I spend long amounts of time working with an MU-80, SC-55 and DX-100, but if I could afford it I would take these analog synthesizers over the digital ones any day, there's just something more honest about the way they sound and the possibilities for sounds that you can get out of them are almost endless.
Listening to this I feel that they didn't really take full advantage of this synthesizer when it was around.
sounds just like a yamha an1x synth ? i have both and they sound perfect to each other when programed right. you just cannot notice them apart. but the yamaha an1x as better options with effects and much more control
I realize you must've made this long ago, but that melody that comes in at 2:16 is so good and haunting, it's like time stops whenever I hear it... Any chance you could tell me how you programmed that? I have a P'08, not P5, so mine won't sound as beautifully drifty and characteristic as your P5, but anything helps! Thanks!!
The filter sound at 1:12 is the beginning of a song called 'Why Me' by Planet P. I know I heard that same sound used on other songs...can anyone help my memory and tell me where else that sound was used?
Funny prophet story; I make my bread and butter in Broadway-type pits, and am currently playing a production of La Cage Aux Folles. It's got great songs. If you like that style, they're some of the best.
Anyway, in the piano score are cues for Prophet patch changes all over the place. It's not in any way a synth-y score, but I guess at the time (1983) there were no real romplers/samplers, and so the keys part emulated real instruments with the Prophet.
Forgive my ignorance but why can't someone develop an analog filter to run soft synths through to make them warmer and grittier? Maybe soundcard manufacturers could include something like this?
All comes down to cost + there are too many people out there who are happy to make do with sub standard gear.
If it were up to me....all modern digital synths/va's should come with a pack of analog filters aswell - I really hoped the Waldorf Q+ would set the trend....but it never took off.
I wanna see Roland, Korg, Yamaha produce a real analog synth - they have the resources. I wanna see Moog release a new polysynth. I wanna see Dave Smith release an 8 voice PolyEvolver keyboard etc etc
@DIGITALSCREAMS That truly is unfortunate for many of us. I had prophet08, Alesis andromeda A6 and like nord lead 2x. Personally i think A6 Andromeda was best analog synth ever made, but the price was pretty huge. Back in the days, importers wanted over 6000 $ from it here in Finland. That synth also got Alesis bankrupted. Now we don't have any 16 voice poly analogs with such filters and modulation possibilities around which truly is a shame.
spectrasonics trilian samples original synth sounds from all eras with no filters and then has the option of adding a filter digitally. Kinda the opposite of what you've suggested but sounds soooo warm because of the sampling....
@DIGITALSCREAMS I think the obvious way forward is if plugins ran through a dedicated audio chip like the Plugiator. It produces a much more thicker and fatter sound and takes weight off the pc cpu. The plugiator gets very close to the real deal to my ears. If roland did that then we could all have their back catalogue, synths and drum machines sounding just like the real thing but for very little money. I'd pay £1000 to have the lot in one box and I'm sure 90% of vintage synth fans would too.
@DIGITALSCREAMS Dave Smith has the Prophet '08, which is 8 voice. You are right that these companies could make analog synths, but digital is cheaper and they probably don't believe they would sell enough units to make analog worth the extra cost. I agree there should be someone making a great analog poly synth these days. IMO, Roland, Sequential, and Oberheim were the last to do it. The great analog stuff is all modular now, and very expensive when you put together a whole system.
external filters have been around a LONG TIME! sherman's filter bank was one of the first well over 10 years ago. i KNOW i've seen a few others since then and nowadays you can even get that TRUE moog sound with their external filters & effects.
you just haven't been searching in the right place. you can also fatten digital synths with tube distortion & analogue chorus. all you need is a soundcard with ins & outs.
after a little bit of research, i cam across all of these outboard filters sherman filterbank - "crazy effects" mutator - creamy & soft (warmer, very useable & stereo) MAM warp - has bite waldorf 4 pole Jomox M-Resonator MFB Multifilter Cjewman MMF-1 (rack mount doepfer compatible) VCEQ 3 (rack mount doepfer compatible) Analogue Systems MS20 (mono) Electro-Harmonix Bi-filter with the mutator being highly favored by many
I usually add an l.f.o., some low pass filters, and other odds and ends and I get the sound that you love. It isn't all that difficult. Let me know if you need help.
