Added: 5 years ago
From: vaimusic
Views: 54,289
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  • canta bene ma senza interpretazione

  • She approaches the truth in this rendition of Voi. But still more i think can be done in her submission to this role/character. It is hard not to get too emotional without losing technique, for the sake of technique, this keeps and holds her back just a tad. I want to her get lost in the role more in order for her to feel it more so i can hear it in her singing.

  • q voz TAN buena!

  • what a voice and amazing tone.

  • Tebaldi is beyond fabulous! I have heard both Mezzo's and Soprano's sing this role. Is it that common? I am not to familiar with this opera.

  • It was fantastic. You should also listen to Leyla Gencer's voi lo sapete.

  • The last io piango... fantastic!

  • Tebaldi when young was a princess, when older was a queen, when in her peak was the goddess. Long live my queen!

  • wonderful acting, vocal and physical. love the ending, wow

  • Renata... Italians miss You

  • wait...i LOVED how she ended it like her heart was LITERALLY breaking into a thousand pieces. ahhh that was fantastical.

  • Rita Gorr, 1962, Angel Records:

    watch?v=dPge6MulS6w

    thanks and regards

  • what a beautiful voice. Almost good as was Callas. very pleasant 

  • @RonaldBarone I like Callas but Tebaldi is better IMO.

  • Why dear Renata never sang this role on stage is beyond me! A loss to us all - can imagine her & Corelli or Tucker in that duet!!!

  • @DonPaolissimo : Never mind because she recorded a studio version with Bjorling that is the best Cavallerìa, at least the best Santuzza performance

  • @adolfoa1961 I am of course aware of that studio recording (have owned it for nearly 50 years). Still, the super-charged atmosphere of a live performance with Franco Corelli would have been hair-raising!

  • To sfisher71: If it takes you almost one minute to tell Mascagni from Mozart I think we are undone! Apart from that, the arietta from the Nozze is Voi CHE sapete and not CHI. So (no offense), I think you'd do better to brush up your Italian, besides putting your tuning fork at work. By the way, I prefer Cavalleria to the Nozze, but that's a matter of taste.

  • Very generous reply to someone who at least is interested enough in opera to be checking it out. If your attitude were extended to all opera lovers, we would ALL be undone! A little humility would not go amiss.

  • Adoro la Tebaldi ma purtroppo non mi convince in questa interpretazione del pezzo:(

  • I listened to the first 30-45 seconds of this and kept thinking, "Dang, this sure doesn't SOUND like Mozart--" and then I realized it's Voi LO Sapete, not Voi CHI Sapete.

    Good, though. :-)

  • Brava pure qui

  • So moving! So beautiful......

  • I *heart* Tebaldi!

  • mamma mia.....

  • da brivido

  • splendida

  • + 5 !!!! IMMENSA !!!!! IMMORTALE !!!!

  • Tebaldi was not afraid of music or hair!

  • Renata Tebaldi,la voce d'angelo...

  • ha music par voice i loved her butterfly but in the duet with bergonzi why cant i find that anywhere please post if you have

  • Renata, Toscanini disse que você tinha uma voz de anjo. Agora você é um anjo. Onde você está, os anjos cantam? Nenhum como você, certamente.

  • hénaurme !! la plus grande voix du 20 ème siècle

  • vous avez raison.

  • Oui pour mois c'est la plus belle voix d'opéra italien du 20 ème siècle !

    Ecoutez également la vidéo avec Shirley VERRETT. Dans Santuzza c'est spendide.

  • Simply awesome. you understand every word! And so beautiful and powerful. She's darker than most so called mezzos of today.

  • Ahhhhh!!!! Oh, this has just made my night. Tebaldi was such a goddess. Brava!

  • bravaaaaaaaaaaaaaaaaaaaaaaaaa!­

  • Renata, ti adoro ora e ti adorero' sempre!

    Ecco un'artista!

  • Oh, she was fantastic. I love her voice, so beautiful and yet extremely powerful.

    Thanks for sharing!

  • Look at and listen to the breathing technique

  • la tebaldi

  • La Tebaldi - la plus grande.

  • Tebaldi was always beautiful, but became even more so with time.

  • I agree, Renata was always beautiful and refined, charming, the '58 Napoli Forza duet with Corelli shows how beautiful she was and the '62 Berlino Otello she was very beautiful but you don't know how beautiful she was by the time she stopped singing, in late '70s , 1978/79 she was bellìsima, more beautiful than ever

  • Inattendue dans ce répertoire, la Tebaldi s'en sort plutôt bien. Le timbre un peu alourdi, mais toujours aussi magique !!!!!!!!!

  • Magnifique!!!

  • Comment removed

  • I haven't ever actually heard anyone sing it better!

  • She is the best!

  • roxydoi - i agree 100% with your.

    Dimples of iron, what a smile.

  • My voice teacher saw her often on stage in Europe and said that some nights she had pitch problems but when she was in good shape, she was just La Divina, an unforgettable voice.

  • She tears my heart out in this aria!

  • tebaldi coloratura? Ai Mascagni? E' scherzo o è follia?

  • Wow, that growl at the end was genius.

  • Tebaldi sings here A natural as easy as if she were speaking of weather, as she always hits the high notes.The high note is perfectly placed on pitch.nichtsleezy is a Price and Callas fan who is out of his mind, he is very bitter in bad spirit

  • I think it would be fine for Price fans that Leontyne recordings were released often, Price is quite forgotten and she does not deserv it.Many Tebaldi filmed perf are released on DVD for several labels and hundred of Tebaldi CDs releases.They should do the same with Price

  • Who care.

  • sii benedetta renata per le emozioni

    che mi hai procurato, e continui

    a procurarmi.

  • Tebaldi always sings great, but here she shows she also must have had superb stage presence as well. Shelooks quite elegant - such skin!

    And why do her detractors keep saying she couldn't act? Her facial expressions are fine. It is better to underact a bit than to overact like Callas would at times.

  • I like this very much! Tebaldi is a legend!

  • The best voi lo sapete.

  • Brava! Dramatic!

  • Tebaldi is great in this aria - too bad she did not sing on stage but she does have a beautiful recording of this opera with Bjorling and Bastianini.

  • Tebaldi is very much at home in this music. I own this video, and it is my favorite performance of this aria. The notes in the upper middle have a sublime quality that no one can duplicate.

  • maybe this curious hairwork is useful to sing like she did.

    Fantastic voice and expressivity.

  • Just that: WONDERFUL. I loved this video. Thanks for posting it.

  • Tebaldi is great in this aria - also she looks great.

    Perfect voice for this aria - such a great diction.

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