hey adam, i have a problem with my two hole draw. it sounds really flat and is harder to make than the other notes. i kind of have to strain to get the note out. any tips?
Hi Adam! I really want to thank you! your lessons are so helpful. But when i try to make this sound, you do in this lesson, i get a bit of a oo-ti-too-ti-too-ti sound. Can you of someone else who can actually do this help me?
Im having no troubles with articulation just getting winded quickly. Like you said harp is more affective on the draw, but I have been tryung the upper lip technique you talk of but im still getting winded or just not getting enough out. If you could help with any tips be great thanks!
i dont wanna sound liek a total noob, but when i play i allways blow. should i be sucking insted. i think i need to like start over the way you have been showing me in these vids
Dude...You ARE the harmonica professor w/ a profound understanding of the instrument and an ability to explain so articulately, that almost any lamen (like myself), can wrap their brains around. You actually loose sleep over thoughts of our next lesson...A wise and dedicated mentor would usually charge for sharing their knowledge. But you happily distribute it for free! Thank you " DOCTOR HARP"- in addition to learning, i've been truly inspired. It "BLUEs" my mind! =D
Holy hell! When I first started practicing with my harmonica I was only able to play a few notes coherently, but it wasn't much more than just blowing into and out of the harmonica really fast. I wasn't really able to keep a sound rhythm. I watched this video once and I already started to get an idea on how to start playing melodies. Granted, I've got a load of sweating to do and much to learn, but I'm definitely on the right track now. Thank you so much, you're an excellent teacher!
Sonny Terry used that tight single note draw & slight sloppy release combination a lot (~3:20), especially for train sounds. Being such a big fan of his, hearing your explanations of the techniques makes me go back and evaluate how I play and what I thought I was hearing over the last 8 years!
Reading the comments I see something common with a lot of newer harp players, they're concerned about which hole, how much bend, etc. When I was first learning, I tried to internalize the sound of another player that I wanted to duplicate, by listening to it over and over. Then I'd get the harp and emulate it. Just, make it happen. Maybe not the first, second, or 20th time, but I'd keep trying until I could make that sound, and I'd get closer to my harp in the process.
Hi Adam, I have been working on this lesson for 2 weeks and I've watched this lesson many times and I have finally nailed it !!! what your doing before you slide off the 3 is a 123 draw, very subtle. It would be chi-chi (123 blow releasing air) then 123draw then slide off the 3. I cant even put into words how much your lessons are helping me. I have been playing for about 5 years and I feel I'm at the point where these lessons are really sinking in. Your teaching style is AWESOME. Thank you Sir.
You're quite welcome! It's very gratifying to hear that I've helped you crack the code. But you've also shown people that learning this stuff is about being pointed in the right direction and then putting in some hard sweat-equity time of your own.
There is just one thing that is driving me crazy about this lesson in particular. What exactly are you doing to get that different sound from the blow chord? It's right before you hit the 3 draw back down to the 2 draw. It sounds like maybe you are drawing your tongue back into your mouth, but when I tried that it didn't sound like what you are doing here. Maybe it's one of those subtleties?
Figure it out. Sweat over it for six months. Then take another six months and keep sweating. Eventually, if you have any talent at all, you'll get it. That's how every player who ever got good on the harp got good.
Um, it may sound silly but it works for me, i try not to think to hard about, but to go into like a auto mode kinda, i tend to get it fairly down, but all the while i am recording myself with my web cam so i watch myself, re hear it, and see what i did wrong, hope this helps
Mr Gussow, thanks a lot for those amazing lessons. Just a question for this one. I m ok with the beginning when I just have to draw but when it came to the blow and drow Dadada thing I m lost on the forth beat. What I m a supposed to do ?
I can't even believe that I have still one hundred of wonderful lessons or videos to spend with you ! thanks again, your lessons are priceless. (and excuse my english if mistakes..)