@maccagrabme ??? theres tons of analog filters to run softsynths through. Doepfer, analogue solutions are probably your cheapest options. Other than that get a filterbank, sherman, akai _ theres plenty more. Moog have a filter also. You MUST bear in mind that a filter just subtracts the signal thats feed into it. Its the oscillators where the sound really is. Soft synths are terrible sounding oscillators, you really need to save up for an analog.
I first heard the Prophet 5 on XTC's album English Settlement and have liked it ever since.
I also love the atmospheric analog synth soundtracks too. I remember reading that John Carpenter's father was a professor of music, so no doubt JC had some good guidance there!
Happy New Year to you, and thanks for uploading your great vids.
Thanks for the nice comments - the Prophet 5 is one of my all time favourite synths. John Carpenter actually used a Prophet 10 on The Fog and Escape From New York scores...and as you know the P5 was used heavily on most popular songs between 1978-1985.
There really is something magical about analog synth...esp the old ones. Im not a fan of the ultra stable modern analogs, they sound somewhat less interesting to my ears. Circuit boards with lots of tracers, wires, components sound BETTER.
VA synths are fine. The Zebra, Titan and others sound great. But they simply can't fully match real analog.
There's also something about having real hardware, not only the fact that all the circuits are dedicated to sound production, but also having knobs, buttons, sliders you can put your hands on. Nothing matches that interface for creativity.
p.s. It's often the fine subtle details we don't consciously hear in passing by, that contribute to the overall feel (Especially within a mix)
It may not seem like a large difference analytically speaking, but contributes -greatly- to a track.
I use both analog and digital, and even though you can emulate certain ranges of the analog sound in VA's. It's at the very extreme or very subtle settings where analog is superior in subtractive sound.
If only plug-ins did sound as good....it would make my bank manager happy.
Sadly, they never will sound 'as good' - its just not possible. I dont mind using digital synth emulations such as FM8, Wavestation, M1....the differences between their counterparts are negligible. But for real analog sounds....I have to use real analog. There can be no compromise. If your honest about it....you know im speaking the truth :)
i dont think the sound has much to do with it to be honest...even though analogue does have an edge that digi doesnt have like the difference between solid state and valve guitar amps or vinyl and cds. i think its more the response of analogue when you are playing it than the output because i would be hard pressed telling the sounds apart...and so would most people...the only way to tell is by doing a blind test and being honest :)
I promise you the its not just the placebo effect. And if you've conducted blind tests, perhaps with people who are'nt musicians or audio engineers.
You might get away with passing a softsynth as an analog in a track burried within the mix. But in most cases you will not fool those who have a fine ear in a 1 on 1.
It's the subtle qualities that define analog sound. Although it may make out %10 difference from an analytical point of view, those 10% make out a %90 difference in quality.
thats the thing, most synth lines are found buried in a track they are found amongst other lines and drum tracks vocal and instrumental parts....it is rare that you will find a case where that extra analogue sound will make it through alive and make the difference. I used to think that this wasn't true and that the analogues cut through the mix more but its just not true anymore. some of the biggest synth manufacturers and patch makers also have converted.
Not precisely this will only work if the -rest- of the mix is of high quality, acoustic, top level digtal. If you start adding one medicore softsynth sound over another, the entire mix will sound medicore compared to what it could sound if high quality intruments where used.
And high quality Softsynths are far and few between. Count them on one hand.
Some people -want- VA's to be as good as top analog. They're not, not yet. And if one is to be honest towards oneself, one would know.
i completely agree i could count the high quality soft synths on one maybe two hands there are very few ...but the fact that they exist at all means that there is nothing but code standing between us and no fuss analogue comparative sound. Yes ok top analogue does sound better but show me an example of top analogue and ill show you tuning issues oscillator odditied and inconsistencies.
you are so right. These VST instruments are ok for some sounds but when I use a Pro 1 for bass and then compare it to a sound from something like Rob Pappen synths it is always much fatter. Analogue can not be emulated by a computer, it is not possible.
if I won the lottery I'D BUY THEM ALL..then spend the rest of my life locked somewhere trying to figure out how the heck to play all my fav songs and die a happy but moog crazed hermit....
