I find this woman's voice marvelous. I have loved her since hearing a recording of her singing.I am impressed by her refinement and her technique. I also love the sound of Mado Robin and Mattiwilda Dobbs.These voices have a unique sound, that's, authentically French and appeals to me. I also like Pons but there is a warmth and roundness to the others lacking in Pons. Who was a great artist and a consummate musician in her own right.I play her Coloratura Assoluta recording to pieces.
A French Spinto-coloratura. Mado Robin is another French coloratura (Mado reaches the stratosphere; and of course, the great Lily Pons, a lyric coloratura, who sang La Marseillese at the liberation of Paris).
If you really want to her fantastic Lakmes, listen to these versions (or Luisa Tetrazzini, a self-trained Italian coloratura at the turn of the last century).
Nina and Marina Koshetz are two phenomenal Russian Spinto Sopranos.
@flowersings i think her highest was an A or A flat. her voice definitely is not to everyone's taste, quite acidic sometimes but, in my opinion, despite the fact that she is a coloratura, i dont really listen to her for high notes. no matter what one thinks of her she is a first rate musician and is at all times a refined artist. thats what attracts me to her. listen to her doll song the high E flat at the end aside she sings it como scritto and totally embodies the doll persona. a true master
I've had a double CD of her arias for years now, as well as her recording of 'Lakme'. She hits some truly spectacular high notes. The soprano she is most like is the French diva Lily Pons. Not for everyone, but I like the lightness of her voice and her rather pronounced vibrato.
@65attila You may be right. Pons was a little earlier so the recordings of her aren't as good, although the couple I have aren't bad at all. My mother, who was herself a very accomplished amateur lyric soprano, loved Lily Pons. Mado Robin, also a French soprano, would be another comparable voice.
@SkateNater Well, you do have a point about vibrato being too much when it overwhelms the tone. Like the vibrato of string players (that Leopold Mozart admitted it was taken from singing), the frequency should not oscillate too much that the pitch becomes unclear. Unfortunately, this does happen with her but not all the time. The natural vibrato of a tone gives color but does not disturb. The absence of vibrato would be a white tone, equally unpleasant coming from a singer.
@SkateNater Yes, maybe she let the voice go too much rather than controlling it. But, when not paid attention to as a possible defect, the alleged vibrato can come through as a sweet and fragile timbre. Robin seems to have it less and Dessay not at all, which makes her seem a bit cold at times. This particular aria is quite spectacular. Check out her Zerbinetta from the late 60's. These are not for your average run of the mill sopranos with high notes.
Excelente version!!!!! trinos, stacattos, fiorituras, propios de una soprano ligera, hermoso timbre cristal puro, color hermoso, gran tecnica, hermosa interpretacion.
Excellent. Madie's Rossini repertoire is perfect. Her light, agile soprano voice is able to do the coloratura trills & passages with lovely technique. It's true that a mezzo coloratura is more along the lines of the original singers for the Rossini heroines but a talented soprano like Mesple is very good for this genre of opera. Brava
I always loved her Lakme - she sounds like a young girl.
Interestingly, when Sutherland's Lucia came out, Mesple did her one better by singing it a key higher. She felt she had to, to make it special enough for people to come.
One of the best coloratura sopranos in history of opera. Unfortunately there are not many recordings. Nothing similar to her "Voices of Spring". I was a little child and I could not believe my ears!!! And amazing technique and professionalism!
Settle this! Now, we all have our opinion. I would agree that Mady does sound squeaky but she doesn't. Her voice's vibratto is very fast, it is no squeak. Plus that, her voice is very light, light but full, which would explain. But, I respect your opinion.
Mady Mesplé's career lasted more than 35 years, from 1953 till 1989 and in recital until 1997. She was very often invited at the French television during the 70's and the beginning of 80's, there are several hundreds Mady's video! She was the most famous French opera singer for the popular public!
I love her voice, it is just so beautiful and distinguishes greatly from other Coloratura's. Just like Elin Carlson and Dilber. But Mady is the Queen of Coloratura. Damn me for being a Lyric...! I wish I was a Coloratura so I could sing like her! But whose voice could compare to such beauty?! NOT EVEN CHRISTEN DAAE!
