This is a wonderful tune I love to play with my quintet. I love Clifford Brown man, his sound and approach is incredible. By the way, the tenor plays is not Sonny Rollins, its Harold Land. Cheers!
is this compressed or something. awesome that you have this up but can we get this in better quality if not let me know and i'll upload this from my OG CD's
We were prepared to ignore the "hype" when Clifford came to town, but there was no doubt about it, he was all they were saying & more. Such a strong presence. He had it, both he & Richie Powell. They took breaks at our table. We were to teach Richie to body surf. We went in the day they were supposed to be there. Stan left his drums to tell us about them.. It was a sad time in the Lighthouse. Broke our hearts.
I thimk that brow was better thatn dizzy i mean brown was younger and he did what dizzy did plus u have to remember that clifford's tounging and phrasing was something else i mean the he can tounge 16th tripplets in his cherokee solo is insane XP
holypants74...it was a joke......Brown, Diz......ALPERT?? Although the sad thing is that Alpert made, I would guess, something like a hundred times more money in his career, and was more famous, than either Brown or Diz, which is why American culture is so fucking pathetic.
He sure had a 'fresh' sound. You can really hear where Lee Morgan got some of his influence from. His phrasing was flawless!!! Not to many trumpeter's come close.
In the original Brown/Roach quintet George Morrow played bass. My opinion is that Morrow didn't fit with players like Brown/Roach because he didn't have the chops to play the up-tempos needed for Brown and Roach. Listen to Morrow's playing on the up-tempo stuff. Am I right or wrong or is it just the poor recording of all this great music?
I love Brownie. My all-time favorite trumpet player. Such a wonderful tone and such wonderful phrasing. What a tragedy for the jazz world to lose him at such a young age. Even though he only lived to be 26, his music is still inspiring musicians today. You'll always be my favorite Brownie!
I'm not sure what Harold Land looked like, but the guy holding the tenor looks a lot like Sonny who, as we all know, played and recorded with Clifford frequently. But, damn, this tenor sure sounds like Harold.
Clifford Brown was THE man - smooth, lyrical, swinging and never ever flashy or introspective. His early death was a tragedy and robbed us of many more years of great jazz.
It's one of the greatest recordings of the era. Ever try keeping up with the bridge? For Clifford it's falling water. Richie navigates prettily... Anyone know why they edited out Max's solo in the vinyl?
This recording was originally issued on 78. So not enough time. I think the vinyl was copied directly from the 78. Did the same to Jordu--took out Harold Land's solo. You can hear it all on the Complete Clifford Brown Recordings boxed set (on Verve) if you can still get it. A classic.
Yes, this is the classic Emarcy recording that my buddies and I wore out up in the band room in 1971. It's Harold Land on tenor. One of every serious jazz trumpeter's favorite solos, kinda like Freddie Hubbard (God rest him) on Maiden Voyage: "deedleet deedleet deedleet deedleeoodleedleooodleleedliddleedileet...
1 - Yes, wanking (again!). That would explain my rage and loss of control over here.
2 - Stinker and coward. (Though not at BBT and Al's, sorry)
3 - Yes, I'm looking for Brew's approval - for two years now! My whole day is Brew, can't think of nothing else. The only sound I hear is the piss running down my leg. Delightful.
One of the best trumpet solos in jazz...a real classic on a beautiful tune. I was always impressed too with Clifford's fast tonguing. You can see how he inspired some like Clark Terry in that department (2:15-2:20)and also that consonant-based sustained tonguing at 2:33 that became Clark's signature.
well everyone must understand that miles was able to experiment with different bands and sounds due to the fact that he did live longer than clifford. had clifford lived longer, there is no doubt that he may have experimented as much as miles had. either way, it could be said that miles received much more attention due to his experimentation with, for instance, electric jazz and just plain tripping stuff... but clifford will forever be my favorite.
LOL...nice to see people talking about the MUSIC & not using Youtube to insult people. Too much bickering goes on, and my only suggestion is that we, who are serious listeners or players simply ignore the idiots by not answering their inane comments.Jazz is supposed to be FUN.....let's keep it that way.
seriously. it really is genious. He is playing a concert Ab over an Fmaj7 chord which is a minor third away from the root, the EXACT opposite of what gives the chord it's major structure, but he makes it work. SO TIGHT!