Hi Cluster - I used my friends Lexicon MPX550 the day I recorded this. It would have been one of the factory presets - I can't recall the patch names though :(
That sound at 2:17 hit me good. Love that sound. I noted that you programmed these settings. Would it be too much to ask how you produced what my ears hear from 2:17 to 2:43? Any hints? Much appreciated.
From memory I'd say the sound only used one oscilator (triangle waveform). The amp and filter envelope settings are pretty crucial to get right....all I can say is experiment. I created abit of vibrato by routing the LFO to osc pitch.....
Its an incredibly simple sound.......the reason it sounds nice is because the old analog hardware imparts an organic quality. I've recently tried duplicating that sound on my Nord Lead 3....and I can't do it. The N3 is just too clean/precise.
After all,it´s just a pity most of us haven´t lived those days actively as musicians like Nick Rhodes,Alan Wilder,Gary Numan,and other synth heroes of that time.Of course these synths were classics,and opened doors to new music,like new wave,cold wave,new romantics,industrial,etc...
You just had to be lucky enough to have been there in that electronic revolution.Prophets,Junos,Jupiters,Korgs and Yamaha; All at their best and unfortunately irrepeatable...
The 08 's not supposed to be a replica of the 5 and dave smith has said as much as plenty of times - it's a mixture of new synth and prophet. There's still plenty of p5s on the used market if you want the earlier sounds..
This comment has received too many negative votesshow
5 voices of unstable crappy sounds you can get a digital synth with 256+ of the same sound and way more programmbility why do dumbass pay so much for this crap I bought 1 in 1993 for $400 and it wasn't really very good and it always broke down so ditched it for a reliable digital module that sounded better and did the same and more.
So, in 1993, you purchased a synth that was made anywhere between 1978 and 1984.
An analogue synth that old is going to require circuit-level service if it had not been done (and it likely was not).
Resistors and especially electrolytic capacitors can fall out of spec over time and use, so they may require replacement after a number of years and the instrument would then need to be properly tuned.
You can't call it crap if you have failed to realize its needs, kind of like a used car.
This 3.3 is amazing and sounds as if it has just travelled through time, awesome!
These were curtis chips and not spencer chips right? Or was it the other way around. I have heard that the earlier ones were even warmer. Hard to believe that they can get better than this.
Best prophet 5 demo on YouTube so far!!!
By the way, the best thing about most early 80's video films was the analogue synths being used for the scores.
John Carpenter and Alan Howarth used the Prophet 5, 10 and the ARP Avatar on the Season of the Witch (Halloween 3) soundtrack. It is probably one of the best demonstrations of this synths dark ambient analog tone. A true classic analog machine. The people at Curtis Electromusic and Solid State Microtechnologies must have sold their soul for that filter sound.
Yes, I am a big fan of Harrison's work. He was a very underrated composer. I also think he did the score for Day Of the Dead and some of the music for the Tales from the Darkside episodes. He had a the most beatiful sounding detuned piano sound I've ever heard. (not sure if it was a prophet or not)
Yeah same here, I loved his Day of the dead score. Also, check out his score for the obscure movie Effects (his first score). Really awesome! He had a Prophet 5, i think with a curtis chip
Obscure Movie Effects? I'll have to Google this and see what I come up with. I'd be interested in hearing more of his music. I'm thankful Dave Smith smith and Tom Oberheim got into the avenue they chose. They were truly talented.
mines is still pre-midi its a 3.3, i dont wana add midi to it, i got kurzweil contorllers and i use my jp 8000 and sh 201 for midi controllers but all my synths i own are premidi i leave them to thier original state
Gary Numans's music is a favorite of mine. I actually have the record I Assassin somewhere, but I've never really listened to it. I bought it in a lot with some of his other records years ago and somehow it got put aside. Maybe I need to find it and give it a spin.
Awesome!
synthartist69 2 weeks ago
This must have been the synth that Gary Numan used on "Cars"
sadalite 5 months ago
@sadalite He used the Polymoog on the Pleasure Principle album.
ulujain 4 months ago
@ulujain ahhh ok well it had a similar sound in this video, thanks for the correct information.
sadalite 4 months ago
what do you call it at 2:16?
