I wanna do marching band next year, and central doesn't march trombones so I'm going to have to do baritone, I'm so scared! I have problems remembering music , I'm goin to have to work veryyy hard!!!
DO NOT say tu ku or ta ka. rough t and k syllables get in the way of air flow. like this gentleman sounds. instead try da ga. or du gu depending on comfort. Arban was french, and his "Tu Ku" instruction was actually lost in translation, as tu and ku in french are very light and come out as du gu or da ga.
@silkystreebzz Yes it is true about the translation, However Tu Ku still works perfectly well for alot of players, (just ask the many top brass players who learned using the Tu Ku method before anyone really questioned the translation) Despite that, everyone plays differently and no one method will work best for all players, so saying 'DO NOT' is actualy quite ignorant.
This was my instrument in college and drum corps. If you're looking for the best advice, here it is: More air support, it'll help your double tonguing out a bunch. Don't pull your face back when you get in the upper range, Air Support. Air Support, Air Support!
Your mouthpiece is a little shallow for you.
Otherwise, Good Job! Just strengthen your Air Support.
@frostzor Technically no, but it does create problems. Example...in my university audition piece I am struggling with a 16th note run. Its simply a scale in Eb Major...goes from an Eb in the Bass Clef staff all the way up to a High Bb an octave and a bit above. .....no time to switch embochures...therefore I struggle making it past the G without stopping :-(
@XtremeEuph It's not a problem, its something to work on. practice some gliss methods for a couple of weeks and you will see your embouchure shift range will improve so much.
Keep practicing and you will learn to AUTOMATICLY change your embouchure, even while playing, just keep the air flowing.
I personally dont think its the mouthpiece, but deniswick is indeed a good one. its nice standard, excellent to begin with, and also to keep it! (for me). i study euphonium in holland, and i still play with dennis wick 4L. many people want a sound as low as possible, a nice full tone. Then they take a deeper mouthpiece, like a dennis wick 3L or even 2 or 1.. but thats just fooling yourself.. ofcourse the mousepiece helps abit with your tone.but you have to master your own sound for yourself!
yes ofcourse, thats what im trying to explain. but my english vocabulary isnt that great lolz.
its okay to take advantage of other mouthpieces for your abilitys, but its better if you learn everything on a standard mouthpiece till your ambouchure is fullgrown. If you then get a mouthpiece from an expert ( there are ppl that know exactly what mouthpiece fits to you and stuff) , youll abilitys will be even more then now :P you can make it easyer for yourself, but then you only fool urself abit
hehe, yep - not enough air in the double tongue! what also works very good, is buzzing.. maybe you allready know it or it has been told, but try to do that double tongue thingy with your mouthpeace only, and use all your longcapicity or however you spell it, now you just use like 1/5 lolz! do it a couple of times then after that, put your mouthpiece at ur instrument again.. the results will be heard after 1 try :) youll see, greetz from holland!
You should use more air. I here to much tonging. Take the mouthpiece und put the shank into your mouth, like a cigar and start tonging. after one minute you put the mp on the instrument again and you will here a diference. Regards, Richie
your double tonguing sounds really harsh and too staccato. I think regiment plays the 8th notes with accents, which causes for full value of the note (which is really hard to do double tonguing). Try to take your double tonguing slower and work on making the clearest articulations on the exercise.
I agree. There's a fine line between staccato and too choppy. You really want to focus on getting a clear pitch before anything else. You will have a much more effective warm up if you keep that in mind as you speed up your multiple tonguing.
The clarke studies in the beginning need to have a more legato tounging. You're hammering the notes.
videofanYT00 2 months ago
I wanna do marching band next year, and central doesn't march trombones so I'm going to have to do baritone, I'm so scared! I have problems remembering music , I'm goin to have to work veryyy hard!!!
fairy303 4 months ago
@fairy303 don't be scared . if u get scared then people will think ur a wimp
somebum123456 2 months ago
@somebum123456 ok, i might not do it though.
fairy303 2 months ago
DO NOT say tu ku or ta ka. rough t and k syllables get in the way of air flow. like this gentleman sounds. instead try da ga. or du gu depending on comfort. Arban was french, and his "Tu Ku" instruction was actually lost in translation, as tu and ku in french are very light and come out as du gu or da ga.
silkystreebzz 6 months ago
@silkystreebzz Yes it is true about the translation, However Tu Ku still works perfectly well for alot of players, (just ask the many top brass players who learned using the Tu Ku method before anyone really questioned the translation) Despite that, everyone plays differently and no one method will work best for all players, so saying 'DO NOT' is actualy quite ignorant.
danielwills93 5 months ago
i need help but with my triple tongue
tibuforever 9 months ago
Good way to get started.
Ranuul 1 year ago
I reccomend ta-ka-ta-ka.
Ottowa15 1 year ago
Man, you never stop playing. =) You inspire me. I just switched from trombone to baritone and I love it....These videos make me love it even more.