Wow..what a musical loss with Brownie's early demise. I heard him play with Max Roach and the guys in St Louis right before his accident on the Penn Turnpike in 1956.
Unbelievable solo! Check out the 64th note run he does at @2:14-2:19. Harold Land's solo was also out this world. These guys have so much tone presence and delivery. The solos are much much more than just notes. I think Steely Dan honors him with a line in their song, Deacon Blues, off the Aja album. No one has come close to his genius , except Miles.
I beg to differ: Miles & Clifford had 2 completely different voices in jazz. Many will disagree, but the closest I've heard to Clifford is Arturo Sandoval. Check out his homage to Brown on a CD called "I Remember Clifford" (Golson comp.)I grew up listening to Brown & Roach. Sandoval is vastly underrated becuase many consider him to be too "flashy." Brownie; we lost you too soon; you had so much to give.
thank you , i will check out arturo. I didn't say that Miles and Brownie were equivalent, only that he was exceptional comparable to people like Miles. I absolutely agree, they have different voices. Miles definitely experimented more with dissonances, for one small example.
Although I'm a jazz guitarist, my main influences came from horn players.The great ones always had their own voice. As for tenor players, could you possibly listen to Getz, Gordon,Rollins & more I could mention, & not know who was who? That's why comparing great jazz artists, & certainly saying who was "better" than whom, is an exercise in futility. As for Arturo, his homage to Clifford left me in awe. Try to get this CD if you can. It's called "I Remember Clifford."
I am a guitarist as well.. I love horn players, I have had the pleasure of watching Stan Getz twice. WRT Sandoval, the vids of him playing on YT have thus far left me cold. That's not a knock, he's obviously supremely talented, but my tastes run toward performers like Sonny, Trane, Miles, Hancock, Wes. Compositionally, Miles , Monk, Mingus on the jazz side, Mahler, Mozart,Bach, in the classical realm.
I am also a fan of classical music. In our home it was all jazz & classical when I was growing up (my father was a jazz musician as well....alto & tenor sax & clarinet). Love Mozart, Bach & Sarasate(Zieguenerwiesen) to name a few. Big fan of the Baroque period. Still listen to a lot of classical even though I perform only in the jazz genre. Also still listen to J.T. on a regular basis. Fan of his since he came out with "Sweet Baby James" in '69. How Sweet It Is.
What the hell is a minor 7 b5b9 chord? you don't flat the 9 on a minor chord. Only flat the nine on a dominant chord unless you want to play modal like phrygian or locrian.
Chill out; it's just a name for youtube. As for the b9, my original name was m7b5. After using it for quite a while, youtube screwed up my account & wouldn't accept it anymore. So I just added the b9 on a whim. As for chord theory, I've forgotten more than you'll ever know. Break a few "rules"...you'll be surprised at some of the pleasant surprises you'll get.
Although they dont write it on the notation, a b9 is pretty cool on a m7b5. Treat an altered ii -V like a ii-V in harmonic or melodic minor, and you'll notice how good it sounds. Lee Morgan did it a bunch.
yea, i'm talking to you, lol. and i know youre talking about a minor ii-V. half diminshed to dominant. you don't put a major ninth on that dominant thats going to resolve to a minor7.
One of my favorite all time jazz tune.Slammin groove!
mableboy 4 weeks ago
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gioco1234 2 months ago
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gioco1234 2 months ago
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gioco1234 2 months ago
This has been flagged as spam show
great clip keep it up =)
scottdaniels521 3 months ago
I believe that that is Harold Land on tenor,not Sonny.
hdibart 5 months ago
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Mr. Rollins was truly humble when he later joined the group - to take on a Landish sound and approach!
helluvagun 8 months ago
mr. Rollins was very humble when he joined the group to take on a Landish sound and approach on his horn!
helluvagun 8 months ago
Check out The Jazzplaylist video of this same recording much better.
synthapathizer 1 year ago
@synthapathizer - True, but can you get rid of the picture of Miles Davis on your recording? You should be able to edit that out.
holygroove2 9 months ago
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titostacos 1 year ago
What album is this on?
dannyinternetz 1 year ago
@dannyinternetz the album it´s called "Clifford Brown´s finest hour"
grooveman84 1 year ago
I believe that that is Harold Land on tenor,not Rollins.
hdibartolo 1 year ago
@hdibartolo - it's Sonny Rollins in the picture tho... I'm gonna have to find out about that...