TheProudamerican56 5 months ago
Nice, you should try to do shock the monkey synth part, peter Gabriel btw
TheProudamerican56 5 months ago
Very John Carpenter.
FrankNFurter1000 11 months ago
Is this a Rev 2?
LaugermanPROductions 11 months ago
These patches are beautiful. To my ear the early ones sound like they have a Numanesque tone. Is he an influence?
hdprice 1 year ago
I spend long amounts of time working with an MU-80, SC-55 and DX-100, but if I could afford it I would take these analog synthesizers over the digital ones any day, there's just something more honest about the way they sound and the possibilities for sounds that you can get out of them are almost endless.
Listening to this I feel that they didn't really take full advantage of this synthesizer when it was around.
HighTreason610 1 year ago
Very very cool. I wonder if you can play the X-Files opening theme on this.
culturaleyes 1 year ago
i want one
dinoblackgrape 1 year ago
I love Prophet 5 !
Prophet 5 is Number one !
FDKYMO 1 year ago
sounds just like a yamha an1x synth ? i have both and they sound perfect to each other when programed right. you just cannot notice them apart. but the yamaha an1x as better options with effects and much more control
overnationmusic 1 year ago
I realize you must've made this long ago, but that melody that comes in at 2:16 is so good and haunting, it's like time stops whenever I hear it... Any chance you could tell me how you programmed that? I have a P'08, not P5, so mine won't sound as beautifully drifty and characteristic as your P5, but anything helps! Thanks!!
hondafan83 1 year ago
The filter sound at 1:12 is the beginning of a song called 'Why Me' by Planet P. I know I heard that same sound used on other songs...can anyone help my memory and tell me where else that sound was used?
caddood 2 years ago
Nice demo!
Funny prophet story; I make my bread and butter in Broadway-type pits, and am currently playing a production of La Cage Aux Folles. It's got great songs. If you like that style, they're some of the best.
Anyway, in the piano score are cues for Prophet patch changes all over the place. It's not in any way a synth-y score, but I guess at the time (1983) there were no real romplers/samplers, and so the keys part emulated real instruments with the Prophet.
Kinda neat, I think.
pianoham 2 years ago
Love the intro sounds like The Fog
maccagrabme 2 years ago
nice pads
dominich4962 2 years ago
Forgive my ignorance but why can't someone develop an analog filter to run soft synths through to make them warmer and grittier? Maybe soundcard manufacturers could include something like this?
maccagrabme 2 years ago
All comes down to cost + there are too many people out there who are happy to make do with sub standard gear.
If it were up to me....all modern digital synths/va's should come with a pack of analog filters aswell - I really hoped the Waldorf Q+ would set the trend....but it never took off.
I wanna see Roland, Korg, Yamaha produce a real analog synth - they have the resources. I wanna see Moog release a new polysynth. I wanna see Dave Smith release an 8 voice PolyEvolver keyboard etc etc
DIGITALSCREAMS 2 years ago 4
@DIGITALSCREAMS That truly is unfortunate for many of us. I had prophet08, Alesis andromeda A6 and like nord lead 2x. Personally i think A6 Andromeda was best analog synth ever made, but the price was pretty huge. Back in the days, importers wanted over 6000 $ from it here in Finland. That synth also got Alesis bankrupted. Now we don't have any 16 voice poly analogs with such filters and modulation possibilities around which truly is a shame.
divyx 1 year ago
spectrasonics trilian samples original synth sounds from all eras with no filters and then has the option of adding a filter digitally. Kinda the opposite of what you've suggested but sounds soooo warm because of the sampling....
sirfreddielee 1 year ago
@DIGITALSCREAMS I think the obvious way forward is if plugins ran through a dedicated audio chip like the Plugiator. It produces a much more thicker and fatter sound and takes weight off the pc cpu. The plugiator gets very close to the real deal to my ears. If roland did that then we could all have their back catalogue, synths and drum machines sounding just like the real thing but for very little money. I'd pay £1000 to have the lot in one box and I'm sure 90% of vintage synth fans would too.
maccagrabme 1 year ago
@DIGITALSCREAMS Dave Smith has the Prophet '08, which is 8 voice. You are right that these companies could make analog synths, but digital is cheaper and they probably don't believe they would sell enough units to make analog worth the extra cost. I agree there should be someone making a great analog poly synth these days. IMO, Roland, Sequential, and Oberheim were the last to do it. The great analog stuff is all modular now, and very expensive when you put together a whole system.