Oh man, I was hoping that if she was not a Coloratura then that proves that other female Operatic voice can do that cool Ahahahahah thing. You know, flexing to different notes flawlessly.
@bobon47 I don't know who might be considered dramatic coloratura since as the voice goes higher, it usually gets thinner. Joan Sutherland and Gruberova had power behind their tones but at least the former didn't sing heavy on the top. This lady's voice is unusual for its range. Coloraturas are rare birds.
You know, in all the years I've known this recording, I never bothered to figure what the high note was at 5:05. Anyone know? It's sounds like it's at least F or G above the staff. It's definitely Mado Rabin territory.
This recording brings back such great memories for me. I didn't discover her until the 80s, when I first heard older recordings of her. Je T'adore. Okay, that used up most of the French that I speak. I love high coloraturas and she is one of the best.
It does! The beautiful booming instrument at 0.28 seconds (what instrument is that?) made me think I'd mistakenly started playing 'Una Voce Poco Fa' too.
its only similar to una voce poco fa in the respect that its the same cavatina/aria formulaic ocnstruction, which while was standard in all bel canto operas. the vocal writing isnt really similar
Excellent ! Mady Mesplé est assurément une des plus grandes soprano légères du 20e siècle. Elle a une technique incroyable et des suraigus inouïs. Cependant, contrairement à ce que dit agathosj, cet enregistrement n'a rien de rare, on peut le trouver dans The Very Best of Mady Mesplé, qu'on peut acheter partout. De plus Mady Mesplé est loin d'être une artiste sous-estimée. En France elle est très connue et très appréciée !
Disons qu'elle était très connue dans les années 60-80. Elle passait très souvent à la télé, et aujourd'hui encore les gens la connaissent. Bien sûr maintenant elle est âgée, donc elle ne chante plus, et on ne la voit plus. Mais son nom est fréquemment cité dans les journaux spécialisés.
Ses années fastes sont 1958-1975, elle est premier prix de chant et piano du conservatoire de Toulouse. Elle a d'abord rôdé son répertoire à Liège et Bruxelles entre 1953 et 56, année qui marque ses débuts à l'opéra de Paris. En 58 elle chante Constance du dialogue des carmélites, Gilda, les Indes galantes et Lucia en alternance avec J.Sutherland en 1959! Elle a chanté sur les plus grandes scènes du monde, elle a crée le quatuor n°2 que Betsy Jolas a écrit pour elle!
(suite du 1er commentaire réponse). Charles Chaynes lui a écrit ses "Quatre Poèmes de Sappho", en 1965 elle crée élégie pour jeunes amants de Henze en langue française. Au festival d'Aix-en-provence elle chante Zemire et Azor de Grétry et en 66 Zerbinetta d'Arianne à Naxos, probalement son plus grand triomphe! Il faut absolument écouter sur you tube sa Gilda de Genève en 67! Elle enseigne avec succés depuis presque 30 ans. C'est une musicienne accomplie. ( Désolé d'avoir été aussi bavard! )
Mais pas du tout! Ca me fait plaisir de connaitre toutes ces informations sur Mme Mesple! Merci beaucoup! j'ai toujours apprecie son art d'ailleurs! Pour moi, elle represente l'art du chant classique en France. Aujourd'hui on doit cet honneur a Mme Dessay (Desole, il n'y a aucun accent ni de cedilles sur ce clavier)!
Mady Mesplé est le plus grand soprano leger Francais de la deuxième moitié du 20éme siècle (Mado Robin étant un cas à part). C'est une musicienne accomplie, une artiste sensible et délicate. The very great French diva. She singing all the great stage of the world.(Excuse for my Inglish). Thanks agathosi
I find this woman's voice marvelous. I have loved her since hearing a recording of her singing.I am impressed by her refinement and her technique. I also love the sound of Mado Robin and Mattiwilda Dobbs.These voices have a unique sound, that's, authentically French and appeals to me. I also like Pons but there is a warmth and roundness to the others lacking in Pons. Who was a great artist and a consummate musician in her own right.I play her Coloratura Assoluta recording to pieces.
intelegentable 4 months ago
A French Spinto-coloratura. Mado Robin is another French coloratura (Mado reaches the stratosphere; and of course, the great Lily Pons, a lyric coloratura, who sang La Marseillese at the liberation of Paris).