holygroove2 9 months ago
This is a wonderful tune I love to play with my quintet. I love Clifford Brown man, his sound and approach is incredible. By the way, the tenor plays is not Sonny Rollins, its Harold Land. Cheers!
gidnergg 1 year ago
@gidnergg Tenor Player*
gidnergg 1 year ago
is this compressed or something. awesome that you have this up but can we get this in better quality if not let me know and i'll upload this from my OG CD's
thepeopleschamp562 1 year ago
We were prepared to ignore the "hype" when Clifford came to town, but there was no doubt about it, he was all they were saying & more. Such a strong presence. He had it, both he & Richie Powell. They took breaks at our table. We were to teach Richie to body surf. We went in the day they were supposed to be there. Stan left his drums to tell us about them.. It was a sad time in the Lighthouse. Broke our hearts.
22HermosaB 1 year ago 3
@22HermosaB Clifford Brown took breaks at your table. What a memory!
It still breaks my heart to think about his early death.
usefulmusic 1 year ago
Holy shit they play this fast!
snailzillascreator 1 year ago
lol, its actually quite slow. But I love it at this speed.
baple 1 year ago
I thimk that brow was better thatn dizzy i mean brown was younger and he did what dizzy did plus u have to remember that clifford's tounging and phrasing was something else i mean the he can tounge 16th tripplets in his cherokee solo is insane XP
Zyezion 1 year ago
holypants74...it was a joke......Brown, Diz......ALPERT?? Although the sad thing is that Alpert made, I would guess, something like a hundred times more money in his career, and was more famous, than either Brown or Diz, which is why American culture is so fucking pathetic.
nicodagger 1 year ago
Who is better? Brown or Diz or Herb Alpert? That's a tough one....
nicodagger 1 year ago
@nicodagger Herb Alpert?
holeypants74 1 year ago
if u like this like i do you should look up joe pass' solo guitar version
MrCryptic55 2 years ago
wonderful.... clifford brown was such a talent. pure genius.
RizRa 2 years ago
He sure had a 'fresh' sound. You can really hear where Lee Morgan got some of his influence from. His phrasing was flawless!!! Not to many trumpeter's come close.
peppersax 2 years ago
its so hard to belive that cliff only lived to 25 and influenced so many
thedking94 2 years ago
what form is this in.... if anyone knows plz respond
zbalder14 2 years ago
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DieWabiSabi 2 years ago
AABA but the second A goes one tone up
DieWabiSabi 2 years ago
@DieWabiSabi
A SEMI-tone up, not a tone. A tone up would have been much easier to play.
usefulmusic 2 years ago
i think that this is in a 32 bar AABA
rewind718 2 years ago
@rewind718 Jeeez, stop the pseudo intellectual musical technological crap and enJOY "Joy Spring" for what it is!!!!!!!!
chestnutfilly 2 years ago
@chestnutfilly And furthermore, "I Remember Clifford" even though I was a day late, and might have been a dollar short....
chestnutfilly 2 years ago
This is incredible! Thanks for uploading!
nekezajebancije 2 years ago
In the original Brown/Roach quintet George Morrow played bass. My opinion is that Morrow didn't fit with players like Brown/Roach because he didn't have the chops to play the up-tempos needed for Brown and Roach. Listen to Morrow's playing on the up-tempo stuff. Am I right or wrong or is it just the poor recording of all this great music?
joeb434 2 years ago
I don't know. But I've read that he was selected just because he coped with the up-tempo stuff. A lot of others were turned down!
helluvagun 2 years ago
0:55 ---> sax solo (im gona learn his opening riff)
songsmadeforyou 2 years ago
nothing beats the original. Still trying to learn brownies solo...
blackguy119 2 years ago 3
The tenor player is indeed Harold Land.
AquilaxOne 2 years ago 3
Harold Land was a brilliant, often overlooked tenor player. Reminds me of Wardell Gray with a fatter tone.
gcrav 2 years ago 2
Brownie has never been bettered and neither has max.
alanfarber 2 years ago 2
the tenor player on this is harold land... anyonre who knows their styles and phrasing can tell that...
mrstrings65 2 years ago 2
Strange ,in the picture they have Sonny Rollins !!
mrstrings65 2 years ago 4
I've always loved this tune. I wonder what else Clifford Brown would have composed if he were still alive today. I bet it would be heavenly.