DavePerry2012 5 months ago
@maccagrabme Ok I'm gonna be the one to say it.
You can program a soft synth to sound 90% like the original. Which is by far close enough when you hear it in a mix.
Still, hardware is so much better for the fact that it's all there with real buttons, etc
ScorchinBeats 1 year ago
@maccagrabme Because software synths already sound 90% there
ScorchinBeats 1 year ago
external filters have been around a LONG TIME! sherman's filter bank was one of the first well over 10 years ago. i KNOW i've seen a few others since then and nowadays you can even get that TRUE moog sound with their external filters & effects.
you just haven't been searching in the right place. you can also fatten digital synths with tube distortion & analogue chorus. all you need is a soundcard with ins & outs.
djgambitron 1 year ago
djgambitron 1 year ago
@maccagrabme
I usually add an l.f.o., some low pass filters, and other odds and ends and I get the sound that you love. It isn't all that difficult. Let me know if you need help.
imapaintballa 1 year ago
@maccagrabme ??? theres tons of analog filters to run softsynths through. Doepfer, analogue solutions are probably your cheapest options. Other than that get a filterbank, sherman, akai _ theres plenty more. Moog have a filter also. You MUST bear in mind that a filter just subtracts the signal thats feed into it. Its the oscillators where the sound really is. Soft synths are terrible sounding oscillators, you really need to save up for an analog.
cprostudio 8 months ago
I agree, they sound magical.
I first heard the Prophet 5 on XTC's album English Settlement and have liked it ever since.
I also love the atmospheric analog synth soundtracks too. I remember reading that John Carpenter's father was a professor of music, so no doubt JC had some good guidance there!
Happy New Year to you, and thanks for uploading your great vids.
TheMightyHartley 2 years ago
I'm addicted to your analog synth videos DIGITALSCREAMS.
I was going to ask if you were a John Carpenter fan then saw your tags!
Excellent stuff, as always.
TheMightyHartley 2 years ago
Thanks for the nice comments - the Prophet 5 is one of my all time favourite synths. John Carpenter actually used a Prophet 10 on The Fog and Escape From New York scores...and as you know the P5 was used heavily on most popular songs between 1978-1985.
There really is something magical about analog synth...esp the old ones. Im not a fan of the ultra stable modern analogs, they sound somewhat less interesting to my ears. Circuit boards with lots of tracers, wires, components sound BETTER.
DIGITALSCREAMS 2 years ago
I love this synthesizer! fantastic sounds you've created! Is it a rev 3 you have?
Best regards
/prophetate
prophetate 2 years ago
hm looks a bit like NI Pro-53 :P
NischoMueller 2 years ago
*facepalm*
tekkentool 2 years ago
lol, where do you think the NI pro-52 and pro-53 came from.. it is modeled after the prophet synth.
jimmybrite 2 years ago
haha ok
again learned something^^
NischoMueller 2 years ago
VA synths are fine. The Zebra, Titan and others sound great. But they simply can't fully match real analog.
There's also something about having real hardware, not only the fact that all the circuits are dedicated to sound production, but also having knobs, buttons, sliders you can put your hands on. Nothing matches that interface for creativity.
zenmachinefilms 2 years ago
1:15 sounds alot like the beginning to ' moving in stereo ' by the Cars.
ShakerCuda71 2 years ago
2:19 Gorgeous.
PurpleSkyz 2 years ago 6
Analog - Its alive !
DonJuanDeMarco2 2 years ago 3
where can we get a download
MANGSCHEUONiCS 2 years ago
p.s. It's often the fine subtle details we don't consciously hear in passing by, that contribute to the overall feel (Especially within a mix)
It may not seem like a large difference analytically speaking, but contributes -greatly- to a track.
I use both analog and digital, and even though you can emulate certain ranges of the analog sound in VA's. It's at the very extreme or very subtle settings where analog is superior in subtractive sound.
It's the sound that matters, not the syn.
nexusdawn 2 years ago 5
You are spot on.