VioLynn0803 1 year ago
I <3 Clark Studies
Excapted 1 year ago
I dont know how to double tounge, i wish i did
mattstephens1000 1 year ago
at 0:26 isnt that a warmup that Phantom Regiment uses/used?
euphoniumification 2 years ago
mmmmhm.
patricksmith2 2 years ago
nice. one of my favorite warm ups.
euphoniumification 2 years ago
yeah, but this is REALLY bad..this was a while ago..ill have to put a new one up..i have gotten wayyyyyyyyy better and I now march for The Cadets=).
patricksmith2 2 years ago
sweet. cadets are awesome.
euphoniumification 2 years ago
mmmmhm=).
patricksmith2 2 years ago
This was my instrument in college and drum corps. If you're looking for the best advice, here it is: More air support, it'll help your double tonguing out a bunch. Don't pull your face back when you get in the upper range, Air Support. Air Support, Air Support!
Your mouthpiece is a little shallow for you.
Otherwise, Good Job! Just strengthen your Air Support.
WarrenWestonEagle 2 years ago
yeah, thanks man!i need to post a new video up..i bought a new mouthpiece back in april..good stuff=).
patricksmith2 2 years ago
theres nothing wrong with chaning your embouchure in other registers
frostzor 2 years ago
@frostzor Technically no, but it does create problems. Example...in my university audition piece I am struggling with a 16th note run. Its simply a scale in Eb Major...goes from an Eb in the Bass Clef staff all the way up to a High Bb an octave and a bit above. .....no time to switch embochures...therefore I struggle making it past the G without stopping :-(
XtremeEuph 1 year ago
@XtremeEuph It's not a problem, its something to work on. practice some gliss methods for a couple of weeks and you will see your embouchure shift range will improve so much.
Keep practicing and you will learn to AUTOMATICLY change your embouchure, even while playing, just keep the air flowing.
srry for the bad english
frostzor 1 year ago
anyone want to tell me how to double tongue?
luke55698 2 years ago
+ keep the air flowing rapidly
frostzor 2 years ago
say tu-ku...the ka comes from the back of your mouth..throat.that should get ya goin=).
patricksmith2 2 years ago 2
oh, and thanks for helping me to learn to double tongue on my brass instruments.
euphoniumification 1 year ago
ofcourse there are plenty of ppl that disagree with me but ;p you should ask ur teacher
frostzor 2 years ago
k.=)..
patricksmith2 2 years ago
I personally dont think its the mouthpiece, but deniswick is indeed a good one. its nice standard, excellent to begin with, and also to keep it! (for me). i study euphonium in holland, and i still play with dennis wick 4L. many people want a sound as low as possible, a nice full tone. Then they take a deeper mouthpiece, like a dennis wick 3L or even 2 or 1.. but thats just fooling yourself.. ofcourse the mousepiece helps abit with your tone.but you have to master your own sound for yourself!
frostzor 2 years ago
actually i played on one and it improves my playing ability tremendously!=).
patricksmith2 2 years ago
yes ofcourse, thats what im trying to explain. but my english vocabulary isnt that great lolz.
its okay to take advantage of other mouthpieces for your abilitys, but its better if you learn everything on a standard mouthpiece till your ambouchure is fullgrown. If you then get a mouthpiece from an expert ( there are ppl that know exactly what mouthpiece fits to you and stuff) , youll abilitys will be even more then now :P you can make it easyer for yourself, but then you only fool urself abit
frostzor 2 years ago
oh i see the guy below me almost said the same hehe
frostzor 2 years ago
hehe, yep - not enough air in the double tongue! what also works very good, is buzzing.. maybe you allready know it or it has been told, but try to do that double tongue thingy with your mouthpeace only, and use all your longcapicity or however you spell it, now you just use like 1/5 lolz! do it a couple of times then after that, put your mouthpiece at ur instrument again.. the results will be heard after 1 try :) youll see, greetz from holland!
frostzor 2 years ago
Thanks you so much..and im getting off of this crap Yamaha 48 mouthpiece..to a Denis Wick 12CS!!!!
patricksmith2 2 years ago
You should use more air. I here to much tonging. Take the mouthpiece und put the shank into your mouth, like a cigar and start tonging. after one minute you put the mp on the instrument again and you will here a diference. Regards, Richie
conn18 3 years ago
thank you sooooooooo much!!=).
patricksmith2 3 years ago
Thanks you so much..and im getting off of this crap Yamaha 48 mouthpiece..to a Denis Wick 12CS!!!!
patricksmith2 2 years ago
thanks!=).
patricksmith2 3 years ago
your double tonguing sounds really harsh and too staccato. I think regiment plays the 8th notes with accents, which causes for full value of the note (which is really hard to do double tonguing). Try to take your double tonguing slower and work on making the clearest articulations on the exercise.
The clark study sounded fine though. nice
KWMBari09 3 years ago
I agree. There's a fine line between staccato and too choppy. You really want to focus on getting a clear pitch before anything else. You will have a much more effective warm up if you keep that in mind as you speed up your multiple tonguing.
Great place to start though!
nhjansen 3 years ago
thank you so very much=)..i just really started working on double tonging so that really helps!!=).
patricksmith2 3 years ago
:(!
KStrick92 3 years ago