...Hmm, I use tongue-blocking, by curling my tongue like a taco (but really tight). So how can I smack my tongue AND block off 1 and 3 holes? I basically HAVE to eventually learn to lip-purse? I guess this goes with bending as well, considering its hard for me to lower my jaw or do any other action with my tongue whilst still blocking notes.
That's not the way I tongue block. I hit the comb of the harp straight on. Players tongue block in several different ways. Sounds like you need to lay down some cash and get a teacher who can answer these questions in detail.
Yeah, you can mimic 80-90% of the tongue-blocked sound through lip-pursing. Jason does a great job at this. I throw fakes tongue-slaps on most of my notes and I get players commenting on my good "tongue-blocking". They're always surprised to hear that I only tongue-block octaves.
Norfolk and Richmond? Is that Houston, by chance? :P Great videos, by the way! I bought a Hohner Marine Band because you suggested it. I'm quite pleased with it and it has a much warmer sound than the cheap one I was using before.
This is common. It happens to me. Moderate the amount of breath you force through the harp; play with less intensity. Find an intensity level that lets you own the riff/rhythm, rather than it owning you. And mix it up with other stuff.
I thought this lesson was going to be about the flat 3rd? what happend here? Your lessons are great though. Did you do the flat third later on in the future?
Adam, picked up on your reference to tooling around Norfold/Richmond with your mentor, Nat Riddles. I'm from Norfolk and I'm interested to know when you were there and where I might have seen you play. I know you're not from there because you pronounce it wrong (should be Naw F**k), so I'm wondering -- why the heck would you tool around that city?
hi adam,ive just about mastered this lesson after many hours of hard work,you then go off on one and make a full tune of it and it sounds great,can you explain the next steps to complete this
I don't know how to U block. The dada sound can be made easily when you lip purse and almost as easily when you tongue block. It's slightly harder when you TB because your tongue is already doing something else--blocking--and has to adapt to the second demand.
Adam, I have a serious question about that dadaing. Is the method of embrochure supposed to have a strong influence on how well you can hit the roof of your mouth with your tongue? I found out that I have a strong affinity for U-blocking. But I can't make that motion dadada motion very well unless I pucker or tongue block.
Hey Adam, I shied away from tongue blocking because I'm an overblower and I seem to get tongue tied. Your lip pursing technique gives me some hope. Apologize to Dennis for me!
Thank you Adam. I am getting very close to mastering this lesson now.... I have been playing off and on for 20 years and I never could make that sound.. Now, I can. Thanks.
I thank you for your lessons. But it will be much easier for all your internet students if you told what key of harmonica you usein every single lesson, so that we don't have to get confuse figuring out which harmonica should we use.
I'm 18...played guitar for about 10 years now. I found an old harmonica. I must say you are an inspiration to me. Check out my vids. Truly broadened my mind about music. I'm learning so much in the first 6 lessons. Awesome
Thanks. Your video is fine, too. You've got that distortion-and-reverb thing happening--like Steve Vai in the movie CROSSROADS. Whatever pedal or box you're using is working well for you.
It IS awesome, especially when used in concert with lip pursing! We overblowers have lots of neat tricks up our sleeves. See you soon. Give Jon my best :)
Adam, Great teaching, Great videos. I bought the Glover Book same time as you. Learnt a lot of stuff, listened to all the players you said, but still couldn,t put it together. Now 30years later you're my last hope.
hey adam, i'm new to blues harp but i think i've gotten rather good for one week of playing. anyways i have a cheap c harp and a hohner special twenty in A but i want to but i want to try a marine band to see if it's the one for me, i want to be able to play along with you well and i want to jam by myself and play some howlin' wolf type stuff, what do you think is the best all around harp for me. thanks adam
Like any other Youtube video, if you are stuck on the "Loading" screen you should try accessing the video through a proxy server. Such as.... avoidfilters DOT info
Adam, you are a genius! I have picked up a Honer MS Harp in C I bought last year, and I found the confidence to play, the lessons are invaluable and you are an excellent teacher. Thank you for the music.
