I eventually found out what's that melody between 4:12 and 5:10: it is actually a quotation of the traditional Winnsboro Cotton Mill Blues: go to sniff.numachi. com/ pages/ tiWNNSBORO;ttWNNSBORO.html
and you'll find out that the final part of this tune resembles the quotation. Obviously Rzewski put some twists and turns...
@OrbiliusMagister Thanks for that OM, I've always wondered if the melodies in this piece were based on another song (like in the 3rd northern american ballad, 'Down by the Riverside', which I played for my grade 2 violin exam 7 years ago)
This piece terrified me when I first heard it -- I had no idea what to expect, but the grinding, relentless dissonance gave me chills, and then the sinister crescendos and repetitious rhythms made me even more uneasy. It all contrasts with the lovely, bluesy theme that emerges from the noise, which again disappears into shrieking tone clusters, before gradually vanishing into an eerie silence ... it's brilliant!
Probably, and unfortunately, the most uninspired performance of this piece put out by a major pianist. Weird considering his TPUWNBD variations are so good. This is just boring and sloppy.
The unaffected, cruel, mechanistic clusters, sequences and progressions of this first part make this one of the most frightening pieces of music I've ever heard. And then, what a contrast with the second part!
@Klimperenie The cotton Mill owner wanted his workers to hear something different from that relentless grinding, so he aired through loudspeakers some Rachmaninov.
I'd like to know the source of the second quotiation (from 4:12 to 5:10): it sounds familiar to my ears, but Rzewski twisted its rhythm and harmonies.
This is definitely not minimalism. The repetition, especially at the beginning, is symbolic. Check out what the 'Winnsboro Cotton Mill Blues' is, and it'll make much more sense.
@Fallansig I wouldn't call this minimalism either. If anything it's almost like impressionist music. When I hear this I can hear the machinery and see it.
@LongDriveChamp03 When I hear this, I instantly thought of machinery, and working in a cotton mill all day long. Just close your eyes and imagine machines rolling and grinding to the music in the first half. It's kind of eerie.
From 3:30 there is a quotation from the opening bars of Rachmaninoff's second piano concerto!
emopz13 3 days ago
this is AWESOME
jcracker 7 months ago
I eventually found out what's that melody between 4:12 and 5:10: it is actually a quotation of the traditional Winnsboro Cotton Mill Blues: go to sniff.numachi. com/ pages/ tiWNNSBORO;ttWNNSBORO.html
and you'll find out that the final part of this tune resembles the quotation. Obviously Rzewski put some twists and turns...
OrbiliusMagister 8 months ago
@OrbiliusMagister Thanks for that OM, I've always wondered if the melodies in this piece were based on another song (like in the 3rd northern american ballad, 'Down by the Riverside', which I played for my grade 2 violin exam 7 years ago)
tomekkobialka 8 months ago
This piece terrified me when I first heard it -- I had no idea what to expect, but the grinding, relentless dissonance gave me chills, and then the sinister crescendos and repetitious rhythms made me even more uneasy. It all contrasts with the lovely, bluesy theme that emerges from the noise, which again disappears into shrieking tone clusters, before gradually vanishing into an eerie silence ... it's brilliant!
cerzule 1 year ago
Rzewski is one of the most underated composers of our time, a real unique musician. Check put "coming together" , a real gem.
DanielMcDrtcomposer 1 year ago
after listening to 6min of relentless pounding, i'm having a headache (for real).
cantabile91 1 year ago
Probably, and unfortunately, the most uninspired performance of this piece put out by a major pianist. Weird considering his TPUWNBD variations are so good. This is just boring and sloppy.
John11inch 2 years ago
Hamelin,always extroardinary
franzleone 2 years ago 2
The unaffected, cruel, mechanistic clusters, sequences and progressions of this first part make this one of the most frightening pieces of music I've ever heard. And then, what a contrast with the second part!
HomelyCooking 2 years ago 2
The chords right hand beginning 3:30 are nearly the same as at the beginning of Rachmaninows 2nd piano concert ?! ...
Klimperenie 2 years ago 7
@Klimperenie The cotton Mill owner wanted his workers to hear something different from that relentless grinding, so he aired through loudspeakers some Rachmaninov.
I'd like to know the source of the second quotiation (from 4:12 to 5:10): it sounds familiar to my ears, but Rzewski twisted its rhythm and harmonies.
OrbiliusMagister 11 months ago
@OrbiliusMagister Agreed on that quotation.
newfreshreview 11 months ago
i can't find any information on the 'Winnsboro Cotton Mill Blues'
maydengarNSBHS 2 years ago
I'd say so yes, but this could be anything lol
tomekkobialka 2 years ago
This is definitely not minimalism. The repetition, especially at the beginning, is symbolic. Check out what the 'Winnsboro Cotton Mill Blues' is, and it'll make much more sense.
Fallansig 2 years ago
@Fallansig I wouldn't call this minimalism either. If anything it's almost like impressionist music. When I hear this I can hear the machinery and see it.
LongDriveChamp03 1 year ago
@LongDriveChamp03 When I hear this, I instantly thought of machinery, and working in a cotton mill all day long. Just close your eyes and imagine machines rolling and grinding to the music in the first half. It's kind of eerie.
MrCrazyAlligator 1 year ago
thank you for uploading this!
you should put the two piano version up too
DampPedal 2 years ago
???
maydengarNSBHS 2 years ago