Brunswick acousticals had a higher quality and an exceptional bass response of all the acousticals. The very early Brunswick 'light-ray' electricals actually sounded poorer by comparison. Incidentally the alto sax solo towards the end was by Jack Pettis. Also, on piano, a very young Oscar Levant.
@JCJasion I believe this is a Brunswick-produced Vocalion, when the company was transitioning from Aeolian to Brunswick. I've seen this record on red shellac with an "Aeolian Co. 1921" label, but the typeface of the info was the kind used on later Brunswick Vocalions, and a version on black shellac, but with an Aeolian label. I believe some red discs even had a "Brunswick-Balke-Collender" label!
@JCJasion I did some research, and it turns out that Casey's grandson receives the royalties to this piece, although Pinkard wrote the music, and Bernie may only have been given a credit since he helped to give the song tremendous popularity.
@MrXnews2 - Interesting thing about cpyrighted versions. We ( cats in my jam session and I ) play this in the Key of F from the lead sheets in The Legal RealBook. I notice all the early versions up to about 1931 are in Ab, including Isham Jones' 1925 Brunswick Light-Ray version. I think the change to F crept in with the 1932 Brunswick recording of Jones backing Bing Crosby's vocal. They modulated to F to accomodate Der Bingle's vocal range. Ever since then, it seems... lead sheets in F!!
@JCJasion I personally prefer versions like this (seems to be in G/A♭, Jones's 1925 version is clearly A♭) which aren't in F. Jones's version and Oliver Naylor's 1925 Victor version (in A) are the best.
@MrXnews2 - I wonder if anyone has a better film/sound restoration of that DeForest film. I notice that Aaron1912 has nice clean ( film and sound) upload of Bernie and the Lads doing "Rose Marie" from that same group of DeForest "Soundies."
@JCJasion Ade425mxy (Ade Gregg) did a restoration of an old audio/video clip, and except for one little flaw (picture was divided own the middle and each half was slightly jarred, possibly very hard to fix?), the restoration was one of the best I've seen!
Brunswick acousticals had a higher quality and an exceptional bass response of all the acousticals. The very early Brunswick 'light-ray' electricals actually sounded poorer by comparison. Incidentally the alto sax solo towards the end was by Jack Pettis. Also, on piano, a very young Oscar Levant.
JCJasion 1 year ago
@JCJasion I believe this is a Brunswick-produced Vocalion, when the company was transitioning from Aeolian to Brunswick. I've seen this record on red shellac with an "Aeolian Co. 1921" label, but the typeface of the info was the kind used on later Brunswick Vocalions, and a version on black shellac, but with an Aeolian label. I believe some red discs even had a "Brunswick-Balke-Collender" label!
MrXnews2 11 months ago
@MrXnews2
@MrXnews2 - Info for this Vocalion recording extracted from the Online Discographical Project:
Issue (label number): 15002B
Artist: BEN BERNIE & HIS ORCH
Title: SWEET GEORGIA BROWN
Matrix?: NN575
Date Recorded: 3/19/1925
Composers: BERNIE, CASEY, PINKARD
JCJasion 11 months ago
@JCJasion I did some research, and it turns out that Casey's grandson receives the royalties to this piece, although Pinkard wrote the music, and Bernie may only have been given a credit since he helped to give the song tremendous popularity.
MrXnews2 11 months ago
@MrXnews2 - Interesting thing about cpyrighted versions. We ( cats in my jam session and I ) play this in the Key of F from the lead sheets in The Legal RealBook. I notice all the early versions up to about 1931 are in Ab, including Isham Jones' 1925 Brunswick Light-Ray version. I think the change to F crept in with the 1932 Brunswick recording of Jones backing Bing Crosby's vocal. They modulated to F to accomodate Der Bingle's vocal range. Ever since then, it seems... lead sheets in F!!
JCJasion 11 months ago
@JCJasion I personally prefer versions like this (seems to be in G/A♭, Jones's 1925 version is clearly A♭) which aren't in F. Jones's version and Oliver Naylor's 1925 Victor version (in A) are the best.
MrXnews2 11 months ago
To hear the band doing this same song electrically, and synchronized to film check out the upload by DGatsby -
Not the best print, but to my ears the band sounds looser and more swinging, especially Jack Pettis' sax solo.
JCJasion 11 months ago
@JCJasion I've heard that version before--first version of this piece by Bernie's orch. that I've heard.
MrXnews2 11 months ago
@MrXnews2 - I wonder if anyone has a better film/sound restoration of that DeForest film. I notice that Aaron1912 has nice clean ( film and sound) upload of Bernie and the Lads doing "Rose Marie" from that same group of DeForest "Soundies."
JCJasion 11 months ago
@JCJasion Ade425mxy (Ade Gregg) did a restoration of an old audio/video clip, and except for one little flaw (picture was divided own the middle and each half was slightly jarred, possibly very hard to fix?), the restoration was one of the best I've seen!
MrXnews2 11 months ago
Very Good acoustic record.
Victrolaman1 3 years ago
@Victrolaman1 - Indeed!
JCJasion 1 year ago