On the quest for spiritual evolution?Feel like the real relevant information has been hidden from you?intuition, healing powers, it is all part of human nature.THE-HIDDEN-SPIRITdotCOM It is time to change the world.
Oh, my! That's great for you - wish I could hear her live - she's the top mezzo-soprano today., in my book!
As an aside, I've got recently uploaded clips of a different soprano (sadly underappreciated in her time and today) tackling the difficult role of Der Komponist in 'Ariadne auf Naxos' - on my page. Name of Sena Jurinac - a Vienna State Opera singer from the 40s thru the early 80s. Great singing there, if you're interested.
good performance. They do an amusing job showing the seduction game cleopatra and caesar are playing- and the music is fun and carefully performed. Thanks for posting this!
Just wondering...does anyone know why the part of Cesare was written for a woman? I know pants roles are usually written when the character is a young boy...but Cesare wasn't a really young boy......,right?
It was written for a castrato. Not many of them around these days, so the part is rewritten for alt, mezzo soprano or baritone. Countertenor has also become more and more popular in the recent years.
A soprano, typically a castrato, was used for the role of the hero in baroqe opera, so these situations are quite common.
The identification of high voice=noble was so strong that a female soprano would be cast in a role like Giulio Caesare if a decent castrato could not be found.
This custom of using high voices for heroic roles in serious operas persisted well into the times of Rossini even though he himself only used women in his operas after a painful encounter with that horrible man Velluti (last great operatic castrato).
They didn't. But they did have a time machine, so the traveled back and forth to the 20th century to take advantage of a sale on polaroids, at WalMart, and bring it back for the production (lol).
I have only discovered this mezzo but I find her fantastic! I can't believe how well she is able to pull of the role of Cesare here - really masculine, even down to the way she struts around the stage! I really have to get to a Handel opera...
TRUE! I saw both... and I got to see Daniel's understudy, Tim Mead. He was fantastic - just as brilliant as Sarah. Think Sarah's performance, but done by a bloke. I hope they get him back to do it again when they revive it.
Just remembered Jennifer Larmore's wonderful performance as Caesar at the Met. She was excellent although her voice was a little small for the huge auditorium. Her recording of Caesar on the Harmonia Mundi label is the best I've heard on cd.
Good for you! I like Larmore, too, and they're all different in their respective interpretations, but Connolly simply persuades the best of all as Cesare (better even than Daniels). Thanks for the comments!
I saw David Daniels as Caesar in an L.A. Opera production, and he was superb! The best I've ever seen. I also saw the Polish contralto Ewa Podles as Caesar at San Diego Opera a few years ago. She was amazing! The range of her voice is astounding! Especially impressive were her renditions of "Va Tacito" and "Al Lampo dell'armi".
Hmm, well, I didn't want to alienate Daniels fans here, but I really do agree with you. I saw Daniels in the Chicago Lyric production of this staging, and was glad about the show, except for the fact that Connolly wasn't singing Cesare. Connolly, oddly enough, evinced a much more leader-like, masculine Cesare than Daniels did, and her singing was beyond compare. One of the finest mezzos around today!
she's ridiculously good at playing a man. also, she's a ridiculously great mezzo!
tinkerbell199193 2 months ago
I love this.
Baroquepassion 11 months ago
This has been flagged as spam show
On the quest for spiritual evolution?Feel like the real relevant information has been hidden from you?intuition, healing powers, it is all part of human nature.THE-HIDDEN-SPIRITdotCOM It is time to change the world.
ErlindaWeiner 1 year ago
Bel volto, indeed! ;-)
jgonnerman85 1 year ago
Amazing singing!
Musiker110 1 year ago
If I were cleopatra, I'll fall in love immediatly. isn't it incredible ?
ptitlu747 1 year ago 4
I love this lady - she's playing composer at Met next February (2010) with the amazing Nina Stemme ... YUMMY singing!!!!!
CrowneLeah 2 years ago 4
Oh, my! That's great for you - wish I could hear her live - she's the top mezzo-soprano today., in my book!
As an aside, I've got recently uploaded clips of a different soprano (sadly underappreciated in her time and today) tackling the difficult role of Der Komponist in 'Ariadne auf Naxos' - on my page. Name of Sena Jurinac - a Vienna State Opera singer from the 40s thru the early 80s. Great singing there, if you're interested.
mariandelochs 2 years ago
It's almost perverted the way that Sarah Connolly not only manages to make a convincing man, but a good-looking one as well!