If you really want to her fantastic Lakmes, listen to these versions (or Luisa Tetrazzini, a self-trained Italian coloratura at the turn of the last century).
Nina and Marina Koshetz are two phenomenal Russian Spinto Sopranos.
signawp 5 months ago
Beautiful!
redpriest26 5 months ago
it s a dream i loved her i am french and she is french i am very proud thank you we loved you mady
dpguibors 5 months ago
ah, the beautiful voice of a coloratura
ZLadyGagaZ 6 months ago
Excuse me - how many singers these days can "spin" their vocal line cosi? Brava maestra Mady!
adamastorBassBar 6 months ago
Very beautiful! What a voice and what a technique! Thanks for uploading!
gustavojoris 7 months ago
Her Lakme is the best I've heard next to Ruth Welting. I always enjoyed Mesple...such a classy singer.
brolobear 8 months ago
@SharpRaV yes, it's a coloratura. My vocal instructor confirmed it
EnviedCure776 9 months ago
So awesome, amazing, and wonderful!!!
UnaverageAmerican 1 year ago 5
Her voice is so very light. Could she hit notes in the stratospheric range?
flowersings 1 year ago
@flowersings i think her highest was an A or A flat. her voice definitely is not to everyone's taste, quite acidic sometimes but, in my opinion, despite the fact that she is a coloratura, i dont really listen to her for high notes. no matter what one thinks of her she is a first rate musician and is at all times a refined artist. thats what attracts me to her. listen to her doll song the high E flat at the end aside she sings it como scritto and totally embodies the doll persona. a true master
moghedien13 11 months ago
I've had a double CD of her arias for years now, as well as her recording of 'Lakme'. She hits some truly spectacular high notes. The soprano she is most like is the French diva Lily Pons. Not for everyone, but I like the lightness of her voice and her rather pronounced vibrato.
landl47 1 year ago
@landl47
I think Mesple had a firmer and more complete coloratura technique than Pons.
This is glorious singing.'
Regards-John
65attila 8 months ago
@65attila You may be right. Pons was a little earlier so the recordings of her aren't as good, although the couple I have aren't bad at all. My mother, who was herself a very accomplished amateur lyric soprano, loved Lily Pons. Mado Robin, also a French soprano, would be another comparable voice.
landl47 8 months ago
É uma VOZ!!!!
Marcelosopro 1 year ago
@SkateNater Well, you do have a point about vibrato being too much when it overwhelms the tone. Like the vibrato of string players (that Leopold Mozart admitted it was taken from singing), the frequency should not oscillate too much that the pitch becomes unclear. Unfortunately, this does happen with her but not all the time. The natural vibrato of a tone gives color but does not disturb. The absence of vibrato would be a white tone, equally unpleasant coming from a singer.
zamyrabyrd 1 year ago
@SkateNater Yes, maybe she let the voice go too much rather than controlling it. But, when not paid attention to as a possible defect, the alleged vibrato can come through as a sweet and fragile timbre. Robin seems to have it less and Dessay not at all, which makes her seem a bit cold at times. This particular aria is quite spectacular. Check out her Zerbinetta from the late 60's. These are not for your average run of the mill sopranos with high notes.
zamyrabyrd 1 year ago
Is she perhaps the greatest voice of all time? Surpassing Caruso?
lawdocdc89 1 year ago
Mady always knew just how to thrill her audiences. I am in awe of her stunning coloratura!!!!! Brava Mady!!!
petelovesbevsills 1 year ago
my Lord. How beautiful is that. Extraordinary
polyphemous 1 year ago
Magnifique interprepation of Rossini's coloratura aria !! Unmatched !! Out of this world technique..Love it.
Tenorbravo 1 year ago
this is the best! best version i've ever heard!!!
ChiangTino 1 year ago 4
@ChiangTino totally agree with you!!!