God Bless you, your family and Mr Satan! Keep up the good work..
Hi adam and everyone, I'm having great fun trying to learn but, im playing with a C harp i bought for £3.00 so im going out to buy a bflat this weekend! many thanks for the lessons!!!
I don't know. Maybe I should take Thaqib's suggestion and market the first 20 lessons as a CD-ROM. The thought has crossed my mind lately, as this madness continues.
Well, I should make clear: I'm a lip-purser AND a tongue-blocker. Tongue blocking, when my teacher showed it to me, transformed my playing. But I continued to lip-purse--a technique better suited to overblows, I think.
Adam, it's great to have someone like you on here showing us 'lip pursers' how to get the effects that the tongue blockers get. Thanks a lot I really appreciate it.
Your video is a favorite on Uzbekistan
beverlybradley210 2 weeks ago
hey adam, i have a problem with my two hole draw. it sounds really flat and is harder to make than the other notes. i kind of have to strain to get the note out. any tips?
TheInsaneToast 7 months ago
Hi Adam! I really want to thank you! your lessons are so helpful. But when i try to make this sound, you do in this lesson, i get a bit of a oo-ti-too-ti-too-ti sound. Can you of someone else who can actually do this help me?
MrBijwaard 7 months ago
All Night Boogie or something like that. It reminds me of Howlin Wolf.
AndonMie 7 months ago
Hey Adam these lessons are awesome.
Im having no troubles with articulation just getting winded quickly. Like you said harp is more affective on the draw, but I have been tryung the upper lip technique you talk of but im still getting winded or just not getting enough out. If you could help with any tips be great thanks!
AnalGoblins 9 months ago
i dont wanna sound liek a total noob, but when i play i allways blow. should i be sucking insted. i think i need to like start over the way you have been showing me in these vids
ChadJHachey 1 year ago
i love these videos and i love the lessons i love them so much when i sleep i dream them lol
CRunchy6614 1 year ago
Dude...You ARE the harmonica professor w/ a profound understanding of the instrument and an ability to explain so articulately, that almost any lamen (like myself), can wrap their brains around. You actually loose sleep over thoughts of our next lesson...A wise and dedicated mentor would usually charge for sharing their knowledge. But you happily distribute it for free! Thank you " DOCTOR HARP"- in addition to learning, i've been truly inspired. It "BLUEs" my mind! =D
chriswoodman5 2 years ago 2
I've been playing since jsut xmass and i've gotten that rytyhmn with the kick down, it's sick I love it man cheers! :-D
ZirusBlackheart 2 years ago
Фак мой мозг...
Capeeqe 2 years ago
Holy hell! When I first started practicing with my harmonica I was only able to play a few notes coherently, but it wasn't much more than just blowing into and out of the harmonica really fast. I wasn't really able to keep a sound rhythm. I watched this video once and I already started to get an idea on how to start playing melodies. Granted, I've got a load of sweating to do and much to learn, but I'm definitely on the right track now. Thank you so much, you're an excellent teacher!
RidiculousFail 2 years ago
Sonny Terry used that tight single note draw & slight sloppy release combination a lot (~3:20), especially for train sounds. Being such a big fan of his, hearing your explanations of the techniques makes me go back and evaluate how I play and what I thought I was hearing over the last 8 years!
rocket881 2 years ago
Reading the comments I see something common with a lot of newer harp players, they're concerned about which hole, how much bend, etc. When I was first learning, I tried to internalize the sound of another player that I wanted to duplicate, by listening to it over and over. Then I'd get the harp and emulate it. Just, make it happen. Maybe not the first, second, or 20th time, but I'd keep trying until I could make that sound, and I'd get closer to my harp in the process.
rocket881 2 years ago
That's exactly what I did. Great minds think alike!