DonJuanDeMarco2 2 years ago
Pure Numan - Telekon era - We sleep by Windows and we look out over a field of Prophets...
hdprice 2 years ago
Comment removed
thephaseshifter 2 years ago
If only plug-ins did sound as good....it would make my bank manager happy.
Sadly, they never will sound 'as good' - its just not possible. I dont mind using digital synth emulations such as FM8, Wavestation, M1....the differences between their counterparts are negligible. But for real analog sounds....I have to use real analog. There can be no compromise. If your honest about it....you know im speaking the truth :)
DIGITALSCREAMS 2 years ago
i dont think the sound has much to do with it to be honest...even though analogue does have an edge that digi doesnt have like the difference between solid state and valve guitar amps or vinyl and cds. i think its more the response of analogue when you are playing it than the output because i would be hard pressed telling the sounds apart...and so would most people...the only way to tell is by doing a blind test and being honest :)
and i have met noone that has yet
peace
brian
sacredgeometry 2 years ago
I promise you the its not just the placebo effect. And if you've conducted blind tests, perhaps with people who are'nt musicians or audio engineers.
You might get away with passing a softsynth as an analog in a track burried within the mix. But in most cases you will not fool those who have a fine ear in a 1 on 1.
It's the subtle qualities that define analog sound. Although it may make out %10 difference from an analytical point of view, those 10% make out a %90 difference in quality.
nexusdawn 2 years ago
thats the thing, most synth lines are found buried in a track they are found amongst other lines and drum tracks vocal and instrumental parts....it is rare that you will find a case where that extra analogue sound will make it through alive and make the difference. I used to think that this wasn't true and that the analogues cut through the mix more but its just not true anymore. some of the biggest synth manufacturers and patch makers also have converted.
its just the way things are now
brian
sacredgeometry 2 years ago
Not precisely this will only work if the -rest- of the mix is of high quality, acoustic, top level digtal. If you start adding one medicore softsynth sound over another, the entire mix will sound medicore compared to what it could sound if high quality intruments where used.
And high quality Softsynths are far and few between. Count them on one hand.
Some people -want- VA's to be as good as top analog. They're not, not yet. And if one is to be honest towards oneself, one would know.
nexusdawn 2 years ago
i completely agree i could count the high quality soft synths on one maybe two hands there are very few ...but the fact that they exist at all means that there is nothing but code standing between us and no fuss analogue comparative sound. Yes ok top analogue does sound better but show me an example of top analogue and ill show you tuning issues oscillator odditied and inconsistencies.
....
sacredgeometry 2 years ago
you are so right. These VST instruments are ok for some sounds but when I use a Pro 1 for bass and then compare it to a sound from something like Rob Pappen synths it is always much fatter. Analogue can not be emulated by a computer, it is not possible.
discothief 2 years ago 2
It can, but not without very much effort.
albedoshader 2 years ago
well it's getting pretty close, but yes I agree, thats why I am switching back to basics.
angie4josh 2 years ago
Prophet 5 sounds are gorgeous.
jimbotron70 2 years ago
if I won the lottery I'D BUY THEM ALL..then spend the rest of my life locked somewhere trying to figure out how the heck to play all my fav songs and die a happy but moog crazed hermit....
moogme68 3 years ago
having listened to this loas of times it kinda reminds of across between Gary Numan and Jean Michel Jarre...
Twilight1964 3 years ago
OMG i love the sound.. being an early 80s fella i was heavily into synth music.. do some more fella as its class
Twilight1964 3 years ago
I thought that sounded to good to be true. $3000 is still a good price.
aorphia 3 years ago
yes, buying a vintage Prophet V is around
30,000 + (mint condition). moog opus is pricey too
ams1725 3 years ago
Are you serious about the P5 costing 30,000? I have one of those stored in an attack in South Louisiana.... LOL!
aorphia 3 years ago
A clean Prophet 5 with MIDI retro fit and in decent cosmetic condition should cost about 3,000. not 30,000
archon687073 3 years ago
yeah Buchla's aren't even 30,000
close enough though.
flannelking 3 years ago
P5 = so expensive =[
I wish I could afford it!
ProducerSV 3 years ago
Comment removed
Mankemacho 3 years ago
I don't know......it was something I made up on the spot for that particular sound.