ChiangTino 1 year ago
Excelente version!!!!! trinos, stacattos, fiorituras, propios de una soprano ligera, hermoso timbre cristal puro, color hermoso, gran tecnica, hermosa interpretacion.
acitipo 1 year ago
Excellent. Madie's Rossini repertoire is perfect. Her light, agile soprano voice is able to do the coloratura trills & passages with lovely technique. It's true that a mezzo coloratura is more along the lines of the original singers for the Rossini heroines but a talented soprano like Mesple is very good for this genre of opera. Brava
MastersoftheOpera 1 year ago
eine absolute singmaschine.
gott ist diese frau gut
jocmuc1 2 years ago
A very french voice - light and elegant.
I always loved her Lakme - she sounds like a young girl.
Interestingly, when Sutherland's Lucia came out, Mesple did her one better by singing it a key higher. She felt she had to, to make it special enough for people to come.
jamarsano 2 years ago 5
She is absolutely superb! Thank you!
7inga7 2 years ago
this is beautiful :)
Nahni428 2 years ago 11
Her voice makes me happy
loufromlou 2 years ago 13
Excellent singer!
flaze3 2 years ago 3
looking for a rercording of the Bachianas Brasileiras's Aria and Cantilena sung by Miss Mesple. Vive Mady ! Vive la France!
lababoc 2 years ago
Try Bidu Sayao.
nmcaia 1 year ago
Thank you- I have the entire LP on which this was performed, BRAVA
65attila 2 years ago
Wow. Simply fantastic.
Ekehart 2 years ago 2
I love this voice. Thanks for sharing this.
boomchuckaboom 3 years ago 3
Adoro esta soprano, canta con gran técnica y es muy sensible y precisa en su interpretación, justísima...
isahuizi 3 years ago 2
One of the best coloratura sopranos in history of opera. Unfortunately there are not many recordings. Nothing similar to her "Voices of Spring". I was a little child and I could not believe my ears!!! And amazing technique and professionalism!
enfava 3 years ago
What's the opera name? It seems "La gazzetta" but it is not!
WWWjuandiegoflorezIT 3 years ago
Hi, it's "La gazza ladra" in English "The Thieving Magpie" or "The Thievish Magpie".
agathosj 3 years ago
sembra quasi una variazione su una voce poco fa dal barbiere di siviglia...!!!!!!
codicerosso 1 year ago
I am so glad that I discovered Mme. Mesple. The agility is astounding.
eccemathaevs 3 years ago
I think you're all quite dumb. By, the way, it's spelled Vibrato...
mazurmusic7 3 years ago
She sings like a goddess. Really a perfect voice!
keula1 3 years ago 4
thank God I finally found Mady on you tube!
stanthology 3 years ago 5
This comment has received too many negative votes show
She sings like a squeaking mouse :-( Brrrrrrr.... :-(((
Sesto73 3 years ago
are you afraid of singing mice? U should check your... whatever God gave you to help you hear, cause they re not ears for sure.
everythinok 3 years ago 2
Actually, male mice court lady mice by singing *above* the pitch audible to humans.
saphistische 3 years ago
You sound like a squeaking mouse
TakadaLotus 3 years ago
your mom sounds like a sqeaking mouse.
bachkicksass83 3 years ago
Settle this! Now, we all have our opinion. I would agree that Mady does sound squeaky but she doesn't. Her voice's vibratto is very fast, it is no squeak. Plus that, her voice is very light, light but full, which would explain. But, I respect your opinion.
EnviedCure776 3 years ago
Has anyone heard of Reri Grist? She is much like Mesple. Pure pleasure to listen to.
stingabe 4 years ago
yes! a singer who deserved more recognition for her wonderful musicianship and very listenable voice.
petelovesbevsills 3 years ago
she had a rather short career, and footage of her is extremely rare, i believe theres a black and white video of singing zerbinettas aria on youtube.
skitzo429 3 years ago
Her career wasn't short at all.
She is one of the greatest exponents of the french school.
Vive Mady Mesplé!