KudzuRunner 2 years ago
haha these lessons are great adam. Thanks so much for putting the time and effort into making them!! I'm learing so much!!
skoolsfun 2 years ago
Hi Adam, I have been working on this lesson for 2 weeks and I've watched this lesson many times and I have finally nailed it !!! what your doing before you slide off the 3 is a 123 draw, very subtle. It would be chi-chi (123 blow releasing air) then 123draw then slide off the 3. I cant even put into words how much your lessons are helping me. I have been playing for about 5 years and I feel I'm at the point where these lessons are really sinking in. Your teaching style is AWESOME. Thank you Sir.
tugggyboat 2 years ago
You're quite welcome! It's very gratifying to hear that I've helped you crack the code. But you've also shown people that learning this stuff is about being pointed in the right direction and then putting in some hard sweat-equity time of your own.
KudzuRunner 2 years ago
Thanks for that top secret. Suddenly I am hugely more rhythmic than before.
Thanks again Adam.
woody
gosiawoodman 2 years ago
Hey Adam, great job on these lessons!
There is just one thing that is driving me crazy about this lesson in particular. What exactly are you doing to get that different sound from the blow chord? It's right before you hit the 3 draw back down to the 2 draw. It sounds like maybe you are drawing your tongue back into your mouth, but when I tried that it didn't sound like what you are doing here. Maybe it's one of those subtleties?
FlurganOnTheSlurgan 2 years ago
Figure it out. Sweat over it for six months. Then take another six months and keep sweating. Eventually, if you have any talent at all, you'll get it. That's how every player who ever got good on the harp got good.
KudzuRunner 2 years ago
Well put, haha. I'll get to sweatin.
FlurganOnTheSlurgan 2 years ago
I was wondering about that too. Thing is, I don't like sweating. _-_ Are you bending the 2 a little bit before you slide to 3?
AceReid 2 years ago
Comment removed
FlurganOnTheSlurgan 2 years ago
Hey, this is absolutely brilliant, the best lesons i have found on youtube yet, thankyou so much for taking the time out to do this XD
cillahughes1 2 years ago 2
It looks so easy when you do it and it sounds like shit when I try it :}
DiAL033 2 years ago
Thanks for another great lesson.
I think i got it now.Only problem is my tong sometimes still goes up and messes up the tone.
But its getting better.
Thanks again.
markus
Bluesguy2009 2 years ago
Um, it may sound silly but it works for me, i try not to think to hard about, but to go into like a auto mode kinda, i tend to get it fairly down, but all the while i am recording myself with my web cam so i watch myself, re hear it, and see what i did wrong, hope this helps
redzombie2008 2 years ago
Awesome!!!
astrodaan 2 years ago
ok, no need to answer to my question. Sorry, i just understand my mistake today. I can now go to lesson 7.
thanks again for great lessons
superkuman 3 years ago
Mr Gussow, thanks a lot for those amazing lessons. Just a question for this one. I m ok with the beginning when I just have to draw but when it came to the blow and drow Dadada thing I m lost on the forth beat. What I m a supposed to do ?
I can't even believe that I have still one hundred of wonderful lessons or videos to spend with you ! thanks again, your lessons are priceless. (and excuse my english if mistakes..)
superkuman 3 years ago
...Hmm, I use tongue-blocking, by curling my tongue like a taco (but really tight). So how can I smack my tongue AND block off 1 and 3 holes? I basically HAVE to eventually learn to lip-purse? I guess this goes with bending as well, considering its hard for me to lower my jaw or do any other action with my tongue whilst still blocking notes.
lmerr 3 years ago
That's not the way I tongue block. I hit the comb of the harp straight on. Players tongue block in several different ways. Sounds like you need to lay down some cash and get a teacher who can answer these questions in detail.