DIGITALSCREAMS 3 years ago
hey Digital Screams, greatdemo. all sounds you made are fanastic, esp the metalic ones and.. that sweep on arround 1 minute is just beautiful.
btw i like the small ambiance/room you used, it complements rev3 prophet so well. do u remember what it was ?
im inspired now to perhaps make a similar video with a pic, and compile some of my rev2 demos.
cheers
tom
clusterchord1 3 years ago
we need prophet 5 rev 2 demos. I've searched on youtube and see none :(
rokuez 3 years ago
Hi Cluster - I used my friends Lexicon MPX550 the day I recorded this. It would have been one of the factory presets - I can't recall the patch names though :(
Pretty good (cheap) effects unit.
I'd be interested to hear your Prophet demos....
cheers buddy
DIGITALSCREAMS 3 years ago
That sound at 2:17 hit me good. Love that sound. I noted that you programmed these settings. Would it be too much to ask how you produced what my ears hear from 2:17 to 2:43? Any hints? Much appreciated.
alpsalish 3 years ago
From memory I'd say the sound only used one oscilator (triangle waveform). The amp and filter envelope settings are pretty crucial to get right....all I can say is experiment. I created abit of vibrato by routing the LFO to osc pitch.....
Its an incredibly simple sound.......the reason it sounds nice is because the old analog hardware imparts an organic quality. I've recently tried duplicating that sound on my Nord Lead 3....and I can't do it. The N3 is just too clean/precise.
DIGITALSCREAMS 3 years ago
this is THE synth to get to get that new wave spooky sound-
vst's are cool, but I am getting tired of looking at a fucking computer screen
I want a REAL synthesizer
fortunately good analog ones are being made again- shame that prophet-08 cant quite measure up to the p5
civ1002 3 years ago
I wouldn't mind getting my hands on an Andromeda, I heard those are pretty badass.
robj200735 3 years ago
Why can't dave smith not rebuild it just like the minimoog was remade in the late 80's/early 90's?
NEILVANCE 3 years ago
see below neil.
californiabass 3 years ago
After all,it´s just a pity most of us haven´t lived those days actively as musicians like Nick Rhodes,Alan Wilder,Gary Numan,and other synth heroes of that time.Of course these synths were classics,and opened doors to new music,like new wave,cold wave,new romantics,industrial,etc...
You just had to be lucky enough to have been there in that electronic revolution.Prophets,Junos,Jupiters,Korgs and Yamaha; All at their best and unfortunately irrepeatable...
svenroser 3 years ago
You forgot Richard Barbieri in that list of Synth Heroes!
Nick Rhodes used to copy his keyboard settings apparently
furyplum44 3 years ago
Really?Look,I didn´t know that!Thanks for the info; seems like everybody gets its´fair share ´o mustard from one side or another!
svenroser 3 years ago
lol, its ok, but Richard was in a band called Japan who duran duran where certainly inspired by!
furyplum44 3 years ago
Yep, it's a classic.
I've tried to warm to the new Dave Smith Prophet 08 but I don't think it holds a candle to this original.
What does everyone else think?
GNeuman 3 years ago
The 08 's not supposed to be a replica of the 5 and dave smith has said as much as plenty of times - it's a mixture of new synth and prophet. There's still plenty of p5s on the used market if you want the earlier sounds..
californiabass 3 years ago 3
just wonder why arturia sells this so expensive ?
gothicsakura82 3 years ago
This comment has received too many negative votes show
5 voices of unstable crappy sounds you can get a digital synth with 256+ of the same sound and way more programmbility why do dumbass pay so much for this crap I bought 1 in 1993 for $400 and it wasn't really very good and it always broke down so ditched it for a reliable digital module that sounded better and did the same and more.
hturtkaeps 3 years ago
You're lying. I know. Trolls usually lie.
moguetricky 3 years ago 4
So, in 1993, you purchased a synth that was made anywhere between 1978 and 1984.
An analogue synth that old is going to require circuit-level service if it had not been done (and it likely was not).
Resistors and especially electrolytic capacitors can fall out of spec over time and use, so they may require replacement after a number of years and the instrument would then need to be properly tuned.
You can't call it crap if you have failed to realize its needs, kind of like a used car.