BethDiane 2 years ago 10
good performance. They do an amusing job showing the seduction game cleopatra and caesar are playing- and the music is fun and carefully performed. Thanks for posting this!
blind913 2 years ago 4
You're welcome!
mariandelochs 2 years ago
Also, is it just me, or does Connolly look like Napoleon here? ^_^
ansketil 2 years ago
I just adore this. Can someone post the english lyrics to this scene? Postgrad Roman historian and opera-lover drooling here...
ansketil 2 years ago
The flower in the meadow
Is not so charming or so fair
As the loveliness and sweetness
Of your beauteous face.
It can be compared
Only to the loveliness of a flower,
But all of a fair April
Is joined in you
belovedofarinna 2 years ago 3
Why has noone mentioned Andreas Scholl??????
BuHg3oP 2 years ago
Just wondering...does anyone know why the part of Cesare was written for a woman? I know pants roles are usually written when the character is a young boy...but Cesare wasn't a really young boy......,right?
DivaDeb1234 3 years ago
It was written for a castrato. Not many of them around these days, so the part is rewritten for alt, mezzo soprano or baritone. Countertenor has also become more and more popular in the recent years.
A soprano, typically a castrato, was used for the role of the hero in baroqe opera, so these situations are quite common.
rumbidzai 3 years ago 2
The identification of high voice=noble was so strong that a female soprano would be cast in a role like Giulio Caesare if a decent castrato could not be found.
GreenHarpist 2 years ago
This custom of using high voices for heroic roles in serious operas persisted well into the times of Rossini even though he himself only used women in his operas after a painful encounter with that horrible man Velluti (last great operatic castrato).
Thrax1982 2 years ago
They didn't. But they did have a time machine, so the traveled back and forth to the 20th century to take advantage of a sale on polaroids, at WalMart, and bring it back for the production (lol).
compeld2sing 3 years ago
The scene where Sesto spoils Cesare's moment with Cleopatra, always makes me LOL. :)
Arashi110 3 years ago 2
I just bought her handel aria disc..its great
hillevifan 3 years ago 3
With all due respect, David Daniels couldn't hold a candle to her! She's incredible.
Arashi110 3 years ago 6
Actually, it's 19th-20th century AD in this production!
mariandelochs 4 years ago
I have only discovered this mezzo but I find her fantastic! I can't believe how well she is able to pull of the role of Cesare here - really masculine, even down to the way she struts around the stage! I really have to get to a Handel opera...
shazzer1976 4 years ago 6
You're absolutely right, she's so convincing, great looks (for this role...), great acting, and great singing.
Definetely more masculine than Daniels, lol.
palcika1 4 years ago 10
TRUE! I saw both... and I got to see Daniel's understudy, Tim Mead. He was fantastic - just as brilliant as Sarah. Think Sarah's performance, but done by a bloke. I hope they get him back to do it again when they revive it.
obsessmuch666 4 years ago
Just remembered Jennifer Larmore's wonderful performance as Caesar at the Met. She was excellent although her voice was a little small for the huge auditorium. Her recording of Caesar on the Harmonia Mundi label is the best I've heard on cd.
piustwelfth 4 years ago
Good for you! I like Larmore, too, and they're all different in their respective interpretations, but Connolly simply persuades the best of all as Cesare (better even than Daniels). Thanks for the comments!
mariandelochs 4 years ago
I saw David Daniels as Caesar in an L.A. Opera production, and he was superb! The best I've ever seen. I also saw the Polish contralto Ewa Podles as Caesar at San Diego Opera a few years ago. She was amazing! The range of her voice is astounding! Especially impressive were her renditions of "Va Tacito" and "Al Lampo dell'armi".
piustwelfth 4 years ago
She's the best Caesar I've ever seen. David Daniels can go and hang himself, he would never come even close to her outstanding performance.
Arashi110 4 years ago 3
Hmm, well, I didn't want to alienate Daniels fans here, but I really do agree with you. I saw Daniels in the Chicago Lyric production of this staging, and was glad about the show, except for the fact that Connolly wasn't singing Cesare. Connolly, oddly enough, evinced a much more leader-like, masculine Cesare than Daniels did, and her singing was beyond compare. One of the finest mezzos around today!
mariandelochs 4 years ago
Really nice, calm and gentle...
I like it!
smnole 4 years ago
I love this version by Sarah Connolly and William Christie's Orchestra - she's the best Cesare yet, to my mind !
mariandelochs 4 years ago