MattieSongbird 2 years ago
how about dahoud ?
mrstrings65 2 years ago
sonny had a spell with them too
domzkilla 2 years ago
harold land i great in this recording
Henrypost145 2 years ago
Most definitely Sonny
jazzman423 2 years ago
Yeah, I do love his tone....so warm and rich.
debmassey 2 years ago
Did you hold the computer mic in front of a $1 speaker attached to your mp3 player playing the original sampled with a 64k bitrate?
You do a great disservice to a great player.
therockhopper 2 years ago
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bonshui 2 years ago
I love Brownie. My all-time favorite trumpet player. Such a wonderful tone and such wonderful phrasing. What a tragedy for the jazz world to lose him at such a young age. Even though he only lived to be 26, his music is still inspiring musicians today. You'll always be my favorite Brownie!
ChiTown7721 2 years ago
anyone good at something always seems to die young. You know what I mean?
Soccer1Lucas 2 years ago
@ChiTown7721
I first heard Brownie when I was 17. I'm now 73 and I'm still thrilled listening to him.
usefulmusic 2 years ago 3
@usefulmusic I hear ya!!
chestnutfilly 2 years ago
Music.
Pure music.
TigerRocket 2 years ago 3
I'm not sure what Harold Land looked like, but the guy holding the tenor looks a lot like Sonny who, as we all know, played and recorded with Clifford frequently. But, damn, this tenor sure sounds like Harold.
tommythomaso 2 years ago
Cliffy could've definitely brought some innovation to the genre. The cleanest guy around. Makes me proud to be a musician.
KrAcKaJacKx 2 years ago
The picture of the saxaphone player in the video is most definitely Sonny Rollins.
jsmillie23 2 years ago
thanks for posting... love this song a lot
simbone19 2 years ago 2
hmm the audio quality of this is terrible, I hope it is it the upload or the recording?
trumpetsav 2 years ago
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TigerRocket 2 years ago
Clifford Brown was THE man - smooth, lyrical, swinging and never ever flashy or introspective. His early death was a tragedy and robbed us of many more years of great jazz.
althejazz 2 years ago 24
Amen man..
aliaobass 2 years ago
He's flashy, just not cheesy flashy. This group is killin'!
jakeyates2 2 years ago
perfect solo
IVIoon21 2 years ago
Best jazz solo ever!
ventzijazz 2 years ago 2
It's one of the greatest recordings of the era. Ever try keeping up with the bridge? For Clifford it's falling water. Richie navigates prettily... Anyone know why they edited out Max's solo in the vinyl?
Shmecklecka 2 years ago 12
This recording was originally issued on 78. So not enough time. I think the vinyl was copied directly from the 78. Did the same to Jordu--took out Harold Land's solo. You can hear it all on the Complete Clifford Brown Recordings boxed set (on Verve) if you can still get it. A classic.
joeb434 2 years ago
Yes, this is the classic Emarcy recording that my buddies and I wore out up in the band room in 1971. It's Harold Land on tenor. One of every serious jazz trumpeter's favorite solos, kinda like Freddie Hubbard (God rest him) on Maiden Voyage: "deedleet deedleet deedleet deedleeoodleedleooodleleedliddleedileet...
Thanks.
fanofmozart 3 years ago 4
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jerec576 3 years ago
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jerec576 3 years ago
Definately Harold Land on Tenor.
RoyalBluesTrini 3 years ago
yep. i love harold land on the brown and roach album but i cant find any more of him. do you know any other records he's on?
loootbeen 3 years ago
Harold in the Land of Jazz. Among many others he did an album with Bobby Hutcherson, there is so much stuff.
RoyalBluesTrini 3 years ago
The very first jazz tune I learned.
I learned everyone's solo on the guitar when I was 14. Brings back memories. Great composition, vibe and performances all around.