SENAFOREVER 2 years ago 2
Mady Mesplé's career lasted more than 35 years, from 1953 till 1989 and in recital until 1997. She was very often invited at the French television during the 70's and the beginning of 80's, there are several hundreds Mady's video! She was the most famous French opera singer for the popular public!
ioSonoCallas 2 years ago
What about Lily Pons?
nmcaia 1 year ago
How high does she go in this?
EnviedCure776 4 years ago
High F#
123Niche 4 years ago 2
LOVELY!
EnviedCure776 4 years ago
I love her voice, it is just so beautiful and distinguishes greatly from other Coloratura's. Just like Elin Carlson and Dilber. But Mady is the Queen of Coloratura. Damn me for being a Lyric...! I wish I was a Coloratura so I could sing like her! But whose voice could compare to such beauty?! NOT EVEN CHRISTEN DAAE!
EnviedCure776 4 years ago
I'M A COLORTURA NOW! SWEET!
EnviedCure776 3 years ago 2
Wich aria is this? Does anynody knows?
wnwnrt 4 years ago
It says in the beginning of the video
La Gazza Ladra - Di piacer mi balza il cor
Ninnetta
Di piacer mi balza il cor. Ah, bramar di più non so:
E l'amante e il genitor finalmente rivedrò. L'uno al sen mi stringerà.
L'altro... ah, che farà? Dio d'amor, confido in te, deh, tu premia la mia fè!
Tutto sorridere mi veggo intorno. Più lieto giorno brillar non può.
Ah, già dimenticato i miei tormenti. Quanti contenti alfin godrò!
OperaWolf 4 years ago
Although same aria is used in less known L'ape musicale...
OperaWolf 4 years ago
The best coloratura since Galli-Curci
meinfb 4 years ago 2
I love it when she hits the high notes! SO BEAUTIFUL!
EnviedCure776 4 years ago
no,she is a coloratura...and one of the most excuisite!!! i am impressed...is she still alive? i never heard such tehnic and such voice...wow!!!
bellasoprana 4 years ago
Oh man, I was hoping that if she was not a Coloratura then that proves that other female Operatic voice can do that cool Ahahahahah thing. You know, flexing to different notes flawlessly.
EnviedCure776 4 years ago
yes, shes in her late 70s
skitzo429 2 years ago
Beautiful! Is she a lyric soprano?
EnviedCure776 4 years ago
She s an even lighter voice than a lyric soprano, it s called soprano soprano legera (italian).
agathosj 4 years ago 2
Cool.
EnviedCure776 4 years ago
@agathosj is soprano leggiero equal to dramatic coloratura?
bobon47 1 year ago
@bobon47 I don't know who might be considered dramatic coloratura since as the voice goes higher, it usually gets thinner. Joan Sutherland and Gruberova had power behind their tones but at least the former didn't sing heavy on the top. This lady's voice is unusual for its range. Coloraturas are rare birds.
zamyrabyrd 1 year ago
@bobon47 Dramatics have heavier voices than lyrics.
flowersings 1 year ago
@EnviedCure776 She's a lyric coloratura soprano, which is the highest soprano. :) That's the english and also the german fach classification.
nansee1985 1 year ago 2
A new voice for me; a most pleasant discovery tonight. Thanks.
xgianpatrick 4 years ago
Absolutely astonishing!
And almost perfect. Merci Mme Mesplé
PopoliDiTessalia 4 years ago
Beautifully executed; superb.
7inga7 4 years ago
A great performance. A very underated singer.
mrrk 4 years ago
You know, in all the years I've known this recording, I never bothered to figure what the high note was at 5:05. Anyone know? It's sounds like it's at least F or G above the staff. It's definitely Mado Rabin territory.
sschimel 4 years ago
it is an F#
DrRRoyce80 4 years ago
You mean Mado Robin.
PecsMstr 2 years ago
Mady Mesple is singing. What do YOU mean "Mado Robin"? Check your ears dude.
everythinok 2 years ago 4
This recording brings back such great memories for me. I didn't discover her until the 80s, when I first heard older recordings of her. Je T'adore. Okay, that used up most of the French that I speak. I love high coloraturas and she is one of the best.
sschimel 4 years ago
Thanks for posting this recording. It is a hommage to Ms. Mesple who was so cruely boehed in the Salut de France competition.
dutchtallguy 4 years ago
Was she really booed IN the performance? Or the commentators on yotube?