KudzuRunner 3 years ago
When You Do The Goldfish Thing Are You Exhaling Or Inhaling And The Exhaling?
rythemandthebeat 3 years ago
just inhaling
Doggieman1111 3 years ago
This has been flagged as spam show
Teach us the harmonica solo in "Hook" by Blues Traveler and I'll subscribe!
Jaysun325 3 years ago
dang good teacher!!!
Smeddog1 3 years ago 2
Yeah, you can mimic 80-90% of the tongue-blocked sound through lip-pursing. Jason does a great job at this. I throw fakes tongue-slaps on most of my notes and I get players commenting on my good "tongue-blocking". They're always surprised to hear that I only tongue-block octaves.
rizdraver 3 years ago
Norfolk and Richmond? Is that Houston, by chance? :P Great videos, by the way! I bought a Hohner Marine Band because you suggested it. I'm quite pleased with it and it has a much warmer sound than the cheap one I was using before.
Zencyde 3 years ago
Thanks Mr. Gussow. I was just practicing this riff and started to feel light headed. Is ther anyway to pervent this. I am lossing to much oxygen.
superchucker77 3 years ago
This is common. It happens to me. Moderate the amount of breath you force through the harp; play with less intensity. Find an intensity level that lets you own the riff/rhythm, rather than it owning you. And mix it up with other stuff.
KudzuRunner 3 years ago
I thought this lesson was going to be about the flat 3rd? what happend here? Your lessons are great though. Did you do the flat third later on in the future?
equalfairness1 3 years ago
thanks again adam really enjoying your lessons please keep em coming
ostringer9 3 years ago
Adam, picked up on your reference to tooling around Norfold/Richmond with your mentor, Nat Riddles. I'm from Norfolk and I'm interested to know when you were there and where I might have seen you play. I know you're not from there because you pronounce it wrong (should be Naw F**k), so I'm wondering -- why the heck would you tool around that city?
wildbill8547 3 years ago
hi adam,ive just about mastered this lesson after many hours of hard work,you then go off on one and make a full tune of it and it sounds great,can you explain the next steps to complete this
many thanks
steve,(uk)
ollyhock 4 years ago
Your videos are too much fun! I discovered them tonight and blew all my practice time (and then some) watching. Thanks.
pinkushn2 4 years ago
I don't know how to U block. The dada sound can be made easily when you lip purse and almost as easily when you tongue block. It's slightly harder when you TB because your tongue is already doing something else--blocking--and has to adapt to the second demand.
KudzuRunner 4 years ago
Adam, I have a serious question about that dadaing. Is the method of embrochure supposed to have a strong influence on how well you can hit the roof of your mouth with your tongue? I found out that I have a strong affinity for U-blocking. But I can't make that motion dadada motion very well unless I pucker or tongue block.
yunage 4 years ago
Ow, excuse my English. I can write better, but I was more worried about that 500 character limit. ;)
yunage 4 years ago
Hey Adam, I shied away from tongue blocking because I'm an overblower and I seem to get tongue tied. Your lip pursing technique gives me some hope. Apologize to Dennis for me!
MisterPignose 4 years ago
Thank you Adam. I am getting very close to mastering this lesson now.... I have been playing off and on for 20 years and I never could make that sound.. Now, I can. Thanks.
bnorthup3 4 years ago
Mr Adam,
I thank you for your lessons. But it will be much easier for all your internet students if you told what key of harmonica you usein every single lesson, so that we don't have to get confuse figuring out which harmonica should we use.
Again thank you, I love it!
concertguitarist 4 years ago
I'm 18...played guitar for about 10 years now. I found an old harmonica. I must say you are an inspiration to me. Check out my vids. Truly broadened my mind about music. I'm learning so much in the first 6 lessons. Awesome
jtrouty 4 years ago
Thanks. Your video is fine, too. You've got that distortion-and-reverb thing happening--like Steve Vai in the movie CROSSROADS. Whatever pedal or box you're using is working well for you.