ODFGERTERS 3 years ago 2
correction, that picture is taken of the band not before Harold came to the band but after the one year he spent there.
tommymorey 3 years ago 2
well the picture is Sonny for sure.
wbhrash 3 years ago
Correct.
fanofmozart 2 years ago
i think the tenor man is Harold Land on this cut, not Sonny Rollins.
tommymorey 3 years ago 2
that's sonny rollins, first of all he's pictured in the video, and it sounds like rollins
littleks 3 years ago
i più grande di tutti...per sempre
gio23664 3 years ago
I just learned this song today!!! Now i need to learn how to solo on it. THANK GOD FOR ABERSOLD!!!
kingoliver45 3 years ago
Clifford is the best trumpet jazzman
masleu777 3 years ago 3
Max Roach on drums, Keter Betts on Base and Richie Powell on piano I "think" this was their first album in the early to mid fiftys.
jazmyng1 3 years ago
Clifford Brown! So much integrity in every note of his playing. Is this from "Study in Brown"?
mayakronfeld 3 years ago
This has been flagged as spam show
Must wank by Klaus Homo
1 - Yes, wanking (again!). That would explain my rage and loss of control over here.
2 - Stinker and coward. (Though not at BBT and Al's, sorry)
3 - Yes, I'm looking for Brew's approval - for two years now! My whole day is Brew, can't think of nothing else. The only sound I hear is the piss running down my leg. Delightful.
Must wank now!
Thank you!
Posted Oct 14, 2008, 12.41 PM
FranzivonSpeck 3 years ago
clifford...
0lfo 3 years ago
One of the best trumpet solos in jazz...a real classic on a beautiful tune. I was always impressed too with Clifford's fast tonguing. You can see how he inspired some like Clark Terry in that department (2:15-2:20)and also that consonant-based sustained tonguing at 2:33 that became Clark's signature.
johnnyx53 3 years ago
Consonant based?
What do you mean by that, sorry if i sound dumb
TheZeldaNerd 3 years ago
its HAROLD LAND ON TENOR, NOT ROLLINS, BUT ANYWAY FORMIDABLE MUSIC
nordensgog 3 years ago
i really like this tune! I love the way Joe pass does it!
jedijenkeez45 3 years ago
?????ack
Elitetrumpet 3 years ago
well everyone must understand that miles was able to experiment with different bands and sounds due to the fact that he did live longer than clifford. had clifford lived longer, there is no doubt that he may have experimented as much as miles had. either way, it could be said that miles received much more attention due to his experimentation with, for instance, electric jazz and just plain tripping stuff... but clifford will forever be my favorite.
yonopuedo90 3 years ago
I played drums with this bass player in the early 80s.
coton290 3 years ago
So?
minor7b5b9 3 years ago
So, he's cooler than you! (and this isn't sarcasm, that's really cool).
ZamzarBob 3 years ago
LOL...nice to see people talking about the MUSIC & not using Youtube to insult people. Too much bickering goes on, and my only suggestion is that we, who are serious listeners or players simply ignore the idiots by not answering their inane comments.Jazz is supposed to be FUN.....let's keep it that way.
minor7b5b9 3 years ago 5
amen to that.
debmassey 2 years ago
The lick at 2:33 is one of my favorite 5-10 seconds in all of recorded music. Couldn't be simpler, but still so perfectly balanced.
sigelman 3 years ago 3
seriously. it really is genious. He is playing a concert Ab over an Fmaj7 chord which is a minor third away from the root, the EXACT opposite of what gives the chord it's major structure, but he makes it work. SO TIGHT!
liexcheatxnxsteal 3 years ago 2
Rollins used to do that too. So genius.
Whatisthescore 3 years ago
What part?
ZamzarBob 3 years ago
top of his second chorus at 2:33.
liexcheatxnxsteal 3 years ago 2
2nd chorus of Clifford's solo. He goes from #9 to natural 9 bunch of times.
steebelmoan 3 years ago
#9s!! FTW!!
steebelmoan 3 years ago
#9 is where it's at man. lol
steebelmoan 3 years ago
Wow..what a musical loss with Brownie's early demise. I heard him play with Max Roach and the guys in St Louis right before his accident on the Penn Turnpike in 1956.
portobob 3 years ago
very cool
haraldtheman 3 years ago
Unbelievable solo! Check out the 64th note run he does at @2:14-2:19. Harold Land's solo was also out this world. These guys have so much tone presence and delivery. The solos are much much more than just notes. I think Steely Dan honors him with a line in their song, Deacon Blues, off the Aja album. No one has come close to his genius , except Miles.
dojomania 3 years ago
them ain't 64th's if the bass is on the quarter
jamssmith 3 years ago 2
I stand corrected, they're 32nd notes.