I heard applauses and cheering? (or maybe some were boos?)
I really think it is unfair to treat her that way, she's a great singer
Jabe88 4 years ago
Unfortunately, she was. Kind of sad.
Liwah 4 years ago
Brilliant. This is a beautiful song. It's so similar to Una voce poco fa.
Did anyone else sing this?
Ed
edthesp 4 years ago 2
It does! The beautiful booming instrument at 0.28 seconds (what instrument is that?) made me think I'd mistakenly started playing 'Una Voce Poco Fa' too.
Liwah 4 years ago
its only similar to una voce poco fa in the respect that its the same cavatina/aria formulaic ocnstruction, which while was standard in all bel canto operas. the vocal writing isnt really similar
skitzo429 2 years ago
Meraviglioso!!!
maritacasa 4 years ago
¡Qué maravilla! Bravissimo
santcar1816 4 years ago
Excellent ! Mady Mesplé est assurément une des plus grandes soprano légères du 20e siècle. Elle a une technique incroyable et des suraigus inouïs. Cependant, contrairement à ce que dit agathosj, cet enregistrement n'a rien de rare, on peut le trouver dans The Very Best of Mady Mesplé, qu'on peut acheter partout. De plus Mady Mesplé est loin d'être une artiste sous-estimée. En France elle est très connue et très appréciée !
123Niche 4 years ago
Je n'en suis pas certain.
Cela fait 3 ans que j'habite en france et je n'ai jamais vu/entendu parler de Mady sur les medias.
Je suis bien persuade qu'elle est TROP sous-estimee ici (Dessay est plus estimee).
Jabe88 4 years ago
Disons qu'elle était très connue dans les années 60-80. Elle passait très souvent à la télé, et aujourd'hui encore les gens la connaissent. Bien sûr maintenant elle est âgée, donc elle ne chante plus, et on ne la voit plus. Mais son nom est fréquemment cité dans les journaux spécialisés.
123Niche 4 years ago
Ses années fastes sont 1958-1975, elle est premier prix de chant et piano du conservatoire de Toulouse. Elle a d'abord rôdé son répertoire à Liège et Bruxelles entre 1953 et 56, année qui marque ses débuts à l'opéra de Paris. En 58 elle chante Constance du dialogue des carmélites, Gilda, les Indes galantes et Lucia en alternance avec J.Sutherland en 1959! Elle a chanté sur les plus grandes scènes du monde, elle a crée le quatuor n°2 que Betsy Jolas a écrit pour elle!
ioSonoCallas 3 years ago
(suite du 1er commentaire réponse). Charles Chaynes lui a écrit ses "Quatre Poèmes de Sappho", en 1965 elle crée élégie pour jeunes amants de Henze en langue française. Au festival d'Aix-en-provence elle chante Zemire et Azor de Grétry et en 66 Zerbinetta d'Arianne à Naxos, probalement son plus grand triomphe! Il faut absolument écouter sur you tube sa Gilda de Genève en 67! Elle enseigne avec succés depuis presque 30 ans. C'est une musicienne accomplie. ( Désolé d'avoir été aussi bavard! )
ioSonoCallas 3 years ago
Mais pas du tout! Ca me fait plaisir de connaitre toutes ces informations sur Mme Mesple! Merci beaucoup! j'ai toujours apprecie son art d'ailleurs! Pour moi, elle represente l'art du chant classique en France. Aujourd'hui on doit cet honneur a Mme Dessay (Desole, il n'y a aucun accent ni de cedilles sur ce clavier)!
Jabe88 3 years ago
Mady Mesplé est le plus grand soprano leger Francais de la deuxième moitié du 20éme siècle (Mado Robin étant un cas à part). C'est une musicienne accomplie, une artiste sensible et délicate. The very great French diva. She singing all the great stage of the world.(Excuse for my Inglish). Thanks agathosi
ioSonoCallas 4 years ago