KudzuRunner 4 years ago
Great lesson. Inspiring for beginner like me. Tks.
unclevit 4 years ago
Thanks for all your help!
UlyssesTheGreat 4 years ago
Hey Adam - great playing! Teach me more about the tongue-blocking approach...it sounds awesome! Hope to see ya soon, man...
DennisGruenling 4 years ago
It IS awesome, especially when used in concert with lip pursing! We overblowers have lots of neat tricks up our sleeves. See you soon. Give Jon my best :)
KudzuRunner 4 years ago
Adam, Great teaching, Great videos. I bought the Glover Book same time as you. Learnt a lot of stuff, listened to all the players you said, but still couldn,t put it together. Now 30years later you're my last hope.
HowlingWolf99 4 years ago
hey adam, i'm new to blues harp but i think i've gotten rather good for one week of playing. anyways i have a cheap c harp and a hohner special twenty in A but i want to but i want to try a marine band to see if it's the one for me, i want to be able to play along with you well and i want to jam by myself and play some howlin' wolf type stuff, what do you think is the best all around harp for me. thanks adam
ienjoypowerslinkys 4 years ago
See the FAQ's page at my website, modernbluesharmonica dot com
KudzuRunner 4 years ago
Like any other Youtube video, if you are stuck on the "Loading" screen you should try accessing the video through a proxy server. Such as.... avoidfilters DOT info
solbrand 4 years ago
One of the more funny lessons to play. Thanks man!
malditaszorras 4 years ago
Legend! Cheers
piratesi 4 years ago
I now have the other videos. But I still can't download this one. Funny.
eastyz 4 years ago
Why can't I download the video, anybody please? Has it been taken off? I am having the same problem with some of the earlier lessons.
eastyz 4 years ago
You're my hero
kaikayne 4 years ago
Adam, you are a genius! I have picked up a Honer MS Harp in C I bought last year, and I found the confidence to play, the lessons are invaluable and you are an excellent teacher. Thank you for the music.
God Bless you, your family and Mr Satan! Keep up the good work..
BMWWhitey 4 years ago
Hi adam and everyone, I'm having great fun trying to learn but, im playing with a C harp i bought for £3.00 so im going out to buy a bflat this weekend! many thanks for the lessons!!!
samzie67 4 years ago
im learning alot from this youtube thing im geting better a Harmonica and making major inprovement you rule adam
wayne0987 4 years ago
i think your teaching is great. you make it look really easy. im having a hard time going from the two hole to the cord on the draw
bulldawg35 4 years ago
I think you should make the cd !! I would like to be able to take it everywhere with me.
RalphBoy1948 4 years ago
this is somthing i could use work on and i think this will really help thank you
Erikjr21 4 years ago
Have started learning and this guy is ace. Thank you very much for your kind gift of information. A real gent. Cheers
Jay
jbe14 4 years ago
How do I save these to my hard drive?
jnicholaides 4 years ago
I don't know. Maybe I should take Thaqib's suggestion and market the first 20 lessons as a CD-ROM. The thought has crossed my mind lately, as this madness continues.
KudzuRunner 4 years ago
You are my guru man!!! I have an idea, instead, sell our video and make some money man....
Thaqib 4 years ago
Well, I should make clear: I'm a lip-purser AND a tongue-blocker. Tongue blocking, when my teacher showed it to me, transformed my playing. But I continued to lip-purse--a technique better suited to overblows, I think.
KudzuRunner 4 years ago
Adam, it's great to have someone like you on here showing us 'lip pursers' how to get the effects that the tongue blockers get. Thanks a lot I really appreciate it.
nordwest558 4 years ago
great lesson
bpfishback 4 years ago
man your a frigen awesome teacher....i think i like you more than ronnie shellist
tronbaby 4 years ago
Thanks alot man. realy useful. thanks.
mrtreve 4 years ago
real nice subtle use of percussive technique with tongue block / and air spill ... very usefull
66rich66 4 years ago