice when you play - it is after all an aria not a flute sonata. I hope that helps a bit!
andrewoconnorblue 3 years ago
Great..this is one of the better efforts I've heard...for me the best performance of this piece is the 1961 recording of the Messiah conducted by Colin Davis with the great Heather Harper as the soprano soloist.
nessie96 3 years ago 2
Speechless...
lizzn 4 years ago
i loooooooooooooooove her. fantastic. very nice singing at last.
katesinger 4 years ago 3
Huhh, simply perfect!
ShoshanaYisraela 4 years ago
Fabulous. What a wonderful clear tone. Encore!
geocham 4 years ago
Really love it! I always love baroque virtuosoic melismas .... I hope i could hear more from her!
foxdruidz 4 years ago
Magnífica versió del Rejoice.
msubiras 4 years ago
Very nice!
FairLady107 4 years ago 4
OMG i really love her baroque tone, clean, pure...very well veesion
(one more time...mechulina please!!)
schnittersd 4 years ago 2
Bravo!!Fantastic voice and baroque tone.Fantastic tempo as well! (mechulina..please!)
oboistCONDUCTOR 4 years ago 3
I don't think she's awful either! She has a nice pure baroque sound.
gregsulisz 4 years ago 2
She's not awful. I really enjoyed this performance.
JennyN71 4 years ago 2
This comment has received too many negative votes show
she's awful!!!!!!!!!! but sings pretty well...
mechulina006 4 years ago
Wow...YOU think she's awful...But sings pretty well! I don't get it. I am very interested in the singers that you are impressed with. As I am seeking enlightenment on this critique of yours. Looking forward to hearing from you.
gracesnotes 4 years ago
I'm from Argentina and i think i was misunderstood. When I said "awful" i've meant to say that she is not pretty as a woman, I was talking about her phisical aspect. Sorry for my english, it's really bad.
mechulina006 3 years ago