dojomania 3 years ago
try 16th's
liexcheatxnxsteal 3 years ago 9
add 2 points for this one
Elitetrumpet 3 years ago
I beg to differ: Miles & Clifford had 2 completely different voices in jazz. Many will disagree, but the closest I've heard to Clifford is Arturo Sandoval. Check out his homage to Brown on a CD called "I Remember Clifford" (Golson comp.)I grew up listening to Brown & Roach. Sandoval is vastly underrated becuase many consider him to be too "flashy." Brownie; we lost you too soon; you had so much to give.
minor7b5b9 3 years ago
thank you , i will check out arturo. I didn't say that Miles and Brownie were equivalent, only that he was exceptional comparable to people like Miles. I absolutely agree, they have different voices. Miles definitely experimented more with dissonances, for one small example.
dojomania 3 years ago
Although I'm a jazz guitarist, my main influences came from horn players.The great ones always had their own voice. As for tenor players, could you possibly listen to Getz, Gordon,Rollins & more I could mention, & not know who was who? That's why comparing great jazz artists, & certainly saying who was "better" than whom, is an exercise in futility. As for Arturo, his homage to Clifford left me in awe. Try to get this CD if you can. It's called "I Remember Clifford."
minor7b5b9 3 years ago
I am a guitarist as well.. I love horn players, I have had the pleasure of watching Stan Getz twice. WRT Sandoval, the vids of him playing on YT have thus far left me cold. That's not a knock, he's obviously supremely talented, but my tastes run toward performers like Sonny, Trane, Miles, Hancock, Wes. Compositionally, Miles , Monk, Mingus on the jazz side, Mahler, Mozart,Bach, in the classical realm.
dojomania 3 years ago
I am also a fan of classical music. In our home it was all jazz & classical when I was growing up (my father was a jazz musician as well....alto & tenor sax & clarinet). Love Mozart, Bach & Sarasate(Zieguenerwiesen) to name a few. Big fan of the Baroque period. Still listen to a lot of classical even though I perform only in the jazz genre. Also still listen to J.T. on a regular basis. Fan of his since he came out with "Sweet Baby James" in '69. How Sweet It Is.
minor7b5b9 3 years ago
What the hell is a minor 7 b5b9 chord? you don't flat the 9 on a minor chord. Only flat the nine on a dominant chord unless you want to play modal like phrygian or locrian.
Whatisthescore 3 years ago
Chill out; it's just a name for youtube. As for the b9, my original name was m7b5. After using it for quite a while, youtube screwed up my account & wouldn't accept it anymore. So I just added the b9 on a whim. As for chord theory, I've forgotten more than you'll ever know. Break a few "rules"...you'll be surprised at some of the pleasant surprises you'll get.
minor7b5b9 3 years ago 2
Although they dont write it on the notation, a b9 is pretty cool on a m7b5. Treat an altered ii -V like a ii-V in harmonic or melodic minor, and you'll notice how good it sounds. Lee Morgan did it a bunch.
liexcheatxnxsteal 3 years ago 4
In a minor II-V however, a natural 9 is way cooler!
NJlo 2 years ago
go ask your theory teacher or private instructor about natural 9's on minor ii-v's. ^_^
cavemanc 2 years ago
Was that directed towards me? For the record, we were talking about the half diminished chord here.
NJlo 2 years ago
it works well if you make it. think bout it.
superman53535 2 years ago
yea, i'm talking to you, lol. and i know youre talking about a minor ii-V. half diminshed to dominant. you don't put a major ninth on that dominant thats going to resolve to a minor7.
cavemanc 2 years ago
He didn't say Miles sounds like him. He said Miles was a genius like him.
ZamzarBob 3 years ago
I agree completely as you'll see in a reply I made later.
minor7b5b9 3 years ago
on liexcheatxnxsteals comment i accidentally clicked on the thumbs down button! please add 2 to the counter.
Elitetrumpet 3 years ago
I see Sonny Rollins standing there. Is he the tenor player in this track?
BuckshotLaFunke 3 years ago
It's harold Land actually. That picture is very misleading.
steebelmoan 3 years ago
I should have explained better.
Recording is Harold Land, but picture is Sonny Rollins.
steebelmoan 3 years ago
Ah, that explains. Thanks!
BuckshotLaFunke 3 years ago
this guy is good
superrockman07 4 years ago 2
This comment has received too many negative votes show
the sounds sucks sorry
mkjazz75 4 years ago
it was recorded in 1954...
KILLACAMFOO 4 years ago