Watcher3223 3 years ago
Is this p5 a rev 2 or rev 3?
I'm in the market to buy a p5. I have my mind set on a rev 2 but if a rev 3 sounds like this I will consider a rev 3.
jfiore777 3 years ago
This is a Revision 3.3
:)
DIGITALSCREAMS 3 years ago
the sounds and melodies at 2:16 should be on Legend of zelda
supravista 3 years ago
Prophet 5 is a T-rex!
PhotoAnimationGuy 3 years ago
I just love the resonant sweeps at 1:18, listen how smooth they are..
ikazlar 4 years ago
HEADACHEEEEEEEE
haxsource 3 years ago
Anyone have a demo of the earlier Rev3.1 or 3.2?
This 3.3 is amazing and sounds as if it has just travelled through time, awesome!
These were curtis chips and not spencer chips right? Or was it the other way around. I have heard that the earlier ones were even warmer. Hard to believe that they can get better than this.
Best prophet 5 demo on YouTube so far!!!
By the way, the best thing about most early 80's video films was the analogue synths being used for the scores.
Digital is shit.
discothief 4 years ago
I think the first two revs used SSM chips instead of Curtis. Don't know about Spencer. Anyone else care to comment?
girus0485 3 years ago
WUhuu! Beverly Hills cop 2!
vistasug 4 years ago
Has the same effect on me as that Cathedral City cheese, you see it you want it!
Oh god yes!
Tegenaria 4 years ago
John Carpenter and Alan Howarth used the Prophet 5, 10 and the ARP Avatar on the Season of the Witch (Halloween 3) soundtrack. It is probably one of the best demonstrations of this synths dark ambient analog tone. A true classic analog machine. The people at Curtis Electromusic and Solid State Microtechnologies must have sold their soul for that filter sound.
carriersignal 4 years ago
exucse me thats my other prophet, the prophets 3.2 and up have midi and cassette interfaces i was thinking bout the early one i own LOL
pauleyh 4 years ago
Tangerine Dream used P5 all over the Risky Business soundtrack
rg2027x 4 years ago
Maybe they should have resampled it's star ; )
steadfastcoward 4 years ago
Showing the way to harness the P5.
dairycurl 4 years ago
Gladiator is right these early synths have an awsome spooky sound, and yes Numan used them to their max
diddlesdiddles 4 years ago
John Harrison did too on Creepshow, awesome score
robj200735 4 years ago
Yes, I am a big fan of Harrison's work. He was a very underrated composer. I also think he did the score for Day Of the Dead and some of the music for the Tales from the Darkside episodes. He had a the most beatiful sounding detuned piano sound I've ever heard. (not sure if it was a prophet or not)
carriersignal 4 years ago
Yeah same here, I loved his Day of the dead score. Also, check out his score for the obscure movie Effects (his first score). Really awesome! He had a Prophet 5, i think with a curtis chip
robj200735 4 years ago
Obscure Movie Effects? I'll have to Google this and see what I come up with. I'd be interested in hearing more of his music. I'm thankful Dave Smith smith and Tom Oberheim got into the avenue they chose. They were truly talented.
carriersignal 4 years ago
what rev is your prophet mines is a rev 3
pauleyh 4 years ago
3.3 with kenton midi
DIGITALSCREAMS 4 years ago
mines is still pre-midi its a 3.3, i dont wana add midi to it, i got kurzweil contorllers and i use my jp 8000 and sh 201 for midi controllers but all my synths i own are premidi i leave them to thier original state
pauleyh 4 years ago
Check out some of Gary Numan's work on a song called: A Dream of Siam off of "I, Assassin".
This song probes the depths of the Prophet 5's ring modulation. Very scary sounds!
GladiatorsFan1 4 years ago
Gary Numans's music is a favorite of mine. I actually have the record I Assassin somewhere, but I've never really listened to it. I bought it in a lot with some of his other records years ago and somehow it got put aside. Maybe I need to find it and give it a spin.
carriersignal 4 years ago
Do you work for John Carpenter?:-) Great sounds!
mogoduc 4 years ago
...endless !
is0lkc 4 years ago
Neat. The sounds at 1:20 are straight up J.-M. Jarre.
classof77 4 years ago